Music Faculty: All Publications (in the database)

%% Aspinwall, Stephanie V.   
@book{fds374144,
   Author = {Vial, S},
   Title = {The Art of Musical Phrasing in the Eighteenth Century
             Punctuating the Classical "period"},
   Pages = {382 pages},
   Publisher = {University Rochester Press},
   Year = {2008},
   ISBN = {1580460348},
   Abstract = {This book is the collection of papers that came out of an
             interdisciplinary symposium held in the spring of 1991 in
             the Republic of San Marino.},
   Key = {fds374144}
}


%% Bagg, Jonathan E.   
@misc{fds19492,
   Author = {The Ciompi Quartet},
   Title = {The Ciompi Quartet: Bridge, Beethoven},
   Publisher = {Sheffield Lab (SLS 503)},
   Year = {1991},
   Key = {fds19492}
}

@misc{fds26053,
   Author = {J.E. Bagg},
   Title = {"American Works for String Quartet" Albany (Troy
             073)},
   Year = {1993},
   Key = {fds26053}
}

@misc{fds22431,
   Author = {The Ciompi Quartet},
   Title = {American Works for String Quartet},
   Publisher = {Albany (Troy 073)},
   Year = {1993},
   Key = {fds22431}
}

@misc{fds26052,
   Author = {J.E. Bagg},
   Title = {"The Ciompi Quartet plays Donald Wheelock" Albany (Troy
             139)},
   Year = {1994},
   Key = {fds26052}
}

@misc{fds19490,
   Author = {The Ciompi Quartet},
   Title = {The Ciompi Quartet play Donald Wheelock},
   Publisher = {Albany (Troy 139)},
   Year = {1994},
   Key = {fds19490}
}

@misc{fds19487,
   Author = {The Ciompi Quartet},
   Title = {The Music of James Bolle},
   Publisher = {Gasparo (GS CD 317)},
   Year = {1996},
   Key = {fds19487}
}

@misc{fds19489,
   Author = {The Ciompi Quartet},
   Title = {Mario Castelnuovo-Tedesco},
   Publisher = {Albany (Troy 191)},
   Year = {1996},
   Key = {fds19489}
}

@misc{fds22430,
   Author = {J.E. Bagg},
   Title = {Robert Fuchs: Phantasiestücke, Opus 117, Sonate, Opus 86,
             Trio, Opus 115},
   Publisher = {Centaur (CRC 2278)},
   Year = {1996},
   Key = {fds22430}
}

@misc{fds19485,
   Author = {J.E. Bagg},
   Title = {Malcolm Peyton: String Quartet, Songs from Whitman, Suite
             Nocturnale},
   Publisher = {Centaur (CRC 2327)},
   Year = {1997},
   Key = {fds19485}
}

@misc{fds19486,
   Author = {The Ciompi Quartet},
   Title = {The Ciompi Quartet in Concert},
   Publisher = {VAC High Fidelity Recordings},
   Year = {1997},
   Key = {fds19486}
}

@misc{fds19483,
   Author = {J.E. Bagg},
   Title = {Donald Wheelock: 3 Sonatas},
   Publisher = {Gasparo (GSCD 316)},
   Year = {1998},
   Month = {Spring},
   Key = {fds19483}
}

@misc{fds19484,
   Author = {The Ciompi Quartet},
   Title = {The Music of David Froom},
   Publisher = {Arabesque (Z67 10)},
   Year = {1998},
   Month = {Summer},
   Key = {fds19484}
}

@misc{fds19482,
   Author = {The Ciompi Quartet},
   Title = {Scott Lindroth: "Human Gestures"},
   Publisher = {CRI (CD 808)},
   Year = {1999},
   Key = {fds19482}
}

@misc{fds19481,
   Author = {The Ciompi Quartet},
   Title = {Mark Kuss},
   Publisher = {Gasparo (GSCD 337)},
   Year = {2000},
   Key = {fds19481}
}

@misc{fds12703,
   Author = {The Ciompi Quartet},
   Title = {Ciompi Quartet Live at St. Stephens},
   Year = {2001},
   Key = {fds12703}
}

@misc{fds19493,
   Author = {The Ciompi Quartet},
   Title = {Studies in Relief},
   Publisher = {Pro Organo (CD 7143)},
   Year = {2001},
   Key = {fds19493}
}

@misc{fds22429,
   Author = {J.E. Bagg},
   Title = {Music of Robert and Clara Schumann},
   Publisher = {Centaur (CRC 2581)},
   Year = {2002},
   Key = {fds22429}
}

@misc{fds140012,
   Author = {Ciompi Quartet},
   Title = {String Quartets of Henri Vieuxtemps},
   Year = {2007},
   Key = {fds140012}
}

@misc{fds51269,
   Author = {Ciompi Quartet},
   Title = {String Quartets of Paul Schoenfield},
   Year = {2007},
   Month = {Winter},
   Abstract = {Naxos has accepted for production on series of Jewish
             American music. Recorded and edited in 2005},
   Key = {fds51269}
}

@misc{fds152178,
   Title = {"Tesserae" by Arthur Levering},
   Booktitle = {Americans in Rome: Music by Felows of the American Academy
             in Rome, Donald Berman, Artistic Director},
   Publisher = {Bridge Records},
   Year = {2008},
   Key = {fds152178}
}

@misc{fds183608,
   Author = {Stephen Jaffe},
   Title = {Four Movements Quasi Sonata},
   Year = {2010},
   Abstract = {Edits of recording were completed in September 2010. Label
             and release date TBA},
   Key = {fds183608}
}

@misc{fds183609,
   Author = {David Lipten},
   Title = {Ictus for String Quartet},
   Year = {2010},
   Abstract = {Ciompi Quartet recording for,  release
             TBA},
   Key = {fds183609}
}

@misc{fds183610,
   Author = {Daniel Carney},
   Title = {String Quartet},
   Year = {2010},
   Abstract = {Release date and lablel TBA},
   Key = {fds183610}
}

@misc{fds220475,
   Author = {J.E. Bagg},
   Title = {Music of Heinrich Ernst},
   Year = {2013},
   Month = {September},
   Abstract = {Recording of Ernst's String Quartet on Toccata Classics
             label},
   Key = {fds220475}
}


%% Bartlet, M. Elizabeth C.   
@misc{fds11789,
   Title = {Alessandro Striggio's madrigal "Ecco ch'io lass'il core"
             for six voices, together with Emanuel Adriaensen's 1584
             arrangement of it for two lutes},
   Series = {Early Music Series, 21},
   Publisher = {London: Oxford University Press, 1975. [20
             pp.]},
   Year = {1975},
   Month = {Summer},
   Key = {fds11789}
}

@article{fds11852,
   Title = {About twenty short articles and the Grétry
             work-list},
   Booktitle = {The New Grove Dictionary of Music and
             Musicians},
   Publisher = {London: Macmillan},
   Editor = {Stanley Sadie},
   Year = {1980},
   Month = {October},
   Key = {fds11852}
}

@article{fds11993,
   Author = {Jean Mongrédien},
   Title = {Jean-François Le Sueur : contribution à l'étude d'un
             demi-siècle de musique française (1780-1830) and
             Catalogue thématique de l'oeuvre complète du
             compositeur Jean-François Le Sueur (1760-1837)},
   Journal = {Notes},
   Volume = {38},
   Pages = {600-02},
   Year = {1982},
   Month = {June},
   Key = {fds11993}
}

@article{fds11847,
   Title = {"Beaumarchais and Voltaire's Samson"},
   Journal = {Studies in Eighteenth-Century Culture},
   Volume = {11},
   Pages = {33-49},
   Year = {1982},
   Month = {October},
   Key = {fds11847}
}

@article{fds11994,
   Title = {The Philips recording of Massenet's Werther},
   Journal = {Opera Quarterly},
   Volume = {1},
   Pages = {187-88},
   Year = {1983},
   Month = {March},
   Key = {fds11994}
}

@article{fds11846,
   Title = {"Politics and the Fate of Roger et Olivier, a
             Newly Recovered Opera by Grétry"},
   Journal = {Journal of the American Musicological
             Society},
   Volume = {37},
   Pages = {98-138},
   Year = {1984},
   Month = {August},
   Key = {fds11846}
}

@article{fds11845,
   Title = {"A Newly Discovered Opera for Napoleon"},
   Journal = {Acta Musicologica},
   Volume = {56},
   Pages = {266-96},
   Year = {1984},
   Month = {Fall},
   Key = {fds11845}
}

@article{fds11844,
   Title = {"Grétry, Marie-Antoinette and La rosière de
             Salency"},
   Journal = {Proceedings of the Royal Musical Association},
   Volume = {111},
   Pages = {92-120},
   Year = {1985},
   Month = {July},
   Key = {fds11844}
}

@article{fds11843,
   Title = {"Opera as Patriotic Ceremony: the Case of
             L'Oriflamme"},
   Pages = {1:327-39},
   Booktitle = {La musique et le rite, sacré et profane : actes du 13e
             congrès de la Société Internationale de Musicologie,
             Strasbourg, 29 août - 3 septembre 1982, 2
             vols.},
   Publisher = {Strasbourg: Université de Strasbourg},
   Editor = {Marc Honegger and Christian Meyer and Paul Prévost},
   Year = {1986},
   Month = {September},
   Key = {fds11843}
}

@article{fds11992,
   Author = {Gene Vollen},
   Title = {The French Cantata: a Survey and Thematic
             Catalog},
   Journal = {The Eighteenth Century: a Current Bibliography},
   Volume = {8 [for 1982]},
   Pages = {320-21},
   Year = {1986},
   Month = {October},
   Key = {fds11992}
}

@misc{fds12709,
   Title = {Rossini's Guillaume Tell: 1988-89 production (in
             Italian), conducted by Riccardo Muti, at La Scala, Milan,
             broadcast over European radio, and recording},
   Publisher = {a set of four compact discs: Philips 422 391-2; videotape in
             two cassettes: Homevision GUG 010},
   Year = {1988},
   Key = {fds12709}
}

@article{fds11842,
   Title = {"Revolutionschanson und Hymne im Repertoire der Pariser
             Oper, 1793-1794"},
   Series = {Ancien Régime, Aufklärung und Revolution,
             15},
   Pages = {479-507},
   Booktitle = {Die französische Revolution als Bruch des
             gesellschaftlichen Bewußtseins},
   Publisher = {Munich: R. Oldenbourg},
   Editor = {Rolf Reichardt and Reinhard Koselleck},
   Year = {1988},
   Month = {Fall},
   Key = {fds11842}
}

@article{fds11990,
   Title = {"L'allestimento parigino, le fonti, e l'edizione critica
             del Guillaume Tell"},
   Series = {Edizioni del Teatro alla Scala},
   Pages = {63-67},
   Booktitle = {Guglielmo Tell},
   Publisher = {Milan: Teatro alla Scala},
   Editor = {Rossana Fioravanti},
   Year = {1988},
   Month = {December},
   Key = {fds11990}
}

@article{fds11775,
   Title = {"Bonaparte et Méhul [première partie : Révolution et
             Consulat]" and "Bonaparte et Méhul [deuxième partie :
             Empire]"},
   Journal = {Ardenne Wallonne, Cercle d'histoire régionale de la
             pointe de Givet et terres limitrophes},
   Number = {37, 38},
   Pages = {57-77, 43-58},
   Year = {1989},
   Month = {June},
   Key = {fds11775}
}

@article{fds11841,
   Title = {"A Musician's View of the French Baroque after the
             Advent of Gluck: Grétry's Les trois âges de
             l'opéra and Its Context"},
   Pages = {291-318},
   Booktitle = {Jean-Baptiste Lully and the Music of the French Baroque:
             Essays in Honor of James R. Anthony},
   Publisher = {Cambridge: Cambridge University Press},
   Editor = {John Hajdu Heyer},
   Year = {1989},
   Month = {November},
   Key = {fds11841}
}

@article{fds11989,
   Title = {"Rossini, Guillaume Tell and Paris"},
   Journal = {Programme for the Royal Opera House, Covent Garden
             production},
   Publisher = {London: Royal Opera House},
   Year = {1990},
   Month = {Spring},
   Key = {fds11989}
}

@misc{fds11767,
   Title = {Etienne-Nicolas Méhul: Mélidore et Phrosine, drame lyrique
             en vers},
   Series = {French Opera of the Seventeenth and Eighteenth Centuries,
             vol. 73},
   Publisher = {New York: Pendragon Press},
   Year = {1990},
   Month = {May},
   Key = {fds11767}
}

@article{fds11774,
   Title = {"Patriotism at the Opéra-Comique during the Revolution:
             Grétry's 'Callias, ou nature et patrie'"},
   Pages = {3:839-52},
   Booktitle = {Atti del XIV Congresso della Società Internazionale di
             Musicologia: trasmissione e recezione delle forme di cultura
             musicale, Bologna, 27 agosto - 1o settembre 1987, Ferrara -
             Parma, 30 agosto 1987, 3 vols.},
   Publisher = {Turin: E.D.T},
   Editor = {Angelo Pompilio and Lorenzo Bianconi and Donatella Restani and F.
             Alberto Gallo},
   Year = {1990},
   Month = {Fall},
   Key = {fds11774}
}

@article{fds11991,
   Author = {H. Robert Cohen and general},
   Title = {Répertoire international de la presse musicale: A
             Retrospective Index Series},
   Journal = {Journal of the American Musicological
             Society},
   Volume = {43},
   Pages = {498-504},
   Year = {1990},
   Month = {December},
   Key = {fds11991}
}

@article{fds11772,
   Title = {"Gossec, Offrande à la Liberté, et l'histoire
             de la Marseillaise,"},
   Pages = {123-46},
   Booktitle = {Le tambour et la harpe : oeuvres, pratiques et
             manifestations musicales sous la Révolution,
             1788-1800},
   Publisher = {Paris: Du May},
   Editor = {Jean-Rémy Julien and Jean Mongrédien},
   Year = {1991},
   Month = {June},
   Key = {fds11772}
}

@article{fds11773,
   Author = {other scholars under the direction of Jean
             Gribenski},
   Title = {"D'un centenaire à l'autre (1889-1989) : bibliographie
             des travaux relatifs à la musique en France sous la
             Révolution"},
   Pages = {123-46},
   Booktitle = {Le tambour et la harpe : oeuvres, pratiques et
             manifestations musicales sous la Révolution,
             1788-1800},
   Publisher = {Paris: Du May},
   Editor = {Jean-Rémy Julien and Jean Mongrédien},
   Year = {1991},
   Month = {June},
   Key = {fds11773}
}

@article{fds11851,
   Title = {The articles for Martini's Sapho and Henri
             IV and Méhul's Euphrosine, ou le tyran corrigé,
             Stratonice, L'irato, Une folie, Le
             trésor supposé, ou le danger d'écouter aux portes,
             and Joseph},
   Volume = {3-4},
   Booktitle = {Pipers Enzyklopädie des Musiktheaters: Oper, Operette,
             Musical, Ballett},
   Publisher = {Munich: Piper},
   Editor = {Carl Dahlhaus and Sieghart Döhring},
   Year = {1991},
   Month = {June},
   Key = {fds11851}
}

@article{fds11987,
   Title = {"Gli onori di Parigi"},
   Journal = {Amadeus [special Rossini issue]},
   Pages = {38-39},
   Year = {1992},
   Month = {March},
   Key = {fds11987}
}

