Office Location:	107A East Duke Bldg
Office Phone:	+1 919 684 2224
Email Address:
Web Page:	http://www.duke.edu/web/theaterstudies/~awe

Research Interests:

Kristine Stiles received her Ph.D. from the University of California at Berkeley. Her main field of research is contemporary art with a focus on performance art and other interdisciplinary experimental art practices. Her research is especially concerned with the representations of violence, trauma, and destruction internationally. She is the recipient of Duke University's Richard K. Lublin Distinguished Award for Teaching (1994), the Fulbright (1995), and the Solomon R. Guggenheim (2000), among others fellowships. Honorary Doctorate of Arts, Darlington College of Arts & The University of Plymouth, England (2005)

• Visualst 100d.001, Introduction to visual culture Synopsis

  East duke 204b, TuTh 01:15 PM-02:05 PM

• Visualst 100d.01d, Introduction to visual culture Synopsis

  East duke 108, M 10:20 AM-11:10 AM

• Visualst 100d.02d, Introduction to visual culture Synopsis

  East duke 204a, M 10:20 AM-11:10 AM

• Visualst 100d.03d, Introduction to visual culture Synopsis

  East duke 108, M 11:55 AM-12:45 PM

• Visualst 260s.04, Topics in visual studies Synopsis

  East duke 204a, Tu 04:25 PM-06:55 PM

Education:

PhD

University of California, Berkeley

1987

Specialties:

Modern and Contemporary Art, Theory & Criticism, and Trauma Studies

Curriculum Vitae

Representative Publications   (More Publications)

1.  Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings.  edited by Kristine Stiles and Peter Selz, University of California Press, (1996). (forthcoming in an expanded new edition edited by Kristine Stiles in 2009)
2.  Concerning Consequences of Trauma in Art and Society.  University of Chicago Press, (2009).
3.  Correspondence Course, An Epistolary History of Carolee Scheemann and Her Circle.  Durham: Duke University Press, (2009).
4.  World Art Since 1945.  Co-authored with Kathy O'Dell, London: Laurence King Publishing, (2012).
5. Burden of Light, in Chris Burden (2007), Newcastle England: Merrell and Locus Plus .
6. Teaching a Dead Hand to Draw, Kim Jones, War and Art, in Kim Jones: A Retrospective (2007) .
7. Metzger's Fierce, Poignant, and Prescient Manifestos, Rett Kopi: A Norwegian Journal of Art and Aesthetics (2006) .
8. The Story of the Destruction in Art Symposium and the "DIAS Affect", in Gustav Metzger: Geschichte Geschichte (2005), Vienna: Generali Foundation .
9. Remembrance, Resistance, Reconstruction, the Social Value of Lia & Dan Perjovschis's Art (2005) .
10. I/Eye/Oculus: Performance, Installation and Video, in Art of the Twentieth Century, edited by Charles Harrison and Paul W. Wood (2004), pp. 183-229, New Haven & London: Yale University Press and The Open University .
11. Performance, in Critical Terms for Art History, 2nd Edition, edited by Robert Nelson and Richard Shiff (2003), pp. 75-97, Chicago: University of Chicago .
12. Uncorrupted Joy: International Art Actions, in Out of Actions: Between Performance and the Object 1949-1979, Paul Schimmel Edition (1998), pp. 226-238, Los Angeles Museum of Contemporary Art .
13. Shaved Heads and Marked Bodies: Representations From Cultures of Trauma (1993) [html] .

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