Research Interests for Kristine Stiles

Representative Publications

1. K. Stiles, Correspondence Course, An Epistolary History of Carolee Schneemann and Her Circle (2010), Duke University Press
2. “Cloud with its Shadow: Marina Abramovic” in Marina Abramovic, in Marina Abramovic (2008), Phaidon, London
3. K. Stiles, ed.,, States of Mind: Dan & Lia Perjovschi (2007), Nasher Museum of Art at Duke University; distributed by Duke University Press, Durham, North Carolina
4. K. Stiles and Peter Selz, eds.,, Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings (1996), University of California Press (forthcoming in an expanded new edition edited by Kristine Stiles in 2012.)
5. K. Stiles, “Foreword, Or, Unbuckling the Belt of Fluxus through Billie Maciunas’ Experiences”, in Billie Maciunas, The Eve of Fluxus (2010), pp. ix-xvi., Arbiter Press, Winter Park, Florida
6. Art will be…2009-2034, Duke Alumni Magazine (May, 2009), Duke University
7. Irregular Ways of Being in Time, in The Third Mind: American Artists Contemplate Asia 1860-1989, edited by Alexandra Munroe (2009), pp. 333-345, New York: Solomon R. Guggenheim
8. The Trinity Session, in Future Species: Hybrids, Exoskel, Cybor Living Makeover Madness (2009), pp. 35-38, Toronto: Museum of Contemporary Canadian Art
9. INSIDE/OUTSIDE: Balancing Between a Dusthole and Eternity, Archive, vol. 1 (2008), Muzeum Sztuki, Lodz, Poland
10. Come and Go, in California Video (2008), The J. Paul Getty Trust, Getty Research
11. Burden of Light, in Chris Burden (2007), Newcastle England: Merrell and Locus Plus
12. Teaching a Dead Hand to Draw, Kim Jones, War and Art, in Kim Jones: A Retrospective (2007)
13. Shaved Heads and Marked Bodies: Representations From Cultures of Trauma" (1993), appeared without its 1996 "Afterword" in Bruce Lawrence and Aisha Karim, eds., On Violence: An Anthology (Durham, N.C., Duke University Press); 522-538 (2007) (This essay was originally published in Strategie II: Peuples Mediterraneens [Paris]64/65 (1993): 95-117; it was excerpted in Dan Perjovschi Post R, for the exhibition “Media Culpa,” Bucharest, Romania, 1995; it was reprinted with a new Afterword in Jean O'Barr, Nancy Hewitt, Nancy Rosebaugh, eds., Talking Gender: Public Images, Personal Journeys, and Political Critiques (Chapel Hill: University of North Carolina Press, 1996): 36-64; excerpted in Dan Perjovschi: Anthroprogramming (New York: Franklin Furnace, 1996); excerpted in Lusitania [New York] 6 (1994): 23-39; excerpted in German in kursiv [Linz, Austria] 2-3. (1995): 19-25; excerpted in numerous Romanian journals 1994-present..) [html]
14. Metzger's Fierce, Poignant, and Prescient Manifestos, Rett Kopi: A Norwegian Journal of Art and Aesthetics (2006)
15. Performance, in Critical Terms for Art History, 2nd Edition, edited by Robert Nelson and Richard Shiff (2003), pp. 75-97, Chicago: University of Chicago
16. Uncorrupted Joy: International Art Actions, in Out of Actions: Between Performance and the Object 1949-1979, Paul Schimmel Edition (1998), pp. 226-238, Los Angeles Museum of Contemporary Art [pdf]