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Theater Studies : Publications since January 2011

List all publications in the database.    :chronological  combined  bibtex listing:

Beckwith, Sarah

  1. S. Beckwith, "Language goes on Holiday: English Allegorical Drama and the Virtue Tradition, edited by Jennifer Herdt, JMEMS (2012)  [author's comments].
  2. S. Beckwith, William Shakespeare and Stanley Cavell: Acknowledgement, Confession and Tragedy, in Stanley Cavell and Literary Studies (September, 2011), Continuum .
  3. S. Beckwith, Shakespeare and the Grammar of Forgiveness, in Cornell University Press (April, 2011) .
  4. S. Beckwith, Acknowledgement and Confession in Cymbeline, in Shakesepeare and Religion: Early Modern and Postmeodern Perspectives (2011), pp. 97-126, University of Notre Dame Press .
  5. with Beckwith/Aers, The Eucharist, in Cultural Reformations, edited by James Simpson and Brian Cummings (2010), Oxford University Press .

Burian, Peter

  1. Sophocles' Polyphonic Ajax, in Blackwell Companion to Sophocles, edited by Kirk Ormand (2011) .
  2. (editor), A Companion to Aeschylus (2012) .
  3. The Play of Orfeo, The Literary Imagination (2011) (Translation with introduction and notes of Poliziano's "Favola di Orfeo".) .

Clum, John M

  1. J.M. Clum, FINISHING THE HAT by Stephen Sondheim, Contemporary Theatre Review (2011) (In press.) .
  2. J.M. Clum, Oscar Andrew Hammerstein, THE HAMMERSTEINS, Studies in Musical Theatre (2011) (In press.) .

Conceison, Claire

  1. C. Conceison, "Behind the Play: The World and Works of Nick Rongjun Yu", Theatre Journal, vol. 63 no. 3 (October, 2011), pp. 311-322  [author's comments].
  2. Translated by C. Conceison, "Behind the Lie" by Yu Rongjun, Theater Journal, vol. 63 no. 3 (2011), pp. 323-364  [author's comments].

Finucci, Valeria

  1. V. Finucci, Erotic Cultures of Renaissance Italy, The American Historical Review, vol. 116 (2011), pp. 890-91 .
  2. V. Finucci, Open Topic Issue, edited by co edited with David Aers, Journal of Medieval and Early Modern Studies, vol. 41.2 (2011) .
  3. V. Finucci, The Virgin’s Body and Early Modern Surgeons, in Masculinities, Childhood, Violence: Attending to Early Modern Women--and Men (2011), pp. 195-221, University of Delaware Press .
  4. V. Finucci, Mirtilla by Isabella Andreini (1588) (2011) .

Greer, Margaret R

  1. M.R. Greer, Place, Space, and Public Formation in the Drama of the Spanish Empire, in Making Space Public in Early Modern Europe: Performance, Potentiality, Privacy, edited by Angela Vanhaelen & Joseph Ward (Winter, 2012) .
  2. M.R. Greer, Don W. Cruickshank, Don Pedro Calderón. (Cambridge: Cambridge University Press, 2009), Modern Philology (Spring, 2012) .
  3. M.R. Greer, Authority and Theatrical Community: Early Modern Spanish Theater Manuscripts, Renaissance Drama, vol. 41 (Winter, 2011) .
  4. M.R. Greer, Playing the Palace: Space, Place and Performance in the Golden Age, in Cambridge History of the Theatre in Spain, edited by María Delgado and David Gies (December, 2011), Cambridge University Press .
  5. Margaret R. Greer, The Baroque and the Undead: Carnal Knowledge in the Novellas of María de Zayas y Sotomayor, in A Companion to Spanish Women's Studies, edited by Geraldine Coates (February, 2011), Boydell and Brewer .
  6. M.R. Greer, Thine and Mine: The Spanish Golden Age and Early Modern Studies, PMLA, Theories & Methodologies section, vol. 126 no. 1 (January, 2011) .
  7. M.R. Greer, The Weight of Law in Calderón, Grace Magnier, Bulletin of Spanish Studies (Forthcoming, 2012) (Special issue, Festschrift to Don W. Cruickshank.) .
  8. M.R. Greer, Maria M. Calderón, "Subject Stages: Marriage, Theatre, and the Law in Early Modern Spain", U. of Toronto Press, 2010, Hispanic Review (forthcoming, 2011) .
  9. M.R. Greer, Alban Forcione, "Majesty and Humanity: Kings and Their Doubles in the Political Drama of the Spanish Golden Age," New Haven: Yale UP, 2009, Calíope, vol. 17 no. 1 (2011), pp. 219-224 .
  10. M.R. Greer, Pedro Calderón de la Barca, dramaturgo cortesano, in La literatura en la época de Felipe IV, in an 8-vol series, "La monarquía de Felipe V", dir. José Martínez Millán, edited by M. Teresa Ferrer Valls (Forthcoming, 2011) .
  11. M.R. Greer, Los estudios calderonianos: los retos para dentro y para fuera, in Actas del Simposio Calderón de la Barca, U. of Chicago, May, 2011, edited by Luciano García Lorenzo (forthcoming, 2011) .
  12. M.R. Greer, Espacios teatrales: su significación dramática y social, in Monstruos de apariencias lleno's: Espacio de representación y espacios representados en el teatro áureo español, edited by Francisco Sáez Raposo (2011), pp. 297-320, Gráficas Celler .
  13. M.R. Greer, Teresa Ferrer Vals, dir., Diccionario biográfico de actores del teatro clásico español, Bulletin of the Comediantes (2011) .
  14. M.R. Greer, William Egginton, The Theater of Truth: The Ideology of (Neo)Baroque Aesthetics. (Stanford: Stanford University Press, 2010)., Revista Hispánica Moderna (forthcoming, 2011) .

