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Research Interests:
Pre-modern French Literature and Culture;
Twentieth-Century European Cultural History; Performance Studies; Gender Studies. Research Interests include questions of fiction, memory, history; political discourse -- Christine de Pizan, Alain Chartier, François Villon; and contemporary experimental theater. - Recent Papers, Books and Preprints
- Medieval Roles in Modern Times: Theater and the Battle for the French Republic
(February, 2010),
pp. 271 pages, 40 figures, The Pennsylvania State University Press.
- H. Solterer, Theatre and Theatricality,
in The Cambridge Companion to Medieval French Literature
(2008),
pp. 181-194, Cambridge University Press.
- H. Solterer, Making Names, Breaking Lives: Women & Injurious Language,
in Cultural Performances in Medieval France: Essays in Honor of Nancy Freeman, edited by Eglal Doss-Quinby, Robert Krueger, E. Jane Burns
(2007),
pp. 207-21, Boydell & Brewer.
- Helen Solterer, Gustave Cohen at Pont-Holyoke: The Drama of Belonging to France, edited by Christopher Benfey, Karen Remmler,
Artists, Intellectuals, and World War II
(2006),
pp. 145-61, University of Massachusetts Press.
- Fiction versus Defamation: The Quarrel over the Romance of the Rose,
The Medieval History Journal, vol. 2 no. 1
(1999),
pp. 111-141.
- Performer le passé,
in Paul Zumthor ou l’invention permanente. Critique, histoire, poésie, edited by Jacqueline Cerquiglini-Toulet, Christopher Lucken
(1998),
pp. 117-159, Droz.
- co-authored with E. Jane Burns, Sarah Kay, and Roberta L. Krueger, Feminism and the Discipline of Old French Studies: "Une Bele Disjointure",
in Medievalism in a Modernist Temper, edited by R. Howard Bloch, Stephen G. Nichols
(1995),
pp. 225-266, Johns Hopkins University Press.
- The Master and Minerva: Disputing Women in French Medieval Culture
(September, 1995), University of California Press (co-awarded The Modern Language Association Scaglione Prize, 1995.).
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