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Publications of Daniel H. Foster     :chronological  combined  bibtex listing:

Books

  1. D.H. Foster. The Hellenization of Politics: Wagner's "Ring" Cycle and the Greeks.  Cambridge University Press, (2005). (forthcoming)  [abs]
  2. D.H. Foster. The Transatlantic Minstrel Show: British Romanticism and American Blackface. (in progress).  [abs]

Papers/Articles/Chapters in Books

  1. D.H. Foster, “Blackface Sheet Music Iconography and Idiom: The Evolution of Minstrelsy from Theater to Performance", Modern Language Quarterly (forthcoming) .
  2. D.H. Foster, From Minstrel Shows to Radio Shows: Racism and Representation in Blackface and Blackvoice, Journal of American Theatre and Drama (Spring, 2005)  [abs].
  3. D.H. Foster, Film Adaptation: From I, Robot to I Pagliacci, Association of Literary Scholars and Critics Newsletter (11-1 (Winter 2005): 8)  [abs].
  4. D.H. Foster, Bleeding the Past, Building the Future: Epic and National Identity in Richard Wagner’s Ring Cycle, The McNeese Review (vol. 42 (2004): 1-19.)  [abs].
  5. From das Volk to The Souls of Black Folk: Music and National Identity in Richard Wagner and W. E. B. Du Bois, in Afro-German Dialogues, edited by Olaf Berwald and Margo Crawford (Forthcoming in 2005)  [abs].
  6. Performance Communities: Franz Schubert's Die Winterreise and the British Romantics, in Inventing the Individual, edited by Larry Peer (2003), International Conference on Romanticism  [abs].
  7. Music Drama or Music Parody? The Operatic Chorus in Richard Wagner's Gotterdammerung, Text and Presentation, vol. 22 (2002)  [abs].

Book Reviews

  1. Frederic Spott, "Bayreuth: A History of the Wagner Festival". Qui Parle 10:1 (1998): 113-118.

In Progress

  1. Echoes in the Mirror: Cinematic Opera and its Doubles (unpublished essay)  [abs].
  2. Enchanted and in Chains: Drama, Lyric, and the Visual Arts in Opera (unpublished essay)  [abs].
  3. The Eighth Veil: Salome and Intermedial Translation, Essays in Arts and Sciences (2003) (Essay currently under review.)  [abs].


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