Holmgren, Beth

  1. B. Holmgren, STARRING MADAME MODJESKA: ON TOUR IN POLAND AND AMERICA (October 20, 2011), Indiana University Press [product_info.php]  [abs].
  2. B. Holmgren, Russia on Their Mind: How Hollywood Depicted the Soviet Front, in AMERICANS EXPERIENCE RUSSIA: ENCOUNTERING THE ENIGMA, 1917 TO THE PRESENT (forthcoming in 2013), pp. 24 pp in ms. .
  3. with Choi Chatterjee, AMERICANS EXPERIENCE RUSSIA: ENCOUNTERING THE ENIGMA, 1917 TO THE PRESENT (forthcoming in 2013)  [author's comments].

McAuliffe, Jody

  1. The Mythical Bill, A Neurological Memoir, Sightline Series (2013), University of Iowa Press .
  2. Gulag Follies, in Ethics & Images of Pain (2012), Routledge .
  3. J. McAuliffe, Enda Walsh - med unik scenisk fantasi, Norwegian Shakespeare and Theatre Magazine (2011) .
  4. He Sings the Body Tinterotic, in Frank Lentricchia: Essays on his Fiction, edited by Thomas De Pietro (2009), Guernica Editions .

Metzger, Sean

  1. S. Metzger, Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity; Beyond the Black Lady: Sexuality and the New African American Middle Class, American Literature, vol. 83 no. 4 (Dec 2011), pp. 866-868 .
  2. S. Metzger, At the Vanishing Point: Theatre and Asian/American Critique, American Quarterly, vol. 63 no. 2 (2011), pp. 277-300 .
  3. S. Metzger, Le Rugissement du Lion: Mapping and Memory in Montreal’s Chinese/Canadian Street Theater, in New Essays in Canadian Theatre Vol. 1: Asian Canadian Theatre, edited by Nina Lee Aquino and Ric Knowles (2011), Playwrights Canada Press [html] .

