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Publications of Kristine Stiles    :chronological  combined  bibtex listing:

Books

  1. K. Stiles. Correspondence Course, An Epistolary History of Carolee Schneemann and Her Circle.  Duke University Press, 2010.
  2.  “Cloud with its Shadow: Marina Abramovic” in Marina Abramovic.  Phaidon, 2008.
  3. K. Stiles, ed.,. States of Mind: Dan & Lia Perjovschi.  Nasher Museum of Art at Duke University; distributed by Duke University Press, Durham, North Carolina, 2007.
  4. K. Stiles and Peter Selz, eds.,. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings.  University of California Press, 1996. (forthcoming in an expanded new edition edited by Kristine Stiles in 2012)
  5.  AmaLia Perjovschi.  Soros Foundation, Bucharest, Romania, 1996.
  6.  Dan Perjovschi's Postcards From America..  Pont La Vue Press, New York, 1995.
  7.  Raphael Montanez Ortiz: Years of the Warrior, Years of the Psyche, 1968-1988.  El Museo Del Barrio, New York, 1988.
  8.  Questions.  KronOscope Press, 1982. (This artist's book contains essays on Kristine Stiles' art by Lynn Hershman, Kathy O’Dell, and Richard Irwin.)

Papers Published

  1. K. Stiles. "Peter d’Agostino’s World-Wide-Walks / between earth & sky."  Bilbao, Spain: Peter d’Agostino: World-Wide-Walks [Paseos a Nivel Planetario] / between earth & sky [entre la tierra y el cielo] / 1973 – 2012  (2012): 22-34.
  2. K. Stiles. "Negative Affirmative: San Francisco Bay Area Art, 1974-1981." Under the Big Black Sun: California Art 1974-1981  (2011): 27-43.
  3. K. Stiles. "7.47 a.m. (The Traumatic Visual Vocabulary of Maurice Benayoun’s So.So.So. Somebody Somewhere Some time)." Maurice Benayoun / OPEN ART 1980-2010  (2011): 83-87.
  4. K. Stiles. "Peggy Phelan and Kristine Stiles In Conversation." Millennium Film Journal :54 (2011): 30-34.
  5. K. Stiles. "Home Alone: ‘Reversal of Positions of Presentation’ and the Visual Semantics of Domesticity." The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1990  (2011): 50-67.
  6. K. Stiles. "“Foreword, Or, Unbuckling the Belt of Fluxus through Billie Maciunas’ Experiences”." Billie Maciunas, The Eve of Fluxus  (2010): ix-xvi..
  7. "Art will be…2009-2034." Duke Alumni Magazine  (May, May, 2009).
  8. "Irregular Ways of Being in Time." The Third Mind: American Artists Contemplate Asia 1860-1989  (2009): 333-345.
  9. "The Trinity Session." Future Species: Hybrids, Exoskel, Cybor Living Makeover Madness  (2009): 35-38.
  10. "INSIDE/OUTSIDE: Balancing Between a Dusthole and Eternity." Archive 1 (2008).
  11. "Come and Go." California Video  (2008).
  12. "Burden of Light." Chris Burden  (2007).
  13. "Teaching a Dead Hand to Draw, Kim Jones, War and Art." Kim Jones: A Retrospective  (2007).