@article{fds11850,
   Title = {The articles for Méhul's Euphrosine, ou le tyran
             corrigé, Stratonice, Ariodant,
             Joseph, and the Chant du départ, and
             Rossini's Guillaume Tell},
   Booktitle = {Dictionnaire des oeuvres de l'art vocal},
   Publisher = {Paris: Bordas},
   Editor = {Marc Honegger and Paul Prévost},
   Year = {1992},
   Month = {June},
   Key = {fds11850}
}

@article{fds11768,
   Title = {"On the Freedom of the Theatre and Censorship: the
             Adrien Controversy (1792)"},
   Pages = {13-30},
   Booktitle = {1789-1989 : Musique, Histoire, Démocratie / Music,
             History, Democracy},
   Publisher = {Paris: Maison des Sciences de l'Homme},
   Editor = {Antoine Hennion},
   Year = {1992},
   Month = {Summer},
   Key = {fds11768}
}

@article{fds11769,
   Title = {"Rossini e l'Académie Royale de Musique a
             Parigi"},
   Pages = {245-66},
   Booktitle = {Rossini 1792-1992: Mostra storico-documentaria},
   Publisher = {Perugia: Electa},
   Editor = {Mauro Bucarelli},
   Year = {1992},
   Month = {July},
   Key = {fds11769}
}

@article{fds11849,
   Title = {The articles for Etienne Nicolas Méhul, his
             Mélidore et Phrosine, Le jeune Henri,
             Ariodant, Uthal and Joseph, François
             Benoît Hoffman, Jean Paul Egide Martini, acte de ballet,
             air, ariette, and ballet d'action},
   Booktitle = {The New Grove Dictionary of Opera},
   Publisher = {London: Macmillan},
   Editor = {Stanley Sadie},
   Year = {1992},
   Month = {Summer},
   Key = {fds11849}
}

@article{fds11855,
   Title = {The articles for ballet de cour, ballet héroïque,
             chaconne, comédie lyrique, comédie mêlée d'ariettes,
             comédie-parade, divertissement, drame lyrique, entrée,
             fait historique and grand opéra},
   Booktitle = {The New Grove Dictionary of Opera},
   Publisher = {London: Macmillan},
   Editor = {Stanley Sadie},
   Year = {1992},
   Month = {September},
   Key = {fds11855}
}

@article{fds11856,
   Title = {The articles for intermède, Jesuit drama (France),
             opéra-ballet, opéra bouffe, opéra bouffon, opérette,
             opéra féerie, opéra-comique [with Richard Langham-Smith],
             parade, pastorale héroïque, pièce à machines, pièce de
             sauvetage and récit},
   Booktitle = {The New Grove Dictionary of Opera},
   Publisher = {London: Macmillan},
   Editor = {Stanley Sadie},
   Year = {1992},
   Month = {September},
   Key = {fds11856}
}

@article{fds11857,
   Title = {The articles for théâtre à machines, vaudeville and
             vaudeville finale, and a revision of the Grétry
             work-list},
   Booktitle = {The New Grove Dictionary of Opera},
   Publisher = {London: Macmillan},
   Editor = {Stanley Sadie},
   Year = {1992},
   Month = {September},
   Key = {fds11857}
}

@article{fds11770,
   Title = {"Grétry and the Revolution"},
   Pages = {47-110},
   Booktitle = {Grétry et l'Europe de l'opéra-comique},
   Publisher = {Liège: Pierre Mardaga},
   Editor = {Philippe Vendrix},
   Year = {1992},
   Month = {October},
   Key = {fds11770}
}

@article{fds11771,
   Title = {"The New Repertory of the Opéra during the Reign of
             Terror: Revolutionary Rhetoric and Operatic
             Consequences"},
   Pages = {107-56},
   Booktitle = {Music and the French Revolution},
   Publisher = {Cambridge: Cambridge University Press},
   Editor = {Malcolm Boyd},
   Year = {1992},
   Month = {Fall},
   Key = {fds11771}
}

@misc{fds11677,
   Title = {Guillaume Tell, opéra en quatre actes di Victor Joseph
             Etienne de Jouy e Hippolyte Louis Florent Bis, musica di
             Gioachino Rossini, prima rappresentazione: Parigi -
             Théâtre de l'Académie Royale de Musique, 3 agosto
             1829},
   Series = {Edizione Critica delle Opera di Gioachino Rossini, sezione
             prima - opere teatrali, 39, 4 volumes in
             folio},
   Publisher = {Pesaro: Fondazione Rossini, 1992 [recte 1994]. [Vol.
             1, i-lxxvii [a monograph-length historical introduction],
             1-530; vol. 2, i-viii, 531-854; vol. 3, i-viii, 855-1483;
             vol. 4, i-iii, 1485-2050]},
   Year = {1994},
   Month = {Spring},
   Key = {fds11677}
}

@book{fds11676,
   Title = {Guillaume Tell, opéra en quatre actes di Victor Joseph
             Etienne de Jouy e Hippolyte Louis Florent Bis, musica di
             Gioachino Rossini, prima rappresentazione: Parigi -
             Théâtre de l'Académie Royale de Musique, 3 agosto 1829:
             Commento critico [e testi]},
   Series = {Edizione Critica delle Opera di Gioachino Rossini, sezione
             prima - opere teatrali, 39, volumes 5-6},
   Publisher = {Pesaro: Fondazione Rossini, 1992 [recte 1994]. [253,
             324 pp.]},
   Year = {1994},
   Month = {Summer},
   Key = {fds11676}
}

@article{fds7543,
   Title = {"Staging French Grand Opéra: Rossini's
             Guillaume Tell (1829)},
   Pages = {623-48},
   Booktitle = {Gioachino Rossini, 1792-1992: il testo e la scena:
             Convegno internazionale di studi, Pesaro, 24-28 giugno
             1992},
   Publisher = {Pesaro: Fondazione Rossini},
   Editor = {Paolo Fabbri},
   Year = {1994},
   Month = {October},
   Key = {fds7543}
}

@misc{fds12708,
   Title = {Méhul's Stratonice: 1995 broadcast over German
             radio and recording by the Cappella Coloniensis and Corona
             Coloniensis conducted by William Christie},
   Year = {1996},
   Month = {February},
   Key = {fds12708}
}

@book{fds11675,
   Author = {the [editorial] help of Mauro Bucarelli},
   Title = {Guillaume Tell di Gioachino Rossini: Fonti
             Iconografiche},
   Publisher = {Pesaro: Fondazione Rossini, 1996. [xxvi, 200 pp. (in folio),
             16 separate colour plates (also in folio)]},
   Year = {1996},
   Month = {Spring},
   Key = {fds11675}
}

@article{fds11988,
   Author = {Laurine Quetin},
   Title = {"La Suisse de Guillaume Tell dans les opéras de Grétry
             à Rossini"},
   Journal = {La Grange : journal du cercle du Grand Théâtre de
             Genève},
   Number = {10},
   Pages = {1, 4-5 [in folio]},
   Year = {1997},
   Month = {May},
   Key = {fds11988}
}

@article{fds11854,
   Title = {"The Parisian Première of Moïse (26 March 1827)
             and Its Context,"},
   Pages = {86-107},
   Booktitle = {Moïse et Pharaon [di Rossini]},
   Publisher = {Pesaro: Rossini Opera Festival},
   Year = {1997},
   Month = {August},
   Key = {fds11854}
}

@book{fds11995,
   Author = {other members of the editorial board under the
             direction of Sylvie Bouissou},
   Title = {Jean-Philippe Rameau, Opera Omnia : Principes
             éditoriaux, ou petit traité d'édition
             critique},
   Series = {Série 6, no. 1},
   Publisher = {Paris: Société Jean-Philippe Rameau, 1997. [84
             pp.]},
   Year = {1997},
   Month = {Fall},
   Key = {fds11995}
}

@misc{fds11766,
   Title = {Etienne-Nicolas Méhul: Stratonice, comédie héroïque en
             vers},
   Series = {French Opera of the Seventeenth and Eighteenth Centuries,
             vol. 72b},
   Publisher = {Stuyvesant, NY: Pendragon Press},
   Year = {1997},
   Month = {October},
   Key = {fds11766}
}

@article{fds11853,
   Title = {"The Paris Connection"},
   Pages = {8-13, 16-21},
   Booktitle = {the programme for the Hanover Band concert of 19 May 1999,
             Hove, and 20 May 1999, London},
   Publisher = {Hove: Hanover Band},
   Year = {1999},
   Month = {May},
   Key = {fds11853}
}

@book{fds8003,
   Title = {Etienne Nicolas Méhul and Opera: Source and Archival
             Studies of Lyric Theatre during the French Revolution,
             Consulate and Empire},
   Series = {2 volumes, Etudes sur l'Opéra français du XIXe Siècle,
             4},
   Publisher = {Heilbronn: Musik-Edition Lucie Galland, 1999. [xxviii + 912
             pp.]},
   Year = {1999},
   Month = {September},
   Key = {fds8003}
}

@misc{fds12707,
   Title = {Rameau's Dardanus: 1998 concert performance given
             by Les Musiciens du Louvre, conducted by Marc Minkowski,
             broadcast over French radio},
   Publisher = {a set of two compact discs: Archiv Produktion 463
             476-2},
   Year = {2000},
   Month = {March},
   Key = {fds12707}
}

@article{fds7544,
   Title = {New articles on Louis Joseph Daussoigne-Méhul, Jean
             Paul Gilles Martini and Marie Désiré Martin
             Beaulieu},
   Series = {2nd edn.},
   Booktitle = {The New Grove Dictionary of Music and Musicians
             ["Grove 6"]},
   Publisher = {London: Macmillan},
   Editor = {Stanley Sadie},
   Year = {2001},
   Month = {September},
   Key = {fds7544}
}

@article{fds15141,
   Title = {The updating and revision of David Charlton's Napoleon
             Bonaparte and many of my articles first appearing in The
             New Grove Dictionary of Music and Musicians ,
             1980},
   Booktitle = {The New Grove Dictionary of Music and Musicians
             ["Grove 6"], 2nd ed.},
   Publisher = {London: Macmillan},
   Editor = {Stanley Sadie},
   Year = {2001},
   Month = {September},
   Key = {fds15141}
}

@article{fds15142,
   Title = {The updating and revision of many of my articles first
             appearing in The New Grove Dictionary of Opera,
             1992},
   Booktitle = {The New Grove Dictionary of Music and Musicians
             ["Grove 6"]},
   Publisher = {London: Macmillan},
   Editor = {Stanley Sadie},
   Year = {2001},
   Month = {September},
   Key = {fds15142}
}

@article{fds8006,
   Author = {Thomas Christensen},
   Title = {Rameau and Musical Thought in the Enlightenment},
   Volume = {20/21},
   Booktitle = {The Eighteenth Century: a Current Bibliography [for
             1994-95]},
   Year = {2001},
   Month = {October},
   Key = {fds8006}
}

@misc{fds12706,
   Title = {Three pieces by Rossini I discovered: The Orchestra
             Sinfonica e Coro di Milano Giuseppe Verdi, conducted by
             Riccardo Chailly, Rossini Discoveries},
   Publisher = {compact disc: Decca 470 298-2},
   Year = {2002},
   Month = {December},
   Key = {fds12706}
}

@article{fds15143,
   Title = {"The Two Cavernes: Le Sueur's and
             Méhul's"},
   Booktitle = {Boieldieu et l'opéra-comique de son temps},
   Publisher = {Paris: Centre National de la Recherche Scientifique},
   Editor = {Patrick Taïeb and Michel Noiray},
   Year = {2003},
   Key = {fds15143}
}

@article{fds15144,
   Title = {"Rossini and the Orchestra of the Académie Royale de
             Musique: the Case of Guillaume Tell
             (1829)"},
   Booktitle = {The Orchestra in the Theatre: Composers, Orchestras and
             Instruments},
   Publisher = {Copenhagen},
   Editor = {Franco Piperno and Niels Martin Jensen},
   Year = {2003},
   Key = {fds15144}
}

@article{fds7542,
   Title = {"From Rossini to Verdi"},
   Booktitle = {The Cambridge Companion to Grand Opera},
   Publisher = {Cambridge: Cambridge University Press},
   Editor = {David Charlton},
   Year = {2003},
   Month = {September},
   Key = {fds7542}
}

@article{fds8005,
   Author = {Roger Parker},
   Title = {The Oxford History of Opera},
   Volume = {22/24},
   Pages = {471-72},
   Booktitle = {The Eighteenth Century: a Current Bibliography [for
             1996-98]},
   Year = {2003},
   Month = {Fall},
   Key = {fds8005}
}

@article{fds7538,
   Title = {"Moïse : Rossini à l'Académie Royale de
             Musique (l'Opéra)"},
   Booktitle = {Jeux et enjeux de la musique italienne en France, de la
             Querelle des Bouffons à l'essor du Romantisme
             (1752-1830)},
   Publisher = {Tours: Université François Rabelais de
             Tours},
   Editor = {Michelle Garnier-Butel and Yves Panafieu},
   Year = {2003},
   Month = {December},
   Key = {fds7538}
}

@misc{fds8004,
   Title = {Dardanus (la première version de 1739)},
   Series = {Opera Omnia de Jean-Philippe Rameau, Série IV, vol.
             5},
   Publisher = {Paris: Société Jean-Philippe Rameau, forthcoming--2004},
   Year = {2003},
   Month = {December},
   Key = {fds8004}
}

@misc{fds11765,
   Title = {Art and Revolution: Tableaux Patriotiques, Fêtes and the
             Opéra},
   Series = {Recent Researches in the Music of the Classical
             Period},
   Publisher = {Madison: A-R Editions, 2005--forthcoming},
   Year = {2003},
   Month = {December},
   Key = {fds11765}
}

@misc{fds11678,
   Title = {Platée},
   Series = {Opera Omnia de Jean-Philippe Rameau, Série IV, vol.
             10},
   Publisher = {Paris: Société Jean-Philippe Rameau, forthcoming--2004},
   Year = {2003},
   Month = {December},
   Key = {fds11678}
}

@article{fds7540,
   Title = {"The French Revolution and Music"},
   Booktitle = {Enciclopedia Einaudi della Musica},
   Publisher = {Turin: Einaudi},
   Editor = {Jean-Jacques Nattiez},
   Year = {2003},
   Month = {December},
   Key = {fds7540}
}

@article{fds11848,
   Title = {The articles for Jean-Philippe Rameau and Christoph
             Willibald Gluck},
   Booktitle = {Dictionary of Early Modern Europe},
   Publisher = {New York: Charles Scribner's Sons},
   Editor = {Jonathan Dewald},
   Year = {2004},
   Month = {Spring},
   Key = {fds11848}
}

@article{fds7537,
   Title = {"The Two Cavernes: Le Sueur's and
             Méhul's"},
   Booktitle = {Boieldieu et l'opéra-comique de son temps},
   Publisher = {Paris: Centre National de la Recherche Scientifique},
   Editor = {Patrick Taïeb and Michel Noiray},
   Year = {2005},
   Month = {December},
   Key = {fds7537}
}


%% Berliner, Paul   
@misc{fds296309,
   Author = {Berliner, PF},
   Title = {The Soul of Mbira},
   Series = {Nonesuch Records World Explorer Series H-72054},
   Year = {1973},
   Key = {fds296309}
}

@article{fds296324,
   Author = {Berliner, PF},
   Title = {Soda Bottles, Whale Bones, Sitars and Shells--A World Music
             Perspective},
   Journal = {Music Educators Journal},
   Volume = {59},
   Number = {7},
   Pages = {50-52, 105-106, 109},
   Year = {1973},
   Month = {March},
   Key = {fds296324}
}

