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Publications of Kristine Stiles    :chronological  combined  bibtex listing:

Books

  1. Stiles, K, AmaLia Perjovschi (1996), Soros Foundation
  2. Stiles, K, Chris Burden (2006), New York: Zwirner & Wirth Gallery
  3. Stiles, K, Concerning Consequences Studies in Art, Destruction, and Trauma (March, 2016), pp. 490 pages, University of Chicago Press, ISBN 9780226774534  [abs]
  4. K. Stiles, Concerning Consequences: Studies in Art, Destruction, and Trauma, 1978-2014 (2014), University of Chicago Press (Forthcoming.)
  5. Stiles, K, Correspondence Course, An Epistolary History of Carolee Schneemann and Her Circle (2010), Duke University Press (With an Introduction and extensive annotations by Kristine Stiles.)
  6. Stiles, K, Dan Perjovschi’s Postcards From America (1995), Pont La Vue Press
  7. Stiles, K, Questions (1982), KronOscope Press, San Francisco (This artist's book contains essays on Kristine Stiles' art by Lynn Hershman, Kathy O’Dell, and Richard Irwin..)
  8. Raphael Montanez Ortiz: Years of the Warrior, Years of the Psyche, 1968-1988 (1988), El Museo Del Barrio, New York
  9. Perjovschi, D; Codrescu, A; Babias, M, States of Mind Dan & Lia Perjovschi (2007), pp. 242 pages, Duke University Press  [abs]
  10. States of Mind: Dan & Lia Perjovschi (2007), Nasher Museum of Art at Duke University; distributed by Duke University Press, Durham, North Carolina (With contributions by Andrei Codrescu, Marius Babius and Ruxana Marcoci.)
  11. Stiles, K; Selz, P, Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings (2012), University of California Press (2nd, revised, expanded edition edited by Kristine Stiles.)
  12. “Cloud with its Shadow: Marina Abramovic” in Marina Abramovic, in Marina Abramovic (2008), Phaidon, London

Articles Published

  1. Stiles, K, "I'm Ready." Thinking about Artists' Writings in a Global Context Today, in NOT A DAY WITHOUT A LINE: UNDERSTANDING ARTISTS' WRITINGS (2013), pp. 175-201
  2. with Stiles, K, 'I’m Ready.' Thinking About Artists’ Writings in a Global Context, in Not a day without a line: Understanding artists’ writings, edited by Prester, HD (2013), pp. 177-203, Academia Press, Ghent, Belgium, ISBN 978-9038222202  [abs] [author's comments]
  3. Stiles, K, 'Lux Balcanica est umbra Orientis’: Marilyn Arsem’s Balkan Performances (November, 2020), pp. 104-133, Intellect Books
  4. Stiles, K, 1.1.78 - 2.2.78: Roberta Breitmore, in Roberta Breitmore Is Not Lynn Hershman (1978), pp. 5-14, San Francisco: De Young Memorial Museum
  5. Stiles, K, 300 Words for Dan Perjovschi, in After the Wall: Art and Culture in Post-Communist Europe (1999), pp. 153-153, Stockholm: Moderna Museet [html]
  6. Stiles, K, 7.47 a.m. (The Traumatic Visual Vocabulary of Maurice Benayoun’s So.So.So. Somebody Somewhere Some time), in Maurice Benayoun / OPEN ART 1980-2010 (2011), pp. 83-87, CDA d’Enghien and Les Nouvelles éditions Scala),
  7. Stiles, K, Afterword: Quicksilver and Revelations, Performance at the End of the 20th Century, in Performance Artists Talking: 1979-7989: Sex, Food, Money/Fame, Ritual/Death, edited by Montano, L (2000), Berkeley: University of California Press
  8. Stiles, K, Agnes Hegedus, Bernd Lintermann, Jeffrey Shaw: reconfiguring the CAVE, in Future Cinema: The Cinematic Imaginary after Film, edited by Shaw, J; Weibel, P (2004), pp. 492-497, Karlsruhe, Germany and Cambridge, Mass: ZKM Center for Art and Media and MIT Press
  9. Stiles, K, Anomaly, Sky, Sex, and Psi in Fluxus, in Critical Mass: Happenings, Fluxus, Performance & Intermedia at Rutgers University 1958-1971 (2003), pp. 60-88, Rutgers University and Amherst College
