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Curriculum Vitae

Kimberly K Lamm

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Contact Info
    210 East Duke Building
    Durham, NC 27708 (919) 684-9661 (office)
    (email)
Education

    PhD University of Washington 2007
Awards, Honors, and Distinctions
  • Junior Fellow: Women of Color in Popular Culture, University of Iowa, Center of Ethnic Studies and the Arts, January, 20008
  • Post-Doctoral Fellowship, Women's Studies, Duke University, 2009-2010
  • Winterthur Library Research Fellowship, 2008-2009
  • Allan and Mary Kollar Endowed Fellowship for the Study of American Literature and Art, 2005-2006

Professional Service
  • Committe for Post-Doc Applications "The Future of the Feminist 70s", 2011
  • Women's Studies Steering Committee, 2010 - present
  • Nasher Museum Exhibition "The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1972-1993", September, 2011 - December, 2011
  • Faculty Outings: Duke, Durham, and Beyond, August 28, 2011
  • Journal Referee, Multi-Ethnic Literature of the United States, November, 2011
  • Journal Referee, Cultural Anthropology, August, 2011
  • Arts and Sciences Council, 2011 - June, 2011
  • Feminist Theory Workshop, March 19, 2011
  • Committee for Sallie Bingham Research Grants, March, 2011
  • Respondent for "Diasporic Arts and Black Aesthetics", February 4, 2011
  • Reader for Friedl Awards, February, 2011
  • Feminist Theory Workshop, March 20, 2010
  • Panel Participant, November 17, 2010
  • Respondent for Grad Scholars, October, 2010
  • Travel Awards for Graduate Students, October, 2010
  • Journal Referee, PMLA, August, 2010
Recent Publications   (More Publications)
  1. K.K. Lamm, "Review of Kevin Stein’s Poetry’s Afterlife: Verse in the Digitial Age; Andrew Mossin’s Male Subjectivity and Poetic Form in ‘New American’ Poetry; Timothy Gray’s Urban Pastoral: Natural Currents in the New York School; Peggy Samuels’ Deep Skin: Elizabeth Bishop and Visual Art". American Literature 84:1 (March, March, 2012): 212-215.
  2. K.K. Lamm. "Fair Realism: The Aesthetics of Restraint in Barbara Guest's Collaborations." Collaborations in New York School Poetry Modern and Contemporary Poetry and Poetics (Accepted, 2012).
  3. K.K. Lamm. "Girly Men Ballads: (Il)legible Identities in Charles Bernstein and Gertrude Stein." The Salt Companion to Charles Bernstein  (Accepted, 2012).
Selected Talks

  • "'O Where I Lay': Inscribing the Field of Immanence in the Work of Hilda Morley", Duke/UNC "One Makes Many: A Conference of Poetic Interactions", November 12, 2011
  • The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power 1973-1992, Educator's Workshop Nasher Museum, September 22, 2011
  • Carrie Mae Weems, In Conversation, Duke University, February 03, 2011
  • Feminist Memories/Memories of Feminism, Art in General, New York City, November 12, 2008
  • Gertrude Stein as Modernist Icon, Tisch School of the Arts, Photo and Imaging, April, 2008
  • Body of Mourning: Trauma Production and the Global Image Economy in Art and Architecture, March 31, 2006

Last modified: 2012/05/02

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