MFA in Experimental and Documentary Arts MFA in Experimental and Documentary Arts
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MFA in Experimental and Documentary Arts : All Publications (in the database)

List most recent publications in the database.    :chronological  alphabetical  combined  bibtex listing:

Abe, Stanley

  1. Abe, S, Imagining Sculpture (2022), pp. 400 pages, Hirmer Publishers, ISBN 9783777437583  [abs]
  2. Abe, S, Before Sculpture, in Towards the Future: Museums and Art History in East Asia, edited by Suzuki, H; Akiyama, A (2020), pp. 50-56, Japanese Committee for CIHA, Comité International de l’Histoire de l’Art and Otsuka Museum of Art
  3. Abe, S; Elsner, J, Introduction: Some Stakes of Comparativism, in Comparativism in Art History, edited by Elsner, J (2017), pp. 1-15, Routledge, ISBN 9781351571395  [abs]
  4. Abe, S, Sculpture: A Comparative History, in Comparativism in Art History, edited by Elsner, J (2017), pp. 94-108, Routledge, ISBN 9781351571395  [abs]
  5. The Modern Moment of Chinese Sculpture, Misul Charyo 美術資料 (Fine Art Materials), vol. 82 (December, 2012), pp. 63-82  [author's comments]
  6. Abe, SK, Absence and the image, Archives of Asian Art, vol. 62 no. 1 (December, 2012), pp. 102-103, Duke University Press, ISSN 0066-6637 [doi]
  7. Abe, SK, Pulitzer foundation workshop, Archives of Asian Art, vol. 62 no. 1 (December, 2012), pp. 81-81, Duke University Press, ISSN 0066-6637 [doi]
  8. Abe, S, General Munthe’s Sculpture Collection, in Gifts, edited by Haakestad, J (2012), pp. 42-47, Vestlandske Kunstindustrimuseum, Bergen
  9. Abe, S, Locating World Art, in The Migrant’s Time: Rethinking Art History and Diaspora, edited by Mathur, S (2011), pp. 130-45, Sterling and Francine Clark Art Institute
  10. Abe, S, Rockefeller Home Decorating and Objects from China, in Collecting China: The World, China, and a Short History of Collecting, edited by Rujivacharakul, V (2011), pp. 107–23-107–23, University of Delaware Press
  11. Abe, S, The Modern Moment of Chinese Sculpture, in Exhibiting Asian Art: Issues and Perspectives (2011), pp. 27–45-27–45, National Museum of Korea; Friends of National Museum of Korea
  12. Abe, S, Collecting Chinese Sculpture: Paris, New York, Boston, in Journeys East: Isabella Stewart Gardner and Asia, edited by Chong, A; Murai, N (2009), pp. 432-442, Isabella Stewart Gardner Museum
  13. Abe, S, From Stone to Sculpture: The Alchemy of the Modern, in Treasures Rediscovered: Chinese Stone Sculpture from the Sackler Collections at Columbia University (2008), pp. 7–16-7–16, Miriam and Ira D. Wallach Art Gallery, Columbia University
  14. China, The Buddha, and Modern Aestheticism, in Re-Imagining Asia: A Thousand Years of Separation, edited by Merali, S (2008), pp. 124-133, Haus der Kulturen der Welt, Berlin
  15. Abe, S, Xu Bing de zhenshi de yishu 徐冰的真实的艺术 (The Genuine Art of Xu Bing), in Xu Bing – Yancao jihua 徐冰 – 烟草计划 (Xu Bing: Tobacco Project), edited by 巫鸿, WH (2006), pp. 106–114-106–114, Beijing: Zhongguo Renmin daxue chubanshe
  16. Abe, S, To Avoid the Inscrutable: Abstract Expressionism and the "Oriental Mode", in Discrepant Abstraction, edited by Mercer, K (2006), pp. 52-73, MIT Press
  17. Abe, S, Why Asia Now? Contemporary Asian Art and the Politics of Multiculturalism, in Shades of Black: Assembling the 80s, A transatlantic dialogue on Afro-Asian arts in post-war Britain, edited by Bailey, DA; Baucom, I; Boyce, S (2005), pp. 109-114, Duke University Press
  18. Abe, S, Review of Ning Qiang, Art, Religion, and Politics in Medieval China: The Dunhuang Cave of the Zhai Family, Journal of Asian Studies, vol. 64 no. 2 (2005), pp. 454-56
  19. Abe, S, Review of Marsha Weidner, ed., Cultural Intersections in Late Imperial Chinese Buddhism, Journal of Asian Studies, vol. 61 no. 2 (May, 2002), pp. 715-16
  20. Abe, S, A Freer Stela Reconsidered (2002), Freer Gallery of Art and Arthur M. Sackler Gallery Occasional Paper
  21. Abe, S, Ordinary Images (2002), University of Chicago Press
  22. Abe, S, Review essay of Lukas Nickel, ed., Return of the Buddha: The Qingzhou Discoveries, Aribus Asiae, vol. 62 no. 2 (2002), pp. 293–99-293–99
  23. Abe, S, Review of Stephen Little with Shawn Eichman, Taoism and the Arts of China, Journal of Chinese Religions, vol. 29 (2001), pp. 332-34
  24. Stanley Abe, , Provenance, Patronage, and Desire: Northern Wei Sculpture from Shaanxi Province, Ars Orientalis, vol. 31 (2001), pp. 1-30  [abs]
  25. Stanley Abe, , Tobacco Art: Xu Bing's Tobacco Project, Duke University Libraries, vol. 14 no. 1 (Fall, 2000), pp. 3-7
  26. Abe, S, No Questions, No Answers: China and A Book from the Sky, in Modern Chinese Literature and Cultural Studies in the Age of Theory: Reimagining a Field, edited by Chow, R (2000), pp. 227–50-227–50, Durham, N.C.: Duke University Press
  27. Abe, S, Reading the Sky, in Cross-Cultural Readings of Chineseness, edited by Yeh, W-H (2000), pp. 53–79-53–79, Berkeley: Institute of East Asian Studies, University of California
  28. Abe, S, Shaanxi sheng de Beiwei diaoke: Laiyuan, zanzhu, yuanwang (Northern Wei Sculpture from Shaanxi Province: Provenance, Patronage, Desire), in Between Han and Tang: Religious Art and Archaeology in a Transformative Period, edited by Hung, W (2000), pp. 461–88-461–88, Beijing: Cultural Relics Publishing House (translated into Chinese by Yuan Hong.)
  29. Abe, S, Nanbokucho no dokyo to zokei (Daoist sculpture of the Northern-Southern Dynasties period), in Sekai bijutsu daizenshu, Toyo hen (New History of World Art: Asia), vol. 3 (2000), pp. 362–68-362–68, Tokyo: Shogakkan (translated into Japanese by Seriu Haruna.)
  30. Abe, S, Bei Liang shita yu Mogao ku zaoqi san ku de niandai wenti (Northern Liang stone pillars and the dating of the earliest Mogao caves, in Dunhuang xue guoji yantaohui wenji , Shiku kaogu juan (Collected works of the 1994 International Conference on Dunhuang studies, Cave temple archaeology volume), edited by academy, DYDR (2000), pp. 159–65-159–65, Lanzhou: Gansu minzu chubanshe ((translated into Chinese by Tai Jianqun).)
  31. Abe, S, Chugoku o miseru (Exhibiting China), in The Present, and the Discipline of Art History in Japan, edited by Properties, TNRIOC (1999), pp. 192–206-192–206, Tokyo: Heibonsha ((translated into Japanese by Okada Ken).)
  32. Abe, S, Inside the Wonder House: Buddhist Art and the West, in Curators of the Buddha, edited by Lopez, D (1995), University of Chicago,

Cai, Jing

  1. F Zhang, J Hu, CR Kelsey, D Yoo, FF Yin, J Cai, Reproducibility of tumor motion probability distribution function in stereotactic body radiation therapy of lung cancer., International journal of radiation oncology, biology, physics, vol. 84 no. 3 (November, 2012), pp. 861-6, ISSN 1879-355X [doi]  [abs]
  2. J Adamson, J Newton, Y Yang, B Steffey, J Cai, J Adamovics, M Oldham, J Chino, O Craciunescu, Commissioning a CT-compatible LDR tandem and ovoid applicator using Monte Carlo calculation and 3D dosimetry., Medical physics, vol. 39 no. 7 (July, 2012), pp. 4515-23, ISSN 0094-2405 [doi]  [abs]
  3. H Ge, J Cai, CR Kelsey, FF Yin, Quantification and Minimization of Uncertainties of Internal Target Volume for Stereotactic Body Radiation Therapy of Lung Cancer., International journal of radiation oncology, biology, physics (June, 2012), ISSN 1879-355X [doi]  [abs]
  4. Y Tian, Z Wang, H Ge, T Zhang, J Cai, C Kelsey, D Yoo, FF Yin, Dosimetric comparison of treatment plans based on free breathing, maximum, and average intensity projection CTs for lung cancer SBRT., Medical physics, vol. 39 no. 5 (May, 2012), pp. 2754-60, ISSN 0094-2405 [doi]  [abs]
  5. Y Cui, JM Galvin, W Parker, S Breen, FF Yin, J Cai, LS Papiez, XA Li, G Bednarz, W Chen, Y Xiao, Implementation of Remote 3-Dimensional Image Guided Radiation Therapy Quality Assurance for Radiation Therapy Oncology Group Clinical Trials., International journal of radiation oncology, biology, physics (April, 2012), ISSN 1879-355X [doi]  [abs]
  6. I Vergalasova, J Cai, FF Yin, A novel technique for markerless, self-sorted 4D-CBCT: feasibility study., Medical physics, vol. 39 no. 3 (March, 2012), pp. 1442-51, ISSN 0094-2405 [doi]  [abs]
  7. J Yue, X Sun, J Cai, FF Yin, Y Yin, J Zhu, J Lu, T Liu, J Yu, X Shi, J Song, Lipiodol: a potential direct surrogate for cone-beam computed tomography image guidance in radiotherapy of liver tumor., International journal of radiation oncology, biology, physics, vol. 82 no. 2 (February, 2012), pp. 834-41, ISSN 1879-355X [doi]  [abs]
  8. Z Chang, J Bowsher, J Cai, S Yoo, Z Wang, J Adamson, L Ren, FF Yin, Imaging system QA of a medical accelerator, Novalis Tx, for IGRT per TG 142: our 1 year experience., Journal of applied clinical medical physics / American College of Medical Physics, vol. 13 no. 4 (2012), pp. 3754, ISSN 1526-9914  [abs]
  9. J Cai, Z Chang, Z Wang, W Paul Segars, FF Yin, Four-dimensional magnetic resonance imaging (4D-MRI) using image-based respiratory surrogate: a feasibility study., Medical physics, vol. 38 no. 12 (December, 2011), pp. 6384-94, ISSN 0094-2405 [doi]  [abs]
  10. Z Chang, T Liu, J Cai, Q Chen, Z Wang, FF Yin, Evaluation of integrated respiratory gating systems on a Novalis Tx system., Journal of applied clinical medical physics / American College of Medical Physics, vol. 12 no. 3 (2011), pp. 3495, ISSN 1526-9914  [abs]
  11. J Adamson, Z Chang, Z Wang, FF Yin, J Cai, Maximum intensity projection (MIP) imaging using slice-stacking MRI., Medical physics, vol. 37 no. 11 (November, 2010), pp. 5914-20, ISSN 0094-2405  [abs]
  12. J Cai, R McLawhorn, PW Read, JM Larner, FF Yin, SH Benedict, K Sheng, Effects of breathing variation on gating window internal target volume in respiratory gated radiation therapy., Medical physics, vol. 37 no. 8 (August, 2010), pp. 3927-34, ISSN 0094-2405  [abs]
  13. NE Dunlap, J Cai, GB Biedermann, W Yang, SH Benedict, K Sheng, TE Schefter, BD Kavanagh, JM Larner, Chest wall volume receiving >30 Gy predicts risk of severe pain and/or rib fracture after lung stereotactic body radiotherapy., International journal of radiation oncology, biology, physics, vol. 76 no. 3 (March, 2010), pp. 796-801, ISSN 1879-355X [doi]  [abs]
  14. J Cai, K Sheng, SH Benedict, PW Read, JM Larner, JP Mugler 3rd, EE de Lange, GD Cates Jr, GW Miller, Dynamic MRI of grid-tagged hyperpolarized helium-3 for the assessment of lung motion during breathing., International journal of radiation oncology, biology, physics, vol. 75 no. 1 (September, 2009), pp. 276-84, ISSN 1879-355X [doi]  [abs]
  15. X Zhong, CH Meyer, DJ Schlesinger, JP Sheehan, FH Epstein, JM Larner, SH Benedict, PW Read, K Sheng, J Cai, Tracking brain motion during the cardiac cycle using spiral cine-DENSE MRI., Medical physics, vol. 36 no. 8 (August, 2009), pp. 3413-9, ISSN 0094-2405  [abs]
  16. J Cai, JF Mata, MD Orton, KD Hagspiel, JP Mugler 3rd, JM Larner, K Sheng, PW Read, A rabbit irradiation platform for outcome assessment of lung stereotactic radiosurgery., International journal of radiation oncology, biology, physics, vol. 73 no. 5 (April, 2009), pp. 1588-95, ISSN 1879-355X [doi]  [abs]
  17. J Cai, PW Read, JM Larner, DR Jones, SH Benedict, K Sheng, Reproducibility of interfraction lung motion probability distribution function using dynamic MRI: statistical analysis., International journal of radiation oncology, biology, physics, vol. 72 no. 4 (November, 2008), pp. 1228-35, ISSN 1879-355X [doi]  [abs]
  18. J Cai, PW Read, K Sheng, The effect of respiratory motion variability and tumor size on the accuracy of average intensity projection from four-dimensional computed tomography: an investigation based on dynamic MRI., Medical physics, vol. 35 no. 11 (November, 2008), pp. 4974-81, ISSN 0094-2405  [abs]
  19. J Cai, PW Read, JM Baisden, JM Larner, SH Benedict, K Sheng, Estimation of error in maximal intensity projection-based internal target volume of lung tumors: a simulation and comparison study using dynamic magnetic resonance imaging., International journal of radiation oncology, biology, physics, vol. 69 no. 3 (November, 2007), pp. 895-902, ISSN 0360-3016 [doi]  [abs]
  20. J Cai, TA Altes, GW Miller, K Sheng, PW Read, JF Mata, X Zhong, GD Cates Jr, EE de Lange, JP Mugler 3rd, JR Brookeman, MR grid-tagging using hyperpolarized helium-3 for regional quantitative assessment of pulmonary biomechanics and ventilation., Magnetic resonance in medicine : official journal of the Society of Magnetic Resonance in Medicine / Society of Magnetic Resonance in Medicine, vol. 58 no. 2 (August, 2007), pp. 373-80, ISSN 0740-3194 [doi]  [abs]
  21. JM Baisden, DA Romney, AG Reish, J Cai, K Sheng, DR Jones, SH Benedict, PW Read, JM Larner, Dose as a function of lung volume and planned treatment volume in helical tomotherapy intensity-modulated radiation therapy-based stereotactic body radiation therapy for small lung tumors., International journal of radiation oncology, biology, physics, vol. 68 no. 4 (July, 2007), pp. 1229-37, ISSN 0360-3016 [doi]  [abs]
  22. J Cai, GW Miller, TA Altes, PW Read, SH Benedict, EE de Lange, GD Cates, JR Brookeman, JP Mugler 3rd, K Sheng, Direct measurement of lung motion using hyperpolarized helium-3 MR tagging., International journal of radiation oncology, biology, physics, vol. 68 no. 3 (July, 2007), pp. 650-3, ISSN 0360-3016 [doi]  [abs]
  23. JF Mata, TA Altes, J Cai, K Ruppert, W Mitzner, KD Hagspiel, B Patel, M Salerno, JR Brookeman, EE de Lange, WA Tobias, HT Wang, GD Cates, JP Mugler 3rd, Evaluation of emphysema severity and progression in a rabbit model: comparison of hyperpolarized 3He and 129Xe diffusion MRI with lung morphometry., Journal of applied physiology (Bethesda, Md. : 1985), vol. 102 no. 3 (March, 2007), pp. 1273-80, ISSN 8750-7587 [doi]  [abs]
  24. J Cai, PW Read, TA Altes, JA Molloy, JR Brookeman, K Sheng, Evaluation of the reproducibility of lung motion probability distribution function (PDF) using dynamic MRI., Physics in medicine and biology, vol. 52 no. 2 (January, 2007), pp. 365-73, ISSN 0031-9155 [doi]  [abs]
  25. K Sheng, J Cai, J Brookeman, J Molloy, J Christopher, P Read, A computer simulated phantom study of tomotherapy dose optimization based on probability density functions (PDF) and potential errors caused by low reproducibility of PDF., Medical physics, vol. 33 no. 9 (September, 2006), pp. 3321-6, ISSN 0094-2405  [abs]

Dillon, Sheila

  1. Dillon, S, Portraiture in the Greek east in the Roman period: The view from the Athenian Agora, in Comparing Roman Hellenisms in Italy (April, 2023), pp. 278-302, ISBN 9780472133406
  2. Dillon, S, C. MURER, STADTRAUM UND BÜRGERIN: AUFSTELLUNGSORTE KAISERZEITLICHER EHRENSTATUEN IN ITALIEN UND NORDAFRIKA (Urban Spaces 5). Berlin: De Gruyter, 2017. Pp. viii + 302, illus. isbn9783110407563. £109.00/€119.95/US$137.99., Journal of Roman Studies, vol. 109 (November, 2019), pp. 332-333, Cambridge University Press (CUP) [doi]
  3. Dillon, S, A new catalogue series on the sculptures of Berlin's Staatliche Museen: vol. 1. Portraits - ANDREAS SCHOLL (für die Antikensammlung der Staatlichen Museen zu Berlin herausgegeben von), bearbeitet von A. Alexandridis, M. Bergmann, J. Beutler, C. Blume, R. Bol, A. Fendt, H. R. Goette, V. Goldbeck, S.-G. Gröschel, R. Grüßinger, K. Hallof, H. Heres, M. R. Hofter, T. Kleinschmidt, R. Krummeich, I. Laube, A. Ludwig, S. Mägele, J. Mätzchker, M. Maisch-berger, U. Papadopoulos. D. Piekarski, G. Platz-Horster, B. Rabe, L. Sack, M. Schmidt, C. Schreiter, T. Schröder, K. Stemmer, M. Tabaczek, R. von den Hoff, L. Winkler-Horaček, KATALOG DER SKULPTUREN IN DER ANTIKENSAMMLUNG DER STAATLICHEN MUSEEN ZU BERLIN. BAND I – GRIECHISCHE UND RÖMISCHE BILDNISSE (Antikensammlung, Staatliche Museen zu Berlin; Michael Imhof Verlag, Petersberg2016). S. xii + 435, 943 ills. mostly in colour. ISBN 978-3-7319-0387-1. EUR 79., Journal of Roman Archaeology, vol. 31 (2018), pp. 665-668, Cambridge University Press (CUP) [doi]
  4. Women in the Classical World: Critical Concepts in Classical Studies, edited by Dillon, S; James, SL (2017), Routledge  [abs]
  5. Dillon, S; Shea, TD, Statues as Artifacts: Towards an Archaeology of Greek Sculpture, in Greek Art in Context, edited by Perez, DR (2017), pp. 19-29, Routledge
  6. Dillon, S, Approaches to the Study of Greek Sculpture, in The Diversity of Classical Archaeology, edited by Raja, R; Lichtenberger, A, vol. 1 (2017), pp. 223-234, Brepols Publishers, ISBN 978-2-503-57493-6
  7. Dillon, S, Review of 'Depicting the Dead: Self-Representation and Commemoration on Roman Sarcophagi with Portraits' by S. Birk (Aarhus University Press, 2013), Latomus: Revue d’Études Latines, vol. 75 no. 2 (2016), pp. 495-497
  8. Dillon, S, Review of 'The Oxford Handbook of Roman Sculpture', E.A. Friedland, M. Grunow Sobocinski, and E.K. Gazda, eds. (Oxford University Press, 2015), Bryn Mawr Classical Review (2015), Bryn Mawr Commentaries, ISSN 1055-7660 [html]
  9. Dillon, S, Honorific Portraiture, in Handbook of Greek Sculpture, edited by Palagia, O (2014), DeGruyter
  10. Dillon, S, Terracotta Figurines, in Samothrace; excavations conducted by the Institute of Fine Arts of New York University: Vol. 9, The monuments of the Eastern Hill, Samothrace: Excavations conducted by the Institute of Fine Art, New York University, edited by Wescot, BD, vol. 9 (2014), American School of Classical Studies at Athens
  11. with Dillon, S; Baltes, E, Honorific Practices and the Politics of Space on Hellenistic Delos: Portrait Statue Monuments Along the Dromos, American Journal of Archaeology, vol. 117 no. 2 (April, 2013), pp. 207-246, Archaeological Institute of America [doi]
  12. Dillon, S, Portrait Statues of Women on the Island of Delos, in Women and the Roman City in the Latin West, Mnemosyne Supplement series, History and Archaeology of Classical Antiquity, edited by Hemelrijk, E; Woolf, G (2013), pp. 201-23, Brill
  13. Dillon, S, Review of 'The Emergence of the Classical Style in Greek Sculpture' by R. Neer., Art Bulletin, vol. 94 no. 1 (March, 2012), pp. 130-133, Informa UK Limited, ISSN 1559-6478 [Gateway.cgi], [doi]
  14. James, SL; Dillon, S, A Companion to Women in the Ancient World (February, 2012), ISBN 9781405192842 [doi]  [abs]
  15. Dillon, S, Female Portraiture in the Hellenistic Period, in A Companion to Women in the Ancient World (February, 2012), pp. 263-277, BLACKWELL PUBLISHING LTD, ISBN 9781405192842 [doi]
  16. Female Portraiture in the Hellenistic World, in Blackwell Companion to Women in the Ancient World, edited by S.L. James & S. Dillon (January, 2012), pp. 263-277, Wiley-Blackwell
  17. Dillon, S, Hellenistic Tanagra Figurines, in A Companion to Women in the Ancient World, edited by James, SL; Dillon, S (January, 2012), pp. 231-234, Wiley-Blackwell
  18. S. Dillon and S. James, co-editors, The Blackwell Companion to Women in the Ancient World (January, 2012)
  19. R. Neer, The Emergence of the Classical Style in Greek Sculpture, Art Bulletin (2012)
  20. J. Fejfer, Roman Portraits in Context, CAA on-line reviews (December, 2011)
  21. Dillon, S, Review of 'Roman Portraits in Context' by J. Fefjer, CAA on-line reviews (December, 2011) [1734]
  22. A. Cohen, Art in the Era of Alexander the Great, AJA on-line reviews (November, 2011)
  23. S. Dillon and C. Antonaccio, The Past is Present: The Kempner Collection of Classical Antiquities at the Nasher Museum of Art (November, 2011), Nasher Museum of Art
  24. Dillon, S, Review of 'Art in the Era of Alexander the Great' by A. Cohen, American Journal of Archaeology on-line reviews, vol. 115 no. 4 (October, 2011) [1001]
  25. The Past is Present: The Kempner Collection of Classical Antiquities at the Nasher Museum, edited by Antonaccio, CM; Dillon, S (March, 2011), pp. 236 pages, Duke University Press Books, ISBN 978-0938989356  [abs]
  26. O. Jaeggi, Die griechischen Portraets, Bonner Jahrbuecher (2011)
  27. Dillon, S, The Female Portrait Statue in the Greek World (paperback) (2011)
  28. Dillon, S, Review of 'Marmorskulpturen der römischen Kaiserzeit aus Milet: Aufstellungskontext und programmatische Aussage. Funde aus Milet, 5,2'.by R. Bol (Berlin, New York: De Gruyter, 2011), Journal of Roman Archaeology, vol. 25 (2011), pp. 876-879
  29. Dillon, S, The Female Portrait Statue in the Greek World (March, 2010), Cambridge University Press [available here]
  30. Dillon, S, Marble Votive Statuettes of Women from the Sanctuary of the Great Gods on Samothrace, in Samothracian Connections: Essays in Honor of James R. McCredie, edited by Wescoat, B; Palagia, O (2010), pp. 165-172, Oxbow
  31. Dillon, S, Review of 'Role Models in Roman Art' by I.S. Hansen and S. Bell, Journal of Roman Archaeology, vol. 23 (2010), pp. 583-586
  32. Dillon, S, Portraits and Portraiture, in Oxford Encyclopedia of Ancient Greece and Rome, edited by Gagarin, M (2010), Oxford University Press
  33. Dillon, S; Welch, K, Representations of War in Ancient Rome (paperback) (2009), Cambridge University Press [of%20War%20in%20Ancient%20Rome/?site_locale=en_US]
  34. Dillon, S, Review of 'Die griechischen Porträts. Antike Repräsentation – Moderne Projection' by O. Jaeggi, Bonner Jahrbuecher, vol. 209 (2009), pp. 362-363
  35. Dillon, S, Portraiture, Greece and Rome, in Blackwell Encyclopedia of Ancient History, edited by Bagnall, R; Brodersen, K; Champion, C; Andrew Erskine, SH, The Oxford Encyclopedia of Ancient Greece and Rome (2009), Oxford University Press
  36. D. Piekarski, Anonyme griechische Porträts des 4.Jhs v.Chr. (Rahden/Westf. 2004), Gnomon, vol. 80 (2008), pp. 248-50
  37. D. Pierkarski, Anonyme griechische Portraets des 4. Jhs. v. Chr., Gnomon, vol. 80 (2008), pp. 248-50
  38. Dillon, S, Review of 'Anonyme griechische Porträts des 4.Jhs v.Chr' by D. Piekarski (Rahden/Westf. 2004), Gnomon, vol. 80 (2008), pp. 248-250
  39. J. Tanner, The Invention of Art History in Ancient Greece: Religion, Society, and Artistic Rationalisation (Cambridge, 2006), Sehepunkte, vol. 7 no. 12 (December, 2007) [html]
  40. O. Palagia, editor, Greek Sculpture: Function, Materials, and Techniques in the Archaic and Classical Periods, Classical Review, vol. 57 no. 2 (October, 2007) [Classical Review 2007]
  41. Dillon, S, Portraits of Women in the early Hellenistic Period, in Early Hellenistic Portraiture: Image, Style, Context, edited by Hoff, RVD; Schultz, P (October, 2007), pp. 63-83, Cambridge University Press [available here]
  42. A.A. Donohue, Greek Sculpture and the Problem of Description, Art Bulletin, vol. 89 no. 1 (March, 2007), pp. 160-163 [PDF]
  43. Dillon S, , Review of 'The Invention of Art History in Ancient Greece: Religion, Society, and Artistic Rationalisation' by J. Tanner (Cambridge, 2006), Sehepunkte, vol. 7 no. 12 (2007) [html]
  44. Dillon, S, Review of 'Antichi Volti della Repubblica. La Ritrattistica in Italia Centrale Tra IV E II Secolo' by M. Papini, Journal of Roman Archaeology, vol. 20 (2007), pp. 428-431
  45. Dillon, S, Review of 'Greek Sculpture and the Problem of Description' by A.A. Donohue (Cambridge, 2005), Art Bulletin, vol. 89 no. 1 (2007), pp. 160-162, ISSN 1559-6478 [Gateway.cgi]
  46. Dillon, S, Review of 'Greek Sculpture: Function, Materials and Techniques in the Archaic and Classical Periods' edited by O. Palagia (Cambridge, 2006), Classical Review, vol. 57 no. 2 (2007), pp. 521-522, Cambridge University Press, ISSN 1464-3561 [Gateway.cgi], [doi]
  47. C.H. Hallett, The Roman Nude. Heroic Portrait Statuary 200 BC-AD 300 (=Oxford Studies in Ancient Culture and Representation, Oxford University Press, 2005), Sehepunkte, vol. 6 no. 11 (November 15, 2006) [html]
  48. B.F. Cook, Relief Sculpture of the Mausoleum at Halicarnassus (Oxford 2005), Classical Review, vol. 56 no. 2 (Fall, 2006), pp. 453-54 [pdf file]
  49. with Dillon, S; Smith, RRR; Hallett, CH; Lenaghan, J; Voorhis, JV, Roman Portrait Statuary from Aphrodisias (June, 2006), Philipp von Zabern, Mainz Germany (Reviews: J. Tanner, BMCR 2007.04.07.)
  50. Dillon, S, Ancient Greek Portrait Sculpture: Contexts, Subjects, and Styles (April, 2006), Cambridge University Press (Winner of the 2008 James R. Wiseman Book Award from the Archaeological Institute of America..) [Ancient]
  51. Dillon, S, Women on the Columns of Trajan and Marcus and the Visual Language of Roman Victory, in Representations of War in Ancient Rome, edited by Dillon, S; Welch, K (April, 2006), pp. 244-271, Cambridge University Press
  52. S. Dillon and K. Welch, Representations of War in Ancient Rome (April, 2006), Cambridge University Press [catalogue.asp] [H-Net book review] [TLS review]
  53. Dillon, S, ANCIENT GREEK PORTRAIT SCULPTURE Contexts, Subjects, and Styles CONCLUSIONS, 1st paperback edition (2006), pp. 127-+, Cambridge University Press
  54. Dillon, S; Welch, K, Representations of War in Ancient Rome (2006), Cambridge University Press, ISBN 0521848172  [abs]
  55. Dillon, S, Review of 'The Roman Nude. Heroic Portrait Statuary 200 BC-AD 300' by CH Hallett (Oxford Studies in Ancient Culture and Representation, Oxford University Press, 2005), Sehepunkte, vol. 6 no. 11 (2006) [html]
  56. Dillon, S, Review of 'Relief Sculpture of the Mausoleum at Halicarnassus' by BF Cook (Oxford 2005), Classical Review, vol. 56 no. 2 (2006), pp. 453-454, Cambridge University Press (CUP) [repository], [doi]
  57. L. Llewellyn-Jones, Aphrodite's Tortoise: The Veiled Women of Ancient Greece, Classical Review, vol. 55. no. 2 (2005), pp. 682-84 [pdf file]
  58. Dillon, S, Review of 'Aphrodite's Tortoise: The Veiled Woman of Ancient Greece' by L. Llewellyn-Jones (Swansca, 2003), Classical Review, vol. 55 no. 2 (2005), pp. 682-684, Cambridge University Press, ISSN 1464-3561 [Gateway.cgi], [doi]
  59. Dillon, S, ’Nike of Samothrace,’ ’Pergamum Altar,’ and ’Polyeuktos: Portrait of Demosthenes’, in Encyclopedia of Sculpture, edited by Bostrom, A, Encyclopedia of Sculpture (2004), New York: Fitzroy Dearborn  [author's comments]
  60. Dillon, S, Review of 'Bildnisse griechischer Herrscher und Staatsmänner im 5. Jahrhundert v.Chr.' by Ralf Krumeich (Munich, 1997), Bryn Mawr Classical Review, vol. 2001 (October, 2001) [html]
  61. Susan Wood, 'Imaging Julio-Claudian Women,' review of Imperial Women: A Study in Public Images 40 B.C.-A.D. 46 ( Mnemosyne no. 194, Brill 1999) 14 (2001) 557-59., Journal of Roman Archaeology, vol. 2001 no. 14 (Fall, 2001), pp. 557-59
  62. Ralf Krumeich, Bildnisse griechischer Herrscher und Staatsmänner im 5. Jahrhundert v.Chr. (Munich 1997), Bryn Mawr Classical Review, vol. 2001 no. 10-02 (October, 2001) [html]
  63. Dillon, S, 'Imaging Julio-Claudian Women' review of 'Imperial Women: A Study in Public Images 40 B.C.-A.D. 46' by Susan Wood (Mnemosyne no. 194, Brill, 1999), Journal of Roman Archaeology, vol. 14 (2001), pp. 557-559
  64. Sheila Dillon, , Subject selection and viewer reception of Greek portraits from Herculaneum and Tivoli, Journal of Roman Archaeology, vol. 13 (Fall, 2000), pp. 21-40
  65. Elizabeth Bartman, Portraits of Livia: Imaging the Imperial Woman in Augustan Rome (Cambridge 1999), Classical World, vol. 1999 no. 93 (Fall, 1999), pp. 115-16
  66. Dillon, S; Bartman, E, Portraits of Livia: Imagining the Imperial Woman of Augustan Rome, The Classical World, vol. 93 no. 1 (1999), pp. 115-115, JSTOR [doi]
  67. Carol Mattusch, 'Repetition and variation in ancient art,' review article of Classical Bronzes: The Art and Craft of Greek and Roman Statuary (Ithaca and New York, 1996), Journal of Roman Archaeology, vol. 1997 no. 10 (Fall, 1997), pp. 441-46
  68. Sheila Dillon, , Figured Pilaster Capitals from Aphrodisias in Caria, American Journal of Archaeology, vol. 1997 no. 101 (October, 1997), pp. 731-769 [html]
  69. Dillon, S, 'Repetition and variation in ancient art’ review of 'Classical Bronzes: The Art and Craft of Greek and Roman Statuary' by Carol Mattusch, Journal of Roman Archaeology, vol. 10 (1997), pp. 441-146
  70. Dillon, S, Review of 'The Fire of Hephaistos" by Carol C. Mattusch (Cambridge, MA 1996), American Journal of Archaeology, vol. 101 (1997), pp. 806-807, ISSN 1939-828X
  71. Sheila Dillon, , The portraits of a civic benefactor of 2nd-c. Ephesos, Journal of Roman Archaeology, vol. 9 no. 9 (Fall, 1996), pp. 261-274
  72. S. Dillon, Bol, R., Marmorskulpturen der römischen Kaiserzeit aus Milet: Aufstellungskontext und programmatische Aussage. Funde aus Milet, 5,2. (Berlin, New York: De Gruyter, 2011), Journal of Roman Archaeology, vol. 25 , pp. 876-879