  10. Stiles, K, Anti-art, in Reading Contemporary Performance: Theatricality Across Genres (January, 2015), pp. 185-186, ISBN 9780415624978 [doi]  [abs]
  11. Stiles, K, Art will be…2009-2034, Duke Alumni Magazine (May, 2009), Duke University
  12. Stiles, K, At Last, A Great Woman Artist: Writing About Carolee Schneemann’s Epistolary Practice, in Singular Women, edited by Frederickson, K; Webb, SE (2003), Berkeley: University California Press
  13. Stiles, K, Barbara Smith’s Haunting, in The 21st Century Odyssey Part II: The Performances of Barbara T. Smith (2005), Pomona College Museum of Art
  14. Stiles, K, Barbara Smith’s Haunting, in The 21st Century Odyssey Part II: The Performances of Barbara T. Smith (2005), Pomona, California: Pomona College Museum of Art
  15. Stiles, K, Battle of the Yams: Contentless Forms and the Recovery of Meaning in Events and Happenings, in Off Limits: Rutgers University and the Avant-Garde, 1957-1963 (1999), pp. 118-129, Newark: Newark Museum and Rutgers University Press
  16. Stiles, K, Beautiful, Jean-Jacques’: Jean-Jacques Lebel’s Affect and the Theories of Gilles Deleuze and Felix Guattari, in Jean-Jacques Lebel (1999), pp. 7-30, Milano: Edizioni Gabriele Mazzotta
  17. Stiles, K, Being Undyed: The Meeting of Mind and Matter in Yoko Ono’s Events, in Yes Yoko Ono, edited by Monroe, A (2000), pp. 145-149, New York: Japan Society
  18. Stiles, K, Between Water and Stone; Fluxus Performance, A Metaphysics of Acts, in In the Spirit of Fluxus, edited by Armstrong, E; Rothfuss, J (1993), pp. 62-99, Minneapolis: Walker Art Center (excerpted in Tracy Warr, ed., The Artists'Body (London: Phaidon Press, 2000): 211-14.) [pdf]
  19. Stiles, K; O’Dell, K, Bodies in action, in Reading Contemporary Performance: Theatricality Across Genres (January, 2015), pp. 265-267, ISBN 9780415624978 [doi]  [abs]
  20. Stiles, K, Brief essays on American painters, in 2 Jahrzehnte amerikanische malerei 1920-1940 (1979), pp. 66 & 76 & 116 & 122-66 & 76 & 116 & 122, Dusseldort, West Germany: Stadische Kunsthalle, Dusseldorf
  21. Stiles, K, Burden of Light, in Chris Burden (2007), Newcastle England: Merrell and Locus Plus
  22. Stiles, K, Cloud with its Shadow: Marina Abramovic, in Marina Abramovic (2008), pp. 33-94, Phaidon, ISSN 978-0714848020
  23. Stiles, K, Collecting the future: A personal history of an archive, in What Will Be Already Exists: Temporalities of Cold War Archives in East-Central Europe and Beyond (September, 2021), pp. 21-34, ISBN 9783837658231
  24. Stiles, K, Come and Go, in California Video (2008), The J. Paul Getty Trust, Getty Research
  25. Stiles, K, Come and Go, in Coming and Going NEW YORK (Subway), PARIS (Metro), San Francisco (BART), Washinton (METRO): Peter D’Agostino (1982), pp. 76-81, San Francisco: Not for Sale Press
  26. Stiles, K, Comisuri: Art Actiunile ca Objecte, Balkon: Revista de Arta Contemporana, vol. March no. 2 (2000), pp. 3-4, Timisoara, Romania
  27. Stiles, K, Comments on my first interview with Gustav Metzger, in Gustav Metzger, Years without Art (2012), pp. 39-39
  28. Stiles, K, Concerning Public Art and ’Messianic Time’ (2001) [html]
  29. Stiles, K, Conversation with Paul McCarthy, in Paul McCarthy (1996), pp. 6-29, London: Phaidon Press
  30. Stiles, K, Conversation with William Pope.L, in The Voice of Images (2012), pp. 181-193, Palazzo Grassi, Venice, Italy
  31. Stiles, K, Corpora Vilia: Valie Export’s Body, in Valie Export’s Visual Syntagmatics (2000), pp. 16-33, Goldie Paley Gallery, Moore College of Art and Design, Philadelpia