@article{fds296326,
   Author = {Berliner, PF},
   Title = {Music and Spirit Possession At a Shona Bira},
   Journal = {African Music},
   Volume = {5},
   Number = {4},
   Pages = {130-139},
   Year = {1975},
   Key = {fds296326}
}

@article{fds296325,
   Author = {Berliner, PF},
   Title = {Vocal Styles Accompanying the Mbira Dza Vadzimu},
   Journal = {Zambezia},
   Pages = {103-104},
   Year = {1975},
   Month = {Spring},
   Key = {fds296325}
}

@article{fds296327,
   Author = {Berliner, PF},
   Title = {The Poetic Song Texts Accompanying The Mbira Dza
             Vadzimu},
   Journal = {Ethnomusicology},
   Volume = {20},
   Number = {3},
   Pages = {451-481},
   Year = {1976},
   Month = {September},
   Key = {fds296327}
}

@misc{fds296310,
   Author = {Berliner, PF},
   Title = {Shona Mbira Music},
   Series = {Nonesuch Records World Explorer Series H-72077},
   Year = {1977},
   Key = {fds296310}
}

@article{fds296328,
   Author = {Berliner, PF},
   Title = {Political Sentiment in Shona Song and Oral
             Literature},
   Journal = {Essays in Arts and Science},
   Volume = {6},
   Number = {3},
   Pages = {1-29},
   Year = {1977},
   Month = {March},
   Key = {fds296328}
}

@book{fds296320,
   Author = {Berliner, PF},
   Title = {The Soul of Mbira: Music and Traditions of the Shona People
             of Zimbabwe},
   Publisher = {The University of Chicago Press},
   Year = {1978},
   Key = {fds296320}
}

@misc{fds296311,
   Author = {Berliner, PF},
   Title = {Common Ground (The Paul Winter Consort)},
   Publisher = {A & M Records SP 4698},
   Year = {1978},
   Key = {fds296311}
}

@misc{fds296312,
   Author = {Berliner, PF},
   Title = {Claudia Schmidt},
   Publisher = {Flying Fish Records FF 066},
   Year = {1979},
   Key = {fds296312}
}

@misc{fds296313,
   Author = {Berliner, PF and KUDU},
   Title = {The Sun Rises Late Here},
   Publisher = {Flying Fish Records FF092},
   Year = {1979},
   Key = {fds296313}
}

@article{fds296332,
   Author = {Berliner, PF},
   Title = {The Artistry of John Kunaka, Master Mbira
             Maker},
   Journal = {African Arts},
   Volume = {14},
   Number = {1},
   Pages = {61-67},
   Year = {1980},
   Month = {November},
   url = {http://www33.ocn.ne.jp/~takoyakusi/JKunka/jkunaka.html},
   Key = {fds296332}
}

@book{fds296321,
   Author = {Berliner, PF},
   Title = {The Soul of Mbira: Music and Traditions of the Shona People
             of Zimbabwe},
   Publisher = {University of California Press},
   Year = {1981},
   Key = {fds296321}
}

@article{fds296329,
   Author = {Berliner, PF},
   Title = {Crips, Licks and Jamming: The Implications of Traditional
             Jazz Learning for the University},
   Journal = {Fanfare Magazine},
   Pages = {6-10},
   Year = {1982},
   Month = {Spring},
   Key = {fds296329}
}

@misc{fds296314,
   Author = {Berliner, PF},
   Title = {Earth: Voices of A Planet (The Paul Winter
             Consort)},
   Publisher = {Living Music LD0019},
   Year = {1989},
   Key = {fds296314}
}

@book{fds296322,
   Author = {Berliner, PF},
   Title = {The Soul of Mbira: Music and Traditions of the Shona People
             of Zimbabwe},
   Publisher = {The University of Chicago Press},
   Year = {1993},
   Key = {fds296322}
}

@article{fds296299,
   Author = {Berliner, PF},
   Title = {The Relationship Between the Mbira and the Mbira
             Player},
   Booktitle = {Art in Small Scale Societies: Contemporary
             Readings},
   Publisher = {New Jersey: Prentice Hall},
   Editor = {Field, KL and Anderson, RL},
   Year = {1993},
   Key = {fds296299}
}

@book{fds296323,
   Author = {Berliner, PF},
   Title = {Thinking In Jazz: The Infinite Art of Improvisation},
   Publisher = {The University of Chicago Press},
   Year = {1994},
   Key = {fds296323}
}

@article{fds296330,
   Author = {Berliner, PF},
   Title = {Composing in the moment},
   Journal = {Jazz Educators Journal},
   Volume = {26},
   Number = {4},
   Pages = {28-36},
   Year = {1994},
   Key = {fds296330}
}

@article{fds296331,
   Author = {Berliner, PF},
   Title = {Thinking in Jazz},
   Journal = {Jazz Changes},
   Volume = {1},
   Number = {2},
   Pages = {16-27},
   Year = {1994},
   Key = {fds296331}
}

@misc{fds296304,
   Title = {White doctor, black music: what Goldberg’s mbira taught me
             - reflection on racism and African culture},
   Journal = {Commonweal},
   Year = {1994},
   Month = {June},
   url = {http://findarticles.com/p/articles/mi_m1252/is_n11_v121/ai_15405370},
   Key = {fds296304}
}

@article{fds296300,
   Author = {Berliner, PF},
   Title = {The Collective Aspects of Jazz Improvisation},
   Series = {Ablex Creativity Research series, Robert Albert, general
             editor},
   Booktitle = {Creativity in Performance},
   Editor = {Sawyer, K},
   Year = {1996},
   Key = {fds296300}
}

@misc{fds296315,
   Author = {Berliner, PF},
   Title = {Zimbabwe: The Soul of Mbira and Zimbabwe: Shona Mbira
             Music},
   Series = {Berliner ethnographic recordings re-released as CDs for
             worldwide distribution},
   Year = {2002},
   Key = {fds296315}
}

@article{fds296301,
   Author = {Berliner, PF},
   Title = {Las Vicisitudes del Solista/Les Viciissittudes du
             Doliste},
   Volume = {10},
   Series = {Special Issue: "Improvisación crear en el momento/
             L'improvisation, créer au moment même},
   Pages = {91-108},
   Booktitle = {Doce/Notas Preliminares},
   Year = {2002},
   Key = {fds296301}
}

@article{fds296302,
   Author = {Berliner, PF},
   Title = {Thinking in Jazz: Improvisation as Composition},
   Pages = {65-73},
   Booktitle = {Challenges in Norwegian Jazz Research},
   Publisher = {Trondheim, Norway: Institututt for Musikk,
             NTNU},
   Year = {2002},
   Key = {fds296302}
}

@misc{fds296305,
   Author = {Berliner, PF},
   Title = {Music and Civil War in Zimbabwe},
   Year = {2003},
   url = {http://www.dukenews.duke.edu/2003/03/mbira0303.html},
   Key = {fds296305}
}

@misc{fds296306,
   Author = {Berliner, P},
   Title = {Zimbabwe: In time and tines},
   Year = {2004},
   Month = {May},
   url = {http://www.indyweek.com/gyrobase/Content?oid=oid:21793},
   Key = {fds296306}
}

@misc{fds296307,
   Author = {Berliner, PF},
   Title = {Sound the trumpet},
   Year = {2005},
   url = {http://www.dukenews.duke.edu/2005/10/berliner._print.ht},
   Key = {fds296307}
}

@article{fds296303,
   Author = {Berliner, PF},
   Title = {Grasping Shona Artworks: A Case Study of Zimbabwean Mbira
             Music},
   Pages = {126-134},
   Booktitle = {Art from Start to Finish: Jazz, Painting, Writing and Other
             Improvisations},
   Publisher = {The University of Chicago Press},
   Editor = {Becker, H and Faulkner, R and Kirshenblatt-Gimblett,
             B},
   Year = {2006},
   Key = {fds296303}
}

@article{fds296316,
   Author = {Berliner, PF},
   Title = {Afropop Worldwide Interview [Improvisation in Jazz and
             Zimbabwean Music]},
   Year = {2007},
   url = {http://www.afropop.org/multi/interview/ID/87/Ethnomusicologist},
   Key = {fds296316}
}

@misc{fds296317,
   Author = {Berliner, PF},
   Title = {The Heart that Remembers: A Tale of Zimbabwe’s Musicians
             in a Time of War},
   Year = {2007},
   Key = {fds296317}
}

@misc{fds296318,
   Author = {Berliner, PF},
   Title = {Victory and Sorrow: The Life and Music of Jazz Prodigy
             Booker T. Little},
   Year = {2007},
   Key = {fds296318}
}

@misc{fds296319,
   Author = {Berliner, PF},
   Title = {The Art of Mbira: A Biography of Musical Knowledge Featuring
             the Repertory and Artistic Practices of Mbira Master Cosmas
             Magaya},
   Volume = {I-V},
   Year = {2007},
   Key = {fds296319}
}

@misc{fds296308,
   Author = {Berliner, PF},
   Title = {Playing it forward},
   Journal = {Duke Magazine},
   Year = {2007},
   Month = {January},
   url = {http://www.dukemagazine.duke.edu/dukemag/issues/010207/forward1.html},
   Key = {fds296308}
}

@article{fds296333,
   Author = {Berliner, PF},
   Title = {“Art Farmer on Jazz Learning and Improvisation”},
   Journal = {Jazzforschung / Jazz Research},
   Volume = {Volume 39},
   Address = {Graz: Austria},
   Year = {2007},
   Month = {December},
   Key = {fds296333}
}

@article{fds296298,
   Author = {Berliner, PF},
   Title = {photograph of mbira performance techique},
   Booktitle = {appears in Christine Lucia’s book, Music notation: A South
             African Guide},
   Publisher = {Unisa Press},
   Address = {Pretoria, South Africa},
   Year = {2010},
   Key = {fds296298}
}


%% Brothers, Thomas   
@article{fds296356,
   Author = {Thomas Brothers},
   Title = {Two Chansons Rustiques a 4 by Claudin de Sermisy and Clement
             Janequin},
   Journal = {Journal of the American Musicological Society},
   Volume = {34},
   Pages = {305-324},
   Year = {1981},
   Key = {fds296356}
}

@article{fds296357,
   Author = {Thomas Brothers},
   Title = {Vestiges of the Isorhythmic Tradition in Masses and Motets,
             ca. 1450-1475},
   Journal = {Journal of the American Musicological Society},
   Volume = {44},
   Pages = {1-56},
   Year = {1991},
   Key = {fds296357}
}

@article{fds296358,
   Author = {Brothers, T},
   Title = {Solo and Cycle in African-American Jazz},
   Journal = {The Musical Quarterly},
   Volume = {78},
   Number = {3},
   Pages = {479-509},
   Publisher = {Oxford University Press (OUP)},
   Year = {1994},
   ISSN = {0027-4631},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:A1994PY57700004&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.1093/mq/78.3.479},
   Key = {fds296358}
}

@article{fds25545,
   Author = {Anna Marie Busse Berger},
   Title = {Mensuration and Proportion Signs:Origins of
             Evolution},
   Journal = {Renaissance Quarterly},
   Volume = {48},
   Pages = {674-5},
   Year = {1994},
   Key = {fds25545}
}

@article{fds296352,
   Author = {BROTHERS, T},
   Title = {Review of MENSURATION AND PROPORTION SIGNS - ORIGINS AND
             EVOLUTION - BERGER,AMB},
   Journal = {RENAISSANCE QUARTERLY},
   Volume = {48},
   Number = {3},
   Pages = {674-675},
   Publisher = {Cambridge University Press (CUP)},
   Year = {1995},
   ISSN = {0034-4338},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=A1995RN23900043&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.2307/2862908},
   Key = {fds296352}
}

@article{fds296359,
   Author = {Thomas Brothers},
   Title = {Sharps in Medee Fu: Questions of Style and
             Analysis},
   Journal = {Studi Musicali},
   Number = {24},
   Pages = {3-25},
   Year = {1995},
   Key = {fds296359}
}

@article{fds25544,
   Author = {Rob C. Wegman},
   Title = {Born for the Muses: The Life and Masses of Jacob
             Obrecht},
   Journal = {Renaissance Quarterly},
   Volume = {50},
   Pages = {652-3},
   Year = {1995},
   Key = {fds25544}
}

@article{fds296338,
   Author = {al, YFE and Brothers T},
   Title = {Review of John Coltrane: A Discography and Musical
             Biography},
   Journal = {Fontes Artis Musicae},
   Volume = {43},
   Pages = {305-6},
   Year = {1996},
   Key = {fds296338}
}

@book{fds296345,
   Author = {Brothers, T},
   Title = {Chromatic Beauty in the Late-Medieval Chanson: An
             Interpretation of Manuscript Chromatic Beauty in the
             Late-Medieval Chanson: An Interpretation of Manuscript
             Accidentals},
   Publisher = {Cambridge University Press},
   Year = {1997},
   Key = {fds296345}
}

@article{fds296351,
   Author = {Brothers, T},
   Title = {Rob C. Wegman. Born for the Muses: The Life and Masses of
             Jacob Obrecht. Oxford: Clarendon Press, 1994. xxv + 406 pp.
             $45.00.},
   Journal = {Renaissance Quarterly},
   Volume = {50},
   Number = {2},
   Pages = {652-653},
   Publisher = {Cambridge University Press (CUP)},
   Year = {1997},
   ISSN = {0034-4338},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:A1997XJ52700064&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.2307/3039243},
   Key = {fds296351}
}

@article{fds296361,
   Author = {Thomas Brothers},
   Title = {Contenance Angloise and Accidentals in Some Motets by Du
             Fay},
   Journal = {Plainsong and Medieval Music},
   Number = {6},
   Pages = {21-51},
   Year = {1997},
   Key = {fds296361}
}

@article{fds296362,
   Author = {Brothers, T},
   Title = {Ideology and Aurality in the Vernacular Traditions of
             African-American Music (CA. 1890-1950)},
   Journal = {Black Music Research Journal},
   Volume = {17},
   Number = {2},
   Pages = {169-169},
   Publisher = {JSTOR},
   Year = {1997},
   ISSN = {0276-3605},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000077230900003&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.2307/779368},
   Key = {fds296362}
}

@article{fds296360,
   Author = {Brothers, T},
   Title = {Musica Ficta and Harmony in Machaut's Songs},
   Journal = {Journal of Musicology},
   Volume = {15},
   Number = {4},
   Pages = {501-528},
   Publisher = {University of California Press},
   Year = {1997},
   Month = {October},
   ISSN = {0277-9269},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000072449900004&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.1525/jm.1997.15.4.03a00040},
   Key = {fds296360}
}

@article{fds296339,
   Author = {Huot, S},
   Title = {Allegorical Play in the Old French Motet: The Sacred and the
             Profane in Thirteenth-Century Polyphony},
   Journal = {Music and Letters},
   Volume = {79},
   Pages = {584-585},
   Year = {1998},
   Key = {fds296339}
}

@article{fds296350,
   Author = {Brothers, T and Bergreen, L},
   Title = {Louis Armstrong: An Extravagant Life},
   Journal = {American Music},
   Volume = {16},
   Number = {2},
   Pages = {234-234},
   Publisher = {University of Illinois Press},
   Year = {1998},
   ISSN = {0734-4392},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000077706400010&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.2307/3052572},
   Key = {fds296350}
}

