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Professor of Art History
| Office Location: | 107A East Duke Building | | Office Phone: | (919) 684-2467, (919) 684-2224 | | Email Address: | 
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Teaching (Fall 2009):
- Visualst 100d.001, Introduction to visual culture
Synopsis
- East duke 108, TuTh 02:50 PM-03:40 PM
- Visualst 100d.01d, Introduction to visual culture
Synopsis
- East duke 108, Th 01:15 PM-02:05 PM
- Visualst 100d.02d, Introduction to visual culture
Synopsis
- East duke 204a, Th 01:15 PM-02:05 PM
- Visualst 100d.03d, Introduction to visual culture
Synopsis
- East duke 108, F 11:40 AM-12:30 PM
- Visualst 181.01, Performance art history/theory
Synopsis
- East duke 204a, Tu 06:00 PM-08:30 PM
Education:
- PhD University of California, Berkeley 1987
- Specialties:
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Modern and Contemporary Art, Theory & Criticism, and Trauma Studies
- Curriculum Vitae
Representative Publications (More Publications)
- K. Stiles. "More or Less." Duke Magazine (June,
June, 2009). [html]
- K. Stiles. “Cloud with its Shadow: Marina Abramovic” in Marina Abramovic. Phaidon,
2008.
- K. Stiles, ed.,. States of Mind: Dan & Lia Perjovschi. Nasher Museum of Art at Duke University; distributed by Duke University Press, Durham, North Carolina,
2007.
- K. Stiles and Peter Selz, eds.,. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. University of California Press,
1996. (forthcoming in an expanded new edition edited by Kristine Stiles in 2010)
- "Shaved Heads and Marked Bodies: Representations From Cultures of Trauma" (1993), appeared without its 1996 "Afterword" in Bruce Lawrence and Aisha Karim, eds., On Violence: An Anthology (Durham, N.C., Duke University Press); 522-538." This essay was originally published in Strategie II: Peuples Mediterraneens [Paris]64/65 (1993): 95-117; it was excerpted in Dan Perjovschi Post R, for the exhibition “Media Culpa,” Bucharest, Romania, 1995; it was reprinted with a new Afterword in Jean O'Barr, Nancy Hewitt, Nancy Rosebaugh, eds., Talking Gender: Public Images, Personal Journeys, and Political Critiques (Chapel Hill: University of North Carolina Press, 1996): 36-64; excerpted in Dan Perjovschi: Anthroprogramming (New York: Franklin Furnace, 1996); excerpted in Lusitania [New York] 6 (1994): 23-39; excerpted in German in kursiv [Linz, Austria] 2-3. (1995): 19-25; excerpted in numerous Romanian journals 1994-present.
(2007). [html]
- "Burden of Light." Chris Burden (2007).
- "Teaching a Dead Hand to Draw, Kim Jones, War and Art." Kim Jones: A Retrospective (2007).
- "Uncorrupted Joy: International Art Actions." Out of Actions: Between Performance and the Object 1949-1979 Paul Schimmel Edition (1998): 226-238. [html]
- "Between Water and Stone; Fluxus Performance, A Metaphysics of Acts." excerpted in Tracy Warr, ed., The Artists'Body (London: Phaidon Press, 2000): 211-14
In the Spirit of Fluxus (1993): 62-99.
- "Performance." Critical Terms for Art History 2nd Edition (2003): 75-97.
- "I/Eye/Oculus: Performance, Installation and Video." Art of the Twentieth Century (2004): 183-229.
- "The Story of the Destruction in Art Symposium and the "DIAS Affect"." Gustav Metzger: Geschichte Geschichte (2005).
- "Remembrance, Resistance, Reconstruction, the Social Value of Lia & Dan Perjovschis's Art." (2005).
- "Metzger's Fierce, Poignant, and Prescient Manifestos." Rett Kopi: A Norwegian Journal of Art and Aesthetics (2006).
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