Gibson, Joshua

  1. Gibson, J, Nile Perch (December, 2012)
  2. Gibson, J, Light Plate (April, 2012)
  3. Gibson, J, Kudzu Vine (January, 2011)  [abs]
  4. Gibson, J, Driving Lessons: Reflections on Indian Filmmaker Mani Kaul (2011)
  5. Gibson, J, Yellow Movie (January, 2010)  [abs]
  6. Gibson, J, Deliverance (2009)
  7. Gibson, J, Bird Dance (2009)
  8. Gibson, J, Siamese Connection (2007)

Hansen, Mark B.

  1. Hansen, MBN, 21st-century media: Worldly sensibility and feed-forward agency, Multitudes, vol. 68 no. 3 (October, 2017), pp. 60-68, CAIRN [doi]
  2. Hansen, MBN, Bernard stiegler, philosopher of desire?, Boundary 2, vol. 44 no. 1 (February, 2017), pp. 167-190, Duke University Press (invited article-length review article on Stiegler's work and its potential contribution to contemporary debates on media, technology, political economy, and culture. Will appear in 2014..) [doi]
  3. Hansen, MBN, Medium-oriented ontology, ELH - English Literary History, vol. 83 no. 2 (June, 2016), pp. 383-405, Johns Hopkins University Press [doi]
  4. Ruyer, R; Edlebi, A; Hansen, MBN, Neofinalism (January, 2016), pp. 1-303, ISBN 9780816692040  [abs]
  5. Hansen, MBN, Logics of Transition (Foreword to Shane Denson), in Postnaturalism: Frankenstein, Film and the Anthropotechnical Interface (October, 2015)
  6. Hansen, MBN; Carman, T, Introduction, in The Cambridge Companion to Merleau-Ponty, edited by Hansen, MBN; Carman, T, vol. 36 (September, 2015), pp. 197-198, Johns Hopkins University Press [doi]
  7. Hansen, MBN, TOPOLOGY OF SENSIBILITY1, in Ubiquitous Computing, Complexity, and Culture (January, 2015), pp. 33-47, ISBN 9781315781129 [doi]  [abs]
  8. Hansen, MBN, Performance as Media Affect: The Phenomenology of Human Implication in Jordan Crandall’s "Gatherings", in Phenomenology and Performance, edited by Bleeker, M; Nedelkopoulou, E; Sherman, JF (2015), pp. 222-243, Routledge, ISBN 9781138805514
  9. Hansen, MBN, Ecologies of Imitation and Experience, in General Ecology of Media, edited by Hoerl, E (2015), Diaphanes
  10. Hansen, MBN, Algorithmic Sensibility, in Post-Cinema: Theorizing 21st-Century Film, edited by Denson, S; Leyda, S (2015), Routledge
  11. Hansen, MBN, The Topology of Sensibility, in Ubiquitous Computing, Complexity, and Culture, edited by Ekman, U; Diaz-Kommonen, L; Engberg, M; Sondergaard, M (2015), pp. 33-47, Routledge, ISBN 9780415743822 [doi]
  12. Hansen, MBN, Our Predictive Condition, or, Prediction in the Wild, in The Non-Human Turn (2015), University of Minnesota
  13. Hansen, MBN, The operational present of sensibility, Nordic Journal of Aesthetics, vol. 24 no. 47 (January, 2014), pp. 38-53  [abs]
  14. Hansen, MBN, Feed Forward: On the Future of 21st Century Media (2014), University of Chicago Press (Just submitted final manuscript. Will appear in Chicago's Fall 2014 list..)
  15. Hansen, MBN, The Aesthetics of the Superject, in Thingworld: International Triennial of New Media Art 2014, edited by Di'an, F; Ga, Z (2014), National Art Museum of China/Liverpool University Press
  16. Hansen, MBN, The Artifactuality of Affect, in The Timing of Affect, edited by Anderer, M (2014), Duke University Press  [author's comments]
  17. Hansen, MBN, The Primacy of Sensation, in Theory Aside, edited by Stout, D; Potts, J (2014), Duke
  18. Hansen, MBN, Technical Repetition and Digital Art, or Why the ‘Digital’ in Digital Cinema is not the ‘Digital’ in Digital Technics, in Technology and Desire: the Transgressive Art of Moving Images, edited by Gaafar, R; Schulz, M (2014), Intellect (Corrected proof submitted summer 2012, book to appear in April 2014..)
  19. Hansen, MBN, Ubiquitous sensibility, in Communication Matters: Materialist Approaches to Media, Mobility and Networks (June, 2013), pp. 53-65, ISBN 9780415782241
  20. Sullivan, DC, Foreword, vol. 9781848827103 (June, 2013), pp. vii-viii, Springer London, ISBN 9781848827097 [doi]
  21. Hansen, MBN, Ubiquitous sensibility, in Communication Matters: Materialist Approaches to Media, Mobility, and Networks (January, 2013), pp. 51, Routledge, ISBN 9780203181096 [doi]
  22. Hansen, MBN; Hörl, E, Medienästhetik: Einleitung in den Schwerpunkt, Zeitschrift fuer Medienwissenschaft, vol. 8 (2013), pp. 10-17
  23. Hansen, MBN, Symbolizing Time: Kittler and 21st Century Media, in Kittler Mediated: New Essays on Culture and Technology, edited by Sale, S; Salisbury, L (2013), Stanford University Press (Corrected proof submitted fall 2012..)  [author's comments]
  24. ., , Issue on Medienästhetik (Media Aesthetics), edited by Hansen, MBN; Hörl, E, Zeitschrift für Medienästhetik, vol. 8 (2013)
  25. Hansen, MBN, Technics Beyond the Temporal Object, edited by B. Roberts, New Formations (2012), pp. 44-62 (special issue, forthcoming.)  [author's comments]
  26. Hansen, MBN, Engineering Preindividual Potentiality: Technics, Transindividuation, and 21st Century Media, SubStance, vol. 41 no. 3 (Summer, 2012), pp. 32-59, University of Wisconsin Press [doi]
  27. Hansen, MBN, Foucault and Media: A Missed Encounter?, SAQ: The South Atlantic Quarterly, vol. 111 no. 3 (2012), pp. 497-528, Duke University Press, ISSN 1527-8026 [doi]
  28. Hansen, MBN, Microsensation and Materiality, in Communication Matters: Materialist Approaches to Media, Networks, and Mobility, edited by Packer, J; Wiley, S (Fall, 2012), Routledge
  29. Hansen, MBN, Ubiquitous Sensation or the Autonomy of the Peripheral: Towards an Atmospheric, Impersonal and Microtemporal Media, in Throughout: Art and Culture Emerging With Ubiquitous Computing, edited by Ekman, U (2012), MIT Press  [author's comments]
  30. Hansen, MBN, Digital Technics Beyond the “Last Machine”: Thinking Digital Media with Hollis Frampton, in Between Stillness and Motion, edited by Rossaak, E (2012), Amsterdam University Press
  31. Hansen, MBN, Sensing Images or Imaging Sensation: Microsensibility between Neural Synchronization and Computational Mediation, in The Philosophy of the Image, edited by Khalip, J; Mitchell, R (Spring, 2011), Stanford University Press  [author's comments]
  32. Hansen, MBN, Medien des 21. Jahrhunderts, technisches Empfinden und unsere originäre Umweltbedingung, in Die technologische Bedingung: Beitraege zur Beschreibung der technischen Welt., Suhrkamp Taschenbuch Wissenschaft,, edited by Hörl, E (Fall, 2011), Suhrkamp, Berlin  [author's comments]
  33. Hansen, MBN, Print Interface to Time: Only Revolutions at the Crossroads of Narrative and History, in Mark Z. Danielewski, edited by Bray, J; Gibbon, A (Winter, 2011), Manchester University Press
  34. Hansen, MBN; Mitchell, WJT, Space/Time, in Critical Terms for Media Studies, edited by Hansen, M; Mitchell, WJT (January, 2010), University of Chicago Press
  35. Hansen, M, New Media, in Critical Terms for Media Studies, edited by Hansen, MBN; Mitchell, WJT (January, 2010), University of Chicago Press
  36. Critical Terms for New Media, edited by Hansen, MBN; Mitchell, WTJ (2010), University of Chicago Press  [abs]
  37. Hansen, MBN; Mitchell, WJT, Introduction, in Critical Terms for New Media, edited by M. Hansen and W.J.T. Mitchell (2010), pp. 328-329, University of Chicago Press, ISBN 9781450333238
  38. Herrnstein Smith, B; Weintraub, ER, Emergence and Embodiment: New Essays on Second-Order Systems Theory, edited by Clarke, B; Hansen, MBN (2009), Duke University Press  [abs]
  39. Hansen, MBN, Living (with) Technical Time: From Media Surrogacy to Distributed Cognition, edited by Yoshimi, S, Theory, Culture & Society, vol. 26 no. 2-3 (Spring, 2009), pp. 294-315, SAGE Publications [doi]  [author's comments]
  40. Hansen, MBN, Time/Shi Jian, Vectors: Journal of Culture and Technology in a Dynamic Vernacular (Winter, 2009) [available here]
  41. with Hansen, MBN; Clarke, B, Neocybernetic Emergence: Retuning the Posthuman, Cybernetics and Human Knowing, vol. 16 no. 1-2 (2009), pp. 83-99
  42. Hansen, MBN, System-Environment Hybrids, in Emergence and Embodiment: New Essays on Second-Order Systems Theory (Fall, 2009), Duke University Press
  43. Hansen, MBN; Gane, N; Sale, S, Interview with Friedrich Kittler and Mark Hansen, Theory, Culture & Society, vol. 24 no. 7-8 (December, 2007), pp. 323-329
  44. Hansen, MBN, The Time of Bare Life, in Bare Life, edited by Brand, R, Bare Life (Exhibition Catalogue) (September, 2007), Jerusalem: Museum on the Seam (exhibition catalog.)
  45. Hansen, MBN, Bodies in code: Interfaces with digital media (September, 2006), pp. 1-327, Routledge, ISBN 9780203942390 [doi]  [abs]
  46. Hansen, MBN, Media theory, Theory, Culture and Society, vol. 23 no. 2-3 (January, 2006), pp. 291-306, Elsevier BV [doi]  [abs]
  47. Hansen, MBN, Media Theory, in Routledge Companion to Literature and Science, edited by Clarke, B; Rossini, M, vol. 23 (January, 2006), pp. 297-306, SAGE Publications [doi]  [abs]
  48. Hansen, MBN, Bodies in Code: Interfaces with New Media (2006), Routledge
  49. Hansen, MBN, Media Theory, Theory, Culture & Society, vol. 23 no. 2-3 (2006), pp. 297-306 [doi]  [abs]
  50. Hansen, MBN, Movement and Memory: Intuition as Virtualization in GPS Art, MLN, vol. 120 no. 5 (Winter, 2005), pp. 1206-1225, Johns Hopkins University Press [doi]
  51. Hansen, MBN, Embodiment, in aRt&D, edited by Brouwer, J (2005), V_2 Organization
  52. Hansen, MBN, Entries on "Cybernetics," "Niklas Luhmann," and "Gilbert Simondon", in Edinburgh Dictonary of Continental Philosophy, edited by Protevi, J (2005), Edinburgh University Press
  53. Carman, T; Hansen, MBN, The Cambridge companion to: Merleau-ponty, edited by Carman, T; Hansen, MBN (January, 2004), pp. 1-396, Cambridge University Press, ISBN 9780521809894 [doi]  [abs]
  54. Hansen, MBN, Digitizing the racialized body or the politics of universal address, Sub-Stance, vol. 33 no. 2 (January, 2004), pp. 107-133, University of Wisconsin Press [doi]
  55. Hansen, MBN, New Philosophy for New Media (2004), MIT Press
  56. Hansen, MBN, The Arche-Technics of Life (Arakawa and Gins), Interfaces, 21/22, vol. 1 (2004), pp. 69-85
  57. Hansen, MBN, 'Real-Time Synthesis' and the Différance of the Body: Technocultural Studies in the Wake of Deconstruction, Culture Machine, vol. 6 (2004) [htm]
  58. Hansen, MBN, The Time of Affect, or Bearing Witness to Life, Critical Inquiry, vol. 30 no. 3 (Spring, 2004), pp. 584-626, University of Chicago Press [doi]
  59. Hansen, MBN, Communication as Interface or Information Exchange?: A Reply to Richard Rushton, Journal of Visual Culture, vol. 3 no. 3 (Winter, 2004), pp. 359-366, SAGE Publications [doi]
  60. Hansen, MBN, The Digital Topography of Mark Z. Danielewski’s "House of Leaves", Comporary Literature XLV, vol. 4 no. 4 (Winter, 2004), pp. 597-636, University of Wisconsin Press [doi]
  61. Hansen, MBN, Deforming Rock: Radiohead’s Plunge into the Sonic Continuum, in Strobe-lights and Blown Speakers: The Music and Art of Radiohead, edited by Tate, J (2004), Ashgate Publishers
  62. Hansen, MBN, The Embryology of the (In)Visible, in The Cambridge Companion to Merleau-Ponty, edited by Hansen, M; Carman, T (2004)
  63. Hansen, MBN, Affect as Interface: Confronting the Digital-Facial Image, Journal of Visual Culture, vol. 2 no. 2 (August, 2003), pp. 205-228
  64. Hansen, MBN, Affect as medium, or the 'digital-facial-image', Journal of Visual Culture, vol. 2 no. 2 (January, 2003), pp. 205-228, SAGE Publications [doi]  [abs]
  65. Hansen, MBN, The Affective Topology of New Media Art, Spectator (Winter, 2002), pp. 40-70
  66. Hansen, MBN, Wearable Space, Configurations, vol. 10 no. 2 (Spring, 2002), pp. 321-370
  67. Hansen, MBN, Cinema Beyond Cybernetics, or How to Frame the Digital-Image, Configurations, vol. 10 no. 1 (Fall, 2002), pp. 51-90
  68. Hansen, MBN, Internal Resonance, or Three Steps Towards a Non-Viral Becoming, Culture Machine, vol. 3 (March, 2001) [htm]
  69. Hansen, MBN, Foucault Beyond Deleuze?, In-between (Spring, 2001), pp. 27-43
  70. Hansen, MBN, Embodying Virtual Reality: Touch and Self-Movement in the Work of Char Davies, Critical Matrix (Fall, 2001), pp. 112-147 [html]
  71. Hansen, MBN, The Automation of Vision and the Affective Basis of the Digital-Image, Diacritics, vol. 31 no. 4 (Winter, 2001), pp. 54-84
  72. Hansen, MBN, Re-Clearing the Ground: A Response to Linda Brigham (2001), Alt-X Literary Network [technesis]
  73. Hansen, MBN, Becoming Other as Creative Involution?: Contextualizing Deleuze and Guattari’s Biophilosophy, Postmodern Culture, vol. 11 no. 1 (September, 2000)
  74. Hansen, MBN, Embodying Technesis: Technology Beyond Writing, Science and Literature Series (2000), University of Michigan
  75. Hansen, MBN, 'Not thus, after all, would life be given': Technesis, Technology, and the Parody of Romantic Poetics in Frankenstein, Studies in Romanticism, vol. 36 no. 4 (Winter, 1997), pp. 575-609
  76. Tiryakian, EA, Introduction, in New Nationalism of the Developed West, edited by Tiryakian, EA; Rogowski, R (1985), pp. 1-13, George Allen & Unwin, ISBN 9780521809894 [doi]  [abs]