@book{fds296346,
   Author = {Brothers, T},
   Title = {Louis Armstrong: In His Own Words},
   Publisher = {Oxford University Press},
   Year = {1999},
   Key = {fds296346}
}

@article{fds296334,
   Author = {Brothers, T},
   Title = {Review of The Birth of Bebop},
   Pages = {16-17},
   Booktitle = {Brightleaf: A Southern Review of Books},
   Year = {1999},
   Key = {fds296334}
}

@article{fds12431,
   Author = {Scott DeVeaux},
   Title = {The Birth of Behop},
   Pages = {16-17},
   Booktitle = {Brightleaf: A Southern Review of Books},
   Year = {1999},
   Month = {Spring},
   Key = {fds12431}
}

@article{fds296335,
   Author = {Brothers, T},
   Title = {Accidentals in Binchois’s Songs},
   Pages = {251-275},
   Booktitle = {Binchois Studies},
   Publisher = {Oxford University Press},
   Editor = {Slavin, D and Kirkman, A},
   Year = {2000},
   Key = {fds296335}
}

@article{fds153272,
   Title = {Accidents in Binchois's Songs},
   Pages = {251-275},
   Booktitle = {Binchois Studies},
   Publisher = {Oxford University Press},
   Editor = {Dennis Slavin and Andrew Kirkman},
   Year = {2000},
   Key = {fds153272}
}

@article{fds296337,
   Author = {Brothers, T},
   Title = {Music},
   Booktitle = {Lives and Legacies: An Encyclopedia of People Who Changed
             the World},
   Publisher = {Oryx Press},
   Year = {2001},
   Key = {fds296337}
}

@article{fds296363,
   Author = {Thomas Brothers},
   Title = {Louis Armstrong, the 'Saints' and the 'Boys'},
   Journal = {Musica Oggi},
   Volume = {21},
   Pages = {5-21},
   Year = {2001},
   Key = {fds296363}
}

@book{fds296347,
   Author = {Brothers, T},
   Title = {Louis Armstrong’s New Orleans},
   Publisher = {W. W. Norton},
   Year = {2006},
   Key = {fds296347}
}

@book{fds296348,
   Author = {Brothers, T},
   Title = {Chromatic Beauty in the Late Medieval Chanson: An
             Interpretation of Manuscript Accidentals},
   Year = {2006},
   Key = {fds296348}
}

@article{fds296353,
   Author = {Brothers, T},
   Title = {Review of Pioneers of jazz: The story of the Creole
             Band},
   Journal = {JOURNAL OF THE AMERICAN MUSICOLOGICAL SOCIETY},
   Volume = {59},
   Number = {3},
   Pages = {747-755},
   Year = {2006},
   ISSN = {0003-0139},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=000242913600006&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.1525/jams.2006.59.3.747},
   Key = {fds296353}
}

@article{fds42997,
   Author = {Lawrence Gushee},
   Title = {Pioneers of Jazz: The Creole Band},
   Journal = {Journal of the American Musicological Society},
   Year = {2006},
   Key = {fds42997}
}

@article{fds296340,
   Author = {Brothers, T},
   Title = {Review of Pioneers of Jazz: The Story of the Creole Band by
             Lawrence Gushee},
   Journal = {Journal of the American Musicological Society},
   Volume = {fall 2006},
   Pages = {747-754},
   Year = {2007},
   Key = {fds296340}
}

@article{fds296343,
   Author = {Brothers, T},
   Title = {“New Orleans and the African Musical Diaspora,”},
   Year = {2007},
   Key = {fds296343}
}

@article{fds296344,
   Author = {Brothers, T},
   Title = {Flats and Chansons in MS Florence, B.N., P.
             26},
   Booktitle = {MS Chantilly 564},
   Publisher = {Minerve Press},
   Editor = {Stone, A and Plumley, Y},
   Year = {2007},
   Key = {fds296344}
}

@article{fds296341,
   Author = {Brothers, T},
   Title = {Review of All of Me: The Complete Discography of Louis
             Armstrong by Jos Willems},
   Journal = {ASRC Journal},
   Volume = {2:1},
   Pages = {119-121},
   Year = {2007},
   Month = {February},
   Key = {fds296341}
}

@article{fds296336,
   Author = {Brothers, T},
   Title = {“Who’s On First, What’s Second, and Where Did They
             Come From?: The Social-Musical Textures of Early
             Jazz”},
   Series = {Studies in Jazz no. 58},
   Booktitle = {Early Twentieth-Century Brass Idioms: Art, Jazz and Other
             Popular Traditions},
   Publisher = {Scarecrow Press},
   Editor = {Weiner, H},
   Year = {2008},
   Key = {fds296336}
}

@article{fds296355,
   Author = {Brothers, T},
   Title = {Blues et Jazz},
   Journal = {La Revue du Jazz Authentique},
   Volume = {Oct 2008; Nov 2008},
   Number = {574-575},
   Pages = {8-11; 10-12},
   Year = {2008},
   Key = {fds296355}
}

@article{fds296342,
   Author = {Brothers, T},
   Title = {Review of How Low Can You Go: Anthology of the String Bass
             by Dick Spottswood and Steven Ledbetter},
   Journal = {Journal of the Society for American Music},
   Volume = {2:1},
   Pages = {119-121},
   Year = {2008},
   Month = {February},
   Key = {fds296342}
}

@article{fds296354,
   Author = {Brothers, T},
   Title = {Gladly Learn and Gladly Teach},
   Journal = {Confluence: The Journal of Graduate Liberal
             Studies},
   Volume = {xv},
   Number = {1},
   Year = {2009},
   Key = {fds296354}
}

@book{fds296349,
   Author = {Brothers, T},
   Title = {Louis Armstrong Master of Modernism},
   Booktitle = {W.W. Norton},
   Publisher = {W. W. Norton},
   Year = {2014},
   ISBN = {0393065820},
   Key = {fds296349}
}

@book{fds357870,
   Author = {Brothers, T},
   Title = {Help!: The Beatles, Duke Ellington, and the Magic of
             Collaboration},
   Pages = {368 pages},
   Publisher = {W. W. Norton & Company},
   Year = {2018},
   Month = {October},
   ISBN = {9780393246247},
   Abstract = {The fascinating story of how creative cooperation inspired
             two of the world’s most celebrated musical
             acts.},
   Key = {fds357870}
}


%% Brown, John V.   
@misc{fds43101,
   Author = {The John Brown Quintet},
   Title = {The John Brown Quintet - LIVE at the Carolina
             Theatre},
   Year = {2005},
   Month = {March},
   Key = {fds43101}
}

@misc{fds139189,
   Author = {The John Brown Quintet},
   Title = {Terms of Art - A Tribute to Art Blakey and the Jazz
             Messengers, Vol. 1},
   Year = {2007},
   Key = {fds139189}
}

@misc{fds139190,
   Author = {The John Brown Quintet},
   Title = {Merry Christmas, Baby},
   Year = {2007},
   Key = {fds139190}
}

@misc{fds141402,
   Author = {Stephen Riley},
   Title = {Once Upon A Dream},
   Publisher = {SteepleChase Records},
   Year = {2007},
   Month = {November},
   Key = {fds141402}
}

@misc{fds155091,
   Title = {TV show - One Tree Hill},
   Year = {2008},
   Key = {fds155091}
}

@misc{fds165863,
   Author = {John V. Brown},
   Title = {John Brown featuring Ray Codrington - Songs I
             Love},
   Year = {2009},
   Abstract = {I produced and played bass on this recording.},
   Key = {fds165863}
}

@misc{fds165860,
   Author = {John V. Brown},
   Title = {Setting Standards},
   Year = {2009},
   Abstract = {The John Brown Jazz Orchestra recording made on December
             14-16 will be released in 2010.},
   Key = {fds165860}
}

@misc{fds165861,
   Author = {Nnenna Freelon},
   Title = {untitled},
   Year = {2009},
   Abstract = {Played bass on Nnenna Freelon's new recording due out in
             2010.},
   Key = {fds165861}
}

@misc{fds165859,
   Author = {Will Campbell},
   Title = {Think Tank},
   Year = {2009},
   Abstract = {Played bass on Will Campbell's debut recording.},
   Key = {fds165859}
}

@misc{fds165855,
   Author = {John V. Brown},
   Title = {Jazz-N-Brass for Christmas},
   Year = {2009},
   Key = {fds165855}
}

@misc{fds165856,
   Author = {The Ft. Worth Jazz Orchestra},
   Title = {The Ft. Worth Jazz Orchestra},
   Year = {2009},
   Key = {fds165856}
}

@misc{fds165857,
   Author = {John V. Brown},
   Title = {Quiet Time - *current working title},
   Year = {2009},
   Abstract = {The new recording by John Brown and his Quintet will be
             released early 2010.},
   Key = {fds165857}
}

@misc{fds165858,
   Author = {Baron Tymas},
   Title = {Insight at Midnight},
   Year = {2009},
   Abstract = {Played bass on Baron Tymas' recording "Insight at
             Midnight."},
   Key = {fds165858}
}

@misc{fds165862,
   Author = {John V. Brown},
   Title = {Swingin' in the Crib},
   Year = {2009},
   Abstract = {My recording of jazz for children; due out in
             2010},
   Key = {fds165862}
}

@misc{fds165939,
   Author = {Lois Deloatch},
   Title = {Untitled},
   Year = {2009},
   Abstract = {I played on this recording that is set for a 2010
             release.},
   Key = {fds165939}
}


%% Cook, Karen M   
@article{fds159386,
   Author = {K.M. Cook},
   Title = {various cd reviews},
   Journal = {Early Music America},
   Key = {fds159386}
}


%% Davidson, Harry L.   
@article{fds296365,
   Author = {Davidson, HL},
   Title = {"Potent Art or Rough Magic: The Conjuring of Musical
             Tempests"},
   Journal = {The Journal of the Mediterranean Studies
             Association},
   Volume = {15},
   Pages = {178-189},
   Booktitle = {Mediterranean Studies},
   Publisher = {Manchester University Press},
   Address = {Oxford Rd., Manchester M13 9NR, UK},
   Editor = {DeSousa, GU},
   Year = {2006},
   ISBN = {0 7190 7547 5},
   ISSN = {1074-164X},
   Key = {fds296365}
}

@article{fds305515,
   Author = {Davidson, HL},
   Title = {"Potent Art or Rough Magic: The Conjuring of Musical
             Tempests"},
   Volume = {15},
   Pages = {178-189},
   Booktitle = {Mediterranean Studies},
   Publisher = {Manchester University Press},
   Editor = {DeSousa, GU},
   Year = {2006},
   ISBN = {0 7190 7547 5},
   Key = {fds305515}
}

@article{fds139349,
   Author = {Harry Davidson},
   Title = {"Potent Art or Rough Magic: The Conjuring of Musical
             Tempests"},
   Journal = {The Journal of the Mediterranean Studies
             Association},
   Volume = {15},
   Pages = {178 - 189},
   Booktitle = {Mediterranean Studies},
   Publisher = {Manchester University Press},
   Address = {Oxford Rd., Manchester M13 9NR, UK},
   Editor = {Geraldo U. DeSousa},
   Year = {2007},
   ISBN = {0 7190 7547 5},
   ISSN = {1074 164X},
   Key = {fds139349}
}

@article{fds296366,
   Author = {Davidson, HL},
   Title = {"Eclectic Notes"},
   Journal = {Duke Magazine},
   Volume = {95},
   Number = {3},
   Pages = {2-2},
   Publisher = {Duke University},
   Address = {Office of Alumni Affairs},
   Editor = {Bleiwise, RJ},
   Year = {2009},
   Month = {July},
   Abstract = {Music Listening 25 years from now.},
   Key = {fds296366}
}


%% Dunn, Susan R.   
@misc{fds24770,
   Author = {S. Dunn},
   Title = {Verdi, I Vespri Siciliani, Orchestra del Teatro Comunale di
             Bologna, with Riccardo Chailly},
   Publisher = {Home Vision Video},
   Year = {1985},
   Key = {fds24770}
}

@misc{fds24769,
   Author = {S. Dunn},
   Title = {Beethoven, Mass in C, RSO Berlin, with Riccardo
             Chailly},
   Publisher = {London/Decca},
   Year = {1986},
   Key = {fds24769}
}

@misc{fds24768,
   Author = {S. Dunn},
   Title = {Verdi, Requiem, Atlanta Symphony, with Robert
             Shaw},
   Publisher = {Telarc},
   Year = {1987},
   Key = {fds24768}
}

@misc{fds24767,
   Author = {S. Dunn},
   Title = {Susan Dunn: Beethoven, Verdi, and Wagner Arias, Orchestra
             del Teatro Comunale di Bologna, with Riccardo
             Chailly},
   Publisher = {London/Decca},
   Year = {1988},
   Key = {fds24767}
}

@misc{fds24766,
   Author = {S. Dunn},
   Title = {Schoenberg, Gurrelieder, RSO Berlin, with Riccardo
             Chailly},
   Publisher = {London/Decca},
   Year = {1989},
   Key = {fds24766}
}

@misc{fds24765,
   Author = {S. Dunn},
   Title = {Mahler, Das klagende Lied, RSO Berlin, with Riccardo
             Chailly},
   Publisher = {London/Decca},
   Year = {1990},
   Key = {fds24765}
}

@misc{fds24764,
   Author = {S. Dunn},
   Title = {Wagner, Die Walkure, Act I, Pittsburgh Symphony, with Lorin
             Maazel},
   Publisher = {Telarc},
   Year = {1991},
   Key = {fds24764}
}

@misc{fds24763,
   Author = {S. Dunn},
   Title = {Verdi, Giovanni D'Arco, Orchestra del Teatro Comunale,
             Bologna, with Riccardo Chailly},
   Publisher = {Home Vision Video},
   Year = {1992},
   Key = {fds24763}
}

@misc{fds43425,
   Author = {S. Dunn},
   Title = {Verdi, I Vespri Siciliani, Orchestra del Teatro Communale,
             Bologna, with Riccardo Chailly, Rereleased on DVD (Kultur,
             '05)},
   Year = {2005},
   Key = {fds43425}
}

@misc{fds182539,
   Author = {S. Dunn and T. Potter and J. Wustman},
   Title = {Moerike Lieder by Hugo Wolf},
   Year = {2010},
   Key = {fds182539}
}

@misc{fds198350,
   Author = {S. Dunn and T. Potter and J. Wustman},
   Title = {Hugo Wolf Mörike Lieder},
   Publisher = {MSR},
   Year = {2011},
   Month = {February},
   Abstract = {Recording of Hugo Wolf Mörike Lieder with baritone Thomas
             Potter and pianist John Wustman. Complete
             recording.},
   Key = {fds198350}
}


%% Enriquez, Sophia   
@article{fds358406,
   Author = {Enriquez, S},
   Title = {Sounds of Crossing: Music, Migration, and the Aural Poetics
             of Huapango Arribeño. By Alex E. Chávez. Durham, NC: Duke
             University Press, 2017.},
   Pages = {542-545},
   Publisher = {Cambridge University Press},
   Year = {2020},
   Month = {January},
   url = {http://dx.doi.org/10.1017/S1752196319000439},
   Doi = {10.1017/S1752196319000439},
   Key = {fds358406}
}

