%% Books
@book{fds28544,
Author = {Jane M. Gaines},
Title = {Contested Culture: The Image, the Voice, and the
Law},
Year = {2004},
Key = {fds28544}
}
@book{fds10719,
Author = {Jane M. Gaines},
Title = {Fire and Desire: Mixed Race Movies in the Silent
Era},
Publisher = {University of Chicago Press},
Year = {2001},
Key = {fds10719}
}
%% Book in Progress
@unpublished{fds50862,
Author = {Jane M. Gaines},
Title = {The Documentary Destiny of Cinema},
Year = {2009},
Key = {fds50862}
}
@book{fds50863,
Author = {Jane M. Gaines},
Title = {Fictioning Histories: Women Film Pioneers},
Publisher = {University of Illinois Press},
Year = {2009},
Key = {fds50863}
}
%% Edited Volumes
@article{fds71970,
Author = {Jane M. Gaines and Radha Vatsal},
Title = {Women Film Pioneers: An International Sourcebook (U.S. and
Latin America)},
Volume = {I},
Year = {2008},
Key = {fds71970}
}
@collection{fds28545,
Author = {J.M. Gaines and Jane M. Gaines and Monica Dall' Asta},
Title = {Women Film Pioneers: An International Sourcebook (Europe,
Canada, Asia)},
Volume = {II},
Publisher = {University of Illinois Press},
Year = {2007},
Key = {fds28545}
}
@article{fds33735,
Author = {J.M. Gaines and Pearl Bowser and Charles Musser},
Title = {Oscar Micheaux and His Circle: African American Filmmaking
and Race Cinema of the Silent Era},
Publisher = {Indiana University Press},
Year = {2001},
Key = {fds33735}
}
@article{fds33736,
Author = {Jane M. Gaines and Michael Renov},
Title = {Collecting Visible Evidence},
Publisher = {University of Minnesota Press},
Year = {1999},
Key = {fds33736}
}
@article{fds33737,
Author = {Jane M. Gaines},
Title = {Classical Hollywood Narrative: The Paradigm
Wars},
Publisher = {Duke University Press},
Year = {1992},
Key = {fds33737}
}
@article{fds33738,
Title = {Fabrications: Costume and the Female Body},
Publisher = {Routledge/AFI},
Editor = {J. Gaines and Charlotte Herzog},
Year = {1990},
Key = {fds33738}
}
%% Articles in a Journal
@article{fds28566,
Author = {J.M. Gaines},
Title = {In-and-Out-of-Race: The Story of Noble Johnson},
Journal = {Women and Performance},
Year = {2004},
Month = {Winter},
Key = {fds28566}
}
@article{fds28546,
Author = {J.M. Gaines},
Title = {First Fictions},
Journal = {Signs},
Volume = {30},
Number = {1},
Pages = {1293 - 1317},
Year = {2004},
Month = {Fall},
Key = {fds28546}
}
@article{fds28565,
Author = {J.M. Gaines},
Title = {Sexual Semiosis},
Journal = {Duke Journal of Gender Law and Policy},
Volume = {11},
Pages = {55 - 67},
Year = {2004},
Month = {Spring},
Key = {fds28565}
}
@article{fds33758,
Author = {J.M. Gaines},
Title = {Everyday Estrangement},
Journal = {New Literary History},
Volume = {33},
Number = {4},
Pages = {781-801},
Year = {2002},
Key = {fds33758}
}
@article{fds33760,
Author = {J.M. Gaines},
Title = {Radical Attractions},
Journal = {Wide Angle 21},
Number = {2},
Year = {2002},
Key = {fds33760}
}
@article{fds33759,
Author = {J.M. Gaines},
Title = {Machines That Make the Body Do Things},
Journal = {Polygraph},
Number = {13},
Year = {2001},
Key = {fds33759}
}
@article{fds33761,
Author = {J.M. Gaines},
Title = {Lonely Boy and the Vérité of Sexuality},
Journal = {Canadian Journal of Film Studies},
Volume = {8},
Number = {1},
Year = {1999},
Month = {Fall},
Key = {fds33761}
}
@article{fds33762,
Author = {J.M. Gaines},
Title = {The Absurdity of Property in the Person},
Journal = {Yae Journal of Law & the Humanities},
Volume = {10},
Number = {2},
Year = {1998},
Month = {Summer},