  14. "Shaved Heads and Marked Bodies: Representations From Cultures of Trauma" (1993), appeared without its 1996 "Afterword" in Bruce Lawrence and Aisha Karim, eds., On Violence: An Anthology (Durham, N.C., Duke University Press); 522-538."  This essay was originally published in Strategie II: Peuples Mediterraneens [Paris]64/65 (1993): 95-117; it was excerpted in Dan Perjovschi Post R, for the exhibition “Media Culpa,” Bucharest, Romania, 1995; it was reprinted with a new Afterword in Jean O'Barr, Nancy Hewitt, Nancy Rosebaugh, eds., Talking Gender: Public Images, Personal Journeys, and Political Critiques (Chapel Hill: University of North Carolina Press, 1996): 36-64; excerpted in Dan Perjovschi: Anthroprogramming (New York: Franklin Furnace, 1996); excerpted in Lusitania [New York] 6 (1994): 23-39; excerpted in German in kursiv [Linz, Austria] 2-3. (1995): 19-25; excerpted in numerous Romanian journals 1994-present.   (2007). [html]
  15. "States of Mind: Dan & Lia Perjovschi." States of Mind: Dan & Lia Perjovschi  (2007).
  16. "Shaved Heads and Marked Bodies: Representations from Cultures of Trauma." The Chain of Violence: An Anthology  (2007).
  17. "Metzger's Fierce, Poignant, and Prescient Manifestos." Rett Kopi: A Norwegian Journal of Art and Aesthetics  (2006).
  18. "Chris Burden."   (2006).
  19. K. Stiles and Paul Grobstein. "The Art Historian and the Neurobiologist." http://serendip.brynmawr.edu/bb/artneuro/  (2005).
  20. "Barbara Smith's Haunting." The 21st Century Odyssey Part II: The Performances of Barbara T. Smith  (2005).
  21. "Remembrance, Resistance, Reconstruction, the Social Value of Lia & Dan Perjovschis's Art."   (2005).
  22. "The Story of the Destruction in Art Symposium and the "DIAS Affect"." Gustav Metzger: Geschichte Geschichte  (2005). [pdf]
  23. "Remembrance, Resistance, Reconstruction, The Social Value of Lia and Dan Perjovschi's Art." European Influenza  (2005).
  24. "Fluxus Performance and Humor." The Artist’s Joke  (2005).
  25. "Agnes Hegedus, Bernd Lintermann, Jeffrey Shaw: reconfiguring the CAVE." Future Cinema: The Cinematic Imaginary after Film  (2004): 492-497.
  26. "Chris Burden's Free Physics."  Forthcoming   (2004).
  27. "I/Eye/Oculus: Performance, Installation and Video." Art of the Twentieth Century  (2004): 183-229.
  28. "Paul Couillard and Ed Johnson," for Artspace, Ontario, Canada."   (2004).
  29. "Peinture, Photographie, Performance: Le Cas de Georges Mathieu." Georges Mathieu  (2003): 75-81.
  30. "Franz West's Dialogic PaBtucke." Franz West  (2003): 104-121.
  31. "Performance." Critical Terms for Art History 2nd Edition (2003): 75-97.
  32. "Anomaly, Sky, Sex, and Psi in Fluxus." Critical Mass: Happenings, Fluxus, Performance & Intermedia at Rutgers University 1958-1971  (2003): 60-88.
  33. "At Last, A Great Woman Artist: Writing About Carolee Schneemann’s Epistolary Practice." Singular Women  (2003).
  34. "Jean-Jacques Lebel's Phoenix and Ashes." Jean-Jacques Lebel  (2003): 3-15.
  35. "Thunderbird Immolation: William Pope L. & Burning Racism." William Pope.L: Eracism  (2002): 36-42.
  36. "David Tudor-Alive , Free, and Without Need of Culture" in a special issue, "Composers Inside Electronics: Music after David Tudor"." Leonardo Music Journal 14 (2002). [html]
  37. "The Painter as an Instrument of Real Time, introduction to Carolee Schneemann’s Imaging Her Erotics: Essays, Interviews, Projects."   (2001): 2-16.
  38. "Il mostro, la maschera e la coscienza allargata, (The Monster, the Mask and the Enlarged Consciousness)." De Dominicis: Raccolta di scritti scullíopera e líartista  (2001): 93-99.
  39. "Concerning Public Art and 'Messianic Time'."   (2001). [html]
