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 Andrew Mellon Assistant Professor
| Office Location: | Trent 210 | | Office Phone: | 919 660 4396 | | Email Address: |  
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Teaching (Fall 2008):
- Aall 172s.01, Chinese lit in translation
Synopsis
- Trent 038a, Tu 04:25 PM-06:55 PM
- Aall 188.001, Modern chinese cinema
Synopsis
- Trent 040, Th 04:25 PM-06:55 PM
- Aall 188.01d, Modern chinese cinema
Synopsis
- Trent 040, W 07:15 PM-09:30 PM
- Aall 288.01, Modern chinese cinema
- See instru, W 07:15 PM-09:30 PM; See instru , Th 04:25 PM-06:55 PM
- Office Hours:
- Tues 2:30 – 3:30 & by appointment
Education:
- Ph.D. in Rhetoric with a designated emphasis in Film Studies University of California, Berkeley 2004
- M.A. in Cinema Studies San Francisco State University 1995
- B.A. in English Fu Jen Catholic University, Taipei, Taiwan 1991
- Specialties:
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Chinese
- Research Interests:
Film historiography, film theory, postcolonial theory and theories of culture and globalization; film and other media of Taiwan, Hong Kong and China
Recent Publications (More Publications)
- G. Hong. "Framing Time: New Women and the Cinematic Representation of Colonial Modernity in 1930s Shanghai." positions: east asia cultures critique 15:3 (2007): 553-580.
- G. Hong. "Limites of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries." positions: east asia cultures critique (Accepted, 2007).
- G. Hong. "Memorandum on Happiness or the Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentary." postions: east asia cultural critique (Submitted, 2006, under review).
- G. Hong. "Island of No Return: Cinematic Retrospection in Wang's Taiwan Trilogy." Techologies of Temporality in Chinese Cinema (Accepted, 2006, book volume under review).
- G. Hong. "Meet Me in Shanghai: Urban Cinema as Refugee Cinema in 1930s Shanghai." Cinema Journal (Submitted, 2006, under review).
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