Guo-Juin Hong, Related Faculty of Film Video Digital and Assistant Professor of Chinese
http://fds.duke.edu/db/aas/AALL/faculty/gjhong
| Office Location: | On sabbatical |
| Email Address: |   |
| Web Page: |
Teaching (Fall 2008):
- AALL 172S.01, CHINESE LIT IN TRANSLATION
Synopsis
- Trent 038A, Tu 04:25 PM-06:55 PM
- AALL 188.001, MODERN CHINESE CINEMA
Synopsis
- Trent 040, Th 04:25 PM-06:55 PM
- AALL 188.01D, MODERN CHINESE CINEMA
Synopsis
- Trent 040, W 07:15 PM-09:30 PM
- AALL 288.01, MODERN CHINESE CINEMA
- SEE INSTRU, W 07:15 PM-09:30 PM; SEE INSTRU , Th 04:25 PM-06:55 PM
- Education:
Ph.D. in Rhetoric with a designated emphasis in Film Studies University of California, Berkeley 2004 M.A. in Cinema Studies San Francisco State University 1995 B.A. in English Fu Jen Catholic University, Taipei, Taiwan 1991
- Specialties:
- Chinese
- Recent Publications
(More Publications)
- G. Hong, Framing Time: New Women and the Cinematic Representation of Colonial Modernity in 1930s Shanghai, edited by Tani Barlow, positions: east asia cultures critique, vol. 15 no. 3 (2007), pp. 553-580, Duke University Press .
- G. Hong, Limites of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries, positions: east asia cultures critique (Accepted, 2007) .
- G. Hong, Memorandum on Happiness or the Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentary, postions: east asia cultural critique (Submitted, 2006, under review) .
- G. Hong, Island of No Return: Cinematic Retrospection in Wang's Taiwan Trilogy, in Techologies of Temporality in Chinese Cinema (Accepted, 2006, book volume under review) .
- G. Hong, Meet Me in Shanghai: Urban Cinema as Refugee Cinema in 1930s Shanghai, Cinema Journal (Submitted, 2006, under review) .
- Recent Grant Support
- Arts and Sciences Faculty Research Grant, 2007/07-2008/06.