@article{fds358106,
   Author = {Enriquez, SM},
   Title = {“Penned Against the Wall”},
   Journal = {Journal of Popular Music Studies},
   Volume = {32},
   Number = {2},
   Pages = {63-76},
   Publisher = {University of California Press},
   Year = {2020},
   Month = {June},
   url = {http://dx.doi.org/10.1525/jpms.2020.32.2.63},
   Abstract = {<jats:p>Although the Appalachian region has long been
             associated with white racial identity, Latinx people remain
             the region's largest and fastest-growing minority. What
             perspectives and experiences are revealed when such
             narratives of whiteness are challenged by the visibility of
             Latinx migrants? What does music tell us about ongoing
             discourses of migration and border-crossings? This essay
             analyzes Latinx immigration narratives in Appalachian music
             and offers the possibility of a Latinx-Appalachian musical
             and cultural resonances.</jats:p> <jats:p>I take up the
             music of artists who claim hybrid Latinx-Appalachian
             cultural and musical identities. Namely, this essay focuses
             on Che Apalache—a four-piece band based in Buenos Aires
             that plays “Latingrass”—and the Lua Project—a
             five-piece band based in Charlottesville, Virginia, that
             plays “Mexilachian” music. Using field recordings and
             ethnographic interviews with both groups, this essay
             analyzes references to U.S.-Mexico border politics, acts of
             border crossing, and Latin American-Appalachian geographic
             similarities. I engage U.S.-based Latinx studies and
             Appalachian studies to establish relationships of
             Appalachian and Latinx cultures and incorporate analyses of
             both Spanish and English lyrics. Ultimately, this essay
             suggests that listening for Latinx migration narratives in
             Appalachian music challenges assumptions of belonging in the
             shifting U.S. cultural landscape.</jats:p>},
   Doi = {10.1525/jpms.2020.32.2.63},
   Key = {fds358106}
}

@article{fds358407,
   Author = {Stimeling, TD and Enriquez, SM},
   Title = {Building Relationships, Sustaining Communities: Decolonial
             Directions in Higher Ed Bluegrass Pedagogy},
   Journal = {Intersections},
   Volume = {39},
   Number = {1},
   Pages = {57-72},
   Publisher = {Consortium Erudit},
   Year = {2021},
   Month = {February},
   url = {http://dx.doi.org/10.7202/1075342ar},
   Abstract = {<jats:p>Recent debates about bluegrass music’s place in
             higher education have highlighted anxieties about the
             historic role that institutions of higher education have
             played in cultural colonization, erosion, and destruction.
             Using examples from the bluegrass band at a large
             Appalachian public university, this essay considers how the
             “bluegrass jam” might facilitate meaningful
             conversations about identity in a region subjected to
             colonial-style extraction for nearly three centuries. At the
             same time, this article problematizes the nature of the
             university’s simultaneous support of regional culture and
             the propagation of resource extraction and environmental
             decay.</jats:p>},
   Doi = {10.7202/1075342ar},
   Key = {fds358407}
}

@article{fds359167,
   Author = {Enriquez, S},
   Title = {Earl Scruggs and “Foggy Mountain Breakdown”: The Making
             of an American Classic},
   Volume = {39},
   Number = {2},
   Pages = {262-264},
   Publisher = {American Music},
   Year = {2021},
   Month = {June},
   Key = {fds359167}
}


%% Foss, Kent   
@article{fds358977,
   Author = {Foss, K},
   Title = {Oskar Böhme, Concerto for Trumpet and Orchestra, Op.
             18},
   Journal = {International Trumpet Guild Journal},
   Volume = {Vol. 36},
   Number = {No. 1},
   Pages = {74-77},
   Year = {2011},
   Month = {October},
   Key = {fds358977}
}


%% Giles, Roseen   
@article{fds337293,
   Author = {Giles, R},
   Title = {Melismas in the Office for Thomas Becket of
             Canterbury},
   Pages = {139-156},
   Booktitle = {Les Traditions Du Plain-chant Occidental Actes Du Colloque
             de L'Institut Grégorien Du Canada : Université McMaster
             (Hamilton), 13-16 Août 2009},
   Year = {2010},
   Abstract = {FOREWORD t is a great pleasure to see in print this volume
             of essays which commemorates the Conference oTraditions in
             Western Plainchant&quot; hosted by the Gregorian Institute
             of Canada (GIC) at McMaster University in August
             2009.},
   Key = {fds337293}
}

@article{fds337292,
   Author = {Giles, R},
   Title = {The Adiastematic Sources Preserving the Liturgical Office of
             Saint Thomas Becket},
   Pages = {29-39},
   Booktitle = {The Becket Offices Paradigms for Liturgical
             Research},
   Editor = {Hughes, A},
   Year = {2014},
   ISBN = {9781926664293},
   Key = {fds337292}
}

@article{fds331901,
   Author = {Giles, R},
   Title = {The Inaudible Music of the Renaissance: From Marsilio Ficino
             to Robert Fludd},
   Journal = {Renaissance and Reformation},
   Volume = {39},
   Number = {2},
   Pages = {129-166},
   Publisher = {University of Toronto, Victoria University, Centre for
             Reformation and Renaissance Studies},
   Year = {2016},
   Key = {fds331901}
}

@article{fds331900,
   Author = {Giles, R},
   Title = {Monteverdi, Marino and the aesthetic of meraviglia},
   Journal = {Early Music},
   Volume = {45},
   Number = {3},
   Pages = {415-427},
   Publisher = {Oxford University Press (OUP)},
   Year = {2017},
   Month = {December},
   url = {http://dx.doi.org/10.1093/em/cax045},
   Doi = {10.1093/em/cax045},
   Key = {fds331900}
}

@article{fds338353,
   Author = {Giles, R},
   Title = {Physicality and Devotion in Heinrich Ignaz Franz Biber’s
             Rosary Sonatas},
   Journal = {Yale Journal of Music and Religion},
   Volume = {4},
   Number = {2},
   Pages = {68-104},
   Publisher = {Yale Institute of Sacred Music},
   Year = {2018},
   Key = {fds338353}
}

@article{fds341429,
   Author = {Giles, R},
   Title = {'A Natural Voice?'},
   Journal = {Cambridge Opera Journal},
   Volume = {29},
   Number = {2},
   Pages = {240-251},
   Publisher = {Cambridge University Press (CUP)},
   Year = {2018},
   url = {http://dx.doi.org/10.1017/s0954586717000143},
   Doi = {10.1017/s0954586717000143},
   Key = {fds341429}
}

@article{fds357402,
   Author = {Giles, R},
   Title = {Mirrors of Heaven or Worldly Theaters? Venetian Nunneries
             and Their Music},
   Journal = {RENAISSANCE AND REFORMATION},
   Volume = {41},
   Number = {2},
   Pages = {184-187},
   Year = {2018},
   Key = {fds357402}
}

@article{fds357401,
   Author = {Giles, R},
   Title = {Giambattista Marino’s L’Adone: A Drama of
             Madrigals},
   Journal = {Italianist},
   Volume = {40},
   Number = {3},
   Pages = {419-440},
   Year = {2020},
   Month = {January},
   url = {http://dx.doi.org/10.1080/02614340.2020.1886756},
   Abstract = {Giambattista Marino’s L’Adone (1623) is the longest poem
             written in the Italian language. Exceeding even Torquato
             Tasso’s Gerusalemme liberata (1581) in length, L’Adone
             lacks the most central characteristic of epic poetry: a
             coherent narrative. As the quintessential example of Italian
             seicentismo, L’Adone was censured by Marino’s severest
             critic, Tomaso Stigliani, for being a poem composed entirely
             of ‘a succession of madrigals’. The absence of a
             comprehensible story coupled with convoluted rhetoric makes
             L’Adone utterly impractical for musical setting. Why then
             was it a literary source for seventeenth-century opera?
             Similarly, why did madrigal composers seem to find it
             equally attractive? This article proposes that musical
             interpretations of Marino’s epic presented a challenge to
             the notion of dramatic verisimilitude; musical settings
             based on Marino’s epic demonstrate one of the principal
             musical debates of the century, namely the tension between
             the verisimilitude of opera and the artifice of the
             madrigal.},
   Doi = {10.1080/02614340.2020.1886756},
   Key = {fds357401}
}

@article{fds364999,
   Author = {Giles, R},
   Title = {Sigismondo D'India et ses mondes: Un compositeur italien
             d'avant-garde, histoire et documents. Jorge Morales.
             Collection “Épitome musical.” Turnhout: Brepols, 2019.
             592 pp. €125.},
   Journal = {Renaissance Quarterly},
   Volume = {75},
   Number = {2},
   Pages = {705-707},
   Publisher = {Cambridge University Press (CUP)},
   Year = {2022},
   url = {http://dx.doi.org/10.1017/rqx.2022.183},
   Doi = {10.1017/rqx.2022.183},
   Key = {fds364999}
}

@article{fds374999,
   Author = {Giles, R},
   Title = {Monteverdi's Contradictory Kisses},
   Pages = {81-133},
   Booktitle = {MONTEVERDI AND THE MARVELLOUS},
   Year = {2023},
   ISBN = {978-1-00-935539-1},
   Key = {fds374999}
}

@article{fds374998,
   Author = {Giles, R},
   Title = {The Sound of the Marvellous},
   Pages = {12-40},
   Booktitle = {MONTEVERDI AND THE MARVELLOUS},
   Year = {2023},
   ISBN = {978-1-00-935539-1},
   Key = {fds374998}
}

@article{fds375000,
   Author = {Giles, R},
   Title = {Monteverdi's Earliest Laments},
   Pages = {216-268},
   Booktitle = {MONTEVERDI AND THE MARVELLOUS},
   Year = {2023},
   ISBN = {978-1-00-935539-1},
   Key = {fds375000}
}

@article{fds375001,
   Author = {Giles, R},
   Title = {Tasso and the Music of Epic},
   Pages = {164-215},
   Booktitle = {MONTEVERDI AND THE MARVELLOUS},
   Year = {2023},
   ISBN = {978-1-00-935539-1},
   Key = {fds375001}
}

@article{fds375002,
   Author = {Giles, R},
   Title = {Marino and the Rime boscherecce},
   Pages = {41-80},
   Booktitle = {MONTEVERDI AND THE MARVELLOUS},
   Year = {2023},
   ISBN = {978-1-00-935539-1},
   Key = {fds375002}
}

@article{fds375003,
   Author = {Giles, R},
   Title = {Monteverdi's Modes of Representation Introduction},
   Pages = {1-+},
   Booktitle = {MONTEVERDI AND THE MARVELLOUS},
   Year = {2023},
   ISBN = {978-1-00-935539-1},
   Key = {fds375003}
}

@article{fds375004,
   Author = {Giles, R},
   Title = {Il bacio mordace: Of Kissing and Biting},
   Pages = {134-163},
   Booktitle = {MONTEVERDI AND THE MARVELLOUS},
   Year = {2023},
   ISBN = {978-1-00-935539-1},
   Key = {fds375004}
}

@book{fds372385,
   Author = {Giles, R},
   Title = {Monteverdi and the Marvellous Poetry, Sound, and
             Representation},
   Publisher = {Cambridge University Press},
   Year = {2023},
   Month = {November},
   ISBN = {9781009355353},
   Abstract = {It illuminates how experiments in language and perception at
             the turn of the seventeenth century were influenced and
             informed by the work of musicians of that
             era.},
   Key = {fds372385}
}


%% Gilliam, Bryan   
@article{fds290625,
   Author = {Gilliam, B},
   Title = {Ein Skizzenbuch von Richard Strauss an der Harvard
             University},
   Year = {1978},
   Month = {December},
   Key = {fds290625}
}

@article{fds290627,
   Author = {Gilliam, B},
   Title = {Stefan Zweig’s Contribution to Strauss Opera after Die
             schweigsame Frau},
   Year = {1981},
   Month = {April},
   Key = {fds290627}
}

@article{fds290628,
   Author = {Gilliam, B},
   Title = {Richard Strauss’s Preliminary Opera Sketches: Thematic
             Fragments and Symphonic Continuity},
   Year = {1982},
   Month = {November},
   Key = {fds290628}
}

@book{fds290662,
   Author = {Gilliam, B},
   Title = {Richard Strauss’s ’Daphne’: Opera and Symphonic
             Continuity},
   Publisher = {Harvard Ph.D. Dissertation},
   Year = {1984},
   Key = {fds290662}
}

@article{fds290681,
   Author = {GILLIAM, B},
   Title = {STRAUSS PRELIMINARY OPERA SKETCHES + 'ELEKTRA' AND DER
             'ROSENKAVALIER' - THEMATIC FRAGMENTS AND SYMPHONIC
             CONTINUITY},
   Journal = {NINETEENTH CENTURY MUSIC},
   Volume = {9},
   Number = {3},
   Pages = {176-188},
   Year = {1986},
   ISSN = {0148-2076},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:A1986D397300002&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Key = {fds290681}
}

@article{fds290686,
   Author = {Gilliam, B},
   Title = {"Richard Strauss's Preliminary Opera Sketches: Thematic
             Fragments and Symphonic Continuity"},
   Journal = {19th Century Music},
   Volume = {9},
   Pages = {176-188},
   Year = {1986},
   Month = {Spring},
   Key = {fds290686}
}

@article{fds290671,
   Author = {Gilliam, B},
   Title = {Gustav Mahler Richard Strauss: Correspondence, 1888-1911 .
             Gustav Mahler , Richard Strauss , Herta Blaukopf
             .},
   Journal = {Journal of the American Musicological Society},
   Volume = {39},
   Number = {2},
   Pages = {418-422},
   Publisher = {University of California Press},
   Year = {1986},
   Month = {July},
   ISSN = {0003-0139},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:A1986D961900010&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.1525/jams.1986.39.2.03a00100},
   Key = {fds290671}
}

@article{fds290629,
   Author = {Gilliam, B},
   Title = {Hugo von Hofmannsthal, Richard Strauss, and the Evolution of
             Elektra},
   Year = {1988},
   Key = {fds290629}
}

@article{fds290630,
   Author = {Gilliam, B},
   Title = {T. S. Eliot, The Waste Land, and the Legacy of
             Wagner},
   Year = {1988},
   Month = {March},
   Key = {fds290630}
}

@article{fds290631,
   Author = {Gilliam, B},
   Title = {Die Elektra Premiere: Hintergründe und Rezeption},
   Year = {1989},
   Month = {June},
   Key = {fds290631}
}

@article{fds290632,
   Author = {Gilliam, B},
   Title = {Intermezzo und die Zeitoper in den Zwanziger
             Jahren},
   Year = {1989},
   Month = {October},
   Key = {fds290632}
}

@article{fds290633,
   Author = {Gilliam, B},
   Title = {Richard Strauss’s Intermezzo: Innovation and
             Tradition},
   Year = {1990},
   Month = {April},
   Key = {fds290633}
}

@book{fds290663,
   Author = {Gilliam, B},
   Title = {Richard Strauss’s Elektra},
   Publisher = {Oxford University Press},
   Year = {1991},
   Key = {fds290663}
}

@article{fds290634,
   Author = {Gilliam, B},
   Title = {The Influence of Film on German Opera of the
             1920s},
   Year = {1991},
   Month = {November},
   Key = {fds290634}
}

@book{fds290664,
   Author = {Gilliam, B},
   Title = {Richard Strauss: New Perspectives on the Composer and His
             Work},
   Publisher = {Duke University Press},
   Editor = {Gilliam, B},
   Year = {1992},
   Key = {fds290664}
}

@book{fds290665,
   Author = {al, BGE},
   Title = {Richard Strauss and His World},
   Publisher = {Princeton University Press},
   Editor = {Gilliam, B},
   Year = {1992},
   Key = {fds290665}
}