  40. "Afterword: Quicksilver and Revelations, Performance at the End of the 20th Century." Performance Artists Talking: 1979-7989: Sex, Food, Money/Fame, Ritual/Death  (2000).
  41. "Never Enough is Something Else: Feminist Performance Art, Probity, and the Avant-Garde." Contours of the Theatrical Avant-Garde: Performance and Textuality  (2000): 239-289. [pdf]
  42. "Being Undyed: The Meeting of Mind and Matter in Yoko Ono’s Events." Yes Yoko Ono  (2000): 145-149.
  43. "Corpora Vilia: Valie Export’s Body." Valie Export’s Visual Syntagmatics  (2000): 16-33.
  44. "Mapping Joshua Neustein's Art."  reprinted in JOSHUA NEUSTEIN: Five Ash cities (Chicago: Academy Chicago Publishers in Association with Olive Production, 2000) Joshua Neustein: Five Ash Cities, Domestic Tranquility Bne Brak  (2000): 122-130.
  45. "Introduction." Uri Katzenstein's Families  (2000): 1-5.
  46. "Comisuri: Art Actiunile ca Objecte." Balkon: Revista de Arta Contemporana March:2 (2000): 3-4.
  47. K. Stiles and Edward A. Shanken. "Missing in Action: Agency and Meaning in Interactive Art."   (2000). [pdf]
  48. K. Stiles. "Parallel Worlds: Representing Consciousness at the Intersection of Art, Dissociation, and Multidimensional Awareness." Reframing Consciousness: Art and Consciousness in the Post- Biological Era  (2000): 52-60. [books]
  49. "Beautiful, Jean-Jacques': Jean-Jacques Lebel's Affect and the Theories of Gilles Deleuze and Felix Guattari." Jean-Jacques Lebel  (1999): 7-30.
  50. "The Flux/Med' Collages of Bob Watts." Bob Watts Francesco Conz (1999): 1-3.
  51. "300 Words for Dan Perjovschi." After the Wall: Art and Culture in Post-Communist Europe  (1999): 153. [html]
  52. "Battle of the Yams: Contentless Forms and the Recovery of Meaning in Events and Happenings." Off Limits: Rutgers University and the Avant-Garde, 1957-1963  (1999): 118-129.
  53. "Uncorrupted Joy: International Art Actions." Out of Actions: Between Performance and the Object 1949-1979 Paul Schimmel Edition (1998): 226-238. [pdf]
  54. "INSIDE/OUTSIDE: Balancing Between a Dusthole and Eternity." Body and the East: From the 1960s to the Present  (1998): 19-30.
  55. "Joshua Neustein." BOMB 57 (Fall, 1997): 80-81.
  56. "To the Organizers, Participants, and Audience of REcycling the Mode(ls)'." Messages from the Countryside/Reflections in RE  (1997): 28-29.
  57. "Debate: Empty Slogan of Self-Representation." Siksi [Helsinki] Spring:12:1 (1997): 87-90.
  58. "Schlaget Auf: The Problem with Carolee Schneemann's Paintings." Carolee Schneemann: Up to and Including Her Limits  (1996): 15-25.
  59. "Roman Signer: The Sound of One Bomb Clapping,." Roman Signer  (1996): 10-15.
  60. "Conversation with Paul McCarthy." Paul McCarthy  (1996): 6-29.
  61. "Rampman Against a Portable Field: The 'activites' of Pinchas Cohen Gan." Figure Form Formula: The Art of Pinchas Cohen Gan  (1996): 19-41.
  62. "Irreparable Damage: Meditation on James Lerager's Tales from the Nuclear Age." for James Lerager: Tales from the Nuclear Age  (1994): 3-7.
  63. "Tuna and Other fishy Thoughts on Fluxus Events." Alison Knowles  (1994): 26-35.
