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  Maurice O Wallace, Affiliated Faculty
  red horizontal rule
  Associate Professor

Office Location:  322 Allen
Office Phone:  919-684-3939, 919-684-9939
Email Address:  send me a message

Teaching (Fall 2009):

  • English 189.01, Special topics in film Synopsis
    Rubenstein 153, WF 11:40 AM-12:55 PM
  • Aaas 199.09, Special topics
    Rubenstein 153, WF 11:40 AM-12:55 PM
  • English 271fs.01, Sp top criticism/theory/meth Synopsis
    Allen 317, Th 04:25 PM-06:55 PM
  • Aaas 299s.02, Special topics
    Allen 317, Th 04:25 PM-06:55 PM
Office Hours:

Tuesdays 2:00 - 4:30pm
Education:

  • Ph.D. Duke University 1995
  • A.B. Washington University-St. Louis 1989

Specialties:

African American Literature
American Literature
Gender & Sexuality Studies
Research Interests:

A 1995 Duke PhD, Maurice Wallace has also taught at in the departments of English and African and Afro-American Studies at Yale University. He is a former member of the Yale Journal of Criticism editorial collective. Author of Constructing the Black Masculine: Identity and Ideality in African American Men's Literature and Culture, 1775-1995, his recent teachings and writings have turned to literature and visual culture, with particular and sustained emphases on autobiography, realism, photographic representation, and the visual technologies of race, gender, and difference. Presently, he is at work on a critical biography of James Baldwin between 1960 and 1970 entitled Hostile Witness: James Baldwin as Artist and Outlaw. With attention to issues of race, criminality, panoptic power and transnationalism, its central concern is with Baldwin's coevally forced and voluntary exiles to France and Istanbul, Turkey as well as his vexed alienation from Africa and the American South. Wallace's essays have appeared in American Literary History and Journal of African American History and four critical anthologies.

Recent Publications   (More Publications)
  1. "Violence and Manhood in Douglass’s Civil War."  In press. The Cembridge Companion to Frederick Douglass  (2009).
  2. "Print, Prosthesis, Impersonation: Toni Morrison’s Jazz and the Limits of American Literary History." American Literary History 20:4 (Winter, Winter, 2008): 794-806.
  3. "Riveted to the Wall: Covetous Fathers, Devoted Sons and the Patriarchal Pieties of Herman Melville and Frederick Dougass." Frederick Douglass and Herman Melville: Essays in Relation  (2008): 300-326.
  4. "Riveted to the Wall: Covetous Fathers, Devoted Sons, and the Patriarchal Pieties of Herman Melville and Frederick Douglass." Frederick Douglass and Herman Melville: Essays in Relation  (forthcoming).
  5. "How a Man Was Made a Slave: Contraband, Chiasmus and the Failure of Visual Abolitionism." ELN: English Language Notes. Special Issue on Race and Photography 44:2 (Fall/ Winter 2006): 175-180.