  32. Stiles, K, David Tudor-Alive , Free, and Without Need of Culture (in a special issue, 'Composers Inside Electronics: Music after David Tudor'), Leonardo Music Journal, vol. 14 (2002), pp. 62-63 [html]
  33. Stiles, K, Debate: Empty Slogan of Self-Representation, Siksi [Helsinki], vol. Spring no. 12:1 (1997), pp. 87-90
  34. Stiles, K, Destruction art, in Reading Contemporary Performance: Theatricality Across Genres (January, 2015), pp. 197-198, ISBN 9780415624978 [doi]  [abs]
  35. Stiles, K, Fluxus, in Reading Contemporary Performance: Theatricality Across Genres (January, 2015), pp. 205-206, ISBN 9780415624978 [doi]  [abs]
  36. Stiles, K, Fluxus Performance and Humor, in The Artist’s Joke (2005), MIT Press
  37. Stiles, K, Foreword, Or, Unbuckling the Belt of Fluxus through Billie Maciunas’ Experiences, in Billie Maciunas, The Eve of Fluxus (2010), pp. ix-xvi., Arbiter Press, Winter Park, Florida, ISBN 978-0615352169
  38. Stiles, K, Franz West’s Dialogic PaBtucke, in Franz West (2003), pp. 104-121, London: The Whitechapel Gallery
  39. Stiles, K, Helen and Newton Harrison: Questions, Arts Magazine, vol. 52:6 (February, 1978), pp. 131-133
  40. Stiles, K, Home Alone: ‘Reversal of Positions of Presentation’ and the Visual Semantics of Domesticity, in The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1990, edited by Princenthal, N; Posner, H (2011), pp. 50-67, Neuberger Museum of Art
  41. Stiles, K, I/Eye/Oculus: Performance, Installation and Video, in Art of the Twentieth Century, edited by Harrison, C; Wood, PW (2004), pp. 183-229, New Haven & London: Yale University Press and The Open University
  42. Stiles, K, Imploring Silence: Words and Performance Essence, A Polemic, High Performance, vol. 8.1 (April, 1985), pp. 33-36
  43. Stiles, K, INSIDE/OUTSIDE: Balancing Between a Dusthole and Eternity, Archive, vol. 1 (2008), Muzeum Sztuki, Lodz, Poland
  44. Stiles, K, INSIDE/OUTSIDE: Balancing Between a Dusthole and Eternity, in Body and the East: From the 1960s to the Present (1998), pp. 19-30, Ljubljana: Museum of Modern Art
  45. Stiles, K, Introduction to the Destruction in Art Symposium: DIAS & Discussion with Ivor Davies, Link [Wales], vol. 52 (September, 1987), pp. 4-10, [Wales]
  46. Stiles, K, Irregular Ways of Being in Time, in The Third Mind: American Artists Contemplate Asia 1860-1989, edited by Munroe, A (2009), pp. 333-345, New York: Solomon R. Guggenheim
  47. Stiles, K, Irreparable Damage: Meditation on James Lerager’s Tales from the Nuclear Age, in For James Lerager: Tales from the Nuclear Age (1994), pp. 3-7, Raleigh: City Gallery Contemporary Art
  48. Stiles, K, Jean-Jacques Lebel’s Phoenix and Ashes, in Jean-Jacques Lebel (2003), pp. 3-15, London: The Mayor Gallery
  49. Stiles, K, Joshua Neustein, BOMB, vol. 57 (Fall, 1997), pp. 80-81, [New York]
  50. Kicking Holes in the Darkness: Rhys Ernst and Zackary Drucker, in Whitney Biennial 2014 (2014), pp. 56-61, Whitney Museum of American Art, ISBN 978-0300196870 (Authors of the catalog include the curators of the 2014 Whitney Biennial, Stuart Comer, Anthony Elms, Michelle Grabner..) [pdf]
  51. Stiles, K, La Crise de l'avant-garde and an Interview with Jean-Jacques Lebel, + - 0 [Brussels], vol. 34 (1981), pp. 32-36
  52. Stiles, K, Mapping Joshua Neustein’s Art, in Joshua Neustein: Five Ash Cities, Domestic Tranquility Bne Brak (2000), pp. 122-130, Herzliya, Israel: Hezliya Museum (reprinted in JOSHUA NEUSTEIN: Five Ash cities (Chicago: Academy Chicago Publishers in Association with Olive Production, 2000).)