Harris, Alex

  1. Alford, K, Who’s Idea of Cuba, ReVista Fall/2009 (February, 2014) [alford]  [abs]
  2. with a harris and seven other photographers, Bull City Summer (2013) [1]  [abs]
  3. with a harris and MFAEDA first year students, MFA/EDA Influences class of 2015 (2013) [available here]  [abs]
  4. with a harris and other photographers, Close to Home (August 18, 2013–February 9, 2014) (An exhibition at the North Carolina Museum of Art.) [available here]
  5. with A Harris and other artists, "In Practice" exhibition (September 27, 2013- December 30, 2013) [19979]  [abs]
  6. with a harris and other photographers, The Bunnen Collection of Photography (2013) [aspx]  [abs]
  7. with a harris and multiple photographers, Light Sensitive: photographic works from North Carolina Collectors (February 14-May 12, 2013) [available here]  [abs]
  8. Chris Vitiello, The Nasher tells a story of Photography in Light Sensitive, Indy Weekly (February 27, 2013) [130409924#gsc.tab=0]
  9. with A Harris and MFAEDA First Year Students, MFAEDA Works In Progress Presentations 2013 (December 10-11, 2013) [20894]  [abs]
  10. Dukeheart, C, Why We Are Here: Capturing the Spirit of Mobile Alabama, NPR PICTURE SHOW (2013) [available here]
  11. Noble, D, Book about Mobile Explores Why We Are Here, Tuscaloosa News (2013) [130409924#gsc.tab=0]
  12. Dick Gordon, The Story (December 11, 2012) [mp3]  [author's comments]
  13. Dwight Garner, Heavyweights for the Holidays, The New York Times (November 23, 2012) [a-roundup-of-holiday-coffee-table-books.html]  [abs] [author's comments]
  14. A. Harris, Documentary Fieldwork Influences (Fall, 2012) [available here]  [abs] [author's comments]
  15. A. Harris and E.O. Wilson, Why We Are Here: Mobile and The Spirit of A Southern City (October, 2012), pp. 229, Liveright/Norton, ISBN 978-0-87140-470-1 [available here]  [abs]
  16. Harris, A; Wilson, EO, Why We Are Here: Mobile and The Spirit of A Southern City (October, 2012), pp. 229 pages, Liveright/Norton, ISBN 978-0-87140-470-1 [available here]  [abs]
  17. with A. Harris and E.O. Wilson, Why We Are Here: Mobile and the Spirit of a Southern City, Harvard Magazine (September, 2012) [off-the-shelf]  [abs]
  18. staff, AM, Cover to Cover, The Atlantic Magazine (September, 2012) [available here]  [abs]
  19. Harris, A; Wilson, EO, Why We Are Here: Mobile and the Spirit of a Southern City, Harvard Magazine (September, 2012)  [abs]
  20. A. Harris, Permanent Collection Harwood Museum of Art, Taos, New Mexico (2012)  [author's comments]
  21. A. Harris, Why We Are Here: Mobile and the Spirit of A Southern City, NPR Picture Show (2012) [available here]  [abs]
  22. with A. Harris and Elena Rue, The Lookout Blog for the Hine Fellows Program (2012) [available here]  [abs]
  23. Sledge, J, Southern Spirit, The Mobile Bay Monthly (2012) [available here]  [abs]
  24. A. Harris, Permanent Collection Pavillon Populaire, Montpelier, France (December, 2011)  [abs]
  25. A. Harris, Les musés sont des mondes, edited by J. M. G. Le Clézio (November, 2011), Gallimard and Musée du Louvre, ISBN 978-2-35031-350-4 [le-louvre-invite-jmg-le-clezio-les-musees-sont-des-mondes]
  26. Harris, A, Les musés sont des mondes, edited by Clézio, JMGL (November, 2011), Gallimard and Musée du Louvre, ISBN 978-2-35031-350-4 [le-louvre-invite-jmg-le-clezio-les-musees-sont-des-mondes]
  27. A. Harris, MFA/EDA Documentary Field Work Influences Blog (Fall, 2011) [available here]  [abs]
  28. with A. Harris and Elena Rue, Coming Home (Fall, 2011) [available here]  [abs] [author's comments]
  29. Richard Chang, Getty offers photographic views of Cuba, The Orange County Register (August 12, 2011), Santa Ana, Ca. [html]  [abs]
  30. A. Harris, Permanent Collection of J.Paul Getty Museum (Summer, 2011)  [abs]
  31. ArtDailey, Getty Museum Displays Photographs of Cuba Before, During, and After the Revolution, edited by Jose Villarreal, artdaily.org (May, 2011) [index.asp]  [abs]
  32. Reed Johnson, Cuba under the lens at the Getty Museum, Los Angeles Times (May 27, 2011) [la-et-cuban-photography-20110527]  [abs]
  33. Lenika Cruz, ‘A Revolutionary Project’ on Cuba exhibited at Getty, The Daily Bruin (May 19, 2011), UCLA, Los Angeles (An article about the exhibition, "A Revolutionary Project: Cuba from Walker Evans to Now".) [a_revolutionary_project_on_cuba_exhibited_at_getty]  [abs]
  34. M.B. Abram and Alex Harris, Conversations with Artists: Alex Harris (May 17, 2011), M.B. Abram Gallery, Los Angeles, Ca. [html]  [abs]
  35. with Alex Harris, Virginia Beahan, and Alexey Titarenko, Three Contemporary Photographers on Cuba (May 17, 2011) [available here]  [abs]
  36. with Judith Keller and Brett Abbott, Curators, Revolutionary Project: Cuba from Walker Evans to Now (2011) (http://www.getty.edu/art/exhibitions/walker_evans_cuba/walker_evans_cuba_checklist.pdf.) [html]  [abs]
  37. J.M.G. Le Clézio, Les Musés sont des mondes (November 5, 2011-February 6, 2012)  [abs]
  38. with a. Harris and Paula Ehrlich, The Time of our Lives: Living with Brain Cancer (2011) [available here]  [abs]
  39. Carlos Espinosa Domínguez, Cuba desde el ojo de la cámara, Cubaencuentro (2011) (An online publication about Cultural events related to Cuba.) [cuba-desde-el-ojo-de-la-camara-251482]  [abs]
  40. Judith Keller, A Revolutionary Project brings Cuba to The Getty, Cuban Art News (2011) [a_revolutionary_project_brings_cuba_to_the_getty_museum]  [abs]
  41. Harris, A, Cuba Through the Windshield, edited by Meacham, D, Berkeley Review of Latin American Studies (Spring, 2011), Center for Latin American Studies, 2334 Bowditch Street, Berkeley Ca. [pdf]
  42. Harris, A, Pilgrimage to Katrina, in Les Suds Profonds de L’Amerique, edited by Mora, G (November, 2010), pp. 60-103, Democratic Books [htm]  [abs]
  43. Harris, A, New Mexico photographs, in Migration: Lost and Found in America, edited by McCrae, D (October, 2010), pp. 96-105, Michael Weiss Productions, Studio City, Ca.  [abs]
  44. with Alex Harris and Liisa Ogburn, Coming Home (2010) [available here]  [abs] [author's comments]
  45. Kael Alford, Who's Idea of Cuba, ReVista Fall/2009 (Fall, 2009) [alford]  [abs]
  46. A. Harris, Beauty Photography and Beyond, Nasher Museum Blog (September 29, 2009) [to%20duke%20resume%202009/Nasher%20Museum%20Blogs%20»%20Blog%20Archive%20»%20Beauty,%20Photography%20and%20Beyond.webarchive]  [abs]
  47. A. Harris, Connecting Disparate Worlds, exhibition catalogue for "Connecting Disparate Worlds" by Arye Carmon (Summer, 2009)  [author's comments]
  48. A. Harris, Presentation by Alex Harris (Summer, 2009) [htm]  [abs] [author's comments]
  49. A. Harris, MLK Day and Inauguration Day 2009, Washington DC (January 19th and 20th, 2009) [available here]  [abs]
  50. Martha Egan, "La Ranfla & Other Stories" (2009), pp. Cover photograph by Alex Harris, Papolote Press, Santa Fe, New Mexico
  51. with A. Harris and W. Bamberger, Behind the Scenes on the Set of CHE, Time.com (December 12, 2008) (frontpage of Time Website on December 12 and 13, 2008, then ongoing access to story.) [html]
  52. Hans Durer, Photographing Cuba, Across Cultures (October 5, 2008) (a review of The Idea of Cuba.) [html]
  53. with A. Harris and William deBuys, Sunset Canto From River of Traps, Terrain.org (Fall, 2008) [htm]  [abs]
  54. A. Harris, Backstory, Popular Photography (May, 2008)
  55. A. Harris, PDN Photo Annual 2008, Photo District News (May, 2008)
  56. Heather Shaw, Latin American Poets, Migrants, utopians, Fathers: Somos Americanos También, Foreword Magazine (May, 2008), pp. 32-35 (a review of The Idea of Cuba.)
  57. A. Harris, Cuba, Vagent Magazine no. 2 (February, 2008), Norway (Cover photograph for an issue of the magazine about contemporary Cuba.)
  58. with A. Harris and W. deBuys, River of Traps, Su Casa Magazine, vol. 14 no. 5 (2008), pp. 96-106
  59. staff writer, Photos reveal Cuba’s paradoxes, heroes, and everyday life, Progreso Weekly.com (2008) (review of The Idea of Cuba.) [index.php]
  60. Craig Varjabedian, Waiting for Light; Photography Books and the Excellence Legacy, Photoworkshop.com (December, 2007) [WaitingForLightDec07.shtml]
  61. Henry Berry, The Idea of Cuba, Henryberry.gather.com (November 6, 2007) [viewArticle.jsp]
  62. Sylvia Pfeiffenberger, Praising Famous Men and not-so-famous Women of Cuba, The Independent Weekly (November 4, 2007) [Content]
  63. staff writer, Fotos revelan paradojas de Cuba, héroes y la vida diaria, Progreso Weekly (November, 2007) [index.php]
  64. Staff Writer, The idea of cuba, Yale Alumni Magazine (November-December 2007)
  65. Marice Cohn Band, Questions and Answers from Some Authors at the Miami Book Fair, The Miami Herald (November 3, 2007)
  66. A. Harris, The Idea of Cuba, The Chronicle of Higher Education, vol. 54 no. 10 (November 2, 2007), pp. b23 [reprint.php]  [author's comments]
  67. Virginia Cha, The Idea of Cuba, CNN.COM (October 17, 2007) [cha.alex.harris.cnn]
  68. Alberto Brown Rodriguez, Entendiendo Cuba a través de la fotografía, Mundo Hispanico (October 11, 2007) [html]
  69. A. Harris, alex-harris.com/ (Fall, 2007) [available here]
  70. A. Harris, The Idea of Cuba (Fall, 2007), UNM Press and The Center for Documentary Studies, Albuquerque NM and Durham NC [html]  [abs]
  71. David Steinberg, Photos and Text in New Large-Format Book Capture the Essence of Cuba, The Albuquerque Journal (September 28, 2007)
  72. Paul Weideman, Getting to Know our Neighbor to the South, The Santa Fe New Mexican: Pasatiempo (September 28, 2007)
  73. Bob Bishop, The Idea of Cuba, KHFM 95.5FM, Albuquerque, New Mexico (September 27, 2007)
  74. Nancy Stapp, The Idea of Cuba, KTAO, 101.9FM, Taos, New Mexico (September 20, 2007)
  75. Harris, A, Cuba Libre, Dutch Esquire, vol. 3 (June, 2007)  [author's comments]
  76. Harris, A, Game Boy, Russian Esquire (May, 2007)  [author's comments]
  77. Mary-Charlotte Domandi, The Idea of Cuba, KSFR 90.7FM, Santa Fe, New Mexico (2007) [available here]
  78. David Lewis, The Idea of Cuba, WMLB 1690FM, Atlanta (2007) [20]
  79. Frank Stasio, The Idea of Cuba, WUNC 91.5FM Chapel Hill, NC (2007) [view]
  80. A. Harris, The Idea of Cuba, Summer/Fall 2007, Document (2007), pp. 12-17, The Center for Documentary Studies, 1317 W. Pettigrew Street, Durham, NC 27705
  81. Harris, A, The Idea of Cuba (2007), UNM Press and The Center for Documentary Studies [html]  [abs]
  82. Harris, A; deBuys, W, River of Traps: A Mountain Life (Winter, 2007), Trinity University Press, San Antonio, Texas, ISBN 978-1-59334-035-1 (A re-publication of my 1990 book with William deBuys. New Subtitle.) [available here]  [abs]
  83. Photography a Fully Developed Presence, The Los Angeles Times no. E29 (October 8, 2006)
  84. Alex Harris at the North Carolina Museum of Art, The Independent (August 30, 2006)
  85. A. Harris, Alex Harris Photographs of Cuba, Russian Esquire (May, 2006), pp. 162-175  [author's comments]
  86. A. Harris, Civic Ventures (2006) (Photographs on web sites.)  [abs]
  87. A. Harris, Encyclopaedia Britannica Web site, Hope Photographs page (2006) (photographs on web sites.)  [abs]
  88. A. Harris, The Valencia Institute of Modern Art (IVAM) (2006) (photographs on web sites.)  [abs]
  89. A. Harris, Institute of Contemporary Art, Boston (2006) (photographs on web sites.)  [abs]
  90. A. Harris, Scheinbaum and Russek Gallery, Santa Fe, NM (2006) (photographs on web sites.)  [abs]
  91. A. Harris, Center for Instructional Technology, Duke University (2006) (photographs on web sites.)  [abs]
  92. A. Harris, The Los Angeles Times (2006) (photographs on web sites.)  [abs]
  93. A. Harris, Colp d'ULL, a Catalan magazine interview with Alex Harris (2006) (photographs on web sites.)  [abs]
  94. A. Harris, Institute of Contemporary Arts, Boston (2006) (photographs on web sites.)  [abs]
  95. A. Harris, Center for Documentary Studies, Duke University (2006) (photographs on web sites.)  [abs]
  96. A. Harris, Hope Photographs (2006) (photographs on web sites.)  [abs]
  97. A. Harris, J. Paul Getty Museum (2006) (photographs on web sites.)  [abs]
  98. A. Harris, Blue Sky Gallery, Portland, Oregon (2006) (photographs on web sites.)  [abs]
  99. A. Harris, sheldon Art Galleries and Concert Hall, St. Louis, Mo (2006) (photographs on web sites.)  [abs]
  100. A. Harris, Perkins Library, Duke University (2006) (photographs on web sites.)  [abs]
  101. A. Harris, The Robert Wood Johnson Foundation (2006) (photographs on web sites.)  [abs]
  102. A. Harris, Ann Stewart Fine Art (2006) (photographs on web sites.)  [abs]
  103. A. Harris, Duke Magaine (2006) (photographs on web sites.)  [abs]
  104. A. Harris, AARP (2006) (photographs on web sites.)  [abs]
  105. A. Harris with Bruce Payne, South Africa: The Cordoned Heart (2006) (A new essay on the photographic survey of the Second Carnegie Inquiry into Poverty and Development in Southern Africa for the revised brochure of the traveling exhibition, "South Africa: The Cordoned Heart." Because of changing conditions in South Africa, all brochure and exhibition texts were rewritten in 1991.)
  106. by Wayne Trujillo, River of Traps: A Village Life, Latino Suave (February-March 2006), pp. 10
  107. Harris, A, Where We Live: Photographs of America from the Berman Collection, edited by Keller, J; Lacoste, A (Fall, 2006), J. Paul Getty Museum (book accompanying exhibition of the same title at the J. Paul Getty Museum.) [html]
  108. A. Harris (photograph), Life Begins at Sixty-Five, In Character: A Journal of Everyday Virtues, vol. 1 no. 2 (Winter, 2005), pp. 66-77 (Photographs illustrating and article by Marc Freedman.)
  109. Bill Hogan, Experience Counts, AARP Bulletin (September, 2005), AARP (article accompanied by Web exhibition of ten of my photographs on the AARP website.) [html]
  110. cover photograph by Alex Harris, Spreading the News about People of Color, Urban Spectrum, vol. 19 no. 2 (May, 2005)
  111. A. Harris (cover photograph), Urban Spectrum, vol. 19 no. 2 (May, 2005)
  112. cover photograph by Alex Harris, Learning from Urban Schools, Educational Leadership, vol. 62 no. 6 (March, 2005)
  113. A. Harris (cover photograph), Educational Leadership, vol. 62 no. 6 (March, 2005)
  114. Duke Magazine, Engaging All Ages, vol. 91 no. 5 (Sept-Oct 2005), pp. 15 (review of my exhibit at Russell Rotunda in DC, three photographs reproduced.) [html]
  115. D. Anderson, Writing about Literature in the Media Age (2005), UNC Press (one A. Harris photograph reproduced in this book.) [html]
  116. Duke News Service, Alex Harris Photos at US Senate (July 2005)  [abs]
  117. A. Harris, Engaging All Ages, Duke Magazine (September-October 2005) (Three photographs reproduced and an article about US Senate Rotunda Exhibit.)
  118. Lynne Warren, Encyclopedia of 20th Century Photography (2005), Routledge Press
  119. Harris, A, Together We Do Good Work: SEWA’s Child Care Program in Gujarat India, by Sara Gomez, edited by Harris, EBA; Gomez, S (Winter, 2005), Center for Documentary Studies, Duke University (introduction by Alex Harris.)
  120. Freedman, M, Life Begins at Sixty-Five, In Character: A Journal of Everyday Virtues (Winter, 2005), pp. 66-77 (my photographs accompany an article by Marc Freedman.)
  121. A. Harris, Experience Corps: New Adventures in Service for Americans over 55, Robert Wood Johnson Foundation Website (Winter, 2004) (Ongoing interactive web exhibit of my photographs of Experience Corps Volunteers from New York, Boston, and San Francisco./ This web exhibit originally on the RWJF main page.) [profiledetail.jsp]  [abs]
  122. A. Chomsky, The Cuba Reader (2004), pp. cover photograph by Alex Harris, Duke University Press
  123. A. Harris (cover photograph), Der Unendilche Plan, a novel published by Isabel Allende (2004), Verlag, Germany
  124. A. Harris (four photographs), Michael Hoffman Collection (2004), Philadelphia Museum of Art/Aperture Books
  125. A. Harris, Outside the Ordinary," A tribute in Pictures to Michael E. Hoffman, Aperture, special issue (2004)
  126. Harris, A, Arrivals and Departures: The Airport Photographs of Garry Winogrand, edited by Harris, A; Friedlander, L (Spring, 2004), Distributed Arts Publishers
  127. Harris, A, Outside the Ordinary, special edition, edited by Harris, M, Aperture Magazine (2004), Aperture (A tribute in pictures to Aperture Editor Michael E. Hoffman, 1942-2001.)
  128. with A. Harris and R. Gurwitt, Subject of My Heart: Rainbow Intergenerational Child Care Program, Innovations, vol. 5 (Winter, 2003), Civic Ventures [cfm]
  129. A. Harris (photograph), Blue Sky #38, Blue Sky Gallery, Oregon Center for the Photographic Arts, Portland Oregon (December, 2003)
  130. Harris, A, Blue Sky no. 38 (December, 2003), Oregon Center for Photographic Arts
  131. A. Harris, Walker Evans at Yale (November, 2003) (an introductory essay for the exhibition "Walker Evans at 100," at the Center for Documentary Studies, Duke University.)
  132. A. Harris, Jose Marti and the Idea of Cuba (November, 2003) (an introductory wall text essay for the exhibition of the same title at the John Hope Franklin Center for Interdisciplinary Studies, Duke University.)
  133. A. Harris (photographs), Experience Corps, edited by Susan Tomaro (November, 2003), Experience Corps, Washington, DC (introduction by John Gomperts.)
  134. A. Harris, Alex Harris 1998-2000 (Fall, 2003) (two wall texts for "Havana 1998 photographs", and "Game Boy 2000," at Perkins Library, Duke University.)
  135. A. Harris, Alex Harris Photographs 1998-2000, Images from The Duke University Special Collections Library (September, 2003, ongoing) (An ongoing web exhibition.) [available here]  [abs]
  136. with A. Harris and R. Gurwitt, Finding God In All Things: Ignatian Lay Volunteer Corps, Innovations Series #6 (Summer, 2003), Civic Ventures [cfm]
  137. A. Harris and Rob Gurwitt (photograph), Finding God in All Things: Ignatian Lay Volunteer Corps (July, 2003) (Introduction by Marc Freedman, #6 in the Innovations publications series from Civic Ventures.)
  138. A. Harris and Rob Gurwitt (photograph), Subject of My Heart: Rainbow Integenerational Child Care Program (January, 2003) (Introduction by Marc Freedman. #5 in the Innovations publication sseries from Civic Ventures.)
  139. R. Gurwitt, Have Tools, Will Travel, Mother Jones Magazine (January, 2003) (my photographs of Care-A-Vanners accompany text by R. Gurwitt, see Giving Shelter:RV Care-A-Vanners, Innovations, vol. 4.)
  140. Gurwitt, R, Have Tools, Will Travel, Mother Jones Magazine (January, 2003)
  141. C. Fusco and B. Wallis, Only Skin Deep: Changing Visions of the American Self (2003), Harry Abrams (Photographs published in this book.)
  142. A. Harris (photograph), Only Skin Deep: Changing Visions of The American Self by Coco Fusco and Brian Wallis (2003), International Center for Photography and Harry Abrams Publishers
  143. text by Rob Gurwitt, photographs by Alex Harris, Have Tools, Will Travel, Mother Jones Magazine (January-February 2003)
  144. A. Harris, Visions of Cuba Photo exhibit juxtaposes modern-day country with hero's ideal, Durham Morning Herald (December 5, 2003)
  145. A. Harris and Robert Gurwitt (photograph), Giving Shelter: RV Care-A-Vanners (April, 2002) (Introduction by Marc Freedman, #4 in the Innovations publications series from Civic Ventures.)
  146. with text by Rob Gurwitt and photographs by Alex Harris, Fostering Hope, Morther Jones Magazine (April, 2002), pp. 50-57
  147. with Harris, A; Gurwitt, R, Fostering Hope, Mother Jones Magazine (April, 2002)
  148. with A. Harris and R. Gurwitt, Giving Shelter:RV Care-A-Vanners, Innovations, vol. 4 (Spring, 2002), Civic Ventures [cfm]
  149. A. Harris, Inside Cars, cover photograph and photos with article, 2wice Magaine, vol. 5 no. 2 (Spring, 2002)
  150. J. Enyeart, Photographers Writers and The American Scene: Visions of Passage (2002), Arena Editions (photographs published in this book.)
  151. Audrey Goodman, Translating Southwestern Landscapes: The Making of an Anglo Literary Tradition (2002), University of Arizona Press (cover photograph and chapter detailing significance of my photographic work in the Southwest.)
  152. introducatory text panel by Alex Harris, Kirk Felsman, and Alma Blount, Visions and Voices of HIV Aids in Malawi, Ethiopia, and Zimbabwe (2002) (at the Council on Foundations Annual Meeting, Chicago, April 30, 2002, at European Council on Foundations Meeting, Belgium, July 2002, at the John Hope Franklin Center Duke University, November-December 2002.)
  153. A. Harris (photographs), Photographers, Writers, and The American Scene: Visions of Passage (2002), Arena Editions (One of thirty-five photographers and fifteen writers commissioned to participate in this book and traveling exhibition.)
  154. A. Harris (photographs), Translating Southwestern Landscapes: The Making of an Anglo Literary Tradition, by Audrey Goodman (2002), University of Arizona Press
  155. Robert J. Hughes, Futures and Options, The Wall Street Journal (May 10, 2002), pp. w-2 (review of exhibition at the Wellesley College Davis Museuum and Cultural Center.)
  156. photograph, C; Harris, IPBA, Inside Cars, edited by Tarr, P, 2wice Magazine, vol. 5 no. 2 (Spring, 2002), Princeton Architectural Press
  157. A. Harris and Rob Gurwitt (photograph), Lessons for Life: Experience Corps (November, 2001) (Introduction by Marc Freeeman. #1 in the Innovations publication series from Civic Ventures in San Francisco, Ca. Innovations profiles the work of creative organizations that engage older Americans in ew and compelling ways to revitalize their communities.)
  158. A. Harris and Rob Gurwitt (photograph), The Art of Medicine: Samaritan House Free Clinic (November, 2001) (Introduction by Marc Freedman. #2 in the Innovations publications series from Civic Venure.)
  159. A. Harris and Rob Gurwitt (photograph), Raising a Neighborhood: Hope Meadows (November, 2001) (Introduction by Marc Freedman. #3 in the Innovations publications series from Civic Venutures.)
  160. with A. Harris and R. Gurwitt, Lessons For Life: Experience Corps, Innovations (Fall, 2001), Civic Ventures [cfm]
  161. with A. Harris and R. Gurwitt, Raising a Neighborhood: Hope Meadows, Innovations, vol. 3 (Fall, 2001), Civic Ventures [cfm]
  162. El Contemporani, vol. 24 (Fall, 2001) (Catalan literary magazine published in Barcelona, Spain. entire issue illustrated solely with photographs of New Mexico and Cuba by Alex Harris.)
  163. with A. Harris and R. Gurwitt, The Art of Medicine: Samaritan House Free Clinic, Innovations, vol. 1 (Summer, 2001), Civic Ventures [cfm]
  164. A. Harris, HIV In Perspective: Photographs of HIV in Malawi, Zimbabwe and Ethiopia and North Carolina (February 27, 2001) (by Hart Fellows and Duke Undergraduates. A Two part exhibition opening February 27, 2001 at the Duke Center for Medical Ethics and the Humanities and in March at the Sanford Insitute of Public Policy. Introductory texts and didactic wall texts for both exhibits.)
  165. Introductory text panel by Alex Harris and Kirk Felsman, Together We Do Good Work (2001-2003) (Childcare and Poverty Alleviation in Gujarat, India. Photographs by Sara Gomez, April 2001-October 2002 Sanford Institute of Public Policy, Duke University, Durham, NC, November 2002-April 2003 Bernard van Leer Foundation offices, The Hague.)
  166. A. Harris, Heinle & Heinle English Language Learning Catalog, Cover photograph (2001)
  167. A. Harris, E contempornai, a Catalan literary magazine published in Barcelona Spain (July-December 2001) (Entire issue illustrated by New Mexico and Cuban photographs by Alex Harris.)
  168. Leach Ollman, A Masters Long Shadow, The Los Angeles Times (August 26, 2001)
  169. A. Harris, Hart Fellows Document Humanitarian Efforts Overseas, Document Vol. 3, #1 (2001), pp. 23
  170. A. Harris, Fotografia, Alex Harris, un Americdano en La Corte Del Rey Jaime Ivam, Turia, #1925, 22-28 (December, 2000), pp. 86
  171. A. Harris, Alex Harris: fotografia en el Ivam, Colegio Oficial de Aparejadores Y Arquitectors Tecnicos de Valencia (November, 2000), pp. 19
  172. A. Harris, Illes en el temps" o la mirada creativa d'Alex Harris, Sabina Focas (October, 2000), pp. 75
  173. A. Harris (photographs), Customized: Art inspired by Hot Rods, Low Riders, & American Car Culture (Fall, 2000), The Institute of Contemporary Art, Boston (In association with a traveling exhibition.)
  174. Harris, TBA; Baranano, KD; William deBuys, JBR; Nichols, J; Montalban, MV, Islas En El Tiempo (September, 2000), The Valencia Institute of Modern Art (IVAM) (in conjunction with a retrospective exhibition in Valencia, Spain mounted by IVAM. 240 pages. Photographs by Alex harris.)
  175. Mark Banker, Beyond the Melting Pot and Multiculturalism: Cultural Politics in Southern Appalachia and Hispanic New Mexico, Montana: The Magazine of Western History (Summer, 2000)
  176. by Cate McQuaid, The Automobile as American Icon, The Boston Globe (November 10, 2000) (Review of exhibition at the Institute of Contemporary Arts.)
  177. A. Harris, Islas en el Tiempo: Alex Harris muestra la humanidad y la fuerza de las communidades marginales, El Pais, Madrid Spain (November 18, 2000)
  178. A. Harris, Fotografias ineditas de Alex Harris en la programacion de ontono del Ivam, Cultura, Valencia, Spain (November 6, 2000), pp. 13
  179. A. Harris, Alex Harris y su mirada a las "Islas en el Tiempo, Communidad Valenciana (September 29, 0000) (Page 24, "Alex Harris muestra en el IVAM la vida cotidiana de Nuevo Mexico y La Habana.)
  180. A. Harris, Alex Harris Muestra en el Ivam su personal vision de La habana y Nuevo Mexico, El Mundo (September 29, 2000), pp. 10
  181. A. Harris, El IVAM muestra la mirada comprometida de Alex Harris En sus fotografias de Nuevo Mexico, El Pais (September 29, 2000)
  182. A. Harris, El Artista Americano Alex Harris expone sus "Islas en el Tiempo in el IVAM, Pendulo #185 (September 29, 2000), pp. 1
  183. A. Harris, Alex Harris demuestra con 87 fotografias la intensa conexion entre Cuba y EE UU, Cultura (September 30, 2000), pp. 24
  184. A. Harris, El Color hispano de Alex Harris, Fotografia (September 30, 2000), pp. 24
  185. A. Harris, Alex Harris, Poesia de los Intangibles, El Cultural (October 25, 2000), pp. 30
  186. A. Harris, Fotografias entre el documento y el arte, Alex Harris, Levante, El Mercantil Valenciano (November 3, 2000)
  187. A. Harris, El fotografo Alex Harris da su vision de Cuba en la muestra que acoge el Ivam, Levante, El Mercantil Valenciano (November 5, 2000), pp. 77
  188. by Wayne Trujillo, Rio De Las Trampas, The Colorado Hispanic Genealogist, vol. 2 no. 3 (2000), pp. 39-41
  189. A. Harris (photograph), Interiors, edited by Huston Paschal, North Carolina Museum of Art, Raleigh, NC, Exhibition Catalog (2000)
  190. Jewrry Callum, Widening Photography's Eye, Atlanta Journal Constitution (January 7, 2000) (Article about the "Signs of Life" exhibition curated by Alex Harris.)
  191. Karen Hines, Duke Professor's Photographs of Hispanic life on display in Spain, Duke Dialogue (September 29, 2000), pp. 1, 12
  192. Ellen Berkovitch, The Evolving Document, Pastiempo The Santa Fe New Mexican (August 3-9, 2000), pp. 36-44 (interview with and article about Alex Harris and Van Daren Coke.)
  193. by Michael Koster, The Window, Art News (March, 1999) (a review of my work in an exhibition at Scheinbaum and Russek Gallery, Santa Fe, New Mexico.)
  194. by Mary L. Scott, River of Traps, JOW journal, vol. 38 no. 1 (January, 1999), pp. 122 (a review of River of Traps.)
  195. photographs by Thomas Roma and Alex Harris, Prime Time: How Baby Boomers will Revolutionize Retirement and Transform America, by Marc Freedman (1999), Public Affairs Press
  196. Leah Ollman, The Color Line, Revisited, The Los Angeles times (November 3, 1999) (Review of color exhibition at the Getty Museum in Los Angeles.)
  197. Karen Hines, Harris photos tapped for display at LA's famed Gerry Museum, Duke Dialogue (October 29, 1999), pp. 11
  198. A. Harris, The Duke Endowment 1997 annual report (November, 1998) (Includes an article and an extensive photographic essay from twenty years of Alex Harris's students from his "American Communities" class at Duke University.)
  199. A. Harris, Paying Attention: The Cente for Documentary Studies, Trinity College Parent's Newsletter (Summer, 1998)
  200. A. Harris, Club Kid, Creating a Class Magazine (1998) (an essay published by the Center for Documentary Studies and Literacy Through Photography in Artists in the Classroom: Ten Collaborative Projects, sponsored by the National Endowment for the Arts.)
  201. by Ruth Moose, A New Life, The Pilot, Southern Pines, N.C. (March 19, 1998) (Stories and Photos Show New South.)
  202. A. Harris, Old and On Their Own, "Age and Independence, St. Petersburg Florida Times (May 17, 1998) (A writer and two photographers set out to show the everyday lives of everyday people who hang on to their personal sovereignty past age 75, by John Cutter.)
  203. by Stan Hinden, Old and On Their Own, "A Journey of Age and Spirit, Washington Post, Book World (May 25, 1998)
  204. reviewed by William Zimmer, The West", Princeton University Art Museum, The New York Times, Photography Review (August 2, 1998) (Reviewer writes about one of my photographs in this exhibition.)
  205. by Celia Berdes, Old and On Their Own, "Insight Wisdom, and Inspiration, Buehler Center on Aging Newsletter, vol. 14 no. 4 (Winter 1998-1999)
  206. A. Harris (two photographs), Acequia Culture: Water, Land, and Community in the Southwest, by Jose Rivera (1998), The University of New Mexico Press
  207. A. Harris (two photographs), Hope Photographs, by Alice Rose George and Lee Marks (1998), Thames and Hudson Co.
  208. A. Harris, cover photo, American Scientist (January-February 1998)
  209. A. Harris (one photograph), Curriculum Resource Guide (1998), Museum of Photographic Arts, San Diego
  210. Geoff Edgers, DoubleTake Loses Harris, Raleigh News and Observer (February 10, 1998)
  211. A. Harris, Harris, DoubleTake Editor set to resign after March issue, The Chronicle, Duke University (February 18, 1998)
  212. A. Harris, Seeking the Bond Between Social Concern and Everyday Life, "Arts and Ideas, The New York Times (Saturday March 14, 1998), pp. A21
  213. Mark Feeney, Literary Conversations as Intriguing as written word, The Anchorage Alaska News (March 22, 1998)
  214. Stephen Longmire, On Double Take, Afterimage (March/April 1998), pp. 5
  215. Alan Bisbort, Good News, Magazines that will provide years of pleasure browsing and reading, Advocate, Hartford, CT (April 16, 1998)
  216. Scott Butki, More Magazines Should Take Note of DoubleTake, Morning News of Northwest Arkansas (April 18, 1998)
  217. A. Harris, Doing a DoubleTake, Newsweek (May 11, 1998)
  218. Coles, TBR, Old and On Their Own (1998), W.W. Norton (photographs by Alex Harris and Thomas Roma.)
  219. by Jordan Smith, A New Life, "Southern Exposure, Afterimage (August, 1997)
  220. A. Harris, A New Life, Photographers Forum (May, 1997)
  221. review by Cory Dugan, A New Life, Memphis Tn. Flyer (March 13, 1997)
  222. A. Harris, A New Life, Book World (February 2, 1997), pp. 13
  223. by Greg Langley, A New Life, "A New Life Offers Good Stories, Evocative Photos, Baton Rouge Advocate (1997)
  224. by Anne Hanahan, A New Life, "Enjoy These Stories and Pass the Grits, Charleston Post and Courier (1997)
  225. by David E. Brown, A New Life, "The New New South (March 1997)
  226. A. Harris, A New Life,"The Unrecycled South," by Mary Jane Park, St. Petersburg Florida Times (February 16, 1997)
  227. A. Harris, Best of the Best" 2 photographs, New Mexico Magaine 75th Anniversary Issue (1997)
  228. Michele Kurtz, Students Put Pictures Into Words, Raleigh News and Observer (November 27, 1997), pp. 3B
  229. Chris Waddington, Double Take's Alex Harris: A Man of Many Talents, New Orleans Times Picayune (May 9, 1997)
  230. Chuck Twardy, Storytellers: The Center for Documentary Studies has many ways to document the world, but it's work is really about telling stories, Raleigh News and Observer (July 6, 1997)
  231. Melissa Bigner, Taking a Closer Look, Southern Living (March 1997)
  232. Chris Waddington, Talk of the Town, New Orleans Times Picayune (May 9, 1997)
  233. Peter Carlson, DoubleTake's Common Interest, The Washington Post (March 25, 1997)
  234. A. Harris, Uncommon Magazine, Minneapolis Start Tribune (March 29, 1997)
  235. Don McLeese, DoubleTake is twice as good as othe reads, Austin American Statesman (March 18, 1997)
  236. A. Harris (photograph), Perpetual Mirage: Photographic Narratives of the Desert West (June, 1996) (Published in association with an exhibition at the Whitney Museum of American Art, New York edited by May Castleberry.)
  237. Marc Spiegler, Double Vision, Wired (April, 1996)
  238. A. Harris, Lectures, Photography Exhibit Explore Dislocation, Upheaval" by Robert Pincus, The Plain Dealer (November 10, 1996) (A review of Transition/Dislocation, Fall 1996, a group show including twenty color photographs by Alex Harris of northern New Mexico, Cleveland Center for Contemporary Art, Cleveland, Ohio.)
  239. A. Harris, Red White Blue and God Bless You, Art in New England Magazine (February/March 1996 issue), pp. 64 (Review by Miles Unger of exhibition at the Addison Gallery of American Art.)
  240. A. Harris, Red White Blue and God Bless You, "Photo Exhibit scans New Mexico's color and culture" by Shirley Henderson, Section 7, The Chicago Tribune (December 6, 1996), pp. 76
  241. A. Harris (cover photograph), Place Of The Pretend People, by Carolyn Kremers (1996), Alaska Northwest Books
  242. Robert L. Pincus, Lectures, photography exhibit explore dislocation, upheaval, Cleveland Plain Dealer (November 10, 1996), pp. 3-I
  243. A. Harris, Gift Saves Unusual Journal: DoubleTake's Acclaimed Work Gets It $10 Million, New York Times (April 12, 1996)
  244. Robert Coles, A Magazine as Public Classrooms, Chronicle of Higher Education (November 22, 1996)
  245. Lynell George, Recording the World with Lens and Pen, Los Angeles times (February 4, 1996)
  246. Stephen Martin, When View Meets Voice, Duke Magazine (March/April 1996), pp. 42
  247. A. Harris, Media Watch: The Environment and the Printed Page, Orion Magazine (Autumn 1996)
  248. A. Harris, Life as it's lived, Columbia Journalism Review (July/August 1996)
  249. A. Harris, New York Not Always The Focus of Photographic Excellence, Charlotte Observer (April 24, 1996)
  250. A. Harris, A Magazine Targets Hope and Humanity, Charlotte Observer (May 12, 1996)
  251. Harris, A, A New Life: Stories and Photographs from the Suburban South, edited by Harris, A; introduction, A (1996), W.W. Norton and Double Take books
  252. A. Harris, southwest photographs, Merian magazine, Germany (August, 1995), pp. 24 & 25
  253. Autumn Arnold, Breathing Life into Life, Currents (July, 1995)
  254. David Walker, DoubleTake Debuts, Photo District News (June, 1995)
  255. Chuck Hagen, New Trends in Photography, Art News (February, 1995)
  256. A. Harris, Red White Blue and God Bless You, "Recording the Spirit of the Southwest by Kate McQuaid, The Boston Globe (1995)
  257. A. Harris (color photo and text), Color Photography, by Henry Hornstein (1995), pp. 46, Little Brown & Co.
  258. A. Harris, Documentary Magazine Makes Debut in April, The New York Times, Living Arts section (March 9, 1995), pp. B2
  259. Thomas Hackett, Magazine Has Different Take on Life, Raleigh News and Observer (May 18, 1995)
  260. A. Harris, A Forum for the Human Condition: Doubletake Contributors are from all walks of life, Dallas Morning News (Marcy 11, 1995)
  261. Chris Waddington, DoubleTake Worth A Second Look, Times Picayune, New Orleans, La (June 23, 1995)
  262. A. Harris, Giving Voice and View, Duke Alumni Magazine (July/August 1995), pp. 46
  263. A. Harris, Voices and Visions out of the South, Richmond Times Dispatch (June 4, 1995)
  264. William Powers, Engaging DoubleTake covers some tricky Territory, Ft. Lauderdale Sun-Sentinel (May 27, 1995)
  265. Mary Chen, State of the Art: Double Take, Boston Phoenix (October 18, 1995)
  266. A. Harris, Not-so-soft summer reading in Double Take Forbes, USA Today (June 13, 1995)
  267. A. Harris, A Fe Things Considered, Newsweek (June 26, 1995), pp. 58
  268. Sharon Weightman, Doubletaker Links images and stories, essays and poems, Jacksonville Times-Union (1995)
  269. A. Harris, New Entry is worth a second look, Columbus Ohio Dispatch (July 3, 1995)
  270. Shawn O'Sullivan, DoubleTake A Singular Sensation, New York Daily News (July 31, 1995)
  271. John Valentine, Alive and unwired, The Independent (Jun2 20-28, 1995)
  272. James Ledbetter, Press Clips, The Village Voice (July 4, 1995)
  273. Julia Scully, The National Scence, Photography in New York (May-June 1995)
  274. Cynthia Greiner, The Mag Trade, Washington Times (June 24, 1995)
  275. Gary Kamiya, Bay City Best, San Francisco Examiner and Chronicle (July 23, 1995)
  276. A. Harris, Talk of the Town, American Bookseller (November 1995)
  277. A. Harris, Books in Brief, Houston Chronicle (June 18, 1995)
  278. A. Harris, photographs and text on "Portraits of Aging, Ideas Magazine, from the National Humanities Center, vol. 3 no. 1 (Summer, 1994)
  279. A. Harris (cover photograph), The Christ Haunted Landscape by Susan Ketchin (1994)
  280. A. Harris (photograph), The Photograph and the American Indian by Alfred Bush (1994), Princeton University Press
  281. Mark Schultz, Portraits of Aging, Durham Herald Sun (Sunday March 27, 1994)
  282. A. Harris, Red White Blue and God Bless you, Mirage Magazine, Albuquerque, NM (Winter, 1993)
  283. A. Harris, six photographs with an article on aging by Robert Coles, "Elderly and Undaunted, New Choices (March, 1993)
  284. A. Harris, photographs of Robert Coles, Art News (March, 1993)
  285. A. Harris, Red White Blue and God Bless You, "Moments of Light by Georgann Eubanks, The NC Independent (January, 1993)
  286. A. Harris, three photographs with text by Richard Ford, for an article entitled, "I must be going, Utne Reader (January/February 1993)
  287. A. Harris, 40th Anniversary Issue, one photograph with texts page 26 and 27, Aperture #129 (1993)
  288. A. Harris, Endpaper section photograph and text, The Chronicle of Higher Education (January 27, 1993)
  289. A. Harris, Red White Blue and God Bless You, THE Magazine, Santa Fe, NM (December, 1992), pp. 54-55
  290. A. Harris, Our Town issue, four photographs with text by Richard Ford, Aperture #127 (Spring, 1992)
  291. A. Harris, Red White and God Bless You, The Albuquerque Journal (November 1, 1992)
  292. by Mary Fishser, Red White Blue and God Bless you, The San Antonio Times (November 12, 1992)
  293. by Robert Adams, River of Traps, The New York Review of Books (May 28, 1992)
  294. A. Harris (photograph), Artists of 20th Century New Mexico: The Museum of Fine Arts Collections (1992), The Museum of New Mexico Press (1 photograph.)
  295. A. Harris, Portraits Minus Faces: photos capture life in Northern New Mexico, Durham Herald Sun (December 22, 1992), pp. G6
  296. Sally Euclaire, Conveying a powerful spiritual Culture, New Mexican, Santa Fe, N.M., Pasatiempo Magazine (October 23, 1992)
  297. Harris, A, Red White Blue and God Bless You: A Portrait of Northern New Mexico (1992), UNM Press (Photographs and introduction by Alex Harris.)
  298. HARRIS, A, SLEEPING-BEAUTY - MEMORIAL PHOTOGRAPHY IN AMERICA - BURNS,SB, NEW YORK TIMES BOOK REVIEW (July, 1991), pp. 11-12, ISSN 0028-7806 [Gateway.cgi]
  299. A. Harris, Sleeping Beauty: Memorial Photography in America, a book review for The New York Time Book Review (Summer, 1991)
  300. Review by Melissa Pritchard, River of Traps, The Nation (March 11, 1991) (One River Schoolhouse.)
  301. A. Harris (photographs), The Human Portrait, by Whiteford/Friedl (1991), Prentice Hall (3 Eskimo photographs.)
  302. Harris, A, The Life and Times of Solomon Butcher, a book review for the New York Times Book Review (Summer, 1991)
  303. A. Harris, photograph of Robert Coles with Migrant child, People Magazine (December, 1990)
  304. Harris, A, River of Traps: A Village Life, text by William deBuys (September, 1990), The University of New Mexico Press (photographs by Alex Harris.)
  305. A. Harris, one (full page) photograph of an Eskimo girl on her first communion day, Life Magaine (May, 1990)
  306. A. Harris, Beyond the Barricades, The Los Angeles Times Book Review (January 4, 1990)
  307. Review by Barbara Kingsolver, River of Traps, The New York Times Book Review (September 23, 1990)
  308. A. Harris, River of Traps, Publishers Weekly (August 3, 1990)
  309. by Congor Beasley Jr., River of Traps, The Kansas City Star (October 21, 1990)
  310. A. Harris (two photographs), Aperture Issue #115, "New Southern Photography: Myth or Reality (1990)
  311. A. Harris (photograph), The Chronicle of Higher Education (February 21, 1990), pp. A7
  312. A. Harris, photographs of Robert Coles at work with children and elderly, U.S. News and World Report (December 3, 1990)
  313. A. Harris, Documentary tradition to mark Duke center's gathering of history, Raleigh News and Observer (January 23, 1990)
  314. A. Harris, Stories of Our Lives: "New Duke Center Heir to Tradition, Durham Sun (January 23, 1990)
  315. A. Harris, Scholars Use Film, Family Albums, and Oral History to Document the Lives of Ordinary People, The Chronicle of Higher Education (February 12, 1990)
  316. A. Harris, Photos Capture Lives of Disenfranchised, Spokesman, Spokane Washington (June 6, 1990)
  317. A. Harris, Documenting Daily Lives, The Duke Alumni Magazine (June-July 1990), pp. 39
  318. Steven Litt (Tar Heel of the Week), Glimpsing Other Worlds through the Camera's Eye, The Raleigh News and Observer (July 8, 1990)
  319. Harris, A, Beyond the Barricades: Popular Resistance in South Africa, edited by Harris, A; Hill, IT (1990), Aperture, Inc. in association with the Center for Documentary Studies at Duke University
  320. A. Harris, Beyond the Barricades, The British Journal of Photography (November, 1989)
  321. A. Harris, Light Factory's Ninth Annual Photographic Print Auction Catalogue (photograph) (April, 1989), Charlotte, NC
  322. A. Harris, Art News (photograph) (April, 1989), pp. 246
  323. A. Harris, North Carolina Arts Council Fellowship exhibition catalogue, Essay, "Portraits Without People: Six North Carolina Artists," by Vernon Pratt (March, 1989), City Gallery of Contemporary Arts, Raleigh, NC
  324. Afterword by Alex harris, The Transported: A South African Odyssey, by David Goldblatt, text by Philip Van Niekerk (1989), Aperture and the Center for Documentary Studies (Interviews by Brenda Goldblatt.)
  325. Introduction to 1989 University of New Mexico Press editionof The Old Ones (1989)
  326. A. Harris, Beyond the Barricades, The New Statesman (November 3, 1989)
  327. A. Harris (photographs), Alaska: Reflections of Land and Spirit (1989), University of Arizona Press (Cover photograph and photo series entitled, "The Last and First Eskimos".)
  328. Morey Osteen, Photo Opportunity, Duke Chronicle (March 10, 1989), pp. 4-5
  329. Max Halperen, Fellows and Primitives, NC Leader (February 16, 1989), pp. 23
  330. Joseph Traugott, Plush Autos Frame Lean Landscapes in Photos, Aubuquerque Journal (February 19, 1989)
  331. A. Harris, The Incongruity of the Artist as Thinker, Raleigh News and Observer (February 19, 1989)
  332. Review by Anna Quindlen, A World Unsuspected, The Washington Monthly (September, 1988)
  333. A. Harris, Duke University Alumni Magazine (January-February 1988 Issue)
  334. Georgeann Eubanks, Single Still Moments, Duke Magazine (March-April 1988), pp. 10-16
  335. Mary Warner Marien, Alex Harris: A Photographic Education, Views: The Journal of Photographic Education (July 1988 Issue)
  336. Review by Mark Muro, A World Unsuspected, The Boston Globe (November, 1987)
  337. Charles Mason, One Man's Perspective, Alaska Magazine (November, 1987)
  338. by Don O'Briant, A World Unsuspected, The Atlanta Journal/Constitution Book Review Section (September, 1987)
  339. Harris, A, Decatur County: Pual Kwilecki's Lifetime Document, San Francisco Camerawork Quarterly, vol. 14 no. 2 (Summer, 1987)
  340. A. Harris, One color photograph, New Mexico Magazine, seventy-fifth anniversary issue (January, 1987)
  341. Martha Eliassen, Lasting Impressions, Fairbanks Daily News-Miner, Kaleidoscope Magazine cover story (May 29,1 987)
  342. Jan Ingram, Time With Eskimos taught photographer to truly see, Anchorage Daily News (May 31, 1987), pp. E-4
  343. Review by Walker Percy, A World Unsuspected, The New York Times Book Review (October 11, 1987)
  344. Review by Desmond Ryan, A World Unsuspected, The Charlotte Observer (October 12, 1987)
  345. Review by Mary Cornatzer, A World Unsuspected, The Raleigh News and Observer (September 21, 1987)
  346. Book world column by John Blades, A World Unsuspected, The Chicago Tribune (August 23, 1987)
  347. A. Harris, Photographs of the Maya, Impact Magazine, Albuquerque Journal (1987)
  348. Nolan Hester, Documents of Vision: Seeing the Big Picture with Alex Harris, Albuquerque Journal Impact Magazine, vol. 10 no. 43 (August 1987) (cover story.)
  349. Harris, A, In the Street, edited by Harris, A; Hoshino, M (1987), Duke University Press for the Center for Documentary Photography (Photographs by Helen, text by Dr. Robert Coles.)
  350. Harris, A, A World Unsuspected: Portraits of Southern Childhood, edited by Harris, A; introduction, A (1987), University of North Carolina Press for the Center for Documentary Photography
  351. A. Harris with Bruce Payne, South Africa: The Cordoned Heart (May, 1986) (An essay on the photographic survey of the Second Carnegie Inquiry into Poverty and Development in Southern Africa for the catalogue of the traveling exhibition, "South Africa: The Cordoned Heart" opening at the International Center of Photography.)
  352. A. Harris, South Africa: The Cordoned Heart, edited by Associate editors, Alex Harris and Margaret Sartor (1986), W.W. Norton in Association with the Center for Documentary Photography, Duke University (photographs with text by Dr. Francis Wilson, and Foreward by Bishop Desmund Tutu. Edited by Omar Badsha from photographs printed in South Africa by Alex Harris.)
  353. A. Harris, South Africa: The Cordoned Heart, by William Hamilton, The Washington Post Magazine (June 8, 1986)
  354. Harris, A, South Africa: The Cordoned Heart, edited by Associate editors, AH; Sartor, M (1986), W.W. Norton in Association with the Center for Documentary Photography, Duke University
  355. A. Harris (cover photograph), Enchantment and Exploitation, by William deBuys (September, 1985), University of New Mexico Press
  356. A. Harris, 9 color reproduction for "Private Moments: Reflections of Village Life, New Mexico Magaine (June, 1985)
  357. A. Harris (cover photograph and two full color reproductions, 14 halftone reproductions), The Essential Landscape (April, 1985), University of New Mexico Press for the Museum of Fine Arts in Santa Fe, NM (Photographs by ten New Mexican photographers, with text by J.B. Jackson.)
  358. A. Harris, Cover photograph, Artspace Magazine, Southwestern Contemporary Arts Quarterly (Spring, 1985)
  359. photographs, AHF, Handbook of North American Indians, in The Arctic, vol. 5 (1985), Smithsonian Institution, Washington, D.C.
  360. A. Harris, Stoic Survivors, Humanities Magazine, vol. 5 no. 6 (December, 1984) (photographic essay on Alaskan Eskimos with text by Robert Coles.)
  361. A. Harris (one photograph), A Decade of Images, Horizon Magazine (December, 1984), pp. 33
  362. A. Harris, The Last and First Eskimos, MD. Magazine (January, 1984) (seven photographs accompanying text by Dr. Robert Coles.)
  363. A. Harris, Gertrude Blom's Maya, The New York Times Sunday Magazine (March 25, 1984), pp. 42-48
  364. an article by Robert Coles with cover photograph and eleven back and white photographs by Alex Harris, Never Say Die, Washington Post Magazine (November 18, 1984) (southeast Asian children lving in the DC area.)
  365. Blom, G, Gertrude Blom: Bearing Witness, edited by Harris, A; Sartor, M (1984), University of North Carolina Press/Center for Documentary Photography (with an introduction by Alex Harris.)
  366. A. Harris (four photographs), A Celebration of Grandfathers, New Mexico Magazine (March, 1983)
  367. A. Harris, Exhibition catalogue for "Tradition, Transition, New Vision (May 13-June 19, 1983), Addison Gallery of American Art, Phillips Academy, Andover, MA (in conjunction with the exhibition of the same title, two black and white photographs reproduced.)
  368. A. Harris, One photograph, New York Times, Week in Review Section (August 7, 1983) (back page.)
  369. Chris Nichols, The Visual Language of Alex Harris, The Duke Chronicle, Aeolus magazine (February 3, 1982)
  370. A. Harris, Exhibition catalogue for "The Last and First Eskimos (1982), International Center for Photography
  371. Harris, A, Understandings, Photographs of Decatur County, Georgia, by Paul Kwilecki, edited by Harris, A; introduction, A (1982), University of North Carolina Press, Center for Documentary Photography
  372. A. Harris, Exhibition catalogue for "Elevan Santa Fe Photographers (Summer, 1981), Arles, France
  373. A. Harris, Photography in the West, Rock Mountain Magazine (July/August 1980)
  374. A. Harris, Readers Digest (French edition) (November, 1979), pp. 101
  375. A. Harris, Duke Alumni Register (September-October 1979) (cover photograph and series of Eskimo photographs within the issue.)
  376. Coles, R; Harris, A, The Last and First Eskimos (October, 1978), The New York Graphic Society, Boston, MA
  377. A. Harris, Aperture #81 (October, 1978) (cover photograph and series of Eskimo photographs within the issue accompanying text by Robert Coles.)
  378. A. Harris, Nouvel Observateur/Special Photo (June, 1978), pp. 18, Paris, France (accompanying text by George Bernard Shaw.)
  379. A. Harris (photographs), I Shall Save One Land Unvisited (1978), Gnomon Press, Frankfort, Kentucky (seven photographs.)
  380. A. Harris (photographs), Photography Within the Humanities (1977), pp. 143, Addison House Publishers, Danbury, NH (text by Janis and MacNeil.)
  381. A. Harris, The American Poetry Review (November-December 1977) (cover photograph and seven Eskimo photographs accompanying text by Robert Coles.)
  382. A. Harris, The Old Ones of New Mexico, The New Yorker, Books in Brief (February, 1974)
  383. Harris, A, The Old Ones of New Mexico (1973), University of New Mexico Press, Albuquerque, NM (Forty photographs with text by Robert Coles, Doubleday-Anchor Press paperback, Garden City, NY 1975, Harcourt Brace Jovanovich trade paperback, September, 1984, UNM Press trade paperback 1989, Walker Publishers Paperback 2000.)
  384. A. Harris, Twilight at the Taft, Yale Alumni Magazine (1971) (photographic essay with text.)
  385. by Paul Kleyman, Old and On Their Own, "The Aging Spirit, Aging Today (July/August 1998)
  386. with Publisher's weekly staff, Why We Are Here: Mobile and the Spirit of A Southern City, Publisher's Weekly [978-0-87140-470-1]  [abs]
  387. Marc Bernier, The idea of Cuba, WNDB 1150AM, Daytona Beach, Florida

