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 Andrew Mellon Assistant Professor
| Office Location: | 210 Trent Hall | | Office Phone: | (919) 660-4396 | | Email Address: |  
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Teaching (Fall 2009):
- Ames 49s.01, First-year seminar (top)
Synopsis
- Trent 223b, Th 04:25 PM-06:55 PM; Trent 038b, W 07:15 PM-10:15 PM
- Ames 179.01, Melodrama east and west
Synopsis
- East duke 204b, M 07:15 PM-10:15 PM; East duke 204b, Tu 04:25 PM-06:55 PM
- Ames 279.01, Melodrama east and west
Synopsis
- Languages 208, M 07:15 PM-10:15 PM; East duke 204b, Tu 04:25 PM-06:55 PM
- Office Hours:
- Tues 2:30 – 3:30 & by appointment
Education:
- Ph.D. in Rhetoric with a designated emphasis in Film Studies University of California, Berkeley 2004
- M.A. in Cinema Studies San Francisco State University 1995
- B.A. in English Fu Jen Catholic University, Taipei, Taiwan 1991
- Specialties:
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Chinese
- Research Interests:
Film historiography, film theory, postcolonial theory and theories of culture and globalization; film and other media of Taiwan, Hong Kong and China
Recent Publications (More Publications)
- G. Hong. "Meet Me in Shanghai: Urban Melodrama as Refugee Cinema in 1930s Shanghai." Journal of Chinese Cinemas (Accepted, 2008).
- G. Hong. "Framing Time: New Women and the Cinematic Representation of Colonial Modernity in 1930s Shanghai." positions: east asia cultures critique 15:3 (2007): 553-580.
- G. Hong. "Limites of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries." positions: east asia cultures critique (Accepted, 2007).
- G. Hong. "Memorandum on Happiness or the Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentary." postions: east asia cultural critique (Submitted, 2006, under review).
- G. Hong. "Island of No Return: Cinematic Retrospection in Wang's Taiwan Trilogy." Techologies of Temporality in Chinese Cinema (Accepted, 2006, book volume under review).
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