Arthist 722s.01, Experimental art in a globalSynopsis
East duke 204a, Tu 03:05 PM-05:35 PM
(also cross-listed as VMS 722S.01)
Education:
Ph.D. University of California, Berkeley 1987
Specialties:
Contemporary Art (1945 - Present) Modern Art Visual Studies/Visual Culture Art History Performance Studies Theory & Criticism Documentary Photography Cultural Studies Animal Studies Trauma Studies
K. Stiles. Correspondence Course, An Epistolary History of Carolee Schneemann and Her Circle. Duke University Press,
2010.
“Cloud with its Shadow: Marina Abramovic” in Marina Abramovic. Phaidon,
2008.
K. Stiles, ed.,. States of Mind: Dan & Lia Perjovschi. Nasher Museum of Art at Duke University; distributed by Duke University Press, Durham, North Carolina,
2007.
K. Stiles and Peter Selz, eds.,. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. University of California Press,
1996. (forthcoming in an expanded new edition edited by Kristine Stiles in 2012)
K. Stiles. "“Foreword, Or, Unbuckling the Belt of Fluxus through Billie Maciunas’ Experiences”." Billie Maciunas, The Eve of Fluxus (2010): ix-xvi..
"Art will be…2009-2034." Duke Alumni Magazine (May,
May, 2009).
"Irregular Ways of Being in Time." The Third Mind: American Artists Contemplate Asia 1860-1989 (2009): 333-345.
"The Trinity Session." Future Species: Hybrids, Exoskel, Cybor Living Makeover Madness (2009): 35-38.
"INSIDE/OUTSIDE: Balancing Between a Dusthole and Eternity." Archive 1 (2008).
"Come and Go." California Video (2008).
"Burden of Light." Chris Burden (2007).
"Teaching a Dead Hand to Draw, Kim Jones, War and Art." Kim Jones: A Retrospective (2007).
"Shaved Heads and Marked Bodies: Representations From Cultures of Trauma" (1993), appeared without its 1996 "Afterword" in Bruce Lawrence and Aisha Karim, eds., On Violence: An Anthology (Durham, N.C., Duke University Press); 522-538." This essay was originally published in Strategie II: Peuples Mediterraneens [Paris]64/65 (1993): 95-117; it was excerpted in Dan Perjovschi Post R, for the exhibition “Media Culpa,” Bucharest, Romania, 1995; it was reprinted with a new Afterword in Jean O'Barr, Nancy Hewitt, Nancy Rosebaugh, eds., Talking Gender: Public Images, Personal Journeys, and Political Critiques (Chapel Hill: University of North Carolina Press, 1996): 36-64; excerpted in Dan Perjovschi: Anthroprogramming (New York: Franklin Furnace, 1996); excerpted in Lusitania [New York] 6 (1994): 23-39; excerpted in German in kursiv [Linz, Austria] 2-3. (1995): 19-25; excerpted in numerous Romanian journals 1994-present.
(2007). [html]
"Metzger's Fierce, Poignant, and Prescient Manifestos." Rett Kopi: A Norwegian Journal of Art and Aesthetics (2006).
"Performance." Critical Terms for Art History 2nd Edition (2003): 75-97.
"Uncorrupted Joy: International Art Actions." Out of Actions: Between Performance and the Object 1949-1979 Paul Schimmel Edition (1998): 226-238. [pdf]