Key = {fds33762}
}
@article{fds33763,
Author = {J.M. Gaines},
Title = {Queering Feminist Film Theory},
Journal = {Jump Cut},
Number = {41},
Year = {1997},
Month = {Spring},
Key = {fds33763}
}
@article{fds33765,
Author = {J.M. Gaines},
Title = {Feminist Heterosexuality and its Politically Incorrect
Pleasures},
Journal = {Critical Inquiry},
Volume = {21},
Number = {1},
Year = {1995},
Month = {Winter},
Key = {fds33765}
}
@article{fds33764,
Author = {J.M. Gaines},
Title = {Revolutionary Theory, Pre-Revolutionary Melodrama},
Journal = {Discourse},
Volume = {17},
Number = {3},
Year = {1995},
Month = {Spring},
Key = {fds33764}
}
@article{fds33766,
Author = {J.M. Gaines},
Title = {Acting for Machines},
Journal = {Semiotica},
Volume = {96},
Number = {1-2},
Year = {1993},
Key = {fds33766}
}
@article{fds33767,
Author = {J.M. Gaines},
Title = {Competing Glances: Who Is Reading Robert Mapplethorpe's
Black Book?},
Journal = {New Formations},
Number = {16},
Year = {1992},
Month = {Summer},
Key = {fds33767}
}
@article{fds33768,
Author = {J.M. Gaines},
Title = {Dorothy Arzner's Trousers},
Journal = {Jump Cut},
Number = {37},
Pages = {88-98},
Year = {1992},
Month = {Spring},
Key = {fds33768}
}
@article{fds33769,
Author = {J.M. Gaines},
Title = {From Elephants to LUX Soap: Early Motion Picture
Exploitation},
Journal = {The Velvet Light Trap},
Number = {25},
Year = {1990},
Month = {Spring},
Key = {fds33769}
}
@article{fds33770,
Author = {J.M. Gaines},
Title = {Dead Ringer: Jacqueline Onassis and the Look-Alike},
Journal = {South Atlantic Quarterly},
Volume = {XXCVII},
Number = {3},
Year = {1989},
Month = {Winter},
Key = {fds33770}
}
@article{fds33782,
Author = {J.M. Gaines},
Title = {Documentary Film and the 'Invention' of Appalachian Folk
Culture},
Journal = {Jump Cut},
Number = {34},
Year = {1989},
Month = {March},
Key = {fds33782}
}
@article{fds33772,
Author = {J.M. Gaines},
Title = {The QUEEN CHRISTINA Tie-Ups: Convergence of Show Window and
Screen},
Journal = {Quarterly Review of Film and Video XI},
Number = {4},
Year = {1989},
Key = {fds33772}
}
@article{fds33771,
Author = {J.M. Gaines},
Title = {Scar of Shame: Skin Color and Caste in Black Silent
Melodrama},
Journal = {Cinema Journal},
Volume = {XXVI},
Number = {4},
Year = {1987},
Month = {Summer},
Key = {fds33771}
}
@article{fds33784,
Author = {J.M. Gaines},
Title = {Do Dogs Dance?: Cultural Codes in the Cinema},
Journal = {Jump Cut},
Number = {31},
Year = {1986},
Month = {Winter},
Key = {fds33784}
}
@article{fds33783,
Author = {J.M. Gaines},
Title = {War, Women and Lipstick: Fan Mags in the
40's},
Journal = {Heresies},
Number = {19},
Year = {1986},
Month = {January},
Key = {fds33783}
}
@article{fds33773,
Author = {J.M. Gaines},
Title = {White Privilege and Looking Relations: Race and Gender in
Feminist Film Theory},
Journal = {Cultural Critique},
Number = {4},
Year = {1986},
Key = {fds33773}
}
@article{fds33785,
Author = {J.M. Gaines and Charlotte Herzog},
Title = {'Puffed Sleeves Before Tea-Time': Joan Crawford, Adrian, and
Women Audiences},
Journal = {Wide Angle},
Volume = {6},
Number = {4},
Year = {1985},
Month = {Spring},
Key = {fds33785}
}
@article{fds33786,
Author = {J.M. Gaines},
Title = {Women and Representation: Can We Enjoy Alternative
Pleasure?},
Journal = {Jump Cut},
Number = {29},
Year = {1984},
Month = {Spring},
Key = {fds33786}
}
@article{fds33787,
Author = {J.M. Gaines},
Title = {In the Service of Ideology: How Betty Grable's Legs Won the