Herron, Patrick

  1. Herron, P; Mehta, A; Cao, C; Lenoir, T, Research diversification and impact: the case of national nanoscience development, Scientometrics, vol. 109 no. 2 (November, 2016), pp. 629-659, Springer Nature [doi]  [abs]
  2. Bernhardt, B; Herndon, J; Herron, P; Smith, K; Strong, R; Miller, H, Revolutionizing scholarship: A panel discussion on text and data mining, Serials Review, vol. 41 no. 3 (January, 2015), pp. 184-186, Informa UK Limited [doi]  [abs]
  3. Patrick Herron, TL, The NCI and the Takeoff of Nanomedicine, Journal of Nanomedicine & Biotherapeutic Discovery, vol. 05 no. 03 (2015), OMICS Publishing Group [doi]
  4. Mehta, A; Herron, P; Motoyama, Y; Appelbaum, R; Lenoir, T, Globalization and de-globalization in nanotechnology research: The role of China, Scientometrics, vol. 93 no. 2 (January, 2012), pp. 439-458, Springer Nature [doi]  [abs]
  5. Lenoir, T; Herron, P, Tracking the current rise of chinese pharmaceutical bionanotechnology., Journal of Biomedical Discovery and Collaboration, vol. 4 (January, 2009), pp. 8  [abs]

Hogan, Wesley

  1. Hogan, W; Mason-Hogans, D; Augusto, G, Learning within freedom movements: using critical oral history methodology, in Handbook of Research Methods and Applications for Social Movements, edited by Cox, L; Szolucha, A; Arribas Lozano, A; Chattopadhyay, S (January, 2024), pp. 128-143, Edward Elgar Publishing, ISBN 9781803922010  [abs]
  2. Augusto, G; Hogan, W; Mason-Hogans, D, Adapting Critical Oral History Methodology to Freedom Movement Studies, The Oral History Review, vol. 49 no. 2 (July, 2022), pp. 251-282, Informa UK Limited [doi]
  3. Ramanujam, N, Utilization and Perceptions of a Novel Cervical Visualization Tool, The Callascope, For Home-Based Self-Cervical Examinations, JWHG, vol. 8 no. 3 (December, 2021), pp. 1-24, JScholar [doi]
  4. Hogan, WC; Ortiz, P, People Power History, Organizing, and Larry Goodwyn's Democratic Vision in the Twenty-First Century (July, 2021), pp. 274 pages, ISBN 9780813068473  [abs]
  5. Cox, C; Forner, K; Gartrell, J; Hogan, W; Lawson, J; Moore, I; Nelson, N, Building and transferring movement informational wealth: The sncc digital gateway, Journal of African American History, vol. 105 no. 4 (September, 2020), pp. 626-647 [doi]  [abs]
  6. Hogan, WC, On the Freedom Side How Five Decades of Youth Activists Have Remixed American History (October, 2019), pp. 368 pages, UNC Press Books, ISBN 9781469652498  [abs]
  7. Hogan, W, Robert Parris Moses: a life in civil rights and leadership at the grassroots, The Sixties (April, 2017), pp. 1-3, Informa UK Limited [doi]
  8. Hogan, W, Youth and Revolution in Tunisia. By Alcinda Honwana, The Oral History Review, vol. 44 no. 1 (April, 2017), pp. 161-165, Informa UK Limited [doi]
  9. Hogan, WC, Many Minds, One Heart SNCC's Dream for a New America (January, 2013), pp. 480 pages, UNC Press Books, ISBN 9780807867891  [abs]

Hong, Guo-Juin

  1. Hong, GJ, Our neighbors (1963): Historiography of home and emerging realism in post-1949 Taiwan, in Thirty-two New Takes on Taiwan Cinema (December, 2022), pp. 22-35, ISBN 9780472075461
  2. G. Hong, Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentaries, positions: asia critique, vol. 21 no. 3 (Summer, 2013), pp. 683-701
  3. Hong, GJ, Voices and their discursive Dis/Content in Taiwan documentary, Frontiers of Literary Studies in China, vol. 7 no. 2 (January, 2013), pp. 183-193, ISSN 1673-7318 [doi]  [abs]
  4. Hong, G, Theatrics of Cruising: Bath Houses and Movie Houses in Tsia Ming-Linag’s Films, in Queer Sinophone Cultures, edited by Chiang, H; Heinrich, AL (2013), Routledge
  5. Hong, G, Voice and Its Dis/Content in New Taiwan Documentary, Frontiers of Literary Studies in China (2012)
  6. Hong, G, Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries, positions: east asia cultures critique (2012)
  7. Hong, G, Theatrics of Cruising: Bathhouses and Movie Houses in Tsai Ming-Liang’s Films, in Sinophone Queer Reader (2012)
  8. Hong, G-J, Taiwan Cinema: A Contested Nation on Screen (March, 2011), Palgrave Macmillan
  9. Hong, GJ, Taiwan cinema: A contested nation on screen, paperback edition with expanded afterword (January, 2011), pp. 1-229, Palgrave Macmillan US, ISBN 9780230111622 [doi]  [abs]
  10. with Hong, G, The Chinese Film Theory (2011), University of Amsterdam Press
  11. Hong, G, Healthy Realism in Taiwan, 1964-1980: Film Styles, Cultural Policies, and Mandarin Cinema, in The Chinese Cinema Book, edited by Lim, SH; Ward, J (2011), British Film Institute
  12. Hong, G, Theatrics of Cruising: Bathhouses and Movie Houses in Tsai Ming-Liang’s Films, in Sinophone Queer Cinema (2011)
  13. Hong, G, Historiography of Absence: Taiwan Cinema before New Cinema 1982, Journal of Chinese Cinemas, vol. 4 no. 1 (2010), pp. 5-14
  14. Hong, G-J, From the Masses to the Masses, VIsual Anthropology, vol. 22 no. 1 (2009), pp. 75-76
  15. Hong, G-J, Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries, positions: east asia cultures critique (2009)
  16. Guo Juin Hong, , Meet Me in Shanghai: Melodrama and the Cinematic Production of Space in 1930s Shanghai Leftist Films, Journal of Chinese Cinemas, vol. 3 no. 3 (2009), pp. 215-230
  17. Hong, G-J, Island of No Return: Cinematic Narration as Retrospection in Wang Tong and New Taiwan Cinema, in Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures, edited by Khoo, O; Metzger, S (2009), pp. 57-72, Intellect, the University of Chicago Press, Chicago
  18. G. Hong, Meet Me in Shanghai: Urban Melodrama as Refugee Cinema in 1930s Shanghai, Journal of Chinese Cinemas (2008)
  19. G. Hong, Framing Time: New Women and the Cinematic Representation of Colonial Modernity in 1930s Shanghai, edited by Tani Barlow, positions: east asia cultures critique, vol. 15 no. 3 (2007), pp. 553-580, Duke University Press, ISSN 1067-9847
  20. Hong, G, Meet Me in Shanghai: Urban Cinema as Refugee Cinema in 1930s Shanghai, Cinema Journal (2006)
  21. Hong, G, Memorandum on Happiness or the Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentary, postions: east asia cultural critique (2006)
  22. Hong, G, Island of No Return: Cinematic Retrospection in Wang’s Taiwan Trilogy, in Techologies of Temporality in Chinese Cinema (2006)
  23. Hong, G, Framing Time: _New Women_ and the Cinematic Representation of Colonial Modernity in 1930s Shanghai, positions: east asia cultural critique (2005)
  24. Hong, G, Toying with History: Toys and Film Consumption/Criticism/ History, Chungwai Wenxue (Chung Wai Literary Monthly) (September, 2002), Graduate Institute of Foreign Languages, National Taiwan University, Taipei, Taiwan
  25. Simmons, C, Salt Water (August, 2002), Locus Publishing Company, Taipei, Taiwan (G. Hong, translator.)
  26. Hong, G, Strategies of Defiance: Towards a Thesis on Anti-Realist Documentary, Film Appreciation Journal no. 111 (Spring, 2002), National Film Archive, Taipei, Taiwian