  64. "Between Water and Stone; Fluxus Performance, A Metaphysics of Acts."  excerpted in Tracy Warr, ed., The Artists'Body (London: Phaidon Press, 2000): 211-14 In the Spirit of Fluxus  (1993): 62-99. [pdf]
  65. "Survival Ethos and Destruction Art." Discourse: Journal for Theoretical Studies in Media and Culture 14:2 (Spring, 1992): 74-102.
  66. "Unbosoming Lennon: The Politics of Yoko Ono's Experience." Art Criticism 7:2 Spring (1992): 21-54.
  67. K. Stiles. ""Selected Comments on Destruction Art,"." in Alex Adriaansens, ed., Boek Voor De Instabiele: Book for the Unstable Media  (1992): 43-75. [kristine-stiles-selected-comments]
  68. "Thresholds of Control: Destruction Art and Teminal Culture."  reprinted in Ars Electronica: Facing the Future (A Survey of Two Decades, ed. Timothy Druckrey, Cambridge: MIT Press, 2000 Out of Control  (1991): 29-50.
  69. "Tuna and Other fishy Thoughts on Fluxus Events." FluxAttitudes  (1991): 25-34.
  70. "Readings: Performance and Its Objects." Arts 65:3 (November, 1990): 35-47.
  71. "Notes on Rudolf Schwarzkogler's Images of Healing." White Walls: A Magazine of Writings by Artists 25 (Spring, 1990): 13-26.
  72. "Sticks and Stones: The Destruction in Art Symposium." Arts 63.5 (January, 1989): 54-60.
  73. "Not Just and 'Other' Exhibition." High Performance 11 (Fall, 1988): 34-38.
  74. "Introduction to the Destruction in Art Symposium: DIAS & Discussion with Ivor Davies." Link 52 (September, 1987): 4-10.
  75. "Rodforce: Thoughts on the Art of Sherman Fleming." High Performance 10:2 (Summer, 1987): 34-39.
  76. "Synopsis of the Destruction in Art Symposium (DIAS) and Its Theoretical Significance." The Act 1 (Spring, 1987): 22-31.
  77. "Imploring Silence: Words and Performance Essence, A Polemic." High Performance 8.1 (April, 1985): 33-36.
  78. "Modern Myth: A Review of the Interdisciplinary Conference at The New School for Social Research and The Cooper Union." Frank 4 (November, 1984): 32 & 38.
  79. "STELARC: On Evolution." Frank 3 (August, 1984): 25 & 35.
  80. "The Luciferian Marriage: Government/Corporate/Media 'Fact' as Entertainment."  reprinted The Un/Necessary Image  (1983): 28-31.
  81. "Come and Go." Coming and Going NEW YORK (Subway), PARIS (Metro), San Francisco (BART), Washinton (METRO): Peter D'Agostino  (1982): 76-81.
  82. "La Crise de l'avant-garde and an Interview with Jean-Jacques Lebel." + - 0 [Brussels] 34 (1981): 32-33 & 35-36.
  83. "Trans-Europ Express-Expressed." Alph-Trans-Chung: Peter D-Agostino  (1980): 55-58.
  84. "No Money Back Anytime."  June-July LAICA Journal: Southern California Art Magazine 23 (1979): 19-23.
  85. "Brief essays on American painters." 2 Jahrzehnte amerikanische malerei 1920-1940  (1979): 66 & 76 & 116 & 122.
  86. "Helen and Newton Harrison: Questions." Arts Magazine 52:6 (February, 1978): 131-133.
  87. "1.1.78 - 2.2.78: Roberta Breitmore." Roberta Breitmore Is Not Lynn Hershman  (1978): 5-14.

Book Reviews

  1. RoseLee Goldberg, "Laurie Anderson". Make: The Magazine of Women's Art 90 (December-Feburary 2000-2001): 90.
  2. Pamela M. Lee, "Object to be Destroyed: The Work of Gordon Matta-Clark". CAA.Reviews, the online reviews publication of the College Art Association  (2000). [html]

Exhibition Catalogs

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