War},
Journal = {Film Reader},
Volume = {5},
Year = {1981},
Key = {fds33787}
}
@article{fds33788,
Author = {J.M. Gaines and Charlotte Herzog},
Title = {The Comedy of Inequality: Hildy Johnson and the
'Man-Tailored' Suit},
Journal = {Film Reader},
Volume = {5},
Year = {1981},
Key = {fds33788}
}
@article{fds33789,
Author = {J.M. Gaines},
Title = {The Showgirl and the Wolf},
Journal = {Cinema Journal XX},
Number = {1},
Year = {1980},
Month = {Fall},
Key = {fds33789}
}
%% Articles Accepted in Journal
@article{fds71971,
Author = {Jane M. Gaines},
Title = {My Body: Me, Myself, and Us},
Journal = {Z},
Year = {2007},
Month = {December},
Key = {fds71971}
}
@article{fds50525,
Author = {Jane M. Gaines},
Title = {Sad Songs of Nitrate},
Journal = {Camera Obscura},
Volume = {22},
Number = {3 66},
Pages = {171 - 178},
Year = {2007},
Month = {October},
url = {http://cameraobscura.dukejournals.org/cgi/reprint/22/3_66/171},
Key = {fds50525}
}
@article{fds71973,
Author = {Jane M. Gaines},
Title = {The Production of Outrage: The Anti-War Film and the Radical
Documentary Tradition},
Journal = {Framework},
Volume = {42},
Number = {2},
Year = {2007},
Month = {October},
Key = {fds71973}
}
@article{fds50524,
Author = {Jane M. Gaines},
Title = {Documentary Radicality},
Journal = {Canadian Journal of Film Studies},
Volume = {16},
Number = {1},
Pages = {5 - 24},
Editor = {Thomas Waugh},
Year = {2007},
Month = {Spring},
Key = {fds50524}
}
@article{fds43048,
Author = {J.M. Gaines},
Title = {Early Cinema's Heyday of Copying},
Journal = {Cultural Studies},
Volume = {20},
Number = {2 - 3},
Pages = {227 - 244},
Year = {2006},
Month = {June},
Key = {fds43048}
}
@article{fds43049,
Author = {J.M. Gaines},
Title = {In and Out of Race},
Journal = {Women and Performance},
Volume = {29},
Year = {2005},
Month = {December},
Key = {fds43049}
}
@article{fds43051,
Author = {J.M. Gaines},
Title = {Film History and the Two Presents of Feminist Film
Theory},
Journal = {Cinema Journal},
Volume = {44},
Number = {1},
Year = {2005},
Month = {Summer},
Key = {fds43051}
}
%% Articles in a Collection
@article{fds33792,
Author = {J.M. Gaines},
Title = {"Domestic Melodrama" and "Star System" essays},
Booktitle = {International Encyclopedia of Early Cinema},
Publisher = {Routledge},
Editor = {Richard Abel},
Year = {2005},
Key = {fds33792}
}
@article{fds33793,
Author = {J.M. Gaines},
Title = {Identification},
Volume = {Bd. 6},
Booktitle = {Historisch-kritisches Wörterbuch des
Marxisms},
Year = {2005},
Key = {fds33793}
}
@article{fds27493,
Author = {J.M. Gaines},
Title = {Machines that Make the Body Do Things},
Booktitle = {More Dirty Looks: Gender, Power, Pornography},
Publisher = {British Film Institute},
Editor = {Pamela Church-Gibson},
Year = {2004},
Key = {fds27493}
}
@article{fds27494,
Author = {J.M. Gaines},
Title = {White Privilege and Looking Relations: Race and Gender in
Feminist Film Theory},
Booktitle = {Hollywood: Critical Concepts},
Publisher = {Routledge},
Editor = {Thomas Schatz},
Year = {2004},
Key = {fds27494}
}
@article{fds33739,
Author = {Jane M. Gaines},
Title = {Machines That Make the Body Do Things},
Booktitle = {More Dirty Looks},
Publisher = {British Film Institute},
Editor = {Pamela Church-Gibson},
Year = {2003},
Month = {Fall},
Key = {fds33739}
}
@article{fds33741,
Author = {J.M. Gaines},
Title = {Of Cabbages and Authorship},
Booktitle = {A Feminist Reader in Early Cinema},
Publisher = {Duke University Press},