@article{fds290607,
   Author = {Gilliam, B},
   Title = {"Richard Strauss’s Intermezzo: Innovation and
             Tradition"},
   Pages = {259-83},
   Booktitle = {Richard Strauss: New Perspectives},
   Publisher = {DUke University Press},
   Editor = {Gilliam, B},
   Year = {1992},
   Key = {fds290607}
}

@article{fds290608,
   Author = {Gilliam, B},
   Title = {"Daphne’s Transformation"},
   Pages = {33-66},
   Booktitle = {Richard Strauss and His World},
   Publisher = {Princeton University Press},
   Editor = {Gilliam, B},
   Year = {1992},
   Key = {fds290608}
}

@article{fds290679,
   Author = {GILLIAM, B},
   Title = {THE 2 VERSIONS OF BRUCKNER 8TH SYMPHONY},
   Journal = {NINETEENTH CENTURY MUSIC},
   Volume = {16},
   Number = {1},
   Pages = {59-69},
   Year = {1992},
   ISSN = {0148-2076},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:A1992JT00300005&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Key = {fds290679}
}

@article{fds290684,
   Author = {Gilliam, B},
   Title = {"The Two Versions of Bruckner’s Symphony no. 8"
             ("Rehearings")},
   Journal = {19th-Century Music},
   Volume = {15},
   Pages = {59-69},
   Year = {1992},
   Month = {Summer},
   Key = {fds290684}
}

@book{fds290666,
   Author = {al, BGE},
   Title = {Music and Performance during the Weimar Republic},
   Publisher = {Cambridge University Press},
   Editor = {Gilliam, B},
   Year = {1994},
   Key = {fds290666}
}

@article{fds290609,
   Author = {Gilliam, B},
   Title = {"Stage and Screen: Kurt Weill and Operatic Reform in the
             1920s"},
   Booktitle = {Music and Performance during the Weimar Republic},
   Publisher = {Cambridge University Press},
   Editor = {Gilliam, B},
   Year = {1994},
   Key = {fds290609}
}

@article{fds290677,
   Author = {Gilliam, B},
   Title = {The Annexation of Anton Bruckner: Nazi Revisionism and the
             Politics of Appropriation},
   Journal = {The Musical Quarterly},
   Volume = {78},
   Number = {3},
   Pages = {584-604},
   Publisher = {Oxford University Press (OUP)},
   Year = {1994},
   ISSN = {0027-4631},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:A1994PY57700007&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.1093/mq/78.3.584},
   Key = {fds290677}
}

@article{fds311412,
   Author = {GILLIAM, B},
   Title = {'SALOME' + IN RESPONSE TO SHOWALTER,ELAINE},
   Journal = {TLS-THE TIMES LITERARY SUPPLEMENT},
   Number = {4773},
   Pages = {17-17},
   Year = {1994},
   ISSN = {0307-661X},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:A1994PH43100020&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Key = {fds311412}
}

@article{fds41890,
   Author = {B. Gilliam},
   Title = {The Annexation of Anton Bruckner: Nazi Revisionism and
             Misappropriation},
   Year = {1994},
   Key = {fds41890}
}

@article{fds290685,
   Author = {Gilliam, B},
   Title = {"The Annexation of Anton Bruckner: Nazi Revisionism and the
             Politics of Appropriation"},
   Journal = {The Musical Quarterly},
   Volume = {78},
   Pages = {558-583},
   Year = {1994},
   Month = {Fall},
   Key = {fds290685}
}

@article{fds311411,
   Author = {Gilliam, B},
   Title = {The authorship of the text of Strauss's 'friedenstag'},
   Journal = {Music and Letters},
   Volume = {76},
   Number = {1},
   Pages = {142-143},
   Publisher = {Oxford University Press (OUP)},
   Year = {1995},
   Month = {February},
   ISSN = {0027-4224},
   url = {http://dx.doi.org/10.1093/ml/76.1.142},
   Doi = {10.1093/ml/76.1.142},
   Key = {fds311411}
}

@article{fds290635,
   Author = {Gilliam, B},
   Title = {A Viennese Opera Composer in Hollywood: Erich Wolfgang
             Korngold’s Double Exile in America},
   Year = {1996},
   Key = {fds290635}
}

@article{fds290670,
   Author = {Gilliam, B},
   Title = {Bruckner's Annexation Revisited: A Response to Manfred
             Wagner},
   Journal = {The Musical Quarterly},
   Volume = {80},
   Number = {1},
   Pages = {124-131},
   Publisher = {Oxford University Press (OUP)},
   Year = {1996},
   Month = {January},
   ISSN = {0027-4631},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:A1996UZ37200008&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.1093/mq/80.1.124},
   Key = {fds290670}
}

@article{fds290636,
   Author = {Gilliam, B},
   Title = {Bruckner’s 8th Symphony},
   Year = {1996},
   Month = {April},
   Key = {fds290636}
}

@article{fds290637,
   Author = {Gilliam, B},
   Title = {Five colloquia on the theme: ’Music, Image,
             Gesture’},
   Year = {1996},
   Month = {May},
   Key = {fds290637}
}

@article{fds290610,
   Author = {Gilliam, B},
   Title = {"The Tone Poems of Richard Strauss"},
   Pages = {345-68},
   Booktitle = {The 19th-Century Symphony},
   Editor = {Holoman, DK},
   Year = {1997},
   Key = {fds290610}
}

@article{fds290638,
   Author = {Gilliam, B},
   Title = {Sibelius and Modernism},
   Year = {1997},
   Month = {December},
   Key = {fds290638}
}

@article{fds290639,
   Author = {Gilliam, B},
   Title = {Tragedy and Epic in Siegfried’s Funeral
             Music},
   Year = {1998},
   Month = {March},
   Key = {fds290639}
}

@article{fds290640,
   Author = {Gilliam, B},
   Title = {Kurt Weill, Weimar Theater, and Operatic
             Reform},
   Year = {1998},
   Month = {April},
   Key = {fds290640}
}

@article{fds290641,
   Author = {Gilliam, B},
   Title = {Die Rezeption der von Einem Opern in Amerika und die
             Ideologien des Stils},
   Year = {1998},
   Month = {June},
   Key = {fds290641}
}

@book{fds290667,
   Author = {Gilliam, B},
   Title = {The Life of Richard Strauss, Cambridge Musical
             Lives},
   Publisher = {Cambridge University Press},
   Year = {1999},
   Key = {fds290667}
}

@article{fds290611,
   Author = {Gilliam, B},
   Title = {"A Viennese Opera Composer in Hollywood: Erich Wolfgang
             Korngold’s Double Exile in America"},
   Pages = {334-57},
   Booktitle = {Driven from Paradise: The Musical Migration from Nazi
             Germany to the United States},
   Publisher = {University of California Press},
   Editor = {Brinkmann, R and Wolff, C},
   Year = {1999},
   Key = {fds290611}
}

@article{fds290612,
   Author = {Gilliam, B},
   Title = {Prefatory essay in honor of Günter Brosche},
   Booktitle = {Fetstschrift Günter Brosche},
   Publisher = {Hans Schneider},
   Editor = {Leibnitz, T},
   Year = {1999},
   Key = {fds290612}
}

@article{fds290613,
   Author = {Gilliam, B},
   Title = {"Elektras Tanz and Auflösung"},
   Booktitle = {Festschrift Reinhold Schlotterer},
   Publisher = {Wissner},
   Editor = {Edelmann, B},
   Year = {1999},
   Key = {fds290613}
}

@article{fds290673,
   Author = {Gilliam, B},
   Title = {Strauss' "Friedenstag" und die Politik: Antwort an Gerhard
             Splitt},
   Journal = {Archiv für Musikwissenschaft},
   Volume = {56},
   Number = {4},
   Pages = {347-347},
   Publisher = {JSTOR},
   Year = {1999},
   ISSN = {0003-9292},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000083608400004&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.2307/931057},
   Key = {fds290673}
}

@article{fds290674,
   Author = {Gilliam, B},
   Title = {Modern times - Richard Strauss' later operas reflect the
             disunity of contemporary life},
   Journal = {OPERA NEWS},
   Volume = {64},
   Number = {2},
   Pages = {26-31},
   Year = {1999},
   ISSN = {0030-3607},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000081517400025&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Key = {fds290674}
}

@article{fds12741,
   Author = {B. Gilliam},
   Title = {"Elektras Tanz and Auflösung"},
   Booktitle = {Festschrift Reinhold Schlotterer},
   Publisher = {Wissner},
   Editor = {Bernd Edelmann},
   Year = {1999},
   Key = {fds12741}
}

@article{fds290642,
   Author = {Gilliam, B},
   Title = {Variations on an Enigma: Richard Strauss Fifty Years after
             his Death},
   Year = {1999},
   Month = {January},
   Key = {fds290642}
}

@article{fds41881,
   Author = {B. Gilliam},
   Title = {Elektras Tanz und Auflösung},
   Year = {1999},
   Month = {April},
   Key = {fds41881}
}

@article{fds290643,
   Author = {Gilliam, B},
   Title = {Elektras Tanz und Auflösung},
   Year = {1999},
   Month = {April},
   Key = {fds290643}
}

@article{fds290644,
   Author = {Gilliam, B},
   Title = {’Friede im Innern’: Die innere und äußere
             Persönlichkeit des Richard Strauss um die Mitte der
             dreißiger Jahre},
   Year = {1999},
   Month = {July},
   Key = {fds290644}
}

@article{fds290645,
   Author = {Gilliam, B},
   Title = {’Friede im Innern’: Strauss’s Inner and Outer Worlds
             in the 1930s},
   Year = {1999},
   Month = {October},
   Key = {fds290645}
}

@article{fds290646,
   Author = {Gilliam, B},
   Title = {From Hollywood to Berlin: The Influence of American Film on
             Weimar Music Theater},
   Year = {2000},
   Month = {February},
   Key = {fds290646}
}

@article{fds290647,
   Author = {Gilliam, B},
   Title = {Sound, Image, Music: Hollywood Film Music},
   Year = {2000},
   Month = {May},
   Key = {fds290647}
}

@article{fds290648,
   Author = {Gilliam, B},
   Title = {"The String Quartet and Its Changing Audiences in the 19th
             Century"},
   Year = {2000},
   Month = {October},
   Key = {fds290648}
}

@article{fds290649,
   Author = {Gilliam, B},
   Title = {Politics and the Spirit: Richard Strauss and the
             1930s},
   Year = {2000},
   Month = {October},
   Key = {fds290649}
}

@article{fds290650,
   Author = {Gilliam, B},
   Title = {Utopia und Katastrophe: Richard Strauss während des dritten
             Reiches},
   Year = {2000},
   Month = {November},
   Key = {fds290650}
}

@article{fds290614,
   Author = {Gilliam, B},
   Title = {" ’Friede im Innern’: Aussenwelt und Innenwelt von
             Richard Strauss um 1935"},
   Pages = {93-111},
   Booktitle = {Richard Strauss und die Moderne},
   Publisher = {Henschel},
   Editor = {Edelmann, B and Lodes, B and Schlötterer, R},
   Year = {2001},
   Key = {fds290614}
}

@article{fds290615,
   Author = {Gilliam, B},
   Title = {"Biography for Stephen Jaffe"},
   Booktitle = {New Grove},
   Editor = {Sadie, S},
   Year = {2001},
   Key = {fds290615}
}

@article{fds290616,
   Author = {Gilliam, B},
   Title = {"Biography (19,000 words) on Richard Strauss"},
   Volume = {24},
   Booktitle = {Revised New Grove Dictionary of Music and
             Musicians},
   Publisher = {Macmillan},
   Editor = {Sadie, S},
   Year = {2001},
   Key = {fds290616}
}

@article{fds290675,
   Author = {Mingo, B and Gilliam, B},
   Title = {The endangered list (Nominees for the most unjustly
             neglected opera)},
   Journal = {OPERA NEWS},
   Volume = {66},
   Number = {5},
   Pages = {50-+},
   Year = {2001},
   ISSN = {0030-3607},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000171550800036&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Key = {fds290675}
}

@article{fds290676,
   Author = {Gilliam, B},
   Title = {Shadowland (The complex and symbolic world of Strauss's most
             challenging work, Die 'Frau ohne Schatten')},
   Journal = {OPERA NEWS},
   Volume = {66},
   Number = {7},
   Pages = {14-17},
   Year = {2002},
   ISSN = {0030-3607},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000172610100015&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Key = {fds290676}
}

@article{fds290651,
   Author = {Gilliam, B},
   Title = {"Strauss’s ’Crazy Jewish Girl’: Salome and
             fin-de-siècle Modernism"},
   Year = {2002},
   Month = {January},
   Key = {fds290651}
}

@article{fds290652,
   Author = {Gilliam, B},
   Title = {"Between Resignation and Hope: The Late Strauss"},
   Year = {2002},
   Month = {May},
   Key = {fds290652}
}

@article{fds290653,
   Author = {Gilliam, B},
   Title = {"Ariadne, Daphne, und das Problem der Verwandlung"},
   Year = {2002},
   Month = {October},
   Key = {fds290653}
}

@article{fds290617,
   Author = {Gilliam, B},
   Title = {"Die Rezeption der von Einem Opern in Amerika und die
             Ideologien des Stils"},
   Pages = {303-13},
   Booktitle = {Gottfried von Einem Kongress},
   Publisher = {Hans Schneider},
   Editor = {Fuchs, I},
   Year = {2003},
   Key = {fds290617}
}

@article{fds290618,
   Author = {Gilliam, B},
   Title = {"From Hollywood to Berlin: The Influence of American Film on
             Weimar Music Theater},
   Pages = {147-59},
   Booktitle = {Americanism/Amerikanismus/Weill: Die Suche nach kultureller
             Indentität in der ersten Hälfte des 20.
             Jahrhunderts},
   Publisher = {Argus},
   Editor = {Danuser, H and Gottschewski, H},
   Year = {2003},
   Key = {fds290618}
}

@article{fds290619,
   Author = {Gilliam, B},
   Title = {Introductory Essay},
   Booktitle = {The Richard Strauss Companion},
   Publisher = {Praeger},
   Editor = {Schmid, M-D},
   Year = {2003},
   Key = {fds290619}
}

@article{fds290687,
   Author = {Gilliam, B},
   Title = {"Ariadne, Daphne, and the Problem of Transformation"},
   Journal = {Cambridge Opera Journal},
   Volume = {15},
   Number = {1},
   Pages = {67-81},
   Year = {2003},
   Key = {fds290687}
}

@article{fds290680,
   Author = {Gilliam, B},
   Title = {Visual voice (Strauss's 'Salome')},
   Journal = {OPERA NEWS},
   Volume = {68},
   Number = {9},
   Pages = {23-+},
   Year = {2004},
   ISSN = {0030-3607},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000188882800009&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Key = {fds290680}
}

@article{fds290654,
   Author = {Gilliam, B},
   Title = {"Body and Spirit in the Slow Movement of Beethoven’s Op.
             130"},
   Year = {2004},
   Month = {March},
   Key = {fds290654}
}

@article{fds290655,
   Author = {Gilliam, B},
   Title = {"Richard Strauss and the National Socialist
             Regime"},
   Year = {2004},
   Month = {November},
   Key = {fds290655}
}

@book{fds290940,
   Author = {al, BGE},
   Title = {Music, Image, Gesture},
   Volume = {104},
   Pages = {1-176 pages},
   Publisher = {Duke University Press},
   Editor = {Gilliam, B},
   Year = {2005},
   Key = {fds290940}
}