Lasch, Pedro

  1. Lasch, P, TAKE ME TO THE TOP: The Fine Art of Finance, A project by Pedro Lasch, with the collaboration of Stefano Harney and Sverre Spoelstra London Eye, July 5th, 2012 Produced by Hayward Gallery for the Wide Open School exhibition, in HETEROPOLIS, edited by Boucher, M-P; Dufresne, J-M; Melgar, G; Prost, J-F (December, 2013), Adaptive Actions, Montreal
  2. Lasch, P, HETEROPOLIS, edited by Boucher, M-P; Dufresne, J-M; Melgar, G; Prost, J-F (December, 2013), Adaptive Actions, Montreal
  3. Lasch, P, Géoesthétique, edited by Quiros, K; Imhoff, A (December, 2013), B42, Paris, France
  4. Lasch, P, Eight Ways to Look at a Map: Modular statements from the LATINO/A AMERICA Series (translation from 2006 English-Spanish text), in Géoesthétique, edited by Quiros, K; Imhoff, A (December, 2013), B42, Paris, France
  5. Lasch, P, Propositions for a Decolonial Aesthetics and “Five Decolonial Days in Kassel” (Documenta 13 AND AND AND), Periscope - Social Text, New York (July, 2013), New York, NY [available here]
  6. Lasch, P; Cruz, T, Transnational Community-Based Production, Cooperative Art, and Informal Trade Networks, in What We Made: Conversations on Art and Social Cooperation, edited by Finkelpearl, T (January, 2013), Duke University Press  [abs]
  7. Lasch, P; Cruz, T, What We Made: Conversations on Art and Social Cooperation, edited by Finkelpearl, T (January, 2013), Duke University Press  [abs]
  8. Lasch, P, Breve Argumento Visual por una Estética Descolonial, Causa Sur: Pensar Nuestra America / Revista de pensamiento político, Buenos Aires, Argentina no. 5 (2013)
  9. Lasch, P; others, , Pensamiento argentino y opción descolonial, edited by Mignolo, W; Palermo, Z, El desprendimiento: pensamiento crítico y opción descolonial, vol. 7 (2013), pp. cover & p2-cover & p2, Argentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University
  10. Lasch, P; Lay-Trigo, , Migrarte Ciencia y arte visual, un diálogo identitario bilateral, edited by Educatives, IUDCII, EARI. Educación artística. Revista de investigación no. 4 (Winter, 2013), Universitat de València
  11. Lasch, P, Grand Gestures & (Im)Modest Proposals: A Project for Documenta 13 AND AND AND, edited by Lasch, P (September, 2012), XCO / Documenta 13 AND AND AND, Kassel, Germany  [abs]
  12. Pedro Lasch and Miguel Rojas-Sotelo, Estéticas Decoloniales, edited by Walter Mignolo and Pedro Pablo Gomez (April, 2012), pp. 40-61, Facultad de Artes ASAB / Museo de Arte Moderno Bogota, Bogota, Columbia [est_ticasdecoloniales_gm]
  13. JENNIFER REYNOLDS-KAYE, Black Mirror / Espejo Negro by Pedro Lasch and Jennifer A. González, e-misferica, vol. 9 no. 1 & 2 (Spring, 2012), Hemispheric Institute for Performance & Politics, New York [reynoldskaye]
  14. Lasch, P, Lecturas para un espectador inquieto (2012), pp. 273-282 pages, CA2M: Madrid, Spain
  15. Lasch, P, Breve argumento visual por una estética descolonial, in Lecturas para un espectador inquieto (2012), pp. 273-282, CA2M: Madrid, Spain, Madrid, Spain
  16. Margaret R. Greer, Thine and Mine: The Spanish “Golden Age” and Early Modern Studies, PMLA, vol. 126 no. 1 (November, 2011), pp. 217-224, MLA Journals
  17. Roberta Smith, Pedro Lasch: Selections from ‘Phantom Limbs’ and ‘Twin Towers Go Global’, The New York Times: Museum and Gallery Listings for Oct. 7-13 (October 7, 2011)
  18. Lasch P, , Selections from Pedro Lasch’s ’Phantom Limbs’ and ’Twin Towers Go Global’, Time Out New York (September, 2011)
  19. Lasch, P, If Not Here, Then There: Will We Some Day Regret Not Having Rebuilt the Twin Towers?, 9/11 Anniversary Issue, Towerview: The Chronicle’s News and Culture Magazine, vol. 13 no. 2 (September, 2011), pp. 20-20
  20. Appleton, A; Lasch P, , Where Do We Migrate: Group exhibition asks you to consider the plight of refugees, exiles, and migrants, Baltimore City Paper (April, 2011)
  21. P. Lasch and others, Pensamiento argentino y opción descolonial, edited by Walter Mignolo, Zulma Palermo, El desprendimiento: pensamiento crítico y opción descolonial, vol. 7 (Spring, 2011), pp. cover & p2, Argentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University
  22. P. Lasch and others, Where Do We Migrate To: Issues in Critical Theory, edited by Niels Van Tomme (2011), pp. 17 & insert, University of Maryland Baltimore: Center for Art, Design, and Visual Culture
  23. P. Lasch and others, Mapping: Memory and Motion in Contemporary Art, edited by Sarah Tanguy (2011), pp. 28-29, Katonah Museum of Art
  24. P. Lasch and others, Haiti: History Embedded in Amber, edited by Edouard Duval Carrier (2011), pp. 30-31, Franklin Humanities Institute
  25. Lasch, P, The Indianization of Globalization, edited by Levander, C; Mignolo, W, The Global South, vol. 5 no. 1 (Spring, 2011), pp. 12-13
  26. Lasch, P, Brain Review 2002 (Part 1), in SPECULATIVE: Exhibition catalogue, edited by Leary, CO; Blas, Z (2011), pp. 36-42, Los Angeles Contemporary Exhibitions Los Angeles
  27. Lasch, P, Global Indianization? and LATINO/A AMERICA, in The Future Lasts Forever, edited by Lagomarsino, R; Motta, C (2011), pp. 45-49, Gävle Konstcentrum, Iaspis, Sweden
  28. Lasch, P, LATINO/A AMERICA, in Trans-Americanity: Subaltern Modernities, Global Coloniality, and Cultures of Greater Mexico, edited by Saldívar, JD (2011), pp. cover-cover, Duke University Press
  29. Lasch, P; others, , Un Atlas de Cartografías Radicales, edited by Mogel, L; Bhagat, A (November, 2010) (First Spanish edition of the 2007 'An Atlas of Radical Cartography.' Prologue to the Spanish edition: Javier Arbona, Nick Sowers and Bryan Finoki.)
  30. P. Lasch with S. Aravamudan, J. Gonzalez, A. Maillet, W. Mignolo, P. Sigal, Black Mirror/Espejo Negro by Pedro Lasch (Fall, 2010), Nasher Museum of Art and Franklin Humanities Institute. Distributed by Duke University Press [available here]
  31. Luz Elena Ramírez Gochicoa, Pedro Lasch: Un artista a través del espejo, Revista Dirección de Bibliotecas (October, 2010), México: Universidad Autónoma del Estado de México (UAEM)
  32. 16Beaver Group, ; Lasch P, , Free Association/Means in Common, edited by Curcio, A; Ozselcuk, C, Rethinking Marxism, Special Issue: The Commons and the Forms of the Commune, vol. 22 no. 3 (July, 2010)
  33. P. Lasch and others, Greater New York (Exhibition Catalogue), edited by New York: PS1 MoMA (May, 2010)
  34. Pedro Lasch & Miguel Rojas Sotelo, Separata Decolonial, Revista Calle 14: Arte y Decolonialidad, vol. 4 no. 5 (2010), Bogota, Colombia
  35. Lasch, P, University, Narcochingadazo, and Hemispheric Non-Cooperation, edited by Lane, J; Godoy-Anativia, M, e-misférica, vol. 6 no. 2 (2010), New York University: Hemispheric Institute of Performance and Politics
  36. Lasch, P; others, , Arte y estética en la encrucijada descolonial, edited by Mignolo, EW; Palermo, Z, El desprendimiento: pensamiento crítico y opción descolonial no. 6 (2010), pp. cover & p2-cover & p2, Argentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University
  37. Jessie Tsang, LATINO/A AMERICA: The New York & North Carolina Suites, Recess (January 22, 2009), The Duke Chronicle
  38. P. Lasch and others, in Cartography: Artists + Maps, edited by Katharine Harmon (2009), Princeton Architectural Press  [abs]
  39. Lasch, P; 16Beaver, , C.A.R.T.E.L., Special Issue Publication and Website, edited by Services, T, Art Work: A National Conversation About Art, Labor, and Economics (2009) [available here]
  40. Lasch, P, A Proposal for the 11th Istanbul Biennial, 2009, IDEA: Arts & Society (2009), pp. 146-148 (Special insert as artwork.)
  41. Lasch, P, What Are We Before We Are Naturalized? A Journal of Non-Linear Activity, IDEA: Arts & Society no. 33-34 (2009), pp. 7-27
  42. Lasch, P, Tanta Cerca Tan Cerquita, in Catalog for Transitio 2007: International Festival of Electronic Arts & Transnational Communities, edited by Quintanilla, EG; Delgado, M (Spring, 2009), Centro Nacional de las Artes, Mexico City
  43. Jovanovich, Alex, An Atlas of Radical Cartography, Art Lies: A Contemporary Art Quarterly no. Issue 57 (Spring, 2008)
  44. Lasch, P; others, , Genero y Descolonialidad, edited by Mignolo, W; Lugones, M; jiménez-Lucena, I; Tlostanova, M, El desprendimiento: pensamiento crítico y opción descolonial no. 4 (2008), pp. cover & p2-cover & p2
  45. Lasch, P, El color de la razón: racismo epistemológico y razón imperial, edited by Mignolo, W; Eze, EC; Henry, P; Castro-Gómez, S, El desprendimiento: pensamiento crítico y opción descolonial no. 3 (Spring, 2008), pp. cover & p2-cover & p2, Argentina: Editorial Signo and GlobalArgentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University
  46. Lasch, P, Tianguis Transnacional: Drifting and Indigenous Migrancy, WHW Newspapers, edited by Holmes, B; Group, B; What, H; Curlin, FWWHWI; Devic, A; Ilic, N; Sabolovic, S, What Keeps Mankind Alive? and Continental Drift no. Issue #15 (Fall, 2008), pp. 20-21, Zagreb, Croatia
  47. Lasch, P; 16Beaver Group, , Iraq Questionnaire Answers, October Magazine no. No. 123 (Winter, 2008), pp. 149-160, MIT Press
  48. Ramírez, M; Tania, ; Lasch P, , Ser mixteco o purépecha ya no puede entenderse con una lógica territorial, La Jornada (México) (October, 2007)
  49. Lasch, P; others, , An Atlas of Radical Cartography, edited by Mogel, L; Bhagat, A (2007), Los Angeles: Journal of Aesthetics and Protest Press
  50. Lasch P, , Abren muestra fotográfica sobre vida de mexicanos en Nueva York, Milenio (Guadalajara) (April, 2006)
  51. W. Mignolo, Interculturalidad, descolonización del estado y del conocimiento, edited by Eds. Walter Mignolo, Catherine Walsh, Alvaro García Linera, El desprendimiento: pensamiento crítico y opción descolonial no. 2 (2010 Fall), Argentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University
  52. Lasch, P, Recycled Photographs: Moving Still Images of Mexico City, 1950/2000, in Photography and Writing in Latin America: Double Exposures, edited by Schwartz, M; Tierney-Tello, MB (2006), pp. 139-172, Albuquerque: University of New Mexico Press [ref=sr_1_1]
  53. Lasch, P, Justice for Three Voices: Two Real, One Imaginary, edited by Ahn, K, Journal BOL no. Issue #4 (2006), Seoul: BOL
  54. Lasch P, , Map of New ORDER Lines, edited by Ahn, K, Journal BOL no. Issue #4 (2006), Seoul: BOL
  55. Lasch, P; others, , Introducción: (Des)Colonialidad del ser y el saber, Eds. Mignolo, Maldonado-Torres, Schiwy, El desprendimiento: pensamiento crítico y opción descolonial no. 1 (2006), pp. 2 & cover-2 & cover, Argentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University
  56. Beck, J, The Art of Memory and Navigation Across Asia, in Fever Variations: Gwangju Biennale 2006 Catalogue, edited by Kim, H-H, vol. 1 (2006), pp. 281-295, Gwangju Biennale Foundation
  57. 16 Beaver Group, , Between US: Introduction, in Fever Variations: Gwangju Biennale 2006 Catalogue, edited by Kim, H-H, vol. 1 (2006), pp. 281-295, Gwangju Biennale Foundation
  58. Lasch, P, Naturalizations, in Caras Vemos, Corazones No Sabemos: Faces Seen, Hearts Unkown (Exhibitition Catalogue), edited by Malagamba, A (2006), pp. 66-66, Notre Dame: Snite Museum, University of Notre Dame
  59. 16 Beaver Group, , Between US: Exhibition Notes and Documentation, in Fever Variations: Gwangju Biennale 2006 Catalogue, edited by Kim, H-H, vol. 2 (2006), pp. 168-169, Gwangju Biennale Foundation
  60. 16Beaver Group, ; Lasch P, , Act Patriot Act (2005), The Contemporary Museum, Baltimore (Special publication for the exhibition "Patriot".)
  61. Lasch, P, Una Propuesta Escultorica, Saber Ver, vol. Segunda Epoca (2005), pp. 38-39
  62. N. Thompson & G. Sholette, The Interventionists: User’s Manual for the Creative Disruption of Everyday Life (2004), pp. 111-112, Cambridge, MASS MoCA Publication & MIT Press
  63. H. Chen et al, Social Capital (Exhibition Catalogue) (2004), pp. 19-24, Whitney Museum of American Art
  64. L. Suan Hiang, SENI: Singapore 2004, Art & the Contemporary (Exhibition Catalogue) (2004), pp. 36-49, National Arts Council. Singapore
  65. Lasch, P, Naturalizations: Media Defacements, Rethinking Marxism, vol. 16:4 (2004), pp. 486-487
  66. 16Beaver Group, ; Lasch P, , An Open Interview and Lunch, Fuse Magazine, vol. 26:2 (2003), pp. 12-13 (special issue "Democracies Improvised", as well as Special Addendum.)
  67. Lasch, P, La Mesa de Juego de Mendeleiev, Ciencias, vol. 65 no. 76 (2002), Mexico City: U.N.A.M.
  68. Lasch, P, Ciencia y Circo, Ciencas, vol. 57 (2000), pp. 68-74, Mexico City: U.N.A.M.
  69. Lasch, P, El Pincel Electrico y el Cuadro de Plata, Ciencias, vol. 59 (2000), pp. 76-77, Mexico City: U.N.A.M.
  70. Lasch, P, Un Arte que Nace, y si no se Reproduce...Muere, Longevidad: Ciencia y Culture no. 108-116 (2000)
  71. Lasch, P, Una Propuesta Escultorica para el Zocalo, Curare: Espacio Critico para las Artes, vol. 15 (1999), pp. 89-95

McAuliffe, Jody

  1. McAuliffe, J, Ibsen in practice, relational readings of performance, cultural encounters and power, Studies in Theatre and Performance, vol. 36 no. 1 (January, 2016), pp. 98-99, Informa UK Limited [doi]
  2. McAuliffe, J, Bozo’s Circus, in Litscapes: Collected Writings 2015, edited by Alvarez, CM (May, 2015), Steerage Press
  3. Political and Protest Theatre after 9/11, Patriotic Dissent, The Comparative Drama Conference Series, edited by Graley Herren, Text & Presentation, 2012, vol. 9 (2013), McFarland & Company, Inc., Jefferson, NC
  4. McAuliffe, J, The Mythical Bill, A Neurological Memoir, Sightline Series (2013), University of Iowa Press
  5. McAuliffe, J, Gulag Follies, in Ethics & Images of Pain (2012), Routledge
  6. McAuliffe, J, Enda Walsh - med unik scenisk fantasi, Norwegian Shakespeare and Theatre Magazine (2011)
  7. McAuliffe, J, Mythical Bill: An Inordinately Bright, Dreary Life, in Topograph: New writing from the Carolinas and the landscape beyond, edited by Jackson, J (2010), Novello Festival Press
  8. McAuliffe, J, Maly Theatre of St. Petersburg’s production of Uncle Vanya, Norwegian Shakespeare and Theatre Magazine (2010)
  9. McAuliffe, J, He Sings the Body Tinterotic, in Frank Lentricchia: Essays on his Fiction, edited by Pietro, TD (2009), Guernica Editions
  10. McAuliffe, J, The Wooster Group - La Didone, Norsk Shakespeare Og Teater-Tidsskrift (2009)
  11. McAuliffe, J, My Lovely Suicides (a novel) (2008), Ravenna Press
  12. McAuliffe, J, Mesterlig av Caryl Churchill, Norsk Shakespeare Og Teater-Tidsskrift (2008)
  13. McAuliffe, J, Fire korte av Beckett, Norsk Shakespeare Og Teater-Tidsskrift (2008)
  14. McAuliffe, J, Den ultimate feminist, Norsk Shakespeare Og Teater-Tidsskrift (2008)
  15. McAuliffe, J, Teater som inkvisisjon, Norsk Shakespeare Og Teater-Tidsskrift (2008)
  16. McAuliffe, J, Faulkners romanunivers til scenen, Norsk Shakespeare Og Teater-Tidsskrift (2008)
  17. McAuliffe, J, Boos etterkommere (Descendants of Boo), Vagant Magazine, Norway (September, 2006)  [author's comments]
  18. Jody McAuliffe and Frank Lentricchia, translated into Turkish by Ayrinti Yayinlari, Crimes of Art and Terror (2005)
  19. McAuliffe, J, Lucia Joyce as Cordelia and the Fool, Journal of Modern Literature (2005)  [author's comments]
  20. McAuliffe, J, Grave Love, South Atlantic Quarterly (December, 2003)
  21. Lentricchia, F; McAuliffe, J, Crimes of Art and Terror (November, 2003), pp. 200 pages, University of Chicago Press, ISBN 9780226472089  [abs] [author's comments]
  22. with Frank Lentricchia, Groundzeroland, in Dissent from the Homeland: Essays after 9/11, South Atlantic Quarterly (2003)
  23. William Noland, The Image World of Mao II, South Atlantic Quarterly (2003) (contains my notes on William Noland's images.)
  24. McAuliffe, J; Lentricchia, F, Groundzeroland, in Dissent from the Homeland: Essays after 9/11 (2003), Duke Press
  25. McAuliffe, J, Fire and Water, The Norwegian Shakespeare and Theatre Magazine (2003)  [author's comments]
  26. McAuliffe, J, Not So Far Away, The Norwegian Shakespeare and Theatre Magazine (2003)  [author's comments]
  27. McAuliffe, J, Reflections on a Director’s Process, in The New Trial, edited by Weiss, P (2001), Duke University Press (translated by Evers, K; Rollerston, J.)
  28. McAuliffe, J, The Imaginary Letters of Heinrich von Kleist to the Poet Holderlin, Literary Imagination (Winter, 2001) (fiction.)
  29. Various, , Mysterious actions: New American drama, edited by McAuliffe, J; Noland, W, South Atlantic Quarterly, vol. 99 no. 2/3 (2000), pp. 273-275, Duke University Press (Guest Editor.) [doi]
  30. McAuliffe, J, The Neurology of Ninfa, Italy, Italy (1999)
  31. Plays, Movies, and Critics, edited by McAuliffe, J (1993), Duke Press
  32. McAuliffe, J, The Church of the Desert: Reflections on The Sheltering Sky, in Plays, Movies, and Critics (Spring, 1993), Duke Press
  33. McAuliffe, J, American Dreaming: 1492, Duke Magazine (May, 1992)
  34. McAuliffe, J, Standing on End, Southwest Review (Spring, 1989) (short story.)

Noland, William

  1. Brighenti, AM, Artveillance: At the Crossroads of Art and Surveillance, Surveillance & Society, vol. Vol. 7 no. No. 2 (2010), pp. 12-12, ISSN ISSN 1477-7487 [Performance]  [abs]
  2. Morefield, KR, Camp Diaries (Noland, 2009), Filmwell (Online Film Blog); 1morefilmblog (Online Film Blog (April, 2009) [available here]  [abs]
  3. Halasz, P; Noland W,, Recommended reading: Plagens, Tatransky, Online Journal From the Mayor’S Doorstep, No. 82 (2009)  [abs]
  4. MacDonald, K; Noland W,, AnnArbor Film Festival Returns, free of censorship, The Michigan Daily (2007)  [abs] [author's comments]
  5. Halasz, P; Noland W,, From the Mayor’s Doorstep, Online Journal From the Mayor’S Doorstep, No. 76 (2007)
  6. Noland, W, Seeing and Seen, edited by Coles, R; Lee, T, Doubletake/Points of Entry, vol. Spring/Summer 2007 no. Issue 3 (Summer, 2007), pp. 30-31, Johns Hopkins University Press [available here]  [abs]
  7. William Noland,, Discoveries by Designers: Randall Tysinger, Architectural Digest (April, 2005), pp. 72
  8. Noland, W, Entrevistas Cubanas: Historias de una Nación Dividida, William Noland & Felipe Arocena (Winter, 2004), McFarland and Company, Inc, ISBN ISBN-10: 0786417390 [book-2.php]  [abs]
  9. Noland, W; McAuliffe, J, The image world of 'Mao II' (Theatrical adaptation of Don De Lillo's novel), South Atlantic Quarterly, vol. 103 no. 1 (2004), pp. 5-19, Duke University Press [doi]
  10. Noland, W, Cuban stories (A photo-essay), South Atlantic Quarterly, vol. 103 no. 1 (2004), pp. 61-79, Duke University Press [doi]
  11. William Noland,, The Image World of Mao II, The South Atlantic Quarterly, vol. 103.1 (Winter, 2003), pp. 6-20, Duke University Press (photo-essay and cover.) [gca]  [abs]
  12. William Noland,, Cuban Stories, The South Atlantic Quarterly, vol. 103.1 (Winter, 2003), pp. 61-80 (essay, photo-essay.) [61]  [abs]
  13. William Noland,, Nice Modernist: As Good As Gold, Dwell Magazine, vol. 4 no. 2 (November, 2003), pp. 62 [available here]
  14. William Noland,, My House, Dwell Magazine, vol. Vol. 3 no. 4 (March, 2003), pp. 33-36
  15. Mysterious Actions: New American Drama, The South Atlantic Quarterly (Winter, 2002) (journal cover.) [available here]
  16. William Noland,, Art Deco in Charleston, Architectural Digest (December, 2002)
  17. Wilkin, K; Noland W,, An Inadvertent Vanguard, The Hudson Review, vol. LV no. 1 (Spring, 2002), pp. 105-113  [abs]
  18. with Arocena, F; Noland, W, Estamos tan cansados: Cuba vista por el sociólogo Felipe Arocena, Brecha (November, 2000) (Montevideo, Uruguay.)  [author's comments]

Olson, Mark

  1. Schwartz, FR; Churchill, S; Ingold, R; Goknur, S; Gupta, D; Gladman, J; Olson, M; Tailor, TD, The art of imaging methods—using cutting edge radiological technology to uncover the secrets of ancient anatomical figurines, Archaeological and Anthropological Sciences, vol. 13 no. 5 (May, 2021) [doi]  [abs]
  2. Jaskot, P; Jacobs, H; Szabo, V; Olson, M; Triplett, E, Shaping the Discipline of Digital Art History: A recap of an advanced summer institute on 3-D and (geo)spatial networks (December, 2018), The Iris: Behind the Scenes at the Getty
  3. Olson, M, Interactive exhibitions New interfaces for engaging visualizations, in VISUALIZING VENICE: MAPPING AND MODELING TIME AND CHANGE IN A CITY (2018), pp. 92-99, ISBN 978-1-138-28599-6
  4. Olson, M; Giordano, A, Visualizing Venice: Developing a methodology for historical visualization, in Visualizing Venice: Mapping and Modeling Time and Change in a City, edited by Huffman, K; Giordano, A; Bruzelius, C (2017), pp. 20-25, Routledge, ISBN 978-1138285996 [doi]
  5. Olson, M, Interactive Exhibitions, in Visualizing Venice: Mapping and Modeling Time and Change in a City, edited by Huffman, KL; Giordano, A; Bruzelius, C (2017), pp. 92-99, Routledge, ISBN 978-1138285996 [doi]  [abs]
  6. Lanzoni, K; Olson, M; Szabo, V, Wired! and Visualizing Venice: Scaling up Digital Art History, Artl@s Bulletin, vol. 4 no. 1 (2015), pp. 20-39 [available here]  [abs]
  7. Olson, MJV, Hacking the humanities: Twenty-first-century literacies and the ‘becoming-other’ of the humanities, in Humanities in the Twenty-First Century: Beyond Utility and Markets, edited by Belfiore, E; Upchurch, A (January, 2013), pp. 237-250, Palgrave Macmillan, ISBN 9780230366657 [0021], [doi]  [abs]
  8. Olson, MJV, Hacking the humanities: Twenty-first-century literacies and the ‘becoming-other’ of the humanities, in Humanities in the Twenty-First Century: Beyond Utility and Markets (January, 2013), pp. 237-250, Palgrave Macmillan UK, ISBN 9780230366657 [doi]  [abs]
  9. with Erin Ennis, Zoe Marie Jones, Paolo Mangiafico, Jennifer Rhee, Mitali Routh, Jonathan E. Tarr and Brett Walters, Electronic Techtonics: Thinking at the Interface, edited by Olson, MJ; Ennis, E; Jones, ZM; Mangiafico, P; Rhee, J; Routh, M; Tarr, J; Walters, B (2008), HASTAC (Proceedings of the First International HASTAC Conference, Duke University, North Carolina, April 19-21, 2007.) [available here]  [abs]
  10. Olson, M; Sloop, J, A Politics of Meaning in Rhetorical Studies, in At the Intersection: Cultural Studies and Rhetorical Studies, edited by Rosteck, T (1998), pp. 248-265, Guilford Press, ISBN 9781572303997
  11. Olson, M, ’Everybody Loves Our Town’: Scenes, Spatiality, Migrancy, in Mapping the Beat: Popular Music and Contemporary Theory, edited by Swiss, T; Sloop, J; Herman, A (1998), pp. 269-289, Blackwell, ISBN 978-1577180777

Powell, Richard J.