Editor = {Jennifer Bean and Diane Negri},
Year = {2002},
Key = {fds33741}
}
@article{fds33746,
Author = {J.M. Gaines and Neil Lerner},
Title = {The Orchestration of Affect},
Booktitle = {The Sounds of Early Cinema},
Publisher = {Indiana University Press},
Editor = {Richard Abel and Rick Altman},
Year = {2001},
Key = {fds33746}
}
@article{fds33748,
Author = {J.M. Gaines},
Title = {Within Our Gates: From Race Melodrama to Opportunity
Narrative},
Booktitle = {Oscar Micheaux and His Circle},
Publisher = {Pordenone, Italy: Giornate del Cinema Muto},
Editor = {Pearl Bowser and Jane Gaines and Charles Musser},
Year = {2001},
Key = {fds33748}
}
@article{fds33742,
Author = {J.M. Gaines},
Title = {Birthing Nations},
Booktitle = {Cinema and Nation},
Publisher = {Routledge},
Editor = {Mette Hjort and John MacKenzie},
Year = {2000},
Key = {fds33742}
}
@article{fds33743,
Author = {J.M. Gaines},
Title = {Dream/Factory},
Booktitle = {Rethinking Film Studies},
Publisher = {Arnold},
Editor = {Christine Gledhill and Linda Williams},
Year = {2000},
Key = {fds33743}
}
@article{fds33744,
Author = {J.M. Gaines},
Title = {Green Like Me},
Booktitle = {Hollywood Spectatorship: Changing Perceptions of Cinema
Audiences},
Publisher = {British Film Institute},
Editor = {Melvyn Stokes and Richard Maltby},
Year = {2000},
Key = {fds33744}
}
@article{fds33745,
Author = {J.M. Gaines},
Title = {On Wearing the Film},
Booktitle = {Fashion Culture},
Publisher = {Routledge},
Editor = {Stella Bruzzi and Pamela Church-Gibson},
Year = {2000},
Key = {fds33745}
}
@article{fds33747,
Author = {J.M. Gaines and Charlotte Herzog},
Title = {The Fantasy of Authenticity in Western Costume},
Booktitle = {Back in the Saddle Again},
Publisher = {British Film Institute},
Editor = {Ed Buscombe and Roberta Pearson},
Year = {1998},
Key = {fds33747}
}
@article{fds33791,
Author = {J.M. Gaines},
Title = {Oscar Micheaux},
Booktitle = {Encyclopedia of African American Culture and
History},
Publisher = {Columbia University Press},
Year = {1996},
Key = {fds33791}
}
@article{fds33749,
Author = {J.M. Gaines},
Title = {The 'Melos' in Marxist Theory},
Booktitle = {Hidden Foundation: Film and the Question of
Class},
Publisher = {University of Minnesota Press},
Editor = {David James and Rick Berg},
Year = {1995},
Key = {fds33749}
}
@article{fds33750,
Author = {J.M. Gaines},
Title = {Birth of a Nation and Within Our Gates: Two Tales of the
American South},
Booktitle = {Dixie Debates: Perspectives in Southern Culture},
Publisher = {Pluto Press},
Editor = {Richard H. King and Helen Taylor},
Year = {1995},
Key = {fds33750}
}
@article{fds33751,
Author = {J.M. Gaines},
Title = {Reincarnation as the Ring on Liz Taylor's Finger: Andy
Warhol and the Right of Publicity},
Booktitle = {The Paradoxes of Rights},
Publisher = {University of Michigan},
Editor = {Thomas R. Kearns and Austin Sarat},
Year = {1995},
Key = {fds33751}
}
@article{fds33752,
Author = {J.M. Gaines},
Title = {Fire and Desire: Race, Melodrama, and Oscar
Micheaux},
Booktitle = {Black Cinema: History, Theory and Criticism},
Publisher = {Routledge and Chapman, Hall/American Film
Institute},
Editor = {Manthia Diawara},
Year = {1993},
Key = {fds33752}
}
@article{fds33753,
Author = {J.M. Gaines},
Title = {Bette Midler and the Piracy of Identity},
Booktitle = {Music and Copyright},
Publisher = {University of Edinburgh Press},
Editor = {Simon Frith},
Year = {1993},
Key = {fds33753}
}
@article{fds33754,
Author = {J.M. Gaines},