  53. Stiles, K, Metzger's Fierce, Poignant, and Prescient Manifestos, in Rett Kopi: Documents the Future (2006), pp. 157-166, Rett Kopi
  54. Stiles, K; Shanken, EA, Missing in Action: Agency and Meaning in Interactive Art, in Context Providers: Context and Meaning in Digital Art, edited by Lovejoy, M; Paul, C; Vesna, V (2000), University of Minnesota Press [pdf]
  55. Stiles, K, Negative Affirmative: San Francisco Bay Area Art, 1974-1981, in Under the Big Black Sun: California Art 1974-1981, edited by Schimmel, P (2011), pp. 27-43, Los Angeles Museum of Contemporary Art
  56. Stiles, K, Never Enough is Something Else: Feminist Performance Art, Probity, and the Avant-Garde, in Contours of the Theatrical Avant-Garde: Performance and Textuality, edited by Harding, JM (2000), pp. 239-289, Madison: University of Madison/Wisconsin [pdf]
  57. Stiles, K, No Money Back Anytime, LAICA Journal: Southern California Art Magazine, vol. 23 (1979), pp. 19-23 (June-July.)
  58. Stiles, K, Not Just an 'Other' Exhibition, High Performance, vol. 11 (Fall, 1988), pp. 34-38
  59. Stiles, K, Notes on Rudolf Schwarzkogler's Images of Healing, White Walls: A Magazine of Writings by Artists, vol. 25 (Spring, 1990), pp. 13-26
  60. Stiles, K, Parallel Worlds: Representing Consciousness at the Intersection of Art, Dissociation, and Multidimensional Awareness, in Reframing Consciousness: Art and Consciousness in the Post- Biological Era, edited by Ascott, R (2000), pp. 52-60, Exeter: Intellect [books]
  61. Paul Couillard and Ed Johnson," for Artspace, Ontario, Canada (2004), Ontario: Artspace
  62. Stiles, K, Peggy Phelan and Kristine Stiles In Conversation, Millennium Film Journal no. 54 (2011), pp. 30-34
  63. Stiles, K, Peinture, Photographie, Performance: Le Cas de Georges Mathieu, in Georges Mathieu (2003), pp. 75-81, Paris: Galerie National du Jeu de Paume
  64. Stiles, K, Performance, in Critical Terms for Art History, 2nd Edition, edited by Nelson, R; Shiff, R (2003), pp. 75-97, Chicago: University of Chicago
  65. STILES, K, PERFORMANCE AND ITS OBJECTS, ARTS MAGAZINE, vol. 65 no. 3 (1990), pp. 35-&, ISSN 0004-4059 [Gateway.cgi]
  66. Stiles, K, Performance Art, in Oxford Bibliographies in Art History, edited by Kaufmann, TD (2013), Oxford University Press, Oxford and New York  [abs] [author's comments]
  67. Stiles, K, Peter d’Agostino’s World-Wide-Walks / between earth & sky, in Peter d’Agostino: World-Wide-Walks [Paseos a Nivel Planetario] / between earth & sky [entre la tierra y el cielo] / 1973 – 2012 (2012), pp. 22-34, Bizkaia de la UPV/EHU (Bilbao, Spain:.)