Moi, Toril

  1. T. Moi, 'Something That Might Resemble a Kind of Love': Fantasy and Realism in Henrik Ibsen's Little Eyolf, in Understanding Love Through Philosophy, Film, and Fiction, edited by Susan Wolf and Christopher Grau (2012), Oxford University Press. .
  2. T. Moi, “Skam og åpenhet” [Shame and openness], essay on Karl Ove Knausgård, Min kamp, vols 1-6, Morgenbladet (December 16, 2011), pp. 44-45 .
  3. T. Moi, Å lage det som er vanvittig vakkert" [To create something insanely beautiful; about the value of the humanities], Morgenbladet (December 2, 2011), pp. 24-25 .
  4. T. Moi, Hvordan skal vi forsvare humaniora? Perspektiver fra USA” [How are we to defend the humanities? US Perspectives], Nytt Norsk Tidsskrift, vol. 28 no. 3 (September, 2011), pp. 273-83 .
  5. T. Moi, Trivialitetens vesen [The nature of triviality], review of Anne B. Ragde, Jeg skal gjøre deg så lykkelig, Morgenbladet (September 9, 2011), pp. 38-39 .
  6. T. Moi, Tro uten kjærlighet" [Faith without love; about Ibsen's Emperor and Galilean and terrorism, Dagens Næringsliv (Oslo) (July 29, 2011), pp. 51 .
  7. T. Moi, The Adventure of Reading: Literature and Philosophy, Cavell and Beauvoir, Literature and Theology, vol. 25 no. 2 (June, 2011), pp. 125-40 .
  8. T. Moi, Den gode moren" [The good mother; about Stanley Ann Dunham], Dagens Næringsliv (Oslo) (June 11, 2011), pp. 126-27 .
  9. T. Moi, Filosofi og hjertesorg" [Philosophy and heartache; about women's writing], Morgenbladet (June 10, 2011), pp. 36-37 .
  10. T. Moi, Emperor and Galilean: Ibsen's World-Historical Play, The National Theatre (London) (June, 2011), pp. unpaginated .
  11. T. Moi, Beundringens kunst" [The art of admiration; about Grete Waitz], Dagens Næringsliv (Oslo) (May 7, 2011), pp. 126-27 .
  12. T. Moi, Diskrimineringens logikk" [The logic of discrimination: about the MIT report on women faculty], Dagens Næringsliv (Oslo) (April 2, 2011), pp. 126-27 .
  13. T. Moi, Forsvar for humaniora [Defending the humanities], Aftenposten (Oslo) (March 31, 2011), pp. Kultur, s. 4 .
  14. T. Moi, Fremtiden er kinesisk" [The future is Chinese; about Amy Chua's Battle Hymn of the Tiger Mother], Dagens Næringsliv (Oslo) (February 26, 2011), pp. 118-19 .
  15. T. Moi, Sannheten og Arizona" [Truth and Arizona], Dagens Næringsliv (Oslo) (January 22, 2011), pp. 118-19 .
  16. T. Moi, Ibsen, Norge och världen [Ibsen, Norway, and the World; about Peer Gynt], Gothenburg City Theatre, Sweden (January, 2011) .
  17. T. Moi, The Adventure of Reading: Literature and Philosophy, Cavell and Beauvoir, in Stanley Cavell and Literary Studies: Consequences of Skepticism, edited by Richard Eldridge and Bernard Rhie (2011), pp. 17-29, Continuum .
  18. T. Moi, Access to the Universal: Language, Literature and the Humanities, in Something to Declare: A Collection of Critical Credos, edited by Jeffrey Williams and Heather Steffen (Forthcoming, 2012), Columbia UP (New York) .
  19. T. Moi, 'To Make them Other, and Face Them’: Literature, Philosophy and Beauvoir's ‘The Woman Destroyed', in Women, Genre and Circumstance: Essays in Memory of Elizabeth Fallaize, edited by Margaret Atack, Diana Holmes, Diana Knight and Judith Still (2011), pp. 9-22, MHRA/Legenda (Oxford) (Forthcoming in 2012.) .

Porter, Joseph A. (aka Joe Ashby)

  1. In a Nutshell, Fence (2012, forthcoming) .
  2. For Bob, in Festschrift for Robert Coover's 80th Birthday (2012, forthcoming) .
  3. Burnt Alum, Golden Handcuffs Review (Spring, 2011) .
  4. Le futur proche (2011), Joëlle Losfeld/Gallimard (Paris) (Translation by Bernard Hoepffner of _The Near Future_.) .

Quilligan, Maureen

  1. Margaret Hannay, Mary Wroth, Renaissance Quarterly (2011), University of Chicago Press  [abs].
  2. Bruce R. Smith, The Key of Green, Modern Philology (2011)  [abs].

Solterer, Helen

  1. H. Solterer, Timely Fictions (2011) .

Stiles, Kristine

  1. K. Stiles, Peter d’Agostino’s World-Wide-Walks / between earth & sky, in Peter d’Agostino: World-Wide-Walks [Paseos a Nivel Planetario] / between earth & sky [entre la tierra y el cielo] / 1973 – 2012 (2012), pp. 22-34, Bizkaia de la UPV/EHU (Bilbao, Spain:.) .
  2. K. Stiles, Negative Affirmative: San Francisco Bay Area Art, 1974-1981, in Under the Big Black Sun: California Art 1974-1981, edited by Paul Schimmel (2011), pp. 27-43, Los Angeles Museum of Contemporary Art .
  3. K. Stiles, 7.47 a.m. (The Traumatic Visual Vocabulary of Maurice Benayoun’s So.So.So. Somebody Somewhere Some time), in Maurice Benayoun / OPEN ART 1980-2010 (2011), pp. 83-87, CDA d'Enghien and Les Nouvelles éditions Scala), .
  4. K. Stiles, Peggy Phelan and Kristine Stiles In Conversation, Millennium Film Journal no. 54 (2011), pp. 30-34 .
  5. K. Stiles, Home Alone: ‘Reversal of Positions of Presentation’ and the Visual Semantics of Domesticity, in The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1990, edited by Nancy Princenthal and Helaine Posner (2011), pp. 50-67, Neuberger Museum of Art .
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