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Books

  1. M.R. Greer and Elizabeth Rhodes, María de Zayas y Sotomayor. Exemplary Tales of Love and Tales of Disillusion (Spring, 2009), U. of Chicago Press .
  2. Maria de Zayas Tells Baroque Tales of Love and the Cruelty of Men (2000), University Park, Pa.: Pennsylvania State University Press  [author's comments].
  3. Margaret R. Greer, ed., Basta callar. Pedro Calderon de la Barca (2000), Ottawa: Dovehouse Editions .

Papers Published

  1. M.R. Greer, Authority and Theatrical Community: Early Modern Spanish Theater Manuscripts, Renaissance Drama, vol. 41 (Winter, 2011) .
  2. M.R. Greer, Thine and Mine: The Spanish Golden Age and Early Modern Studies, PMLA, Theories & Methodologies section, vol. 126 no. 1 (January, 2011) .
  3. M.R. Greer, The Weight of Law in Calderón, Grace Magnier, Bulletin of Spanish Studies (Forthcoming, 2012) (Special issue, Festschrift to Don W. Cruickshank.) .
  4. M.R. Greer, Espacio teatrales: su significación dramática y social, ProLope (Winter, 2010) .
  5. M.R. Greer, Mirror Neurons, Theatrical Mirrors and the Honor Code, special edition on "The Virtual Worlds of Calderón", edited by Juan Luis Suarez, Anuario calderoniano (2010) .
  6. M.R. Greer, La clase social y el trabajo sucio de la guerra en los tablados madrileños, in Opinión pública y espacio urbano en la Edad Moderna, edited by Antonio Castillo Gómez, James S. Amelang, Carmen Serrano Sánchez (2010), Gijón .
  7. M.R. Greer, Class and the Dirty Work of War in Calderón, Anuario Calderoniano, vol. 2 (Winter, 2008) .
  8. M.R. Greer, An (In)convenient Marriage? Justice and Power in 'La vida es sueño,' comedia and auto sacramental, Bulletin of Spanish Studies, vol. 85 no. 6 (Fall, 2008), pp. 55-68 .
  9. M.R. Greer and Alejandra Ulla Lorenzo, El proyecto 'Manos teatrales', Anuario Calderoniano, vol. I (2008), pp. 407-411 .
  10. M.R. Greer, La mano del copista: Diego Martínez de Mora interpreta a Calderón, Anuario Calderoniano, vol. 1 (2008), pp. 201-221 .
  11. M.R. Greer, “La caza sacro-política: de El divino bosque de González de Eslava a Calderón,”, in Teatro Colonial Hispanoamericano, edited by José Antonio Rodríguez Garrido & Ignacio Arellano (forthcoming 2007), PUCP and U. de Navarra .
  12. M.R. Greer, Hispanism and its 'disciplina', Hispanic Issues on-line, vol. 1 no. 1 (2006) (Invited contribution to first issue of.) .
  13. M.R. Greer, The Politics of memory in Calderón's "El Tuzaní de la Alpujarra", in Rhetoric and Reality in Early Modern Spain, edited by Richard Pym (2006), pp. 113-130, London: Tamesis .
  14. Laura R. Bass and Margaret R. Greer, Preface", "Part One: Materials", and "Introduction" to Part Two, Approaches, in Approaches to Teaching Early Modern Spanish Drama, edited by Laura R. Bass and Margaret R. Greer (2006) .
  15. M.R. Greer, “Los dos cuerpos del rey en Calderón: El nuevo palacio del Retiro y El mayor encanto amor”, in El teatro clásico español a través de sus monarcas, edited by Luciano García Lorenzo (2006), Editorial Fundamentos .
  16. M.R. Greer, Spanish Golden Age Tragedy: From Cervantes to Calderón, in A Blackwell Companion to Tragedy, edited by Rebecca Bushnell (2005), pp. 351-369, London: Blackwell .
  17. M.R. Greer, Imperialism and Anthropophagy in Early Modern Spanish Tragedy, in Reason and Its Others in Early Modern Spain and Italy, Hispanic Issues, edited by David Castillo (2005), Minneapolis: U. of Minnesota Press (forthcoming.) .
  18. M.R. Greer, Diana, Cupid and Barrowed Dogs: On Hunting in 'Don Quixote', in Cervantes y su mundo, Estudios de Literatura 92, edited by A. Robert Lauer & Kurt Reichenberger, vol. 3 (2005), pp. 201-222, Kassel: Edition Reichenberger .
  19. M.R. Greer, Harry Sieber, Bruce W. Wardropper, 1919-2004, Bulletin of Spanish Studies, vol. 83 no. 2 (2005), pp. 249-52 .
  20. Margaret R. Greer, Andrea Junguito, Economies of the Early Modern Spanish Stage, Revista Canadiense de Estudios Hispánicos, vol. 29 (2004), pp. 31-46 .
  21. The Creation of National Theater, in Cambridge History of Spanish Literature, edited by David Gies (2004), pp. 238-250, Cambridge UP .
  22. M.R. Greer, Imperialismo y antropofagia en la tragedia del Siglo de Oro, in Temas del Barroco hispánico, edited by I. Arellano & E. Godoy (2004), pp. 161-175, Iberoamericana .
  23. A la caza del sujeto noble en el teatro de los Siglos de Oro, in Estudios del teatro áureo. Texto, espacio y representación, Cultura Universitaria/Serie Ensayo 75, edited by Aurelio González et al (2003), pp. 75-86, México: Universidad Autónoma Metropolitana – El Colegio de México .
  24. In Memoriam: Anthony Higgins, 1964-2001, Calíope, vol. 8 no. 2 (2002), pp. 95-97 .
  25. Calderon de la Barca, Playwright at Court, in Cambridge Companion to Valezquez, edited by Suzanne Stratton-Pruitt (2002), pp. 149-169, Cambridge: Cambridge University Press .
  26. Maria de Zayas and the Female Eunuch, Journal of Spanish Cultural Studies, vol. 2 no. 1 (2001), pp. 41-53 .
  27. El poder del deseo y el deseo del poder, in Deseo, sexualidad y afectos en la obra de Calderón. Duodécimo Coloquio Anglogermano sobre Calderón. Leipzig, 14-18 de julio de 1999, Archivum Calderonianum 9, edited by Manfred Tietz (2001), pp. 61-71, Stuttgart: Franz Steiner Verlag .
  28. Margaret R. Greer and John Dagenais, Introduction to Decolonizing the Middle Ages, Special Topics issue, Journal of Medieval and Early Modern Studies, vol. 30 no. 3 (2000) .
  29. A Tale of Three Cities: The Place of the Theatre in Early Modern Madrid, London and Paris, Bulletin of Hispanic Studies (Liverpool), vol. 77 (2000), pp. 391-419 .
  30. Foreward, in Eight Dramas of Calderón translated by Edward Fitzgerald (2000), pp. 1-6, Champaign, Ill., University of Illinois Press .
  31. Woman and the Tragic Family of Man in Los siete infantes de Lara of Juan de la Cueva., Hispania, vol. 82 (1999), pp. 472-480 .

