|
|
Papers/Articles/Chapters in Books
- "Ripples in the Seascape: The Cuba Commission Report and the Idea of Freedom." Afro-Hispanic Review 27:1 (Spring, 2008): 105-121.
- S. Metzger. "The Little (Chinese) Mermaid: Importing "Western" Femininity in Lou Ye's Suzhou he (Suzhou River)." How East Asian Films Are Reshaping National Identities: Essays on the Cinemas of China, Japan, South Korea, and Hong Kong (2007): 135-154.
- "Patterns of Resistance?: Anna May Wong and the Fabrication of China in American Cinema of the late 30s." Quarterly Review of Film and Video 23:1 (2006): 1-11.
- "Charles Parsloe's Chinese Fetish: An Example of Yellowface Performance in Nineteenth-Century American Melodrama." Theatre Journal 56 (December, 2004): 627-651.
- with Cathy Irwin. "Keeping Up Appearances: Ethnic Alien-Nation in Female Solo Performance." Mixing It Up: Multiracial Subjects (2004): 163-180.
- "Ice Queens, Rice Queens and Intercultural Investments in Zhang Yimou's Turandot." Asian Theatre Journal 20:2 (Fall, 2003): 209-217.
- "Filmic Revisions of Vietnam and the MIAs (Male Indochinese Asexuals)." Quarterly Review of Film and Video 19:2 (2002): 107-121.
- "Eugenie Chan." Asian American Playwrights: A Bio-Bibliographical Critical Sourcebook (2002): 18-23.
- "Mulan, verkleedpartijen in China." Zorro & Co. : Populaire personages en het koloniale verleden. (2002): 117-126.
- "Farewell My Fantasy." also published in Queer Asian Cinema, ed.
Andrew Grossman (NY: Haworth Press, 2000).
Revised version in Chinese translation
published as "Ba Wang Bie Ji Kua Xingbie yu
Wenhua de Huanmie." Ed. and Trans. Ya-Chen
Chen. Ba Wang Bie Ji: Tongxinglian Yuedu yu
Kua Wenhua Duehua. Taiwan: Nanhua University
Press, 2004: 121-157.
Journal of Homosexuality 39:3-4 (2000): 213-232.
Book Reviews
- S. Metzger, "The Provincetown Players and the Culture of Modernity; Avant-Garde Performance and the Limits of Criticism: Approaching the Living Theatre, Happenings/Fluxus, and the Black Arts Movement; Performance in America: Contemporary U.S. Culture and the Performing Arts". American Literature 79:4 (December, 2007).
- S. Metzger, "Double Agency: Acts of Impersonation in Asian American Literature and Culture and Americans First: Chinese Americans and the Second World War". American Literature 79:1 (March, 2007): 201-203.
- "Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s-1920s and From Inner Worlds to Outer Space: The Multimedia Performances of Dan Kwong". TDR 50:192 (Winter, 2006).
- "The Protestant Ethnic and the Spirit of Capitalism by Rey Chow". Modern Chinese Literature and Culture and MCLC Resource Center Publication (February, 2005). [http://mclc.osu.edu/rc/pubs/reviews/metzger.htm]
- with Hope Medina, "Performing America: Cultural Nationalism in American Theater". Theatre Journal 53 (May, 2001): 358-360.
Other
- with Olivia Khoo, Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures
(2009), Intellect [available here] .
- S. Metzger, Yuko Kurahashi et al, Performance Review of The First National Asian American Theater Festival,
Theatre Journal, vol. 60 no. 2
(May 2008),
pp. 283-285 .
- Performance Review of Yohen,
Theatre Journal, vol. 51 no. 4
(Dec 1999),
pp. 68-70 .
- with Gina Masequesmay, Embodying Asian/American Sexualities
(2009), Lexington Books [CATALOG.db&eqSKUdata=0739129031] .
|