| |
Professor; ItalianEducation:
- PhD in Comparative Literature University of Illinois at Urbana-Champaign 1983
- MA in Comparative Literature University of Illinois at Urbana-Champaign 1977
- Advanced Certificate Mount Hoyoke College 1976
- Laurea in Modern Languages and Literature, summa cum laude, University of Rome 1974
- Specialties:
-
Italian
- Research Interests:
Renaissance literature, the epic, the romance, women's study, and literary theory. Representative Publications (More Publications)
- V. Finucci and M. Rippa Bonati, eds. Mores Italiae: Costume and Life in the Renaissance // Costumi e scene di vita del Rinascimento (Yale University, Beinecke Library, MS 457). Bilingual Edition. Padua: Biblos, 2007: 232pp.
- V. Finucci, ed, Mapping the Mediterranean. A Special Issue of the Journal of Medieval and Early Modern Studies 37:1 (Winter 2007).
- V. Finucci, ed. Floridoro, a Chivalric Romance by Moderata Fonte. University of Chicago Press, 2006: 493pp.
- V. Finucci, ed. Petrarca, canoni, esemplarità. Rome: Bulzoni Editore, 2006: 361pp.
- V. Finucci, ed and trans. Urania by Giulia Bigolina. University of Chicago Press, 2005: 192pp.
- V. Finucci and A. Wharton, eds, Open Topic. Journal of Medieval and Early Modern Studies 35:2 (Spring 2005).
- V. Finucci. The Manly Masquerade: Masculinity, Paternity, and Castration in the Italian Renaissance. Duke University Press, 321 pp,
2003.
- V. Finucci, ed. Urania di Giulia Bigolina (ca. 1554). Rome: Bulzoni Editore, 2002: 198 pp.
- V. Finucci and K. Brownlee, eds. Generation and Degeneration: Tropes of Reproduction in Literature and History from Antiquity to Early Modern Europe. Duke University Press, Spring, 2001: 327 pp.
- V. Finucci, ed. Renaissance Transactions: Ariosto and Tasso. Duke University Press, 1999: 328 pp.
- V. Finucci, ed. Tredici canti del Floridoro di Moderata Fonte (1581). Modena: Mucchi, 1995: 232 pp.
- V. Finucci and R. Schwartz, eds. Desire in the Renaissance: Psychoanalysis and Literature. Princeton University Press, 1994: 277 pp.
- V. Finucci. The Lady Vanishes: Subjectivity and Representation in Castiglione and Ariosto. Stanford University Press, 329 pp,
1992.
|