@article{fds290620,
   Author = {Gilliam, B},
   Title = {" ’Ich bin ein anderer als ich war’: Ariadne auf Naxos -
             das Konzept der Verwandlung und die Ablehnung der
             griechischen Tragödie"},
   Series = {Edition Text+Kritik},
   Pages = {69-80},
   Booktitle = {Richard Strauss: Der griechischer Germane},
   Publisher = {Munich: Boorberg Verlag},
   Editor = {Tadday, U},
   Year = {2005},
   Key = {fds290620}
}

@article{fds290683,
   Author = {Gilliam, B},
   Title = {" 'Friede im Innern': Strauss's Inner and Outer Worlds in
             the mid-1930s"},
   Journal = {JAMS},
   Pages = {563-595},
   Year = {2005},
   Key = {fds290683}
}

@article{fds41178,
   Author = {B. Gilliam},
   Title = {various},
   Series = {Reviews},
   Year = {2005},
   Key = {fds41178}
}

@misc{fds41179,
   Author = {B. Gilliam},
   Title = {various},
   Series = {Short Essays},
   Year = {2005},
   Key = {fds41179}
}

@misc{fds41188,
   Author = {B. Gilliam},
   Title = {various},
   Series = {Public Lectures},
   Year = {2005},
   Key = {fds41188}
}

@misc{fds41189,
   Author = {B. Gilliam},
   Title = {various},
   Series = {Media Appearances},
   Year = {2005},
   Key = {fds41189}
}

@article{fds290672,
   Author = {Gilliam, B},
   Title = {Introduction},
   Journal = {South Atlantic Quarterly},
   Volume = {104},
   Number = {1},
   Pages = {1-5},
   Publisher = {Duke University Press},
   Editor = {B. Gilliam},
   Year = {2005},
   Month = {January},
   ISSN = {0038-2876},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000225650300001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.1215/00382876-104-1-1},
   Key = {fds290672}
}

@article{fds290656,
   Author = {Gilliam, B},
   Title = {"Don Quixote and the Cinematic Strauss"},
   Year = {2005},
   Month = {June},
   Key = {fds290656}
}

@article{fds41181,
   Author = {B. Gilliam},
   Title = {"Music during the Holocaust: Viktor Ullmann’s Der Kaiser
             von Atlantis"},
   Year = {2005},
   Month = {July},
   Key = {fds41181}
}

@article{fds290621,
   Author = {Gilliam, B},
   Title = {"Between Resignation and Hope: The Late Strauss"},
   Pages = {pp. 167-80},
   Booktitle = {Late Thoughts},
   Publisher = {J. Paul Getty Institute},
   Editor = {Crowe, T and Painter, K},
   Year = {2006},
   Key = {fds290621}
}

@article{fds290657,
   Author = {Gilliam, B},
   Title = {" ’Ich bin ein anderer als ich war’: Ariadne auf Naxos
             and the Rejection of Greek Tragedy},
   Year = {2006},
   Key = {fds290657}
}

@misc{fds138972,
   Author = {B. Gilliam},
   Title = {"La música surt de mi!" La dansa i la dissolució
             d'Elektra},
   Journal = {2007-2008 Opera Barcelona Program Book},
   Year = {2007},
   Key = {fds138972}
}

@misc{fds138973,
   Author = {B. Gilliam},
   Title = {Elektra},
   Journal = {2007-2008 Opera Bilbao Program Book},
   Year = {2007},
   Key = {fds138973}
}

@article{fds290622,
   Author = {Gilliam, B},
   Title = {"In the Shadow of Bach: Lyonel Feininger as
             Musician"},
   Booktitle = {Lyonel Feininger: On the Edge of the World},
   Publisher = {Yale University Press},
   Editor = {Haskell, B},
   Year = {2010},
   Key = {fds290622}
}

@article{fds290678,
   Author = {Gilliam, B},
   Title = {A House Divided},
   Journal = {OPERA NEWS},
   Volume = {74},
   Number = {11},
   Pages = {16-21},
   Year = {2010},
   ISSN = {0030-3607},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000276580700007&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Key = {fds290678}
}

@article{fds290682,
   Author = {Gilliam, B},
   Title = {"A House Divided: The Tragic History of Dresden's Semper
             Opera House"},
   Journal = {Opera News},
   Year = {2010},
   Key = {fds290682}
}

@article{fds311410,
   Author = {Gilliam, B},
   Title = {The Strauss-Hofmannsthal operas},
   Pages = {119-135},
   Booktitle = {The Cambridge Companion to Richard Strauss},
   Publisher = {Cambridge University Press},
   Year = {2010},
   Month = {January},
   ISBN = {9780521899307},
   url = {http://dx.doi.org/10.1017/CCOL9780521899307.008},
   Abstract = {The collaboration between Richard Strauss and Hugo von
             Hofmannsthal was one of the greatest composer-librettist
             relationships of all time, spanning nearly three decades
             until the poet's untimely death in July, 1929. It was an
             artistic association at the level of Verdi-Boito or
             Mozart-Da Ponte but, unlike these two earlier librettists,
             Hofmannsthal had a successful and independent career as a
             writer of some of Austria's finest lyric poetry, and his
             plays remain in the repertoire of German-speaking theater.
             Before setting Hofmannsthal's Elektra to music, Strauss had
             worked with various authors and various texts (those by
             himself, Ernst von Wolzogen, and Oscar Wilde). But with
             Hofmannsthal he collaborated on six operas, a series
             interrupted only by Intermezzo (1924). The partnership with
             Hofmannsthal also initiated an association with Austrians
             for all his future operatic collaborations: Stefan Zweig,
             Joseph Gregor, and Clemens Krauss. Much has been made of the
             differences between Strauss and Hofmannsthal, the German and
             the Austrian, and these contrasts in personality, literary
             tastes, and artistic views are quite true. The famous
             photograph taken by Strauss's son, Franz, is one of two men
             standing together outside the composer's villa in Garmisch
             around the time of Der Rosenkavalier. Strauss, wearing
             walking breeches, with a cigarette in his left hand and a
             walking stick in his right, looks directly into the camera,
             while Hofmannsthal - nearly a head shorter - stands holding
             a horizontal umbrella, wearing a hat covering his eyes,
             awkwardly staring away from the camera in the direction of
             Strauss.},
   Doi = {10.1017/CCOL9780521899307.008},
   Key = {fds311410}
}

@article{fds290623,
   Author = {Gilliam, B},
   Title = {"Strauss and the Sexual Body: The Aesthetics Humor,
             Philosophy, and Ego-Assertion"},
   Pages = {269-79},
   Booktitle = {Richard Strauss Companion},
   Publisher = {Cambridge University Press},
   Editor = {Youmans, C},
   Year = {2010},
   Month = {December},
   Key = {fds290623}
}

@article{fds290624,
   Author = {Gilliam, B},
   Title = {"The Hofmannsthal Operas"},
   Pages = {119-35},
   Booktitle = {Richard Strauss Companion},
   Publisher = {Cambridge University Press},
   Editor = {Youmans, C},
   Year = {2010},
   Month = {December},
   Key = {fds290624}
}

@article{fds290605,
   Author = {Gilliam, B},
   Title = {In the Shadow of Bach: Lyonel Feininger as a
             Musician},
   Booktitle = {Lyonel Feininger: At the Edge of the World},
   Publisher = {Yale},
   Year = {2011},
   Month = {July},
   Key = {fds290605}
}

@article{fds290660,
   Author = {Gilliam, B},
   Title = {Dans l’ombre de Bach : Lyonel Feininger
             musicien},
   Year = {2011},
   Month = {December},
   Key = {fds290660}
}

@article{fds218724,
   Author = {B. Gilliam},
   Title = {Erinnerung und Trauma in Ariadne auf Naxos},
   Year = {2012},
   Key = {fds218724}
}

@article{fds290658,
   Author = {Gilliam, B},
   Title = {The Problem of Trauma and Memory in Elektra, Ariadne auf
             Naxos, and Die Aegytische Helena},
   Year = {2013},
   Key = {fds290658}
}

@article{fds290659,
   Author = {Gilliam, B},
   Title = {Rhetoric and the Human Condition in Mozart’s Last Three
             Symphonies},
   Year = {2013},
   Month = {August},
   Key = {fds290659}
}

@article{fds290606,
   Author = {Gilliam, B},
   Title = {Strauss’s Der Rosenkavalier, Ariadne auf Naxos, und Die
             Frau ohne Schatten},
   Pages = {75 Completed pagesand in press-75 Comple},
   Booktitle = {Richard Strauss Handbuch},
   Publisher = {Bärenreiter},
   Editor = {Werbeck, W},
   Year = {2014},
   Key = {fds290606}
}

@article{fds303044,
   Author = {B. Gilliam},
   Title = {Essay on Der Rosenkavalier, Ariadne auf Naxos, and Die Frau
             ohne Schatten},
   Pages = {pp. 183-213},
   Booktitle = {Richard Strauss Handbuch},
   Publisher = {Metzler},
   Editor = {Walter Werbeck},
   Year = {2014},
   Key = {fds303044}
}

@article{fds303047,
   Author = {B. Gilliam},
   Title = {Richard Strauss und das Problem der Ehe},
   Year = {2014},
   Key = {fds303047}
}

@article{fds303048,
   Author = {B. Gilliam},
   Title = {Zur Strauss Rezeption in Amerika nach 1945},
   Year = {2014},
   Abstract = {Richard Strauss Conference, University of
             Munich},
   Key = {fds303048}
}

@book{fds290669,
   Author = {Gilliam, B},
   Title = {Rounding Wagner's mountain: Richard Strauss and modern
             German opera},
   Pages = {1-340},
   Publisher = {Cambridge University Press},
   Year = {2014},
   Month = {Spring},
   ISBN = {9780521456593},
   url = {http://dx.doi.org/10.1017/CBO9780511979699},
   Abstract = {Richard Strauss’ fifteen operas, which span the years 1893
             to 1941, make up the largest German operatic legacy since
             Wagner’s operas of the nineteenth century. Many of
             Strauss’s works were based on texts by Europe’s finest
             writers: Oscar Wilde, Hugo von Hofmannsthal and Stefan
             Zweig, among others, and they also overlap some of the most
             important and tumultuous stretches of German history, such
             as the founding and demise of a German empire, the rise and
             fall of the Weimar Republic, the period of National
             Socialism, and the post-war years, which saw a divided East
             and West Germany. In the first book to discuss all
             Strauss’s operas, Bryan Gilliam sets each work in its
             historical, aesthetic, philosophical, and literary context
             to reveal what made the composer’s legacy unique.
             Addressing Wagner’s cultural influence upon this legacy,
             Gilliam also offers new insights into the thematic and
             harmonic features that recur in Strauss’s
             compositions.},
   Doi = {10.1017/CBO9780511979699},
   Key = {fds290669}
}

@article{fds290600,
   Author = {Gilliam, B},
   Title = {Zoë Alexis Lang. The Legacy of Johann Strauss: Political
             Influence and Twentieth-Century Identity. Cambridge:
             Cambridge University Press, 2014. Pp. 248.},
   Journal = {Austrian History Yearbook},
   Volume = {46},
   Pages = {434-436},
   Publisher = {Cambridge University Press (CUP)},
   Year = {2015},
   Month = {April},
   ISSN = {0067-2378},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000353516300050&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.1017/s0067237814000551},
   Key = {fds290600}
}

@article{fds303045,
   Author = {B. Gilliam},
   Title = {The Great War and Its Aftermath: Strauss's and
             Hofmannsthal's Third-Way Modernism},
   Pages = {In production},
   Booktitle = {Modernism and Opera},
   Publisher = {Johns Hopkins University Press},
   Editor = {Richard Begam and Matthew Wilson Smith},
   Year = {2016},
   Key = {fds303045}
}


%% Hanks, John   
@misc{fds158598,
   Author = {John Hanks},
   Title = {Here Come the Drums},
   Year = {1994},
   Month = {Summer},
   url = {http://drumjazz.com},
   Abstract = {Audio CD by percussionist / dance musician John Hanks.
             Featuring compositions in a variety of styles and tempi.
             Ideal for use as musical accompaniment for dance
             class.},
   Key = {fds158598}
}

@misc{fds158599,
   Author = {John Hanks},
   Title = {Drumjazz},
   Year = {2000},
   Month = {Summer},
   Abstract = {Audio CD by percussionist / dance musician John Hanks.
             Featuring compositions in a variety of styles and tempi.
             Ideal for use as musical accompaniment for dance
             class.},
   Key = {fds158599}
}

@misc{fds158600,
   Author = {J. Hanks and John Hanks and Ken Ray Wilemon},
   Title = {Percussion Jams},
   Year = {2005},
   Month = {Summer},
   Abstract = {Audio CD by percussionist / dance musicians John Hanks and
             Ken Ray Wilemon. Featuring compositions in a variety of
             styles and tempi. Ideal for use as musical accompaniment for
             dance class.},
   Key = {fds158600}
}


%% Harris, Deonte   
@article{fds365283,
   Author = {Harris, DL},
   Title = {On Race, Value, and the Need to Reimagine Ethnomusicology
             for the Future},
   Journal = {Ethnomusicology},
   Volume = {66},
   Number = {2},
   Pages = {213-235},
   Publisher = {University of Illinois Press},
   Year = {2022},
   Month = {June},
   url = {http://dx.doi.org/10.5406/21567417.66.2.03},
   Abstract = {This article contributes to literature on value in
             ethnomusicology by shifting the discourse to issues of
             racism. Drawing from several years of fieldwork in London's
             carnival arts scene, I develop an approach called “value
             from below,” which illustrates how racial oppression often
             directly affects how members of BIPOC communities assign
             value, meaning, and significance to particular things,
             spaces, places, and actions. I then extend this approach to
             consider the impacts of systemic racism on BIPOC scholars in
             ethnomusicology, arguing that the growing call for the
             making of an antiracist and decolonized ethnomusicology is
             indicative of the continued struggle over value in the field
             and the larger world.},
   Doi = {10.5406/21567417.66.2.03},
   Key = {fds365283}
}


%% Jaffe, Stephen   
@misc{fds22119,
   Title = {Centering, for two violins, Linda Quan, Curtis Macomber,
             violins. C.R.I. 513},
   Year = {1983},
   url = {http://www.arkivmusic.com/classical/album.jsp?album_id=688697#details},
   Key = {fds22119}
}

@article{fds244300,
   Author = {Jaffe, S},
   Title = {Conversation Between J.S. and S.J. On The New
             Tonality},
   Journal = {Contemporary Music Review},
   Volume = {6},
   Number = {2},
   Pages = {27-38},
   Publisher = {Harwood Academic Press},
   Editor = {Osborne, N},
   Year = {1992},
   Key = {fds244300}
}

@misc{fds22116,
   Title = {First Quartet for string quartet, Ciompi
             Quartet},
   Series = {American Music for String Quartet},
   Publisher = {Albany Records, Troy CD 073},
   Year = {1993},
   Key = {fds22116}
}

@misc{fds16540,
   Title = {The Rhythm Of The Running Plough, Double Sonata, and Four
             Songs With Ensemble, Bridge CD BCD 9047. Speculum Musicae,
             D’Anna Fortunato, Anton Nel, Barry Snyder, Prism Orchestra
             (1994)},
   Volume = {I},
   Series = {The Music of Stephen Jaffe},
   Publisher = {Bridge Records, Inc.},
   Year = {1994},
   Key = {fds16540}
}

