Publications of Sean Metzger     :chronological  combined  bibtex listing:

Papers/Articles/Chapters in Books

1. "Ripples in the Seascape: The Cuba Commission Report and the Idea of Freedom." Afro-Hispanic Review 27:1 (Spring, 2008): 105-121.
2. S. Metzger. "The Little (Chinese) Mermaid: Importing "Western" Femininity in Lou Ye's Suzhou he (Suzhou River)." How East Asian Films Are Reshaping National Identities: Essays on the Cinemas of China, Japan, South Korea, and Hong Kong  (2007): 135-154.
3. "Patterns of Resistance?: Anna May Wong and the Fabrication of China in American Cinema of the late 30s." Quarterly Review of Film and Video 23:1 (2006): 1-11.
4. "Charles Parsloe's Chinese Fetish: An Example of Yellowface Performance in Nineteenth-Century American Melodrama." Theatre Journal 56 (December, 2004): 627-651.
5. with Cathy Irwin. "Keeping Up Appearances: Ethnic Alien-Nation in Female Solo Performance." Mixing It Up: Multiracial Subjects  (2004): 163-180.
6. "Ice Queens, Rice Queens and Intercultural Investments in Zhang Yimou's Turandot." Asian Theatre Journal 20:2 (Fall, 2003): 209-217.
7. "Filmic Revisions of Vietnam and the MIAs (Male Indochinese Asexuals)." Quarterly Review of Film and Video 19:2 (2002): 107-121.
8. "Eugenie Chan." Asian American Playwrights: A Bio-Bibliographical Critical Sourcebook  (2002): 18-23.
9. "Mulan, verkleedpartijen in China." Zorro & Co. : Populaire personages en het koloniale verleden.  (2002): 117-126.
10. "Farewell My Fantasy."  also published in Queer Asian Cinema, ed. Andrew Grossman (NY: Haworth Press, 2000). Revised version in Chinese translation published as "Ba Wang Bie Ji Kua Xingbie yu Wenhua de Huanmie." Ed. and Trans. Ya-Chen Chen. Ba Wang Bie Ji: Tongxinglian Yuedu yu Kua Wenhua Duehua. Taiwan: Nanhua University Press, 2004: 121-157. Journal of Homosexuality 39:3-4 (2000): 213-232.

Book Reviews

1. S. Metzger, "The Provincetown Players and the Culture of Modernity; Avant-Garde Performance and the Limits of Criticism: Approaching the Living Theatre, Happenings/Fluxus, and the Black Arts Movement; Performance in America: Contemporary U.S. Culture and the Performing Arts". American Literature 79:4 (December, 2007).
2. S. Metzger, "Double Agency: Acts of Impersonation in Asian American Literature and Culture and Americans First: Chinese Americans and the Second World War". American Literature 79:1 (March, 2007): 201-203.
3.  "Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s-1920s and From Inner Worlds to Outer Space: The Multimedia Performances of Dan Kwong". TDR 50:192 (Winter, 2006).
4.  "The Protestant Ethnic and the Spirit of Capitalism by Rey Chow". Modern Chinese Literature and Culture and MCLC Resource Center Publication  (February, 2005). [http://mclc.osu.edu/rc/pubs/reviews/metzger.htm]
5. with Hope Medina, "Performing America: Cultural Nationalism in American Theater". Theatre Journal 53 (May, 2001): 358-360.

Other

1. with Olivia Khoo, Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures (2009), Intellect [available here] .
2. S. Metzger, Yuko Kurahashi et al, Performance Review of The First National Asian American Theater Festival, Theatre Journal, vol. 60 no. 2 (May 2008), pp. 283-285 .
3. Performance Review of Yohen, Theatre Journal, vol. 51 no. 4 (Dec 1999), pp. 68-70 .
4. with Gina Masequesmay, Embodying Asian/American Sexualities (2009), Lexington Books [CATALOG.db&eqSKUdata=0739129031] .

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