  1. Powell, RJ, Black Art A Cultural History (August, 2021), pp. 360 pages, London: Thames and Hudson, Ltd., ISBN 9780500204665 (Revised & expanded edition of Black Art & Culture in the 20th Century, 1997; Spanish translation: Arte y Cultura Negros en el Siglo XX, Barcelona: Ediciones Destino, S.A., 1998.)  [abs]
  2. Powell, R, Going There: Black Visual Satire (2020), pp. 240 pages, Yale University Press, ISBN 9780300245745  [abs]
  3. Caragol, T; Moss, D; Powell, RJ; Sajet, K, The Obama Portraits, in Art History and Beyond, in The Obama Portraits (2020), Princeton University Press
  4. Powell, R, Raymond Saunders, in Among Others Blackness at MoMA, edited by English, D; Barat, C (August, 2019), ISBN 9781633450349  [abs]
  5. Powell, R, Herve Telemaque, in Among Others: Blackness at MoMA, edited by English, D; Barat, C (2019), Museum of Modern Art
  6. Powell, RJ, The Brown Paper Bag Test, Nka Journal of Contemporary African Art, vol. 2018 no. 42-43 (November, 2018), pp. 234-249, Duke University Press [doi]
  7. Powell, R, Black Parnassus: Chicago in the Interwar Years, in Gordon Parks The New Tide, Early Work 1940-1950, edited by Brookman, P (October, 2018), pp. 259-265, Steidl/Gordon Parks Foundation/National Gallery of Art, ISBN 9783958294943  [abs]
  8. Oliver, VC; Powell, RJ, Reminiscing: Valerie Cassel Oliver and Richard J. Powell in conversation, Callaloo, vol. 40 no. 5 (January, 2017), pp. 53-162 [doi]
  9. Powell, RJ, Who’s Zoomin’ Who?: The Eyes of Donyale Luna, Nka Journal of Contemporary African Art, vol. 2016 no. 38-39 (November, 2016), pp. 14-21, Duke University Press [doi]  [abs]
  10. Powell, RJ, TWO PAINTINGS BY WILLIAM H. JOHNSON, in The Seductions of Biography (January, 2016), pp. 89-97, ISBN 9780415910897 [doi]
  11. Powell, RJ, "Porch and Drawl", in Southern Accent: Seeking the American South in Contemporary Art, edited by Lash, M; Schoonmaker, T (2016), pp. 106-119, Nasher Museum of Art at Duke University
  12. Powell, RJ, "Wounded Zouave and the Cyrenian Paradigm", in The Civil War in Art and Memory, edited by Savage, K (2016), pp. 65-80, National Gallery of Art
  13. Powell, RJ, "I Talismani di Betye Saar", in Betye Saar: Uneasy Dancer, edited by Marinetti, M (2016), pp. 233-241, Fondazione Prada
  14. Powell, RJ, "Les ames illustrees: W. E. B. Du Bois dans l'art contemporain", in The Color Line: Les Artistes Africains-Americains et La Segregation, edited by Soutif, D (2016), pp. 74-85, Flammarion
  15. Oliver, VC; Powell, RJ, "Richard Powell/'Say it Loud': An Interview with Richard Powell by Valerie Cassel Oliver", Callaloo, vol. 38 no. 4 (2016), pp. 985-995, Johns Hopkins University Press
  16. Powell, RJ, Research and imagine the American black art since 2005, Perspective no. 2 (December, 2015), pp. 81-94, OpenEdition [doi]
  17. Powell, R, Archibald Motley Jazz Age Modernist (October, 2015), ISBN 9780938989394  [abs]
  18. Powell, RJ, Probability Theory: David Hammons's Money Tree, in Open This End: Contemporary Art from the Collection of Blake Byrne, edited by Wolin, Joseph R., (2015), pp. 42-49, The Skylark Foundation, ISBN 978-0-692-33572-7
  19. Powell, RJ, "Dem Shoes": Thomas Hart Benton's Romance, in American Epics: Thomas Hart Benton and Hollywood, edited by Bailly, A (2015), pp. 83-87, Delmonico Books - Prestel, ISBN 978-3-7913-5422-4
  20. Powell, RJ, Rhapsodies in Black: The Art of the Harlem Renaissance (October, 2014), University of California Press
  21. Powell, RJ, Journeying Beyond: The Prints and Paintings of Joyce Wellman, The International Review of African American Art, vol. 10 no. 3 (October, 2014)
  22. Powell, RJ, Images and Identities: A Brief, Introductory Note, The International Review of African American Art, vol. 11 no. 3 (October, 2014), pp. 6-6
  23. Powell, RJ, Walking on Water: Embodiment, Abstraction, and Black Visuality, in Represent: 200 Years of African American Art in the Philadelphia Museum of Art, edited by Shaw, Gwendolyn DuBois, (2014), pp. 1-19
  24. Powell, RJ, New Negroes, Harlem, and Jazz (1900-1950), in The image of the black in western art, edited by Bindman, D; Gates, HL (2014), pp. 53-104, Harvard University Press, ISBN 9780674052697
  25. Powell, RJ, New Negroes, Harlem, and Jazz (1900-1950), in The Image of the Black in Western Art, V, Part 2: The Twentieth Century, The Rise of Black Artists (2014), pp. 53-104, Harvard University Press
  26. Powell, RJ, Freeman Henry Morris Murray: Emancipation and the Freed in American Sculpture, The Art Bulletin, vol. 95 (December, 2013), pp. 646-649
  27. Powell, RJ, "Foreword: Augustus Saint-Gaudens’ Devotional Memorial", in Tell It with Pride: The 54th Massachusetts Regiment and Augustus Saint-Gaudens’ Shaw Memorial, edited by Greenough, S; Anderson, N (2013), pp. xv-185, Yale University Press
  28. Powell, RJ, Emancipation and the Freed in American Sculpture, ART BULLETIN, vol. 95 no. 4 (2013), pp. 646-649, ISSN 0004-3079 [Gateway.cgi]
  29. Powell, RJ, "Foreword: Augustus Saint-Gaudens’ Devotional Memorial", in Tell It with Pride: The 54th Massachusetts Regiment and Augustus Saint-Gaudens’ Shaw Memorial (2013), pp. xv-185, Yale University Press
  30. Powell, RJ, African American Art: Harlem Renaissance, Civil Rights Era and Beyond (2012), pp. 12-33 pages, Washington, DC: Smithsonian American Art Museum
  31. Powell, RJ, "Tanner and Transcendence", in Henry Ossawa Tanner: Modern Spirit, edited by Marley, AO (2012), pp. 56-65, Berkeley: University of California Press
  32. Powell, RJ, "Herein Lie Buried Many Things: Screens, Entryways and Cabinets in Twentieth-Century Black Visual Discourse", in African American Art: Harlem Renaissance, Civil Rights Era and Beyond (2012), pp. 12-33, Washington, DC: Smithsonian American Art Museum
  33. Powell, RJ, "Tanner and Transcendence", in Henry Ossawa Tanner: Modern Spirit (2012), pp. 56-65, Berkeley: University of California Press
  34. Powell, RJ, "Herein Lie Buried Many Things: Screens, Entryways and Cabinets in Twentieth-Century Black Visual Discourse", in African American Art: Harlem Renaissance, Civil Rights Era and Beyond (2012), pp. 12-33, Washington, DC: Smithsonian American Art Museum
  35. Powell, RJ, "Trembling Vistas, Primal Youth: William H. Johnson’s Painterly Expressionism, 1927-1935" & "Devotion and Disrepute: William H. Johnson’s Florence, South Carolina Paintings, circa 1944", in William H. Johnson: An American Modern (2011), pp. 22-101, University of Washington Press
  36. Powell, RJ, "The Woodshed", in Romare Bearden: American Modernist, edited by Fine, R; Francis, J, vol. 71 (2011), pp. 200-2006, National Gallery of Art, ISSN 0091-7338 [Gateway.cgi]
  37. Powell, RJ, The Woodshed, STUDIES IN THE HISTORY OF ART, vol. 71 (2011), pp. 199-206
  38. Powell, RJ, "From Diaspora to Exile: Black Women Artists in 1960s and 1970s Europe", in The Migrant’s Time: Rethinking Art History and Diaspora, edited by Mathur, S (2011), pp. 78-90, Sterling and Francine Clark Institute
  39. Powell, RJ, DEVOTION AND DISREPUTE William H. Johnson's Florence, South Carolina, Paintings, circa 1944, in WILLIAM H JOHNSON: AN AMERICAN MODERN (2011), pp. 88-101, ISBN 978-0-295-99148-1
  40. Powell, RJ, TREMBLING VISTAS, PRIMAL YOUTH William H. Johnson's Painterly Expressionism, 1927-1935, in WILLIAM H JOHNSON: AN AMERICAN MODERN (2011), pp. 22-39, ISBN 978-0-295-99148-1
  41. Powell, RJ, 'Paint That Thing!' Aaron Douglas's Call to Modernism, American Studies, vol. 46 (2010), pp. 107-119
  42. Powell, RJ, Who Am I in This Picture? Amherst College Portraits (2009), pp. 8-15 pages, Amherst College
  43. Powell, RJ, Ras Ishi/Secret Diaries (2009), pp. 19-27 pages, Miller Publishing Company, Ltd.
  44. Powell, RJ, "Unexpected Faces in Public Places", in Who Am I in This Picture? Amherst College Portraits (2009), pp. 8-15, Amherst College, Amherst, Massachusetts
  45. Powell, RJ, "The Systems and Semiotics of Ras Ishi Butcher", in Ras Ishi/Secret Diaries (2009), pp. 19-27, Miller Publishing Company, Ltd., Edgehill, St. Thomas, Barbados
  46. Powell, RJ, "The Systems and Semiotics of Ras Ishi Butcher", in Ras Ishi/Secret Diaries (2009), pp. 19-27, Miller Publishing Company, Ltd.
  47. Powell, RJ, "Unexpected Faces in Public Places", in Who Am I in This Picture? Amherst College Portraits (2009), pp. 8-15, Amherst College
  48. Powell, RJ, The Picturesque, Miss Nottage and the Caribbean Sublime, Small Axe: A Caribbean Journal of Criticism, vol. 25 (February, 2008), pp. 157-168
  49. Powell, RJ, Cutting a Figure Fashioning Black Portraiture (2008), pp. 293 pages, University of Chicago Press, ISBN 9780226677279  [abs]
  50. Powell, RJ, "Barkley L. Hendricks, Anew", in Barkley L. Hendricks/Birth of the Cool, edited by Schoonmaker, T (2008), pp. 38-57, Nasher Museum of Art at Duke University, Durham, NC
  51. Powell, RJ, PAINT IN THE NAME OF LOVE, INTERNATIONAL REVIEW OF AFRICAN AMERICAN ART, vol. 22 no. 2 (2008), pp. 64-65, ISSN 1045-0920 [Gateway.cgi]
  52. Powell, RJ, "Paesaggio come evasion. Soggezione e affrancamento nelle immagini ottocentesche di afroamericani", in Pittura Americana del XIX secolo: Atti del convegno, edited by Goldin, M; Weinberg, HB (2008), pp. 116-136, Linea d’Ombra Libri, Treviso
  53. Powell, RJ, "Barkley L. Hendricks, Anew", in Barkley L. Hendricks/Birth of the Cool (2008), pp. 38-57, Nasher Museum of Art at Duke University
  54. Powell, RJ, "The Aaron Douglas Effect", in Aaron Douglas: African American Modernist, edited by Earle, S (2007), pp. 53-73, Yale University Press, New Haven, CT
  55. with Powell, RJ; Powell, RJ; Puryear, M, "A Conversation with Martin Puryear", in Martin Puryear, edited by Elderfield, J (2007), pp. 99-110, Museum of Modern Art, New York
  56. Powell, RJ, "The Aaron Douglas Effect", in Aaron Douglas: African American Modernist (2007), pp. 53-73, Yale University Press, New Haven, CT
  57. Powell, RJ; Powell, RJ; Puryear, M, "A Conversation with Martin Puryear", in Martin Puryear (2007), pp. 99-110, Museum of Modern Art, New York
  58. Powell, RJ, "Changing, Conjuring Reality", in Conjuring Bearden (2006), pp. 19-31, Nasher Museum of Art at Duke University
  59. Powell, RJ, Circle Dance: The Art of John T. Scott (2005), University Press of Mississippi
  60. Powell, RJ, "On James A. Porter’s and (our) Modern Negro Art", in A Proud Continuum: Eight Decades of Art at Howard University (2005), pp. 25-28, Howard University Gallery of Art
  61. Powell, RJ, "Racial Imaginaries, from Charles White’s Preacher to Jean-Paul Goude and Grace Jones’ Nigger Arabesque", in Back to Black: Art, Cinema and the Racial Imaginary (2005), pp. 9-27, Whitechapel Art Gallery
  62. Powell, RJ, Linguists, Poets, and ‘Others’ on African American Art, American Art, vol. 17 (Spring, 2003), pp. 16-19
  63. Powell, RJ, Beauford Delaney: The Color Yellow (2002), High Museum of Art
  64. Powell, RJ, Appreciation. Jacob Lawrence: Keep on Movin’, American Art, vol. 15 no. 1 (Spring, 2001), pp. 90-93, ISSN 1073-9300 [3109375], [doi]
  65. Powell, RJ, Sartor Africanus, in Dandies: Fashion and Finesse in Art and Culture, edited by Fillin-Yeh, S (2001), pp. 217-242, New York: New York University Press
  66. Powell, RJ, To Be Real, in The Barkley L. Hendricks Experience (2001), pp. 13-15, New London, Connecticut: Lyman Allyn
  67. Sartor Africanus, in Dandies: Fashion and Finesse in Art and Culture (2001), pp. 217-242, New York: New York University Press
  68. To Conserve a Legacy: American Art from Historically Black Colleges and Universities: The Digital Exhibition (2000), Cambridge: MIT Press (Script and recorded narration of the virtual exhibition tour.) [com]
  69. Rhapsodies in Black: Music and Words from the Harlem Renaissance (2000) (Essay and consultant for a CD box set, Rhino Records R2 79874.)
  70. Powell, RJ, Lamentations from the ‘Hood, in Kerry James Marshall/Mementos (2000), pp. 31-47, Chicago: The Renaissance Society at the University of Chicago
  71. Powell, RJ, Conjuring Canes and Bible Quilts: Through the Prism of Nineteenth Century African American Spirituality, in African Americans and the Bible: Sacred Texts and Social Textures, edited by Wimbush, VL (2000), pp. 342-354, New York: Continuum
  72. Powell, RJ, Harmonizer of Chaos, in Over the Line: The Art and Life of Jacob Lawrence, edited by Nesbett, P; DuBois, M (2000), pp. 147-163, Seattle: University of Washington Press
  73. Harmonizer of Chaos, in Over the Line: The Art and Life of Jacob Lawrence (2000), pp. 147-163, Seattle: University of Washington Press
  74. Conjuring Canes and Bible Quilts: Through the Prism of Nineteenth Century African American Spirituality, in African Americans and the Bible: Sacred Texts and Social Textures (2000), pp. 342-354, New York: Continuum
  75. Powell, RJ, To Conserve a Legacy: American Art from Historically Black Colleges and Universities (1999), MIT Press
  76. Powell, RJ, The Blues Aesthetic: Black Culture and Modernism, in African American Literary Criticism, 1773 to 2000, edited by Ervin, HA (1999), New York: Twayne Publishers, 289-302
  77. The Blues Aesthetic: Black Culture and Modernism, in African American Literary Criticism, 1773 to 2000 (1999), New York: Twayne Publishers, 289-302
  78. Powell, RJ, On Alain Locke and James Porter, Hatch-Billops Collection, Inc./Artist and Influence, vol. 11 (1998), pp. 1-8
  79. Powell, RJ, Cinqué: Antislavery Portraiture and Patronage in Jacksonian America, American Art, vol. 11 no. 3 (1997), pp. 49-73, University of Chicago Press, ISSN 1073-9300 [3109281], [doi]
  80. Powell, RJ, Art of the Harlem Renaissance, Art Bulletin, vol. 77 (September, 1995), pp. 132-137
  81. Powell, RJ, The Subject in/of Art History, The Art Bulletin, vol. 77 no. 3 (September, 1995), pp. 515 [doi]
  82. POWELL, RJ, ART, HISTORY, AND VISION, ART BULLETIN, vol. 77 no. 3 (1995), pp. 379-382, ISSN 0004-3079 [Gateway.cgi]
  83. POWELL, RJ, IMAGES AND IDENTITIES + EDITORIAL - A BRIEF, INTRODUCTORY NOTE, INTERNATIONAL REVIEW OF AFRICAN AMERICAN ART, vol. 11 no. 3 (1994), pp. 6-6, ISSN 1045-0920 [Gateway.cgi]
  84. Powell, RJ, The Art of Raymond Saunders: Colored, New Observations, vol. 97 (1993), pp. 10-15
  85. Powell, RJ, Jacob Lawrence (1992), New York: Rizzoli International Publications, Inc.
  86. Powell, RJ, What Becomes a Legend Most? Reflections on Romare Bearden, Transition, vol. 55 (1992), pp. 62-72
  87. Powell, RJ, Homecoming: The Art and Life of William H. Johnson (1991), New York: W. W. Norton
  88. Powell, RJ, 'In My Family of Primitiveness and Tradition:' William H. Johnson's 'Jesus and the Three Marys', American Art, vol. 5 no. 4 (1991), pp. 21-33, University of Chicago Press, ISSN 1073-9300 [3109068], [doi]
  89. Powell, RJ, From the Potomac to the Anacostia: Art and Ideology in the Washington Area (1989), Washington Project for the Arts
  90. Powell, RJ, Margo Humphrey: Interview, Hatch-Billops Collection, Inc./Artist and Influence, vol. 5 (1987), pp. 56-65
  91. Powell, RJ, James Lesesne Wells: Sixty Years in Art (1986), Washington Project for the Arts
  92. Powell, RJ, William H. Johnson's Minde Kerteminde, Black American Literature Forum, vol. 20 no. 4 (1986), pp. 393-403, JSTOR, ISSN 0148-6179 [2904438], [doi]
  93. Powell, RJ, On Exhibit: Black Artists of the Nineteenth Century, The Chicago Reader (August, 1985), pp. 10-11
  94. Powell, RJ, African Art at the Field Museum, African Arts, vol. 18 no. 2 (1985), pp. 24-101, JSTOR, ISSN 0001-9933 [3336186], [doi]
  95. Powell, RJ, Black Folk in America, 1930-1980, Field Museum of Natural History Bulletin (1984), pp. 11-18
  96. Powell, RJ, African and Afro-American Art: Call and Response (1984), Field Museum
  97. Powell, RJ, Current Expressions in Afro-American Printmaking, PrintNews, vol. 3 (April, 1981)
  98. Powell, RJ, The Afro-American Printmaking Tradition, PrintNews, vol. 3 (February, 1981), pp. 3-7
  99. Powell, RJ, 9/9, The New Art Examiner, vol. 7 (June, 1980), pp. 10-11
  100. Powell, RJ, Houston Conwill, Neworld (February, 1979)
  101. Powell, RJ, Talking to James Lesesne Wells, Print Review, vol. 9 (1979), pp. 65-75

Rankin, Thomas S.

  1. Rankin, T, Truths of the Matter: Traditions in Documentary Studies (2012)
  2. Rankin, T, A Place of Tender Images: Paul Kwilecki’s Four Decades of Photography of Decatur County, GA (2012)
  3. Colors of Confinement: Color Photographs of Japanese American Incarceration in World War II, edited by Rankin, T; Hill, IT (2012), University of North Carolina Press  [author's comments]
  4. Jackson, B; Christian, D, In This Timeless Time, edited by Hill, IT; Rankin, TS (2011), University of North Carolina Press  [author's comments]
  5. Rankin, T, The Cruel Radiance of the Obvious, in Southern Cultures, Southern Cultures (2011)
  6. Tom Rankin, The Art of Farming (December, 2010) (Photographs and audio by students at the Center for Documentary Studies, part of the larger Five Farms Project..)
  7. Rankin, TS, Reality Radio: Telling True Stories in Sound, edited by Rankin, T; Hill, IT; Biewen, J; Dilworth, A (2010)  [author's comments]
  8. Rankin, T, Maasai Community of Lakipia (September, 2009) [available here]
  9. Tom Rankin, Five Farms: Stories from American Farm Families (July, 2009) (Five-hour National Public Radio Special.)
  10. Rankin, T, Five Farms: Stories from American Farm Families (NPR Special) (July, 2009)
  11. In My Mind (2009 February) (Tom Rankin, executive producer; (Gary Hawkins, director; Emily Ladue, producer); Traces the creation and performance of Jazz pianist Jason Moran's interpretation of Thelanious Monk's 1959 Town Hall Concert..)
  12. Rankin, T, Beyond Beauty: The Archive of Documentary Arts at Duke University, in Beyond Beauty (2009), The Rare Book, Manuscript, and Special Collections Library  [author's comments]
  13. Rankin, T, Paul Kwilecki Remembered, Porch Gallery (2009) (Porch Gallery,http://cdsporch.org/archives/1863.) [1863]
  14. Rankin, T, Mike Seeger Remembered, Porch Gallery (2009) (Porch Gallery, Http://cdsporch.org/archives/589.) [589]
  15. Rankin, T, Visualizing the World of William Faulkner, edited by Brownlee, PJ, American Studies International, Oct. 1998, vol. XXXVI no. 3 (2007), University of Press of Mississippi  [author's comments]
  16. Rankin, T, Judgment and Grace in Dixie, in Judgment and Grace in Dixie, edited by Wilson, CR (2007), The University of Georgia Press
  17. Rankin, T, The Injuries of Time and Weather, Southern Cultures, vol. 13.2 (2007), pp. 3-28 (Introductory essay for special issue on southern photography.)
  18. Rankin, T, Share a Table, Make a Friend, Appalachian Heritage (2007) (Berea College, KY.)
  19. Rankin, T, Seeing What We Need To See, The Light Factory (2007) (an essay on documentary photography, River Docs Catalog, Charlotte, NC.)
  20. Rankin, T, Careful Tending, in Last Harvest: Truck Farmers in the Deep South, edited by Dilbeck, P (2006), University of Georgia Press (Book by Perry Dilbeck.)
  21. Rankin, T, Putting a Bottom Under It, Oxford American no. 49 (2005) (Issue 49.)
  22. Rankin, T, The Last Days of Kitty Shenay, American Radio Works (2004) (Web-based photographic exhibition for "The Hospice Experiment," National Radio Documentary, American Radio Works (americanradioworks.org).)  [abs]
  23. Rankin, T, In Wildness (photo essay), Daylight Magazine, vol. 1 (2004) (Photo essay.)
  24. Rankin, T, Home and Away at 25, in 25 Under 25: Up-and-Coming American Phogtographers (2003), Powerhouse Books
  25. Rankin, T, Photography’s Lure (October, 2002) (Atlanta Celebrates Photography, Michael Carlos Museum, Emory University.)
  26. Rankin, T, Rendering Local Community: Stories of Indivisible, Anchorage Museum of History and Art (October, 2002) (Anchorage Museum of History and Art, Anchorage, AK.)
  27. Rankin, T, The Lure of the Picture and the Nature of Tradition (October, 2002) (American Folklore Society Annual Conference, Rochester, New York.)
  28. Rankin, T, Fixing the Southern Vernacular: The Contemporaneous Art of Walker Evans and William Faulkner (July, 2002) (Delivered at 26th annual Faulkner & Yoknapatawpha Conference, Oxford, MS.)
  29. Tom Rankin, Knowing John McWilliams, Castings (March-April 2002) (publication exhibition created by Cathy Byrd.)
  30. Rankin, T, Indivisible: Stories of American Community (January, 2001) (Tampa Museum of Art.)
  31. Rankin, T, Crossroads and the Cross: Visualizing the Blues, Visualizing the Blues Symposium (November, 2000) (The Dixon Gallery and Gardens, Memphis, TN.)
  32. Tom Rankin, "A Mississippi Portrait": Farm Security Administration Photographs, 1935-1940 (2000) (CD Rom of the Library of Congress. FSA Photographs from Mississippi.)
  33. Rankin, T, Local Heroes Changing America: Indivisible (2000), W.W. Norton and Company/Lyndhurst Books, ISBN 978-0393050288
  34. Tom Rankin, "Near the Cross": Rendering Faiths in the American South", Image: Journal of Art, Literature and Religion (Winter, 1999)
  35. Rankin, T, "Near the Cross": Rendering Faiths in the American South" (November, 1999)
  36. Rankin, T, "Carried to the Heart:: Faith & Doubt" (November, 1999) (Contemporary Southern Art and Literature, Milsaps College, Mississippi.)