Papers Accepted

  1. M.R. Greer, Place, Space, and Public Formation in the Drama of the Spanish Empire, in Making Space Public in Early Modern Europe: Performance, Potentiality, Privacy, edited by Angela Vanhaelen & Joseph Ward (Winter, 2012) .
  2. M.R. Greer, Playing the Palace: Space, Place and Performance in the Golden Age, in Cambridge History of the Theatre in Spain, edited by María Delgado and David Gies (December, 2011), Cambridge University Press .
  3. Margaret R. Greer, The Baroque and the Undead: Carnal Knowledge in the Novellas of María de Zayas y Sotomayor, in A Companion to Spanish Women's Studies, edited by Geraldine Coates (February, 2011), Boydell and Brewer .
  4. M.R. Greer, Pedro Calderón de la Barca, dramaturgo cortesano, in La literatura en la época de Felipe IV, in an 8-vol series, "La monarquía de Felipe V", dir. José Martínez Millán, edited by M. Teresa Ferrer Valls (Forthcoming, 2011) .
  5. M.R. Greer, Los estudios calderonianos: los retos para dentro y para fuera, in Actas del Simposio Calderón de la Barca, U. of Chicago, May, 2011, edited by Luciano García Lorenzo (forthcoming, 2011) .
  6. M.R. Greer, Espacios teatrales: su significación dramática y social, in Monstruos de apariencias lleno's: Espacio de representación y espacios representados en el teatro áureo español, edited by Francisco Sáez Raposo (2011), pp. 297-320, Gráficas Celler .
  7. M.R. Greer, ¿Por qué conmueven las cuestiones de la honra? Lope y la neurofisiología, in Cuatrocientos años del 'Arte nuevo' de Lope de Vega: Actas selectas del XVI Congreso de la Asociación Internacional Español y Novohispano de los Siglos de Oro (Olmedo, 2009), edited by German Vega García Luengos & Hector Urzáiz Tortajada (2010), pp. 593-598, U. of Valladolid .
  8. M.R. Greer, Calderón and the Bible, in Encyclopedia of the Bible and Its Reception (Forthcoming 2010), Verlag Walter de Gruyter .
  9. M.R. Greer, Autos sacramentales, in Encyclopedia of the Bible and its Reception (Winter, 2008), Verlag Walter de Gruyter .
  10. M.R. Greer, Early Modern Spanish Theatrical Transmission, Memory, and a Claramonte Play, in Festschrift in honor of Robert L. Fiore, edited by Malcolm Compitello, Chad Gasta, et al (Winter, 2008), Juan de la Cuesta .

