Negar Mottahedeh
Associate Professor

Negar Mottahedeh

Office Location: 125C Friedl Building (e. Campus), Buchanan and Trinity, Durham, NC 27708-0670
Email Address:

Film Theory & History
Cultural Studies
Cultural Studies
Critical Theory

Ph.D., University of Minnesota, Twin Cities, 1998
M.A., University of Minnesota, Twin Cities, 1994
B.A., Mount Holyoke College, 1990
Other, New College, Oxford University, 1988

Research Categories: Comparative World Cinemas, and Middle Eastern Studies

Research Description: Assistant professor of Literature, received her Ph.D. from the department of Cultural Studies and Comparative Literature at the University of Minnesota in 1998. Her current research and writing focuses on emergent cinematic codes in contemporary film cultures. Her two forthcoming books are on Iranian 19th visual culture and contemporary Iranian Cinema.

Areas of Interest:
Middle East, North Africa, Eastern Asia

Teaching (Fall 2015):

  • LIT 890S.01, Seminars in lit (topics) Synopsis
    Crowell 106, M 11:45 AM-02:15 PM

Teaching (Spring 2016):

  • LIT 320S.01, Social movements/social media Synopsis
    Friedl bdg 102, MW 11:45 AM-01:00 PM
  • LIT 402S.01, Hashtags memes,digital tribes Synopsis
    White 106, Tu 06:15 PM-08:45 PM
  • LIT 615S.01, The #selfie Synopsis
    Friedl bdg 102, M 06:15 PM-08:45 PM

Representative Publications   (More Publications)   (search)

  1. N. Mottahedeh, Where are Kiarostami's women?, Alphabet City (2003) (9,400 words.) .
  2. N. Mottahedeh, Karbala Drag Kings and Queens, The Drama Review (Winter, 2005) (73-85.) .

Curriculum Vitae

I am a cultural critic and theorist specializing in interdisciplinary and feminist contributions to the fields of Middle Eastern Studies and Film and Media Studies. I have published four books on Iranian Cinema, the history of reform, revolution and the uses of social media in protest. My new book "#iranelection: Hashtag Solidarity and the Transformation of Online Life" (Stanford University Press, 2015) is about one such social media mobilization. "#iranelection" follows the protest movement around Iran's fraudulent presidential election in 2009 to investigate how emerging social media platforms developed as a result of the international solidarity around the hashtag. Just as the world turned to social media platforms to understand the events on the ground, social media platforms adapted and developed to accommodate  global activism. "#iranelection" reveals the new online ecology of social protest and offers a prehistory, of sorts, to the uses of hashtags and trending topics, of selfies and avatar activism, citizen journalism and YouTube mashups.