Seaman, William

  1. Seaman, W, Continuum Computing, in 50:50 – Scenarios for the Next 50 Years, edited by Talwar, R (2018), Fast Future Publishing
  2. Seaman, W, Roy Ascott – Early Interactive Work and Some Cybernetic Relationalities (forthcoming), Cybernetics and Human Knowing: a journal of second order cybernetics, autopoiesis and cyber-semiotics (2018), Imprint Academic
  3. Seaman, W, Towards A Dynamic Heterarchical Ecology Of Conversations (forthcoming), Cybernetics and Human Knowing: a journal of second order cybernetics, autopoiesis and cyber-semiotics (2018), Imprint Academic
  4. Seaman, W, Emergent Relationality System / The Insight Engine, in Digital Methods and Remote Sensing in Archaeology: Archaeology in the Age of Sensing, edited by Forte, M; Campana, S (2016)
  5. Seaman, W, Neosentient Architecture Generator – n_Arch.gen (October, 2015)
  6. Seaman, W, A multi-perspective approach to knowledge production, in TBA, edited by Glanville, R; Griffiths, D; Baron, P, Kybernetes, vol. 43 no. 9/10 (October, 2014), pp. 1412-1424, Emerald [2013], [doi]  [abs]
  7. Seaman, W; Rössler, O, Neosentience - A New Branch of Scientific and Poetic Inquiry Related to Artificial Intelligence, Technoetic Arts, Volume 6, Issue 1, March 2008 (February, 2014), ISSN 1477-965X
  8. Seaman, W, From Recombinant Poetics to Recombinant Informatics, 2014 International Conference on Cyberworlds (CW) (2014)
  9. Seaman, W, Computational Creativity | A Multi-perspective Approach (November, 2013)
  10. Seaman, W, Computational Creativity | A Multi-perspective Approach, TBA (November, 2013) [available here]  [abs] [author's comments]
  11. Seaman, W, From Neosentience to Recombinant Informatics, A Research Overview, Computer Science, Technology, and Application (2013)  [abs]
  12. Seaman, W, Neosentience and the Abstraction of Abstraction, Systems Connecting Matter, Life, Culture and Technology, vol. 1 no. 1 (2013), ISSN 2305-6991 [available here]  [abs]
  13. Seaman, W, Four Transcultural Case Studies: Transmedial Walks, Drives and Observations,, 2-3, edited by Ascott, R; YUAN, XJ, Technoetic Arts, vol. 10 no. Spring (2013), pp. 2-3, ISSN 1477-965X  [abs]
  14. Seaman, W, The Engine of Engines - Toward A Computational Ecology, in Integral Biomathics: Tracing the Road to Reality - Proceedings of ACIB’11 Conference in Stirling, Scotland, August 29-31, 2011 and iBioMath’2011 Workshop at ECAL’11, Paris., edited by Simeonov, EBPL; Smith, LS; Winter, ACEE (July, 2012), ISBN 3642281109  [abs]
  15. with Seaman, W; Simeonov, PL; Brezina, EH; Cottam, R; Ehresmann, AC; Gare, A; Goranson, T; Gomez-Ramirez, J; Josephson, BD; Marchal, B; Matsuno, K; Root-Bernstein, RS; Rössler, OE; Salthe, SN; Schroeder, M; Seaman, B; Siregar, P; Smith, LS, White Paper, in Integral Biomathics: Tracing the Road to Reality Subtitle: Proceedings of ACIB’11 Conference in Stirling, Scotland, August 29-31, 2011 and iBioMath’2011 Workshop at ECAL’11, Paris, edited by Simeonov, PL; Smith, LS; Ehresmann, AC (July, 2012), Springer-Verlag, Berlin-Heidelberg  [abs]
  16. Seaman, W, The Engine of Engines - Toward A Computational Ecology, in Integral Biomathics: Tracing the Road to Reality - Proceedings of ACIB’11 Conference in Stirling, Scotland, August 29-31, 2011 and iBioMath’2011 Workshop at ECAL’11, Paris, edited by Simeonov, PL; Smith, LS; Eds, ACE (2012), Springer-Verlag, Berlin-Heidelberg  [abs]
  17. Seaman, W; Rössler, OE, Neosentience | The Benevolence Engine, in Neosentience | The Benevolence Engine (2011), Intellect Press, ISBN 9781841504049  [abs]
  18. Perriquet, O; Seaman, W, Art <-> Science Relationalities, International Symposium on Electronic Art Proceedings (forthcoming) (2011)
  19. Seaman, W, Recombinant Poetics / Emergent Meaning as Examined and Explored Within a Specific Generative Virtual Environment (2010), VDM, ISBN isbn-10 3639236513, isbn-13 978-3639236514
  20. Seaman, W, (Re)Thinking — The Body, Generative Tools and Computational Articulation, Technoetic Arts, (2010)
  21. Seaman, W, Combinatoric Micro-strategies for Emergent Transdisciplinary Education, in Rethinking the Contemporary Art School (NSCAD) (2009), NSCAD  [abs]
  22. Seaman, W, OULIPO|vs|Recombinant Poetics, in Art & Electronic Media, edited by Shanken, E (2009), Phaidon Press
  23. Seaman, W, A Generative Emergent Approach to Graduate Education, in Educating Artists for the Future, Learning at the Intersections of Art, Science, Technology, and Culture, edited by Alexenberg, M (2008)
  24. Seaman, W, Unpacking Simultaneity for Differing Observer Perspectives and Qualities of Environment, in Simultaneity, edited by Vrobel, S; Rossler, OE; Marks-Tarlow, T (2008), World Scientific
  25. Seaman, W; Rössler, OE, Neosentience – A New Branch of Scientific and Poetic Inquiry Related to Artificial Intelligence, Technotic Arts, vol. 6 no. 1 (2008)
  26. Seaman, W, Unpacking Neosentience / Dystopian Techno-Evolution, Mutomorphosis (2007) (http://mutamorphosis.wordpress.com/2009/01/13/unpacking-neosentience/.)
  27. Seaman, W, Recombinant Poetics and Related Database Aesthetics, in Database Aesthetics, edited by Vesna, V (2007), University of Minnesota Press
  28. Seaman, W, Recombinant Poetics, in New Media Poetry, an International Anthology, edited by Kac, E (2007)
  29. Seaman, W; Rössler, OE, Toward the Creation of an Intelligent Situated Computer and Related Robotic System: An Intra-functional Network of Living Analogies, in Emoçào Art.ficial 3.0, Itau Cultural Center Publication (2006)
  30. Seaman, W; Hiwaki, K; Ratjen, W; Seaman, B; Locker, M; Lasker, GE; Aydin, A, Intelligent Computerized Dolls as Companions in Old Age (2005)
  31. Seaman, W, Recombinant Poetics: The Thoughtbody Environment, a Minima Magazine, vol. 13 no. New Media Actual Art (2005)
  32. Seaman, W, Pattern Flows | Hybrid Accretive Processes Informing Identity Construction, Convergence Magazine, vol. 7 no. 2 (2005)
  33. Seaman, W, The Illusive Nature of Context: The Negotiation of the Thoughtbody, in P0Es1S: The Aesthetics of Digital Poetry, edited by Heibach, C; Wentz, K; Seaman, W (2004), Hatje Cantz Publishers
  34. Seaman, W, Endophysics and the Thoughtbody Environment, an Outline for a Neo-computational Paradigm (2004)
  35. Seaman, W, Toward the Production of Nano-computers and in turn Nano-related Emotive Virtual/Physical Environments, Intelligent Agent, vol. 4 no. 2 (2004)  [abs]
  36. Seaman, W; Gaugusch, A, (RE)Sensing the Observer — Offering an Open Order Cybernetics, Technoetic Arts: a journal of speculative research, vol. 2 no. 1 (2004)
  37. Seaman, W, Notions of the Hybrid : A Particular Hybrid Educational Methodology / RISD Digital Media (2004)
  38. Seaman, W, Recombinant Poetics — Media-Element Field Explorations, in First Person: New Media as Story, Performance, and Game, MIT Press, edited by Wardrip-Fruin, N; Harrigan, P (2003)
  39. Seaman, W, The Hybrid Invention Generator — Assorted Relations, Technoetic Arts: a journal of speculative research, vol. 1 no. 2 (2003), Intellect Press
  40. Seaman, W, Recombinant Poetics: Emergent Explorations of Digital Video in Virtual Space, in Transluminations: New Screen Mediia Narratives, edited by Zapp, ; Reiser, (2002), BFI Publishers
  41. Seaman, W, Exchange Fields: Embodied Positioning as Interface Strategy, Convergence Magazine, vol. 7 no. 2 (2001)
  42. Seaman, W, Motioning Toward the Emergent Definition of E-phany Physics, edited by Ascott, R; Punt, M, Consciousness Reframed 3: Conference Proceedings (2000), University of Wales College
  43. Seaman, W, Nonsense Logic, in Reframing Consciousness, edited by Ascott, R (1999), Intellect Press
  44. Seaman, W, Emergent Constructions: Re-embodied Intelligence within Recombinant Poetic Networks,, Digital Creativity 9. 3, pp 153–160 (1998)
  45. Seaman, W, 1997, in Intelligent Environments–Spatial Aspect of the Information Revolution, edited by Droege, P (1997), ISBN 0444823328/6434 2433211-744357
  46. Seaman, W, Hybrid Architectures/Media Information Environments, in Intelligent Environments–Spatial Aspect of the Information Revolution, edited by Droege, P (1997), North Holland
  47. Seaman, W, Notes and Observations on Artificial Games, in Artificial Games Catalogue (1993)

Sims, Christopher W

  1. Sims, C, The Pretend Villages: Inside the U.S. Military Training Grounds (May, 2021), Kehrer Verlag, ISBN 3969000017
  2. Southbound: Photographs of and about the New South, edited by Long, M; Sloan, M (2018), Halsey Institute of Contemporary Art
  3. Kolga Photo 2018 (2018), Kolga Tsilisi Photo Festival
  4. New Citizens, edited by Paulenka, M (2017), Organ Vida Photography Festival
  5. Bringing the War Home, edited by Oldfield, P (2010), Impressions Gallery
  6. Warzone, edited by Swierstra, S (2010), Noorderlicht Photofestival
  7. FotoFest 2010 (2010), Schilt Publishing
  8. American Photography 20, edited by Ryan, K (2004), Amilus
  9. Thompson, CD; Wiggins, M, The Human Cost of Food Farmworkers' Lives, Labor, and Advocacy (2002), pp. 337 pages, University of Texas Press  [abs]

Stiles, Kristine

  1. Alberro, A; Bhabha, H; Castillo, A; Chukhrov, K; Demos, TJ; Eleison, K; Emmelhainz, I; English, D; Flores, P; González, JA; Groys, B; Holert, T; Huyssen, A; Jones, A; Joselit, D; Kee, J; Mirzoeff, N; Osborne, P; Roberts, J; Shaked, N; Smith, T; Stiles, K; Tiampo, M; Wagner, AM, WHAT IS RADICAL?, ARTMargins, vol. 10 no. 3 (February, 2022), pp. 8-96 [doi]
  2. Stiles, K, Collecting the future: A personal history of an archive, in What Will Be Already Exists: Temporalities of Cold War Archives in East-Central Europe and Beyond (September, 2021), pp. 21-34, ISBN 9783837658231
  3. Stiles, K, 'Lux Balcanica est umbra Orientis’: Marilyn Arsem’s Balkan Performances (November, 2020), pp. 104-133, Intellect Books
  4. Stiles, K, Concerning Consequences Studies in Art, Destruction, and Trauma (March, 2016), pp. 490 pages, University of Chicago Press, ISBN 9780226774534  [abs]
  5. Stiles, K, Anti-art, in Reading Contemporary Performance: Theatricality Across Genres (January, 2015), pp. 185-186, ISBN 9780415624978 [doi]  [abs]
  6. Stiles, K, Fluxus, in Reading Contemporary Performance: Theatricality Across Genres (January, 2015), pp. 205-206, ISBN 9780415624978 [doi]  [abs]
  7. Stiles, K, Destruction art, in Reading Contemporary Performance: Theatricality Across Genres (January, 2015), pp. 197-198, ISBN 9780415624978 [doi]  [abs]
  8. Stiles, K; O’Dell, K, Bodies in action, in Reading Contemporary Performance: Theatricality Across Genres (January, 2015), pp. 265-267, ISBN 9780415624978 [doi]  [abs]
  9. K. Stiles, Concerning Consequences: Studies in Art, Destruction, and Trauma, 1978-2014 (2014), University of Chicago Press (Forthcoming.)
  10. Kicking Holes in the Darkness: Rhys Ernst and Zackary Drucker, in Whitney Biennial 2014 (2014), pp. 56-61, Whitney Museum of American Art, ISBN 978-0300196870 (Authors of the catalog include the curators of the 2014 Whitney Biennial, Stuart Comer, Anthony Elms, Michelle Grabner..) [pdf]
  11. ‘…but a hammer with which to shape it.’: Media Art and Society 1959-2013, in Pioneering Values: WRO 15th Biennial (2014)
  12. Stiles, K, The Ideal Gifts of Istvan Kantor, in PERMANENT REVOLUTION: The Art of Istvan Kantor, edited by Feesey, L (2013), pp. 73-87, The Istvan Kantor Collective, ISBN 978-0-9936249-0-2 (Edited by Linda Feesey, and co-edited by Mireille Bourgeois.)
  13. Stiles, K, Wangechi Mutu’s Family Tree, in Wangechi Mutu: A Fantastic Journey, edited by Schoonmaker, T no. 51-79 (2013), Nasher Museum of Art at Duke University, Durham, ISBN 978-0938989363  [abs]
  14. Stiles, K, Performance Art, in Oxford Bibliographies in Art History, edited by Kaufmann, TD (2013), Oxford University Press, Oxford and New York  [abs] [author's comments]
  15. with Stiles, K, 'I’m Ready.' Thinking About Artists’ Writings in a Global Context, in Not a day without a line: Understanding artists’ writings, edited by Prester, HD (2013), pp. 177-203, Academia Press, Ghent, Belgium, ISBN 978-9038222202  [abs] [author's comments]
  16. Stiles, K, "I'm Ready." Thinking about Artists' Writings in a Global Context Today, in NOT A DAY WITHOUT A LINE: UNDERSTANDING ARTISTS' WRITINGS (2013), pp. 175-201
  17. Stiles, K, “The Ideal Gifts of Istvan Kantor.” (2013), The Istvan Kantor Collective
  18. Stiles, K, “Performance Art” (2013), Oxford University Press  [abs]
  19. Stiles, K; Selz, P, Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings (2012), University of California Press (2nd, revised, expanded edition edited by Kristine Stiles.)
  20. Stiles, K, Peter d’Agostino’s World-Wide-Walks / between earth & sky, in Peter d’Agostino: World-Wide-Walks [Paseos a Nivel Planetario] / between earth & sky [entre la tierra y el cielo] / 1973 – 2012 (2012), pp. 22-34, Bizkaia de la UPV/EHU (Bilbao, Spain:.)
  21. Stiles, K, Conversation with William Pope.L, in The Voice of Images (2012), pp. 181-193, Palazzo Grassi, Venice, Italy
  22. Stiles, K, Comments on my first interview with Gustav Metzger, in Gustav Metzger, Years without Art (2012), pp. 39-39
  23. Stiles, K, Home Alone: ‘Reversal of Positions of Presentation’ and the Visual Semantics of Domesticity, in The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1990, edited by Princenthal, N; Posner, H (2011), pp. 50-67, Neuberger Museum of Art
  24. Stiles, K, 7.47 a.m. (The Traumatic Visual Vocabulary of Maurice Benayoun’s So.So.So. Somebody Somewhere Some time), in Maurice Benayoun / OPEN ART 1980-2010 (2011), pp. 83-87, CDA d’Enghien and Les Nouvelles éditions Scala),
  25. Stiles, K, Peggy Phelan and Kristine Stiles In Conversation, Millennium Film Journal no. 54 (2011), pp. 30-34
  26. Stiles, K, Negative Affirmative: San Francisco Bay Area Art, 1974-1981, in Under the Big Black Sun: California Art 1974-1981, edited by Schimmel, P (2011), pp. 27-43, Los Angeles Museum of Contemporary Art
  27. Stiles, K, Correspondence Course, An Epistolary History of Carolee Schneemann and Her Circle (2010), Duke University Press (With an Introduction and extensive annotations by Kristine Stiles.)
  28. Stiles, K, Foreword, Or, Unbuckling the Belt of Fluxus through Billie Maciunas’ Experiences, in Billie Maciunas, The Eve of Fluxus (2010), pp. ix-xvi., Arbiter Press, Winter Park, Florida, ISBN 978-0615352169
  29. Stiles, K, Art will be…2009-2034, Duke Alumni Magazine (May, 2009), Duke University
  30. K. Stiles, Jean Toche: Impressions From The Rogue Bush Imperial Presidency (2009), Durham: John Hope Franklin Center for Interdisciplinary & International Studies
  31. Stiles, K, The Trinity Session, in Future Species: Hybrids, Exoskel, Cybor Living Makeover Madness (2009), pp. 35-38, Toronto: Museum of Contemporary Canadian Art
  32. Stiles, K, Irregular Ways of Being in Time, in The Third Mind: American Artists Contemplate Asia 1860-1989, edited by Munroe, A (2009), pp. 333-345, New York: Solomon R. Guggenheim
  33. “Cloud with its Shadow: Marina Abramovic” in Marina Abramovic, in Marina Abramovic (2008), Phaidon, London
  34. Stiles, K, Come and Go, in California Video (2008), The J. Paul Getty Trust, Getty Research
  35. Stiles, K, Cloud with its Shadow: Marina Abramovic, in Marina Abramovic (2008), pp. 33-94, Phaidon, ISSN 978-0714848020
  36. Stiles, K, INSIDE/OUTSIDE: Balancing Between a Dusthole and Eternity, Archive, vol. 1 (2008), Muzeum Sztuki, Lodz, Poland
  37. States of Mind: Dan & Lia Perjovschi (2007), Nasher Museum of Art at Duke University; distributed by Duke University Press, Durham, North Carolina (With contributions by Andrei Codrescu, Marius Babius and Ruxana Marcoci.)
  38. States of Mind: Dan & Lia Perjovschi, in States of Mind: Dan & Lia Perjovschi (2007), Nasher Museum at Duke University and Duke University Press
  39. Perjovschi, D; Codrescu, A; Babias, M, States of Mind Dan & Lia Perjovschi (2007), pp. 242 pages, Duke University Press  [abs]
  40. Stiles, K, States of Mind: Dan & Lia Perjovschi, in States of Mind: Dan & Lia Perjovschi (2007), Nasher Museum at Duke University and Duke University Press
  41. Stiles, K, Teaching a Dead Hand to Draw, Kim Jones, War and Art, in Kim Jones: A Retrospective (2007)
  42. Stiles, K, Burden of Light, in Chris Burden (2007), Newcastle England: Merrell and Locus Plus
  43. Stiles, K, Shaved Heads and Marked Bodies: Representations from Cultures of Trauma, in On Violence: An Anthology, edited by Lawrence, B; Karim, A (2007), pp. 522-538, Duke University Press [html]  [abs]
  44. Stiles, K, Chris Burden (2006), New York: Zwirner & Wirth Gallery
  45. Stiles, K, Metzger's Fierce, Poignant, and Prescient Manifestos, in Rett Kopi: Documents the Future (2006), pp. 157-166, Rett Kopi
  46. Stiles, K; Grobstein, P, The Art Historian and the Neurobiologist: A Conversation about Proprioception, the 'I-function,' Body Art, and Story Telling, Serendip (October, 2005), Bryn Mawr College [available here]
  47. Remembrance, Resistance, Reconstruction, the Social Value of Lia & Dan Perjovschis's Art (2005)
  48. Stiles, K, Fluxus Performance and Humor, in The Artist’s Joke (2005), MIT Press
  49. Stiles, K, The Story of the Destruction in Art Symposium and the "DIAS Affect", in Gustav Metzger: Geschichte Geschichte (2005), Vienna: Generali Foundation [pdf]
  50. Stiles, K, Barbara Smith’s Haunting, in The 21st Century Odyssey Part II: The Performances of Barbara T. Smith (2005), Pomona College Museum of Art
  51. Stiles, K, Barbara Smith’s Haunting, in The 21st Century Odyssey Part II: The Performances of Barbara T. Smith (2005), Pomona, California: Pomona College Museum of Art
  52. Stiles, K, Remembrance, Resistance, Reconstruction, The Social Value of Lia and Dan Perjovschi’s Art, IDEA, vol. 19 (2005), Cluj, Romania
  53. Paul Couillard and Ed Johnson," for Artspace, Ontario, Canada (2004), Ontario: Artspace
  54. Stiles, K, I/Eye/Oculus: Performance, Installation and Video, in Art of the Twentieth Century, edited by Harrison, C; Wood, PW (2004), pp. 183-229, New Haven & London: Yale University Press and The Open University
  55. Stiles, K, Agnes Hegedus, Bernd Lintermann, Jeffrey Shaw: reconfiguring the CAVE, in Future Cinema: The Cinematic Imaginary after Film, edited by Shaw, J; Weibel, P (2004), pp. 492-497, Karlsruhe, Germany and Cambridge, Mass: ZKM Center for Art and Media and MIT Press
  56. Jean-Jacques Lebel (2003), London: Mayor Gallery
  57. Stiles, K, Jean-Jacques Lebel’s Phoenix and Ashes, in Jean-Jacques Lebel (2003), pp. 3-15, London: The Mayor Gallery
  58. Stiles, K, At Last, A Great Woman Artist: Writing About Carolee Schneemann’s Epistolary Practice, in Singular Women, edited by Frederickson, K; Webb, SE (2003), Berkeley: University California Press
  59. Stiles, K, Anomaly, Sky, Sex, and Psi in Fluxus, in Critical Mass: Happenings, Fluxus, Performance & Intermedia at Rutgers University 1958-1971 (2003), pp. 60-88, Rutgers University and Amherst College
  60. Stiles, K, Performance, in Critical Terms for Art History, 2nd Edition, edited by Nelson, R; Shiff, R (2003), pp. 75-97, Chicago: University of Chicago
  61. Stiles, K, Franz West’s Dialogic PaBtucke, in Franz West (2003), pp. 104-121, London: The Whitechapel Gallery
  62. Stiles, K, Peinture, Photographie, Performance: Le Cas de Georges Mathieu, in Georges Mathieu (2003), pp. 75-81, Paris: Galerie National du Jeu de Paume
  63. Stiles, K, Thunderbird Immolation: William Pope L. & Burning Racism, in William Pope.L: Eracism, edited by Bessire, M (2002), pp. 36-42, Cambridge and Portland: MIT Press and the Institute of Contemporary Art at Maine College of Art
  64. Stiles, K, David Tudor-Alive , Free, and Without Need of Culture (in a special issue, 'Composers Inside Electronics: Music after David Tudor'), Leonardo Music Journal, vol. 14 (2002), pp. 62-63 [html]
  65. The Painter as an Instrument of Real Time, introduction to Carolee Schneemann’s Imaging Her Erotics: Essays, Interviews, Projects (2001), pp. 2-16, Cambridge, Mass.: MIT Press
  66. Stiles, K, Concerning Public Art and ’Messianic Time’ (2001) [html]
  67. Stiles, K, Review of RoseLee Goldberg’s Laurie Anderson, Make: The Magazine of Women’s Art, vol. 90 (2001), pp. 90-90
  68. Stiles, K, The Painter as an Instrument of Real Time, in Imaging Her Erotics: Essays, Interviews, Projects (2001), pp. 2-16, MIT Press
  69. Pamela M. Lee, Object to be Destroyed: The Work of Gordon Matta-Clark, CAA.Reviews, the online reviews publication of the College Art Association (2000) [html]
  70. Bob Watts, edited by Slovenia: Museum of Koper and Editions Francesco Conz (2000)
  71. Stiles, K, Parallel Worlds: Representing Consciousness at the Intersection of Art, Dissociation, and Multidimensional Awareness, in Reframing Consciousness: Art and Consciousness in the Post- Biological Era, edited by Ascott, R (2000), pp. 52-60, Exeter: Intellect [books]
  72. Stiles, K, Mapping Joshua Neustein’s Art, in Joshua Neustein: Five Ash Cities, Domestic Tranquility Bne Brak (2000), pp. 122-130, Herzliya, Israel: Hezliya Museum (reprinted in JOSHUA NEUSTEIN: Five Ash cities (Chicago: Academy Chicago Publishers in Association with Olive Production, 2000).)
  73. Stiles, K, Corpora Vilia: Valie Export’s Body, in Valie Export’s Visual Syntagmatics (2000), pp. 16-33, Goldie Paley Gallery, Moore College of Art and Design, Philadelpia
  74. Stiles, K, Being Undyed: The Meeting of Mind and Matter in Yoko Ono’s Events, in Yes Yoko Ono, edited by Monroe, A (2000), pp. 145-149, New York: Japan Society
  75. Stiles, K, Never Enough is Something Else: Feminist Performance Art, Probity, and the Avant-Garde, in Contours of the Theatrical Avant-Garde: Performance and Textuality, edited by Harding, JM (2000), pp. 239-289, Madison: University of Madison/Wisconsin [pdf]
  76. Stiles, K, Afterword: Quicksilver and Revelations, Performance at the End of the 20th Century, in Performance Artists Talking: 1979-7989: Sex, Food, Money/Fame, Ritual/Death, edited by Montano, L (2000), Berkeley: University of California Press
  77. Stiles, K, Review of Pamela M. Lee’s Object to be Destroyed: The Work of Gordon Matta- Clark, CAA.Reviews, the online reviews publication of the College Art Association (2000) [html]
  78. Stiles, K; Shanken, EA, Missing in Action: Agency and Meaning in Interactive Art, in Context Providers: Context and Meaning in Digital Art, edited by Lovejoy, M; Paul, C; Vesna, V (2000), University of Minnesota Press [pdf]
  79. Stiles, K, Comisuri: Art Actiunile ca Objecte, Balkon: Revista de Arta Contemporana, vol. March no. 2 (2000), pp. 3-4, Timisoara, Romania
  80. Stiles, K, Battle of the Yams: Contentless Forms and the Recovery of Meaning in Events and Happenings, in Off Limits: Rutgers University and the Avant-Garde, 1957-1963 (1999), pp. 118-129, Newark: Newark Museum and Rutgers University Press
  81. Stiles, K, 300 Words for Dan Perjovschi, in After the Wall: Art and Culture in Post-Communist Europe (1999), pp. 153-153, Stockholm: Moderna Museet [html]
  82. Stiles, K, The Flux/Med’ Collages of Bob Watts, in Bob Watts, Francesco Conz (1999), pp. 1-3, Museum of Koper, Slovenia
  83. Stiles, K, Beautiful, Jean-Jacques’: Jean-Jacques Lebel’s Affect and the Theories of Gilles Deleuze and Felix Guattari, in Jean-Jacques Lebel (1999), pp. 7-30, Milano: Edizioni Gabriele Mazzotta
  84. Stiles, K, INSIDE/OUTSIDE: Balancing Between a Dusthole and Eternity, in Body and the East: From the 1960s to the Present (1998), pp. 19-30, Ljubljana: Museum of Modern Art
  85. Stiles, K, Uncorrupted Joy: International Art Actions, in Out of Actions: Between Performance and the Object 1949-1979, Paul Schimmel Edition (1998), pp. 226-238, Los Angeles Museum of Contemporary Art [pdf]
  86. Stiles, K, Joshua Neustein, BOMB, vol. 57 (Fall, 1997), pp. 80-81, [New York]
  87. Hans Waanders (1997), Raleigh: City Gallery of Contemporary Art
  88. Stiles, K, To the Organizers, Participants, and Audience of REcycling the Mode(ls)’, in Messages from the Countryside/Reflections in RE (1997), pp. 28-29, Chisinau, Moldova: Soros Center for Contemporary Art
  89. Stiles, K, Debate: Empty Slogan of Self-Representation, Siksi [Helsinki], vol. Spring no. 12:1 (1997), pp. 87-90
  90. Stiles, K, AmaLia Perjovschi (1996), Soros Foundation
  91. Stiles, K, Rampman Against a Portable Field: The ’activites’ of Pinchas Cohen Gan, in Figure Form Formula: The Art of Pinchas Cohen Gan (1996), pp. 19-41, Greensboro: Weatherspoon
  92. Stiles, K, Conversation with Paul McCarthy, in Paul McCarthy (1996), pp. 6-29, London: Phaidon Press
  93. Stiles, K, Roman Signer: The Sound of One Bomb Clapping,, in Roman Signer (1996), pp. 10-15, Philadelphia: Goldie Palley Gallery at the Moore College of Art and Design
  94. Stiles, K, Schlaget Auf: The Problem with Carolee Schneemann’s Paintings, in Carolee Schneemann: Up to and Including Her Limits (1996), pp. 15-25, New York: The New Museum
  95. Stiles, K, Dan Perjovschi’s Postcards From America (1995), Pont La Vue Press
  96. Ion Bitzan (1994), Bath, England: City of Bath College
  97. Stiles, K, Tuna and Other fishy Thoughts on Fluxus Events, in Alison Knowles (1994), pp. 26-35, Saarbrucken, Germany: Stadt Galerie Saarbrucken
  98. Stiles, K, Irreparable Damage: Meditation on James Lerager’s Tales from the Nuclear Age, in For James Lerager: Tales from the Nuclear Age (1994), pp. 3-7, Raleigh: City Gallery Contemporary Art
  99. Stiles, K, Between Water and Stone; Fluxus Performance, A Metaphysics of Acts, in In the Spirit of Fluxus, edited by Armstrong, E; Rothfuss, J (1993), pp. 62-99, Minneapolis: Walker Art Center (excerpted in Tracy Warr, ed., The Artists'Body (London: Phaidon Press, 2000): 211-14.) [pdf]
  100. Stiles, K, Survival Ethos and Destruction Art, Discourse: Journal for Theoretical Studies in Media and Culture, vol. 14:2 (Spring, 1992), pp. 74-102
  101. Stiles, K, Selected Comments on Destruction Art, in Boek Voor De Instabiele: Book for the Unstable Media, edited by Adriaansens, A (1992), pp. 43-75, Rotterdam: V2-Organization [kristine-stiles-selected-comments]
  102. Stiles, K, Unbosoming Lennon: The Politics of Yoko Ono's Experience, Art Criticism 7:2, vol. Spring (1992), pp. 21-54, reprinted by the University of Havannah, Cuba, 1994
  103. Stiles, K, Tuna and Other fishy Thoughts on Fluxus Events, in FluxAttitudes (1991), pp. 25-34, Buffalo & New York: Hallwalls and the New Museum
  104. Stiles, K, Thresholds of Control: Destruction Art and Teminal Culture, in Out of Control (1991), pp. 29-50, Linz, Austria: Ars Electronica & Landesverlag (reprinted in Ars Electronica: Facing the Future (A Survey of Two Decades, ed. Timothy Druckrey, Cambridge: MIT Press, 2000.)
  105. Stiles, K, Readings: Performance and Its Objects, Arts, vol. 65:3 no. 3 (November, 1990), pp. 35-47, ISSN 0004-4059 [Gateway.cgi]
  106. Stiles, K, Notes on Rudolf Schwarzkogler's Images of Healing, White Walls: A Magazine of Writings by Artists, vol. 25 (Spring, 1990), pp. 13-26
  107. STILES, K, PERFORMANCE AND ITS OBJECTS, ARTS MAGAZINE, vol. 65 no. 3 (1990), pp. 35-&, ISSN 0004-4059 [Gateway.cgi]
  108. Stiles, K, Sticks and Stones: The Destruction in Art Symposium, Arts, vol. 63.5 (January, 1989), pp. 54-60
  109. Stiles, K, Not Just an 'Other' Exhibition, High Performance, vol. 11 (Fall, 1988), pp. 34-38
  110. Raphael Montanez Ortiz: Years of the Warrior, Years of the Psyche, 1968-1988 (1988), El Museo Del Barrio, New York
  111. Stiles, K, Raphael Montañez Ortiz's Physio-Psycho-Alchemical Art, in Raphael Montañez Ortiz (1988), El Museo Del Barrio
  112. Stiles, K, Introduction to the Destruction in Art Symposium: DIAS & Discussion with Ivor Davies, Link [Wales], vol. 52 (September, 1987), pp. 4-10, [Wales]
  113. Stiles, K, Rodforce: Thoughts on the Art of Sherman Fleming, High Performance, vol. 10:2 (Summer, 1987), pp. 34-39
  114. Stiles, K, Synopsis of the Destruction in Art Symposium (DIAS) and Its Theoretical Significance, The Act, vol. 1 (Spring, 1987), pp. 22-31
  115. Stiles, K, Imploring Silence: Words and Performance Essence, A Polemic, High Performance, vol. 8.1 (April, 1985), pp. 33-36
  116. Stiles, K, STELARC: On Evolution, Frank, vol. 3 (August, 1984), pp. 25 & 35
  117. Stiles, K, The Luciferian Marriage: Government/Corporate/Media ’Fact’ as Entertainment, in The Un/necessary Image, edited by Agostino, PD; Muntadas, A (1983), pp. 28-31, Cambridge: MIT Press (reprinted.)
  118. Stiles, K, Questions (1982), KronOscope Press, San Francisco (This artist's book contains essays on Kristine Stiles' art by Lynn Hershman, Kathy O’Dell, and Richard Irwin..)
  119. Stiles, K, Come and Go, in Coming and Going NEW YORK (Subway), PARIS (Metro), San Francisco (BART), Washinton (METRO): Peter D’Agostino (1982), pp. 76-81, San Francisco: Not for Sale Press
  120. Stiles, K, La Crise de l'avant-garde and an Interview with Jean-Jacques Lebel, + - 0 [Brussels], vol. 34 (1981), pp. 32-36
  121. Recontre Avec Morgan O'Hara (1980), Lausanne: Le Musee Cantonal des Beaux-Arts
  122. Stiles, K, Trans-Europ Express-Expressed, in Alph-Trans-Chung: Peter D-Agostino (1980), pp. 55-58, Dayton: Wright State University Press
  123. Stiles, K, Brief essays on American painters, in 2 Jahrzehnte amerikanische malerei 1920-1940 (1979), pp. 66 & 76 & 116 & 122-66 & 76 & 116 & 122, Dusseldort, West Germany: Stadische Kunsthalle, Dusseldorf
  124. Stiles, K, No Money Back Anytime, LAICA Journal: Southern California Art Magazine, vol. 23 (1979), pp. 19-23 (June-July.)
  125. Stiles, K, Helen and Newton Harrison: Questions, Arts Magazine, vol. 52:6 (February, 1978), pp. 131-133
  126. Stiles, K, 1.1.78 - 2.2.78: Roberta Breitmore, in Roberta Breitmore Is Not Lynn Hershman (1978), pp. 5-14, San Francisco: De Young Memorial Museum