Book Reviews

  1. M.R. Greer, Don W. Cruickshank, Don Pedro Calderón. (Cambridge: Cambridge University Press, 2009), Modern Philology (Spring, 2012) .
  2. M.R. Greer, Maria M. Calderón, "Subject Stages: Marriage, Theatre, and the Law in Early Modern Spain", U. of Toronto Press, 2010, Hispanic Review (forthcoming, 2011) .
  3. M.R. Greer, Alban Forcione, "Majesty and Humanity: Kings and Their Doubles in the Political Drama of the Spanish Golden Age," New Haven: Yale UP, 2009, Calíope, vol. 17 no. 1 (2011), pp. 219-224 .
  4. M.R. Greer, Teresa Ferrer Vals, dir., Diccionario biográfico de actores del teatro clásico español, Bulletin of the Comediantes (2011) .
  5. M.R. Greer, William Egginton, The Theater of Truth: The Ideology of (Neo)Baroque Aesthetics. (Stanford: Stanford University Press, 2010)., Revista Hispánica Moderna (forthcoming, 2011) .
  6. M.R. Greer, Robert Bayliss, The Discourse of Courtly Love in Seventeenth-Century Spanish Theater (Lewisburg: Bucknell University Press, 2008), Colorado Review of Hispanic Studies (forthcoming, 2010) .
  7. M.R. Greer, Bruce Burningham. Radical Theatricality: Jongleuresque Performance on the Early Spanish Stage, Renaissance Quarterly (Winter, 2007) .
  8. I fantasmi di Cervantes" by Mariarossa Scaramuzza Vidoni, Cervantes, vol. 24 (2004), pp. 259-261 .
  9. Cervantes in Algiers: A Captive’s Tale, by María Antonia Garcés, and Passing for Spain: Cervantes and the Fictions of Identity, by Barbara Fuchs, Caliope (2003) (forthcoming.) .
  10. La segunda versión de ‘La vida es sueño’, de Calderón. Edición, introducción y notas de Germán Vega García-Luengos, Don W. Cruickshank y J. M. Ruano de la Haza, Revista Canadiense de Estudios Hispánicos, vol. 37 no. 2 (2003), pp. 380-382 .
  11. Il gran Cid dell Spagne. Materiales para el estudio del tema del Cid en Italia, by Marco Lombardi and Coral García, Rivista di Letterature Moderne e Comparate (2002) .
  12. Pilgrimage to Patronage. Lope de Vega and the Court of Philip III, 1598-1621, by Elizabeth Wright, Bulletin of Hispanic Studies (Liverpool). (2002) .
  13. El rey don Pedro en Madrid y el infanzón de Illescas. Attributed to Lope de Vega. Critical Edition of the Text of the Primary Tradition, Carol Bingham Kirby, ed., Bulletin of the Comediantes, vol. 53 no. 2 (2001), pp. 335-337 .
  14. A Star-Crossed Golden Age. Myth and the Spanish Comedia, Frederick A. De Armas, ed, Revista de Estudios Hispánicos, vol. 33 (1999), pp. 587-588 .

Edited Volumes

  1. M.R. Greer, Walter Mignolo, Maureen Quilligan, eds., Rereading the Black Legend: The Discourses of Racism in the Renaissance Empires (December, 2007), U. of Chicago Press .
  2. Laura R. Bass and Margaret R. Greer, eds., Approaches to Teaching Early Modern Spanish Drama (April, 2006), New York: Modern Languages Association .
  3. John Dagenais and Margaret R. Greer, eds., Decolonizing the Middle Ages, Journal of Medieval and Early Modern Studies, vol. 30 no. 3 (Fall, 2000) (A special topics issue.) .

Articles Online

  1. María de Zayas: The Said and the Unsaid., edited by Barbara Simerka and Christopher B. Weimer, Laberinto, vol. 3 (2001) [htm] .