  68. Stiles, K, Rampman Against a Portable Field: The ’activites’ of Pinchas Cohen Gan, in Figure Form Formula: The Art of Pinchas Cohen Gan (1996), pp. 19-41, Greensboro: Weatherspoon
  69. Stiles, K, Raphael Montañez Ortiz's Physio-Psycho-Alchemical Art, in Raphael Montañez Ortiz (1988), El Museo Del Barrio
  70. Stiles, K, Readings: Performance and Its Objects, Arts, vol. 65:3 no. 3 (November, 1990), pp. 35-47, ISSN 0004-4059 [Gateway.cgi]
  71. Remembrance, Resistance, Reconstruction, the Social Value of Lia & Dan Perjovschis's Art (2005)
  72. Stiles, K, Remembrance, Resistance, Reconstruction, The Social Value of Lia and Dan Perjovschi’s Art, IDEA, vol. 19 (2005), Cluj, Romania
  73. Stiles, K, Review of Pamela M. Lee’s Object to be Destroyed: The Work of Gordon Matta- Clark, CAA.Reviews, the online reviews publication of the College Art Association (2000) [html]
  74. Stiles, K, Review of RoseLee Goldberg’s Laurie Anderson, Make: The Magazine of Women’s Art, vol. 90 (2001), pp. 90-90
  75. Stiles, K, Rodforce: Thoughts on the Art of Sherman Fleming, High Performance, vol. 10:2 (Summer, 1987), pp. 34-39
  76. Stiles, K, Roman Signer: The Sound of One Bomb Clapping,, in Roman Signer (1996), pp. 10-15, Philadelphia: Goldie Palley Gallery at the Moore College of Art and Design
  77. Stiles, K, Schlaget Auf: The Problem with Carolee Schneemann’s Paintings, in Carolee Schneemann: Up to and Including Her Limits (1996), pp. 15-25, New York: The New Museum
  78. Stiles, K, Selected Comments on Destruction Art, in Boek Voor De Instabiele: Book for the Unstable Media, edited by Adriaansens, A (1992), pp. 43-75, Rotterdam: V2-Organization [kristine-stiles-selected-comments]
  79. Stiles, K, Shaved Heads and Marked Bodies: Representations from Cultures of Trauma, in On Violence: An Anthology, edited by Lawrence, B; Karim, A (2007), pp. 522-538, Duke University Press [html]  [abs]
  80. States of Mind: Dan & Lia Perjovschi, in States of Mind: Dan & Lia Perjovschi (2007), Nasher Museum at Duke University and Duke University Press
  81. Stiles, K, States of Mind: Dan & Lia Perjovschi, in States of Mind: Dan & Lia Perjovschi (2007), Nasher Museum at Duke University and Duke University Press
  82. Stiles, K, STELARC: On Evolution, Frank, vol. 3 (August, 1984), pp. 25 & 35
  83. Stiles, K, Sticks and Stones: The Destruction in Art Symposium, Arts, vol. 63.5 (January, 1989), pp. 54-60
  84. Stiles, K, Survival Ethos and Destruction Art, Discourse: Journal for Theoretical Studies in Media and Culture, vol. 14:2 (Spring, 1992), pp. 74-102
  85. Stiles, K, Synopsis of the Destruction in Art Symposium (DIAS) and Its Theoretical Significance, The Act, vol. 1 (Spring, 1987), pp. 22-31
  86. Stiles, K, Teaching a Dead Hand to Draw, Kim Jones, War and Art, in Kim Jones: A Retrospective (2007)
  87. Stiles, K; Grobstein, P, The Art Historian and the Neurobiologist: A Conversation about Proprioception, the 'I-function,' Body Art, and Story Telling, Serendip (October, 2005), Bryn Mawr College [available here]
  88. Stiles, K, The Flux/Med’ Collages of Bob Watts, in Bob Watts, Francesco Conz (1999), pp. 1-3, Museum of Koper, Slovenia
  89. Stiles, K, The Ideal Gifts of Istvan Kantor, in PERMANENT REVOLUTION: The Art of Istvan Kantor, edited by Feesey, L (2013), pp. 73-87, The Istvan Kantor Collective, ISBN 978-0-9936249-0-2 (Edited by Linda Feesey, and co-edited by Mireille Bourgeois.)
  90. Stiles, K, The Luciferian Marriage: Government/Corporate/Media ’Fact’ as Entertainment, in The Un/necessary Image, edited by Agostino, PD; Muntadas, A (1983), pp. 28-31, Cambridge: MIT Press (reprinted.)
