Link to Women's Studies Home Page
navigation banner
     
Home >> People >> Faculty Publications


Faculty
Affiliated Faculty
Adjunct Faculty
Associated Faculty
Staff
Faculty Publications
Courses
Contact

 

  Publications of Mark Antliff
  red horizontal rule
 

Books

  1. with Patricia Leighten. Cubism and Culture.  London and New York: Thames & Hudson Press, 2001. (French Edition, 2002, Cubisme et culture)
  2.  Fascist Visions: Art and Ideology in France and Italy.  edited by Matthew Affron and Mark Antliff Princeton University Press, 1997. (Contributors: Walter Adamson (History, Emory University); Matthew Affron (Art History, University of Virginia); Emily Braun (Art History, Hunter College, City University of New York); Michele Cone (Art History, New School for Social Research); Emilio Gentile (Political Science, Universita di Roma); Nancy Locke (Art History, Wayne State University); Marla Stone (History, Occidental University))
  3.  Inventing Bergson: Cultural Politics and the Parisian Avant-Garde.  Princeton University Press, 1993.

Papers Published

  1. "Response to Roger Griffin's: The Primacy of Culture: The Current Growth (or Manufacture) of Consensus in Fascist Studies." Journal of Modern History  (April, 2002): 267-272.
  2. "Fascism, Modernism and Modernity."  reprinted in Critical Concepts in Political Science: Fascism, eds. Matthew Feldman and Roger Griffin, Routledge (2003) The Art Bulletin (The State of Art History Series)  (March, 2002): 148-69.
  3. "Machine Primitives: Philippe Lamour, Germaine Krull, and the Fascist Cult of Youth." Qui Parle  (Fall/Winter 2001): 57-102.
  4. M. Antliff. "The Fourth Dimension and Italian Futurism: A Politicized Space." Art Bulletin  (December, 2000): 720-33.
  5. M. Antliff. "Modernism and Facism: French Fascist Aesthetics Between the Wars." Re-thinking Images Between the Wars: New Perspectives in Art History  (2000): 13-45.
  6. M. Antliff. "Creative Time: Bergson and European Modernism." Tempus Fugit  (2000): 35-65.
  7. M. Antliff. "The Rhythms of Duration: Bergson and the Art of Matisse." The New Bergson  (1999): 184-208.
  8. M. Antliff. "Cubism, Futurism, Anarchism: The Aestheticism of the Action d'art Group, 1906-1920." Oxford Art Journal 21:2 (1998): 99-120.
  9. M. Antliff. "La Cite francaise: George Valois, Le Corbusier, and Fascist Theories of Urbanism." Fascist Visions: Art and Ideology in France and Italy  (1997).
  10. M. Antliff. "The Jew as Anti-Artist: Georges Sorel, Antisemitism, and the Aesthetics of Class-Consciousness." Oxford Art Journal 20:1 (1997): 50-57.
  11. M. Antliff and Matthew Affron. "Art and Fascist Ideology in France and Italy: An Introduction." Fascist Visions: Art and Ideology in France and Italy  (1997).
  12. M. Antliff. "Organicism Against Itself: Cubism, Duchamp-Villon and the Contradictions of Modernism." Word & Image  (October-December 1996): 366-388.
  13. M. Antliff with Patricia Leighten. "Primitive."  revised version, 2003 Critical Terms for Art History  (1996).
  14. M. Antliff. "Cubism, Celtism, and the Body Politic." The Art Bulletin  (December, 1992): 655-668.
  15. M. Antliff. "Bergson and Cubism: A reassessment."  translated into Japanese in Gendai shiso: revue de la Pensee d'aujourd 'hui, Tokyo, vol. 23, 1995 Art Journal  (Winter, 1988): 341-349.

Book Reviews

  1.  "Emily Braun, Mario Sironi and Italian Modernism: Art and Politics under Fascism (Cambridge 2000)". caa.reviews  (November, November, 2001).
  2. M. Antliff, "Emily Braun, Mario Sironi and Italian Modernism: Art and Politics under Facism".   (2000). (in the on-line journal CAA: REVIEWS (November 2001))
  3. M. Antliff, ""Cubism in the Shadow of Marx": David Cottington, Cubism in the Shadow of War: The Avant-Garde and Politics in Paris, 1905-1914, Yale University Press, 1998". Art History  (September, 1999): 444-50.
  4. M. Antliff, "David Weir, Anarchy and Culture: The Aesthetic Politics of Modernism, University of Massachusetts Press, 1997". Modernism/modernity  (January, 1999): 167-69.
  5. Review Article of David Cottingham, "Cubism in the Shadow of War: The Avant-Garde and Politics in Paris 1905-1914".   (1998). (Art History - September 1999 pgs. 444-450)
  6. Review of David Weir, "Anarchy and Culture: The Aesthetic Politics of Modernism".   (1997). (Modernism/modernity-January 1999, pgs. 167-169)
  7. Review of Romy Golan, "Modernity & Nostalgia: Art and Politics between the Wars".   (1995). (Art History-September 1997, pgs. 505-507)

Other

  1. M. Antliff. "Bergson and Poltics and Aesthetics: Aestheticized Politics."  Vol. 1, pgs. 266-268, Vol. IV, pgs. 26-29 The Encyclopedia of Aesthetics Vols. 1-4 (1998).

Exhibition Catalogs