Szabo, Victoria

  1. Szabo, V, Evaluating XR: Standards for an emerging DH medium, Digital Scholarship in the Humanities, vol. 36 no. Supplement_2 (October, 2021), pp. II273-II276, Oxford University Press (OUP) [doi]  [abs]
  2. Szabo, V, Critical and creative approaches to digital cultural heritage with augmented reality, in The Routledge Companion to Mobile Media Art (July, 2020), pp. 448-461, ISBN 9780367197162
  3. Jaskot, P; Jacobs, H; Szabo, V; Olson, M; Triplett, E, Shaping the Discipline of Digital Art History: A recap of an advanced summer institute on 3-D and (geo)spatial networks (December, 2018), The Iris: Behind the Scenes at the Getty
  4. Szabo, V, Knowledge in 3D: How 3D data visualization is reshaping our world (July, 2018), Parameters: Knowledge Under Digital Conditions. Social Science Research Council.  [abs]
  5. Szabo, V, Apprehending the Past: Augmented Reality, Archives, and Cultural Memory, in The Routledge Companion to Media Studies and Digital Humanities, vol. 1 (May, 2018), Routledge, ISBN 9781138844308  [abs]
  6. Szabo, V, Psychasthenia studio and the gamification of contemporary culture, Media and Communication, vol. 6 no. 2 (January, 2018), pp. 90-102, Cogitatio [doi]  [abs]
  7. Szabo, V, Guidebooks and mobile applications: a new mode of communication., in Visualizing Venice Mapping and Modeling Time and Change in a City (October, 2017), Routledge, ISBN 9781138285996  [abs]
  8. Szabo, V, Visualizing Venice summer workshops for for graduate students and beginning scholars., in Visualizing Venice Mapping and Modeling Time and Change in a City (April, 2017), Routledge, ISBN 9781138285996  [abs]
  9. Szabo, V; Lacedelli, SZ; Pompanin, G, From Landscape to Cities: A Participatory Approach to the Creation of Digital Cultural Heritage, International Information and Library Review, vol. 49 no. 2 (April, 2017), pp. 115-123 [doi]  [abs]
  10. Szabo, V, Introduction, ACM SIGGRAPH Art Gallery, SIGGRAPH 2015, vol. 48 no. 4 (July, 2015), pp. 328-329, ISSN 0024-094X [Gateway.cgi], [doi]
  11. Szabo, V, Introduction, vol. 48 (January, 2015), pp. 328-329, MIT Press - Journals [doi]
  12. Lanzoni, K; Olson, M; Szabo, V, Wired! and Visualizing Venice: Scaling up Digital Art History, Artl@s Bulletin, vol. 4 no. 1 (2015), pp. 20-39 [available here]  [abs]
  13. Szabo, V, Macroanalysis: Digital Methods and Literary History, AMERICAN LITERATURE, vol. 87 no. 2 (2015), pp. 418-420, ISSN 0002-9831 [Gateway.cgi]
  14. Szabo, V, From Literature to Biterature: Lem, Turing, Darwin, and Explorations in Computer Literature, Philosophy of Mind, and Cultural Evolution, AMERICAN LITERATURE, vol. 87 no. 2 (2015), pp. 418-420, ISSN 0002-9831 [Gateway.cgi]
  15. Timothy, J; Wiencek, F; Szabo, V, Digital Cities: A collaborative engagement with urban heritage, Proceedings of the DigitalHeritage 2013 - Federating the 19th Int'l VSMM, 10th Eurographics GCH, and 2nd UNESCO Memory of the World Conferences, Plus Special Sessions fromCAA, Arqueologica 2.0 et al., vol. 2 (December, 2013), pp. 349-352, IEEE [doi]  [abs]
  16. with Szabo, VE; Senior, T; Wiencek, F, Digital Cities: A Collaborative Engagement with Urban Heritage, in Proceedings of the 2013 International Digital Heritage Congress, IEEE Catalog Number: CFP1308W-USB, vol. 2 (November, 2013), pp. 349-352, Institute of Electrical and Electronics Engineers, Inc., ISBN 978-1-4799-3169-9 (Digital Heritage 2013 Scientific Papers Proceedings from 28-31 October in Marseilles, Frances.) [pdf]  [abs]
  17. Szabo, V, Introduction, Leonardo, vol. 46 no. 4 (August, 2013), pp. 389, MIT Press - Journals, ISSN 0024-094X [doi]
  18. Szabo, VE, XYZN: Scale, Leonardo, vol. 46 no. 4 (2013), pp. 386-417, ISSN 0024-094X (Special Issue for SIGGRAPH 2013.) [4]  [author's comments]
  19. Szabo, VE, Transforming Art History Research with Database Analytics: Visualizing Art Markets, Art Documentation: Journal of the Art Libraries Society of North America, vol. 31 no. 2 (Fall, 2012), pp. 158-175  [abs]
  20. Szabo, VE; Rudinsky, J, Psychasthenia 2 (February, 2012) [html]  [abs] [author's comments]
  21. Technology, MLACFI, Guidelines for Evaluating Work in Digital Humanities and Digital Media (January, 2012) (Modern Language Association Committee for Information Technology Advisory Guide.) [guidelines_evaluation_digital]  [abs]
  22. Szabo, VE, Augmented Reality Gallery Guide, CHAT Festival 2012 (2012) [chatnasher]  [abs]
  23. Jenson, D; Szabo, V; Team, TDFHIHHLSR, Cholera IN Haiti, edited by Control, CFD; Prevention,, Emerging Infectious Diseases, vol. 17 no. 11 (November, 2011), pp. 2130-2135, CENTERS DISEASE CONTROL, 1600 Clifton Rd NE Mailstop D61 Atlanta, GA 30333, ISSN 1080-6059 (http://dx.doi.org/10.3201/eid1711.110958.) [doi]  [abs]
  24. Szabo, VE, Augmented SIGGRAPH/Vancouver (August, 2011) (Augmented Reality experience juxtaposing Art Gallery work with local Vancouver sights via an augmented reality browser..)
  25. Szabo, VE, Assistant Editor, Special Issue, Leonardo, vol. 44 no. 4 (August, 2011), MIT Press, ISSN 0024-094X (special issue.) [html]
  26. Rudinsky, J; Szabo, V; Copolsky, J; Mark Robinson, EK, Psychasthenia (February, 2010) [ves4/psychasthenia/psychasthenia.pdf]  [abs] [author's comments]
  27. Hansen, MBN; Mitchell, WJT, Introduction, in Critical Terms for New Media (2010), pp. 328-329, ISBN 9781450333238
  28. with Szabo, VE; Lerner, Z; Tobin, M; Poplawski, E; Michal Koszycki, LK, Virtual Duke Tour (2010) [available here]  [abs]
  29. with Szabo, VE; Broverman, S; student, N; collaborators, C, Multimedia Mapping: Muhuru Bay (2010) [available here]  [author's comments]
  30. Szabo, VE, Kenan Institute for Ethics "Good Question" Brochure (Spring, 2010) [available here]  [abs]
  31. Dobin, H; al, E, Technology Fluency and its Place in Liberal Education, Teagle Foundation White Paper (2007) [forumsfull.aspx#WASHINGTON&LEE]  [abs] [author's comments]
  32. Szabo, V, On the Algerian Sands: Reviving Cigarette in Under Two Flags, in Nineteenth-century Women at the Movies Adapting Classic Women's Fiction to Film (January, 1999), Popular Press, ISBN 9780879728052  [abs]
  33. Szabo, V; Jones, AD, The Uninvited Guest: Erase of Women in Ordinary People, in Vision/re-vision Adapting Contemporary American Fiction by Women to Film (1996), Popular Press, ISBN 9780879727147  [abs]

Thompson, Charles

  1. Charles D Thompson, J, Border Odyssey Travels Along the U.S./Mexico Divide (April, 2015), pp. 328 pages, University of Texas Press, ISBN 9780292756632  [abs]
  2. Thompson, C, Guestworkers: Farmworkers, filmmakers, and their obligations in the field, in Viewpoints: Visual Anthropologists at Work, vol. 9780292793675 (January, 2013), pp. 181-197, ISBN 9781859184967  [abs]
  3. Thompson, C, Guestworkers: Farmworkers, filmmakers, and their obligations in the field, in Project Muse 4, vol. 9780292793675 (2013), pp. 181-197, DUMMY PUBID, ISBN 9781859184967  [abs]
  4. Thompson, C, Spirits of Just Men (April, 2011), pp. 304 pages, University of Illinois Press, ISBN 9780252095269  [abs]
  5. Thompson, C; Wiggins, MF, The Human Cost of Food (January, 2009), University of Texas Press, ISBN 9780292773646  [abs]
  6. Thompson, C, The Old German Baptist Brethren (May, 2006), pp. 264 pages, University of Illinois Press, ISBN 9780252092657  [abs]
  7. Thompson, C, Harder than hardscrabble: Oral recollections of the farming life from the edge of the Texas Hill Country, LABOR HISTORY, vol. 46 no. 2 (May, 2005), pp. 258-259, ROUTLEDGE TAYLOR & FRANCIS LTD, ISSN 0023-656X [Gateway.cgi]
  8. Thompson, C; Harvey, G, Indigenous Diasporas and Dislocations: Unsettling Western Fixations (2005), Ashgate press
  9. Thompson, C, Review of Faces from the Flood: Hurricane Floyd Remembered by Richard Moore an Jay Barnes, The Oral History Review, vol. 32 no. 2 (Summer/Fall) (2005), pp. 119-122
  10. Thompson, C, Raising Citizens: The Old German Baptist Brethren and Community-Based Farming in the Virginia Blue Ridge, Journal of Appalachian Studies, vol. 11 (2005)
  11. Thompson, C, Natives of Bleeding Land: The Case of the Jacalteco Maya, in Indigenous Diasporas (2005), Ashgate
  12. Thompson, C, Dream or Déjà Vu? The debate surrounding George W. Bush’s proposed immigration reform, Hemisphere (October, 2004)
  13. Thompson, C, Tom and Betsy’s Story: Tobacco People, Memory, and Vernacular History, North Carolina Literary Review (August, 2004)
  14. Thompson, C, Going Quietly: The Making of a Documentary Project among the Old German Baptist Brethren in the Virginia Blue Ridge, Crossorads: A Souther Culture Annual (2004), Mercer University Press
  15. Thompson, C, They Go Quietly, The Journal of the Western Virginia Historical Society, vol. 16 no. 1 (2004)
  16. Thompson, C, Who is my Neighbor? Parables of Survival from the Floyd Flood of 1999, North Carolina Literary Review, vol. 11 (2002), pp. 87-98
  17. Thompson, CD; Amberg, R, The Great Deluge: A Chronicle of the Aftermath of Hurricane Floyd, Southern Cultures, vol. 7 no. 3 (September, 2001), pp. 65-82, Project MUSE [doi]
  18. Thompson, C, Maya Identities and the Violence of Place (January, 2001), pp. 191 pages, Ashgate Pub Limited  [abs]
  19. Thompson, C, The Great Deluge as told to Charles D. Thompson, Jr, Southern Cultures, vol. 7 no. 3 (2001)

Van Miegroet, Hans J.

  1. Van Miegroet, H; Alexander, KP; Leunissen, F, Imperfect Data, Art Markets and Internet Research, Arts, vol. 8 no. 3 (June, 2019), MDPI AG [doi]
  2. Van Miegroet, HJ, Creating attributability with the five senses of Jan Brueghel the younger, in Brill's Studies in Intellectual History, vol. 271/22 (January, 2017), pp. 487-499, ISBN 9789004354104 [doi]
  3. De Marchi, N; Van Miegroet, HJ; Raiff, ME, Dealer-Dealer pricing in the mid seventeenth-century Antwerp to Paris art trade, in Art Markets in Europe, 1400-1800 (December, 2016), pp. 113-130, ISBN 9781840146301
  4. Van Miegroet, HJ, New data visualizations on the Mechelen export industry and artist migration patterns, De Zeventiende Eeuw. Cultuur in De Nederlanden in Interdisciplinair Perspectief, vol. 31 no. 1 (December, 2015), pp. 179-190, Uopen Journals [doi]  [abs]
  5. VAN MIEGROET, ; DE MARCHI,, Containing Uncertainty: A dealer ring in 1780s Paris auctions, in Risk and Uncertainty in the Art World, edited by dempster, (May, 2014), Bloomsbury Publishing, ISBN 1472902904  [abs]
  6. Van Miegroet, HJ, Containing Uncertainty: A dealer ring in 1780s Paris auctions, in Risk and Uncertainty in the Art World (April, 2014), pp. 125-146, Bloomsbury Publishing, ISBN 1472902920  [abs]
  7. H.J. Van Miegroet, A dealer ring in 1780s Paris to control sale outcomes, lessen investor uncertainty and facili¬tate low-risk, cross-border arbitrage in paintings, in Risk and Uncertainty in the Art Market, edited by Anna Dempster (2014), Bloomsbury Publishing, London-New Dehli-New York-Sydney, ISBN 9781472902900 [available here]  [abs]
  8. Miegroet, HJV; Marchi, ND, Supply-Demand Imbalance in the Antwerp Paintings Market, 1630-1680, in Moving Pictures. Intra‐European Trade in Images, 16th‐18th Centuries, edited by Sophie Raux & Neil De Marchi (2014), pp. 37-76, Brepols Publishers, Turnhout, ISBN 978-2-503-54808-1 [ShowProduct.aspx]
  9. Miegroet, HJV; Marchi, ND, Reducing Risk: a late eighteenth-century dealer pool to raise prices and facilitate riskless arbitrage (2014)
  10. Miegroet, HJV; Marchi, ND, Comment les tableaux des anciens Pays-Bas ont envahi le marché Parisien - How Netherlandish Paintings came to Paris, in Exhibition Catalogue (2012), pp. 28-47, Musée Marmottan, Paris
  11. Miegroet, HJV; Marchi, ND, Uncertainty, Family Ties and Derivative Painting in Seventeenth-Century Antwerp, in Family Ties. On Art Production, Kinship Patterns and Connections 1600-1800, edited by Stighelen, KVD; Kelchtermans, L (2012), pp. 55-76, Brepols Publishers, Turnhout, ISBN 978-2-503-54227-0 [2503542271]
  12. Miegroet, HJV; Marchi, ND, Flemish Textile Trade and New Imagery in Colonial Mexico (1524-1646), in Painting for the Kingdoms, edited by Brown, J (2010), pp. 878-923, Fomento Cultural BanaMex, Mexico City
  13. Miegroet, HJV; Marchi, ND, Antwerp Dealers’ Invasions of the Lille Market (17th Century), in Art Auctions and Dealers. The Dissemination of Netherlandish Paintings during the Ancien Régime, edited by Lyna, D; Vermeylen, F; Vlieghe, H (2009), pp. 43-58, Brepols Publishers, Turnhout
  14. Miegroet, HJV; Marchi, ND, The Rise of Dealer-Auctioneers. Information and Transparency in Markets for Netherlandish Paintings, in Art Market and connoisseurship in the Dutch Golden Age, edited by Jonckheere, IK; Tummers, A (2008), pp. 149-174, Amsterdam University Press
  15. Miegroet, HJV, Copies fantômes la culture imitative au début de l’époque moderne en Europe, in L’estampe, un art multiple à la portée de tous, edited by Raux, S (2008), pp. 47-64, Presse Universitaire Lille
  16. Miegroet, HJV, Dealing Netherlandish Painting in an Expanding Paris Art Market (1750-1815), in Auctions, Agents, and Dealers: the Mechanisms of the European Art Market ca. 1660-1860, edited by Warren, J; Turpin, A (2007), pp. 41-51, OXFORD
  17. Miegroet, HJV; Marchi, ND, The Antwerp-Mechelen Production and Export Complex, in Album Amicorum J. Michael Montias, edited by Misozuki, M (2007), pp. 133-147, University of Amsterdam Press, Amsterdam (US: University of Chicago Press.)
  18. De Marchi, N; Van Miegroet, HJ, Chapter 3 The History of Art Markets, Handbook of the Economics of Art and Culture, vol. 1 (December, 2006), pp. 69-122 [doi]  [abs]
  19. Miegroet, HJV; Marchi, ND, Mapping Markets for Paintings in Early Modern Europe 1450-1750 (2006)
  20. Miegroet, HJV; Marchi, ND, Transforming the Paris Art Market, 1718-1750, in Mapping Markets for Paintings in Early Modern Europe 1450-1750 (2006), pp. 391-410, Brepols Publishers, Turnhout
  21. Miegroet, HJV; Marchi, ND, History of Art Markets, in Handbook on the Economics of Art and Culture, Elsevier Science, Amsterdam-London-Tokyo, edited by Ginsburgh, V; Throsby, D (2006), pp. 69-122
  22. Miegroet, HJV, Recycling Netherlandish Paintings in Eighteenth-century France, in Collectioner dans les Flandres et la France du Nord au VIIIe siècle, edited by Raux, S (March, 2005), pp. 251-288, Recherches de Travail des Sciences Historiques, Université Charles de Gaule, Lille-3  [abs]
  23. Miegroet, HJV; Marchi, ND, Consumption of Art and Dealer Initiative in early modern France (February, 2004) (College Art Association of America, Seattle.)
  24. Miegroet, HJV; Marchi, ND, Connaisseurs-Marchands and the Paris Art Market in the first half of the Eighteenth Century, in Mapping Markets in Early Modern Europe 1450-1750, edited by Miegroet, HJV; Marchi, ND (2003)
  25. Miegroet, HJV; Marchi, ND, Brueghel in Paris, Bulletin Koninklijke Musea voor Schone Kunsten van Belgie (2003)
  26. Miegroet, HJV; Marchi, ND, "Recycling Nethlandish Paintings in Eighteenth-century Paris", Recherches de Travail des Sciences Historiques (2003), Universite Charles de Gaulle, Lille-3
  27. Miegroet, HJV; Marchi, ND, Modern, Antique or Novelty Antique in 1517, Miscellanea Neerlandica, XXIV-XXVII (2001), pp. 153-172, Leuven-Paris
  28. van Miegroet, HJ; Wilson, JC; Jacobs, LF; Honig, E, Painting in Bruges at the Close of the Middle Ages: Studies in Society and Visual Culture, Art Bulletin, vol. 82 no. 3 (September, 2000), pp. 582-582, JSTOR [doi]
  29. Lynn Jacobs, Early Netherlands Carved Altarpieces, Medieval Taste and Mass Marketing, Studies of Iconology (2000)
  30. Wilson, J, Painting in Bruges at the Close of the Middle Ages, Studies of Iconology (2000)
  31. Van Miegroet, HJ, Review of Art Markets in Europe, The Sixteenth Century Journal, vol. XXXI no. 2 (2000), pp. 477-78
  32. Van Miegroet, HJ, Recent Publications on Painting and the Market, Art Bulletin, vol. LXXXII no. 3 (2000), pp. 582-85
  33. Miegroet, HJV; Marchi, ND, Exploring Markets for Netherlandish Paintings in Sprain and Nueva Espana, Nederlands Kunsthistorisch Jaarboek, vol. 50 (2000), pp. 81-111
  34. Miegroet, HJV; Marchi, ND, Rules versus Play in Early Modern Art Markets, Recherches Economiques de Louvain/Louvain Economic Reviewe, vol. 66 no. 1 (2000), pp. 145-165
  35. Van Miegroet, HJ, Art markets in Europe 1400-1800, The Sixteenth Century Journal, vol. 31 no. 3 (2000), pp. 803-805
  36. Van Miegroet, HJ, Art markets in Europe, 1400-1800, The Sixteenth Century Journal, vol. 31 no. 2 (2000), pp. 477-478
  37. De Marchi, N; Van Miegroet, HJ, Ingenuity, preference, and the pricing of pictures: The Smith-Reynolds connection, History of Political Economy, vol. 31 no. SUPPL. 1 (1999), pp. 379-412, Duke University Press, ISSN 0018-2702 [Gateway.cgi], [doi]
  38. Miegroet, HJV; Marchi, ND, Ingenuity, Preferences, and the Pricing of Pictures: The Smith-Reynolds Connection, Journal of Political Economy, vol. XXXI (1999), pp. 397-412
  39. Van Miegroet, HJ, Daniel Specklin of Strassburg (1536-1589): Builder of fortifications, engineer, and cartographer., The Sixteenth Century Journal, vol. 29 no. 1 (1998), pp. 282-285, ISSN 0361-0160 [Gateway.cgi]
  40. De Marchi, N; Van Miegrot, HJ, Novelty and fashion circuits in the mid-seventeenth-century Antwerp-Paris art trade, Journal of Medieval and Early Modern Studies, vol. 28 no. 1 (1998), pp. 201-246, ISSN 1082-9636 [Gateway.cgi]
  41. De Marchi, N; Van Miegroet, HJ, Introductory note - Markets and novelty (Novelty as a theme in visual culture, literature, economics and theological argument), Journal of Medieval and Early Modern Studies, vol. 28 no. 1 (1998), pp. 1-2
  42. De Marchi, N; Van Miegroet, HJ, Art, Value, and Market Practices in the Netherlands in the Seventeenth Century, Art Bulletin, vol. 76 no. 3 (September, 1994), pp. 451-464 [doi]
  43. Marchi, ND; Miegroet, HJV, Art, Value, and Market Practices in the Netherlands in the Seventeenth Century, Art Bulletin, vol. 76 no. 3 (September, 1994), pp. 451-451, JSTOR [doi]
  44. Miegroet, HJV; Marchi, ND, Art, Value, and Market Practices in the Seventeenth-Century Netherlands, The Art Bulletin, vol. LXXV (1994), pp. 451-464
  45. Miegroet, HJV; Marchi, ND, Framing Archaism or Who framed the Elant-van Mausyenbroeck Epitaph by Jan van Ravesteyn, Jaarboek van bet Koninklijk Museum voor Schone Kunsten Antwerpen (1994), pp. 65-74
  46. Miegroet, HJV; Marchi, ND, Gerard David (1989), (English, French, and Dutch editions) Mercator Publishers (367 pp., 258 color ill., 118 b/w ill..)
  47. Van Miegroet, HJ, Correction, Art Bulletin, vol. 70 no. 1 (March, 1988), pp. 143 [doi]
  48. van Miegroet, HJ, New Documents Concerning Gerard David, Art Bulletin, vol. 69 no. 1 (March, 1987), pp. 33-44 [doi]  [abs]
  49. Miegroet, HJV; Marchi, ND, De Invloed van de vroege Nederlandse schilderkunst in de eerste belft van de 15 de eeuw op Konrad Witz(The Influence of Early Netherlandish Painting on Konrad Witz) (1986), (Academie Royale des Lettres, Sciences et Beaux-Arts de Belgique / Royal Academy for Letters, Sciences and Fine Arts of Belgium), IIL, no. 42, Brussels

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