Publications of Sean Metzger :chronological combined bibtex listing:
Papers/Articles/Chapters in Books
- S. Metzger, The Little (Chinese) Mermaid: Importing "Western" Femininity in Lou Ye's Suzhou he (Suzhou River), in How East Asian Films Are Reshaping National Identities: Essays on the Cinemas of China, Japan, South Korea, and Hong Kong, edited by Andrew David Jackson, Michael Gibb, and Dave White (2007), pp. 135-154, The Edwin Mellen Press .
- Patterns of Resistance?: Anna May Wong and the Fabrication of China in American Cinema of the late 30s, Quarterly Review of Film and Video, vol. 23 no. 1 (2006), pp. 1-11 .
- Charles Parsloe's Chinese Fetish: An Example of Yellowface Performance in Nineteenth-Century American Melodrama, Theatre Journal, vol. 56 (December, 2004), pp. 627-651 .
- with Cathy Irwin, Keeping Up Appearances: Ethnic Alien-Nation in Female Solo Performance, edited by Sansan Kwan and Kenneth Speirs, Mixing It Up: Multiracial Subjects (2004), pp. 163-180, University of Texas .
- Ice Queens, Rice Queens and Intercultural Investments in Zhang Yimou's Turandot, Asian Theatre Journal, vol. 20 no. 2 (Fall, 2003), pp. 209-217 .
- Filmic Revisions of Vietnam and the MIAs (Male Indochinese Asexuals), Quarterly Review of Film and Video, vol. 19 no. 2 (2002), pp. 107-121 .
- Eugenie Chan, in Asian American Playwrights: A Bio-Bibliographical Critical Sourcebook, edited by Miles X. Liu (2002), pp. 18-23, Greenwood Publishing .
- Mulan, verkleedpartijen in China, edited by Nadia Lie & Theo D'haen, Zorro & Co. : Populaire personages en het koloniale verleden. (2002), pp. 117-126, Nijmegen:Vantilt .
- Farewell My Fantasy, Journal of Homosexuality, vol. 39 no. 3-4 (2000), pp. 213-232 (also published in Queer Asian Cinema, ed. Andrew Grossman (NY: Haworth Press, 2000). Revised version in Chinese translation published as "Ba Wang Bie Ji Kua Xingbie yu Wenhua de Huanmie." Ed. and Trans. Ya-Chen Chen. Ba Wang Bie Ji: Tongxinglian Yuedu yu Kua Wenhua Duehua. Taiwan: Nanhua University Press, 2004: 121-157..) .
Book Reviews
- S. Metzger, "The Provincetown Players and the Culture of Modernity; Avant-Garde Performance and the Limits of Criticism: Approaching the Living Theatre, Happenings/Fluxus, and the Black Arts Movement; Performance in America: Contemporary U.S. Culture and the Performing Arts". American Literature 79:4 (December, 2007).
- S. Metzger, "Double Agency: Acts of Impersonation in Asian American Literature and Culture and Americans First: Chinese Americans and the Second World War". American Literature 79:1 (March, 2007): 201-203.
- "Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s-1920s and From Inner Worlds to Outer Space: The Multimedia Performances of Dan Kwong". TDR 50:192 (Winter, 2006).
- "The Protestant Ethnic and the Spirit of Capitalism by Rey Chow". Modern Chinese Literature and Culture and MCLC Resource Center Publication (February, 2005). [http://mclc.osu.edu/rc/pubs/reviews/metzger.htm]
- with Hope Medina, "Performing America: Cultural Nationalism in American Theater". Theatre Journal 53 (May, 2001): 358-360.
Other
- with Gina Masequesmay, Embodying Asian/ American Sexualities (under review) .