Publications of Helen Solterer    :chronological  combined  bibtex listing:

Books

  1. Medieval Roles in Modern Times: Theater and the Battle for the French Republic (February, 2010), pp. 271 pages, 40 figures, The Pennsylvania State University Press
  2. The Master and Minerva: Disputing Women in French Medieval Culture (September, 1995), University of California Press (co-awarded The Modern Language Association Scaglione Prize, 1995.)

Book in Progress

  1. H. Solterer, Timely Fictions (2011)

Edited Volumes

  1. European Medieval Studies under Fire, 1919-45, edited by H. Solterer, The Journal of Medieval and Early Modern Studies special issue edited Fall 1997, vol. 27 no. 3 (September, 1997)

Book Reviews

  1. H. Solterer, review of Jody Enders, Murder by Accident: Medieval Theater, Modern Media, Critical Intentions, H-France Review, vol. 10 (October) no. 156 (2010)
  2. H. Solterer, review of Carol Symes, "A Common Stage:Theater and Public Life in Medieval Arras, Theatre Survey, vol. 51 no. no. 1 (2010), pp. 135-137

Articles in a Journal

  1. Fiction versus Defamation: The Quarrel over the Romance of the Rose, The Medieval History Journal, vol. 2 no. 1 (1999), pp. 111-141
  2. The Waking of Medieval Theatricality, Paris 1935-1995, New Literary History, vol. 27 no. 3 (1996), pp. 257-90

Other

  1. H. Solterer, with Jean Delabroy, Teaching Abroad With Obama, InsideHigherEd.com (August 25, 2008)
  2. H. Solterer, Teaching Free Speech in Times of War, edited by InsideHigherEd. com (September 6, 2007)

Articles in a Collection

  1. H. Solterer, “Jouer le Moyen Âge: Gustave Cohen et la troupe théophilienne,”, in Les Pères des études médiévales: examen critique de la constitution d'un savoir académique, edited by Marie Bouhaïk-Gironès, Véronique Dominguez, Jelle Koopmans. (2010), pp. 255-281 [8 figures], Presses universitaires de Rennes
  2. H. Solterer, Theatre and Theatricality, in The Cambridge Companion to Medieval French Literature (2008), pp. 181-194, Cambridge University Press
  3. H. Solterer, Making Names, Breaking Lives: Women & Injurious Language, in Cultural Performances in Medieval France: Essays in Honor of Nancy Freeman, edited by Eglal Doss-Quinby, Robert Krueger, E. Jane Burns (2007), pp. 207-21, Boydell & Brewer
  4. Helen Solterer, Gustave Cohen at Pont-Holyoke: The Drama of Belonging to France, edited by Christopher Benfey, Karen Remmler, Artists, Intellectuals, and World War II (2006), pp. 145-61, University of Massachusetts Press
  5. Helen Solterer, Defense of Women, in Women and Gender in Medieval Europe, edited by Susan Stuard, Margaret Schaus, Thomas Izbicki (2005), pp. 64-68, Routledge
  6. La Belle Dame sans Merci, in Medieval Women: An Encyclopedia, edited by Katharina M. Wilson, Nadia Margolis (2004), pp. 80-84, New York: Greenwood Press
  7. The Freedoms of Fiction for Gender in Premodern France, in Gender in Debate from the Early Middle Ages to the Renaissance, edited by Thelma S. Fenster and Clare A. Lees (2002), pp. 135-163, New York: Palgrave Press
  8. Performer le passé, in Paul Zumthor ou l’invention permanente. Critique, histoire, poésie, edited by Jacqueline Cerquiglini-Toulet, Christopher Lucken (1998), pp. 117-159, Droz
  9. co-authored with E. Jane Burns, Sarah Kay, and Roberta L. Krueger, Feminism and the Discipline of Old French Studies: "Une Bele Disjointure", in Medievalism in a Modernist Temper, edited by R. Howard Bloch, Stephen G. Nichols (1995), pp. 225-266, Johns Hopkins University Press

Articles Online

  1. “Le Jeu de Robin et Marion,” “Le Jeu de la Feuillée,” “La Farce de Maître Pathelin, Mystères et Moralités," Le Mystère de la Passion" [articles on medieval theater], Encarta Encyclopedia of Literature (in French) (2001), Microsoft