  91. Stiles, K, The Painter as an Instrument of Real Time, in Imaging Her Erotics: Essays, Interviews, Projects (2001), pp. 2-16, MIT Press
  92. The Painter as an Instrument of Real Time, introduction to Carolee Schneemann’s Imaging Her Erotics: Essays, Interviews, Projects (2001), pp. 2-16, Cambridge, Mass.: MIT Press
  93. Stiles, K, The Story of the Destruction in Art Symposium and the "DIAS Affect", in Gustav Metzger: Geschichte Geschichte (2005), Vienna: Generali Foundation [pdf]
  94. Stiles, K, The Trinity Session, in Future Species: Hybrids, Exoskel, Cybor Living Makeover Madness (2009), pp. 35-38, Toronto: Museum of Contemporary Canadian Art
  95. Stiles, K, Thresholds of Control: Destruction Art and Teminal Culture, in Out of Control (1991), pp. 29-50, Linz, Austria: Ars Electronica & Landesverlag (reprinted in Ars Electronica: Facing the Future (A Survey of Two Decades, ed. Timothy Druckrey, Cambridge: MIT Press, 2000.)
  96. Stiles, K, Thunderbird Immolation: William Pope L. & Burning Racism, in William Pope.L: Eracism, edited by Bessire, M (2002), pp. 36-42, Cambridge and Portland: MIT Press and the Institute of Contemporary Art at Maine College of Art
  97. Stiles, K, To the Organizers, Participants, and Audience of REcycling the Mode(ls)’, in Messages from the Countryside/Reflections in RE (1997), pp. 28-29, Chisinau, Moldova: Soros Center for Contemporary Art
  98. Stiles, K, Trans-Europ Express-Expressed, in Alph-Trans-Chung: Peter D-Agostino (1980), pp. 55-58, Dayton: Wright State University Press
  99. Stiles, K, Tuna and Other fishy Thoughts on Fluxus Events, in Alison Knowles (1994), pp. 26-35, Saarbrucken, Germany: Stadt Galerie Saarbrucken
  100. Stiles, K, Tuna and Other fishy Thoughts on Fluxus Events, in FluxAttitudes (1991), pp. 25-34, Buffalo & New York: Hallwalls and the New Museum
  101. Stiles, K, Unbosoming Lennon: The Politics of Yoko Ono's Experience, Art Criticism 7:2, vol. Spring (1992), pp. 21-54, reprinted by the University of Havannah, Cuba, 1994
  102. Stiles, K, Uncorrupted Joy: International Art Actions, in Out of Actions: Between Performance and the Object 1949-1979, Paul Schimmel Edition (1998), pp. 226-238, Los Angeles Museum of Contemporary Art [pdf]
  103. Stiles, K, Wangechi Mutu’s Family Tree, in Wangechi Mutu: A Fantastic Journey, edited by Schoonmaker, T no. 51-79 (2013), Nasher Museum of Art at Duke University, Durham, ISBN 978-0938989363  [abs]
  104. Alberro, A; Bhabha, H; Castillo, A; Chukhrov, K; Demos, TJ; Eleison, K; Emmelhainz, I; English, D; Flores, P; González, JA; Groys, B; Holert, T; Huyssen, A; Jones, A; Joselit, D; Kee, J; Mirzoeff, N; Osborne, P; Roberts, J; Shaked, N; Smith, T; Stiles, K; Tiampo, M; Wagner, AM, WHAT IS RADICAL?, ARTMargins, vol. 10 no. 3 (February, 2022), pp. 8-96 [doi]
  105. ‘…but a hammer with which to shape it.’: Media Art and Society 1959-2013, in Pioneering Values: WRO 15th Biennial (2014)
  106. Stiles, K, “Performance Art” (2013), Oxford University Press  [abs]
  107. Stiles, K, “The Ideal Gifts of Istvan Kantor.” (2013), The Istvan Kantor Collective

Book Reviews

  1. Pamela M. Lee, Object to be Destroyed: The Work of Gordon Matta-Clark, CAA.Reviews, the online reviews publication of the College Art Association (2000) [html]

Exhibition Catalogs

  1. Bob Watts, edited by Slovenia: Museum of Koper and Editions Francesco Conz (2000)
  2. Hans Waanders (1997), Raleigh: City Gallery of Contemporary Art
  3. Ion Bitzan (1994), Bath, England: City of Bath College
  4. K. Stiles, Jean Toche: Impressions From The Rogue Bush Imperial Presidency (2009), Durham: John Hope Franklin Center for Interdisciplinary & International Studies
  5. Jean-Jacques Lebel (2003), London: Mayor Gallery
  6. Recontre Avec Morgan O'Hara (1980), Lausanne: Le Musee Cantonal des Beaux-Arts

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