Title = {Guilty Copiers: The Subject and the Machine in
Anglo-American Copyright Law},
Booktitle = {Entertainment, Publishing, and the Arts Handbook},
Publisher = {Clark Boardman},
Editor = {Robert Thorne and John David Viera},
Year = {1992},
Key = {fds33754}
}
@article{fds33755,
Author = {J.M. Gaines},
Title = {Photography 'Surprises' the Law: The Portrait of Oscar
Wilde},
Booktitle = {Entertainment, Publishing, and the Arts Handbook},
Publisher = {Clark Boardman},
Editor = {Robert Thorne and John David Viera},
Year = {1991},
Key = {fds33755}
}
@article{fds33756,
Author = {J.M. Gaines},
Title = {Superman and the Protective Strength of the
Trademark},
Booktitle = {Logics of Television: Essays in Cultural
Criticism},
Publisher = {Indiana University Press},
Editor = {Patricia Mellencamp},
Year = {1990},
Key = {fds33756}
}
@article{fds33790,
Author = {J.M. Gaines},
Title = {Costume in the Western},
Booktitle = {Companion to the Western},
Publisher = {British Film Institute/ Andre Deutsch},
Editor = {Edward Buscombe},
Year = {1987},
Key = {fds33790}
}
%% Articles Accepted in Collection
@article{fds71972,
Author = {Jane M. Gaines},
Title = {"The Ingenuity of Women and Genre"},
Booktitle = {Gender and Genre},
Publisher = {University of Illinois Press},
Editor = {Christine Gledhill},
Year = {2008},
Key = {fds71972}
}
@article{fds43050,
Author = {Jane M. Gaines},
Title = {Cinema/Ideology/Society: The Cold War in Film
Theory},
Booktitle = {Handbook of Film Studies},
Publisher = {Sage},
Editor = {James Donald and Patrick Fuery and Michael
Renov},
Year = {2007},
Key = {fds43050}
}
@article{fds50521,
Author = {Jane M. Gaines},
Title = {"The Genius of Genre"},
Booktitle = {Con/texts of Invention},
Editor = {Mario Bagioli and Peter Jaszi and Martha Woodmansee},
Year = {2006},
Key = {fds50521}
}
%% Book Reviews
@article{fds43052,
Author = {Linda Williams},
Title = {Playing the Race Card},
Journal = {Film Quarterly},
Volume = {58},
Number = {7},
Year = {2005},
Key = {fds43052}
}
@article{fds33794,
Title = {Mark Rose, Authors and Owners: The Invention of
Copyright},
Journal = {Business History Review},
Volume = {68},
Number = {1},
Year = {1994},
Key = {fds33794}
}
@article{fds33796,
Title = {Tom Gunning, D.W. Griffith and the Origins of American Film:
The Early Years at Biograph and Miriam Hansen, Babel and
Babylon: Spectatorship in American Silent
Film},
Journal = {Discourse},
Volume = {15},
Number = {3},
Year = {1993},
Key = {fds33796}
}
@article{fds33797,
Title = {Laura Mulvey, Visual and Other Pleasures; Lucy Fischer,
Shot/Countershot: Film Tradition and Women's Cinema, and
Constance Penley, The Future of an Illusion: Film, Feminism,
and Psychoanalysis},
Journal = {Screen},
Volume = {32},
Number = {1},
Year = {1991},
Month = {Winter},
Key = {fds33797}
}
@article{fds33798,
Title = {Jane Radway, Reading the Romance: Women, Patriarchy, and
Popular Literature},
Journal = {The Minnesota Review},
Number = {26},
Year = {1986},
Month = {Spring},
Key = {fds33798}
}
%% Translation of a Book
@book{fds50860,
Author = {J.M. Gaines},
Title = {Contested Culture: The Image, the Voice, and the
Law},
Publisher = {Marcial Pons Ediciones, Madrid},
Year = {2006},
Key = {fds50860}
}
%% Translation in a Collection
@article{fds50864,
Author = {Jane M. Gaines},
Title = {Documentary Radicality},
Booktitle = {Nouveaux indices du monte--aspects du documentaire
contemporain},
Editor = {Jean-Luc Lioult},
Year = {2007},
Key = {fds50864}
}