@misc{fds22117,
   Title = {Three Figures and A Ground, Patricia Spencer, flute, Linda
             Hall, piano},
   Series = {The Now and Present Flute},
   Publisher = {Neuma 450-88.},
   Year = {1994},
   Key = {fds22117}
}

@article{fds244301,
   Author = {Rhodes, T and Williams, E},
   Title = {New Music, Tailor Made: Fort Juniper Songs of Stephen
             Jaffe},
   Journal = {NATS Journal (National Association of Teachers of
             Singing)},
   Volume = {Vol. 50,},
   Number = {3},
   Year = {1994},
   Month = {January},
   Key = {fds244301}
}

@misc{fds22118,
   Title = {Fort Juniper Songs for soprano, mezzo-soprano and piano, on
             To Sun, To Feast & To Converse Albany CD (Troy 172). Terry
             Rhodes, soprano, Ellen Williams, mezzo-soprano, Stephen
             Jaffe, piano (1995)},
   Year = {1995},
   Key = {fds22118}
}

@misc{fds22114,
   Title = {Spinoff for guitar, on Newdance: 18 Dances for Guitar Bridge
             9084. David Starobin, guitar (1998) Grammy Award Nomination,
             1999},
   Publisher = {Bridge Records, Inc. 9084},
   Year = {1997},
   Key = {fds22114}
}

@misc{fds22115,
   Title = {Impromptu for piano, on Strange Attractors: New American
             Music for Piano, Albany CD (Troy 231). Patricia Goodson,
             piano (1997)},
   Year = {1997},
   Key = {fds22115}
}

@misc{fds224564,
   Author = {Stephen Jaffe},
   Title = {Concerto for Violin and Orchestra},
   Year = {2000},
   url = {http://www.bridgerecords.com/products/the-music-of-stephen-jaffe/},
   Abstract = {Commissioned by the Greensboro Symphony Orchestra. Premiere:
             Nicholas Kitchen, violin; Greensboro Symphony; Stuart
             Malina, conductor. March 11, 2000. Movements: • Allegro
             vivo • Passage • Variations Published: Presser
             #446-41195 (study score)},
   Key = {fds224564}
}

@misc{fds224565,
   Author = {Stephen Jaffe},
   Title = {Homage to the Breath},
   Year = {2001},
   url = {http://www.bridgerecords.com/products/stephen-jaffe-vol-3/},
   Abstract = {Instrumental and Vocal Meditations for mezzo-soprano and ten
             players, with a text by Thich Nhat Hanh (24′) Commissioned
             by: Barlow Endowment for Music Composition in honor of the
             25th anniversary of the 20th Century Consort Premiere:
             Milagro Vargas, mezzo-soprano; 20th Century Consort;
             Christopher Kendall, conductor. Hirshhorn Museum,
             Washington, DC. November 10, 2001. Movements I. running
             pulse II. ostinato elegiaco III. homage to the breath (with
             mezzo-soprano)},
   Key = {fds224565}
}

@misc{fds16185,
   Title = {Concerto for Violin and Orchestra and Chamber Concerto
             ("Singing Figures")},
   Volume = {II},
   Publisher = {Bridge Records, Inc. 9141},
   Year = {2004},
   Abstract = {see http://www.bridgerec.com},
   Key = {fds16185}
}

@misc{fds224563,
   Author = {Stephen Jaffe},
   Title = {Concerto for Cello and Orchestra},
   Year = {2004},
   url = {http://www.bridgerecords.com/products/stephen-jaffe-vol-3/},
   Abstract = {Commissioned by: National Symphony Orchestra Premiere: David
             Hardy, Cello; National Symphony Orchestra; Leonard Slatkin,
             conductor. John F. Kennedy Center for the Performing Arts,
             Washington, DC. January 8th, 9th, 10th, 2004. Movements: I.
             Bold and urgently lyrical (Allegro energico) II. Clever,
             impish, a little “ugly” (Scherzino) III. “Mysterious
             flower”: poco andante; interior, inchoate (Variations) IV.
             Fast, pulsing Published: Presser Full Score – Study
             (#446-41195) Full Score – Large (#446-41195L)},
   Key = {fds224563}
}

@misc{fds43339,
   Author = {Stephen Jaffe},
   Title = {Con Sordino for violin and piano},
   Year = {2005},
   Keywords = {Classical Recording Foundation},
   Abstract = {Con Sordino for Violin and Piano (2005) is dedicated to the
             Classical Recording Foundation, and was first performed at
             Weill Recital Hall, Carnegie Hall, New York, November 22,
             2005 by Gregory Fulkerson, violin, and the composer,
             piano.},
   Key = {fds43339}
}

@misc{fds43341,
   Author = {Stephen Jaffe},
   Title = {CUT TIME for Orchestra},
   Year = {2005},
   Abstract = {Orchestral version of Cut Time Shout. First performances by
             the National Symphony Orchestra, Leonard slatkin and Emil de
             Cou, conductors, March 9-18, 2005},
   Key = {fds43341}
}

@misc{fds16532,
   Title = {Designs and Three Figures and A Ground},
   Publisher = {AUR (Arizona University Recordings) AUR CD
             3123},
   Year = {2006},
   url = {www.AURec.com},
   Key = {fds16532}
}

@misc{fds23092,
   Author = {Stephen Jaffe},
   Title = {List of Compositions},
   Year = {2006},
   url = {http://music.duke.edu/jaffe.htm},
   Abstract = {http://www.presser.com/Composers/info.cfm?Name=STEPHENJAFFE},
   Key = {fds23092}
}

@misc{fds51046,
   Author = {Stephen Jaffe},
   Title = {Poetry of the Piedmont},
   Series = {446-41245 (study score)},
   Publisher = {Merion Music, Inc. (Theodore Presser Co.)},
   Year = {2006},
   Keywords = {Postcards from North Carolina},
   Abstract = {Commissioned by the North Carolina Symphony as part of its
             "Postcards from North Carolina" project honoring the 75th
             anniversary of the orchestra's founding in 1932. Grant
             Llwellen conducted the first performances in January,
             2007.},
   Key = {fds51046}
}

@misc{fds51047,
   Author = {Stephen Jaffe},
   Title = {Four Pieces Quasi Sonata for Viola and Piano},
   Series = {144-40544 - piano score and part},
   Publisher = {Merion Music, Inc. (Theodore Presser Co.)},
   Year = {2006},
   Abstract = {Commissioned by the Fromm Music Foundation, Harvard
             University, and first performed by Jonathan Bagg, viola and
             Donald Berman, piano. November 3, 2006. 16'
             duration.},
   Key = {fds51047}
}

@misc{fds51361,
   Author = {Stephen Jaffe},
   Title = {String Quartet No. 2 ("Aeolian and Sylvan
             Figures")},
   Series = {144-40506 (full score)},
   Publisher = {Merion Music, Inc. (Theodore Presser Co.)},
   Year = {2006},
   Month = {Spring},
   Key = {fds51361}
}

@misc{fds199841,
   Author = {S. Jaffe},
   Title = {Spinoff},
   Journal = {Guitar in USA},
   Year = {2008},
   Key = {fds199841}
}

@misc{fds155173,
   Title = {Stephen Jaffe, Volume III. Concerto for Cello and Orchestra,
             Poetry of the Piedmont, Homage to the Breath, and Cut
             Time},
   Volume = {3},
   Number = {9255},
   Publisher = {Bridge Records},
   Year = {2008},
   Month = {Spring},
   Abstract = {First Recordings, Concerto for Cello and Orchestra, Poetry
             of the Piedmont, Homage to the Breath, and Cut Time. North
             Carolina Symphony, Grant Llewellyn, conducting.; 21st
             Century Consort, Christopher Kendall conducting, Milagro
             Vargas, mezzo-soprano; Odense Philharmonic, Paul Mann cond.,
             David Hardy, cello solo. (Bridge 9225, 2008).},
   Key = {fds155173}
}

@misc{fds155172,
   Author = {Stephen Jaffe},
   Title = {SONATA (in Four Parts) for cello and piano},
   Series = {144-40545 - piano score and part},
   Publisher = {Merion Music, Inc. (Theodore Presser Co.)},
   Year = {2008},
   Month = {Spring},
   url = {http://www.kennedy-center.org/calendar/index.cfm?fuseaction=showEvent&event=NICMH},
   Key = {fds155172}
}

@misc{fds155174,
   Author = {Stephen Jaffe},
   Title = {Quattro Mani: Kindred Spirits},
   Volume = {9260},
   Publisher = {Bridge},
   Year = {2008},
   Month = {Summer},
   Abstract = {Contains "Cut-Time Shout" for two pianos},
   Key = {fds155174}
}

@misc{fds155171,
   Author = {Stephen Jaffe},
   Title = {Cíthera mea (Evocations): Spanish Music Notebook for
             Orchestra},
   Year = {2008},
   Month = {Fall},
   Key = {fds155171}
}

@misc{fds170441,
   Author = {Stephen Jaffe},
   Title = {Offering for flute, harp and viola},
   Year = {2009},
   Key = {fds170441}
}

@misc{fds170440,
   Author = {Stephen Jaffe},
   Title = {Who Cooks for You?},
   Year = {2009},
   url = {http://www.youtube.com/watch?v=eHMg_30DVI4},
   Key = {fds170440}
}

@misc{fds199861,
   Author = {Stephen Jaffe},
   Title = {Light Dances (Chamber Concerto No. 2)},
   Publisher = {Merion Music, Inc. (Theodore Presser Co.)},
   Year = {2009},
   url = {http://www.youtube.com/watch?v=yXJaP63K0xo},
   Abstract = {Commissioned by Network for New Music, Philadelphia, PA and
             first performed on the group's concerts, April
             2009.},
   Key = {fds199861}
}

@misc{fds197693,
   Author = {Stephen Jaffe},
   Title = {Summer Voices},
   Year = {2011},
   Abstract = {Program Note: The thirteen movements comprising Summer
             Voices alternate between instrumental and choral ones.
             Following the short Fragmentary Prelude, and beginning with
             No. 2, the sequence follows clearly between movements
             deriving from a vocalise in march-like tempo (call it
             “Alla Marcia”), and a separate narrative using Richard
             Wilbur’s quiet, intense, poems. The instrumental music is
             by turns fanciful, lyrical, angular. The complimentary
             Wilbur poems inhabit a different space, and are set for the
             chorus and mezzo-soprano with a sense of quiet; miniature
             still-lifes drawn from nature. Heard in alternation, the two
             intercut narratives of Summer Voices are never really
             joined, but have something to say to each other, as a
             conversation between nature and art may absorb us on a
             summer evening. The march-like material comes to a
             culmination in the twelfth movement, prior to the concluding
             Wilbur section, “The Gifts”, actually the poet’s
             English translation of a poem by the 19th century French
             poet Villiers de l’Isle Adam. The gifts are an Ancient
             ballad, a dew-filled rose, and doves.},
   Key = {fds197693}
}

@misc{fds197694,
   Author = {Stephen Jaffe},
   Title = {Cameo},
   Year = {2011},
   Month = {October},
   url = {http://www.dacapochamberplayers.org/html/upcoming_events.htm},
   Abstract = {Da Capo Chamber Players, Merkin Hall NY},
   Key = {fds197694}
}

@misc{fds212551,
   Author = {Stephen Jaffe},
   Title = {DESIGNS II},
   Year = {2012},
   Abstract = {for Clarinet/Bass Clarinet, Guitar/Electric Guitar, and
             Percussion (19-20′) Premiere: Nicholas Lewis, clarinet and
             bass clarinet; Dan Lippel, guitar; Douglas Perkins,
             percussion. (Duke University). Beat City (Tufts University).
             Designs II’s individual movements, Teneramente (Clarinet,
             Guitar and Percussion) and Vivo e ruvido (Bass Cl., Elec.
             Guitar, Percussion) may be performed separately or
             together.},
   Key = {fds212551}
}

@misc{fds212560,
   Author = {S. Jaffe},
   Title = {String Quartet No. 2 ("Aeolian and Sylvan
             Figures")},
   Year = {2012},
   url = {http://dx.doi.org/Awaiting editing and release in
             2013.},
   Doi = {Awaiting editing and release in 2013.},
   Key = {fds212560}
}

@misc{fds220530,
   Author = {Stephen Jaffe},
   Title = {Southern Lights (Still Life With Blue, Cut Time, A
             Smile)},
   Year = {2013},
   Key = {fds220530}
}

@misc{fds220529,
   Author = {Stephen Jaffe},
   Title = {HIP Concerto (Chamber Concerto No. 3)},
   Year = {2014},
   url = {http://sites.duke.edu/sjaffe/music/mixed-chamber-ensemble/},
   Key = {fds220529}
}

@misc{fds224562,
   Author = {S. Jaffe},
   Title = {Elation},
   Year = {2014},
   url = {http://http://sites.duke.edu/sjaffe/2014/04/02/elation-new-recordings-of-offering-and-four-pieces-quasi-sonata/},
   Abstract = {http://sites.duke.edu/sjaffe/2014/04/02/elation-new-recordings-of-offering-and-four-pieces-quasi-sonata/},
   Key = {fds224562}
}


%% Kelley, Anthony M.   
@misc{fds15721,
   Author = {A.M. Kelley},
   Title = {Point of Reference},
   Publisher = {Myrmecoid Music},
   Year = {2003},
   Abstract = {This is a work for improvising clarinet and piano. It
             incorporates New Blues practice.},
   Key = {fds15721}
}

@misc{fds140642,
   Author = {A.M. Kelley},
   Title = {Conjure Bearden [Musical Suite for Film]},
   Publisher = {Myrmecoid Music},
   Address = {Box 93377 Durham, NC 27708},
   Year = {2006},
   Month = {Spring},
   url = {http://www.duke.edu/~antk/ant_music_folder/bearden.mov},
   Keywords = {film music new_blues spirituals African-American
             archival},
   Abstract = {This composition, for synthesizer, clarinet, and double
             bass, was designed to accompany the images of H. Lee Waters
             filmed in North Carolina during the 1930's and 40's. The
             images were reassembled by Tom Whiteside for a premiere in
             conjunction with a Romare Bearden exhibition at Duke's
             Nasher Museum of Art in 2006.},
   Key = {fds140642}
}

@article{fds287426,
   Author = {Kelley, AM},
   Title = {Coleridge-Taylor Perkinson: Composer with colossal
             imagination},
   Journal = {The News and Observer},
   Year = {2007},
   Month = {February},
   url = {http://www.newsobserver.com/690/story/541878.html},
   Keywords = {Music Composition African-American Black Composer Composers
             Coleridge-Taylor Perkinson},
   Abstract = {This article provides an overview of some of the impressive
             compositions from a lesser known 20th Century composer,
             Coleridge-Taylor Perkinson.},
   Key = {fds287426}
}

@misc{fds140643,
   Author = {A.M. Kelley},
   Title = {Soundtrack to "The Doll"},
   Publisher = {Myrmecoid Music},
   Address = {Box 93378 Durham, NC 27708},
   Year = {2007},
   Month = {October},
   url = {http://www.youtube.com/watch?v=SxRwvIdAlOw},
   Keywords = {film music African-American new_blues},
   Abstract = {This music was composed to accompany the short film, THE
             DOLL, directed by Emmy Award-winner, Dante James, and based
             on a short story by the same name written by Charles
             Chesnutt. It is scored for Piano, Clarinet, Bass, and Drum
             Set.},
   Key = {fds140643}
}

@misc{fds152635,
   Author = {A.M. Kelley},
   Title = {Incidental Music to the stage production, SPRING
             AWAKENING},
   Year = {2008},
   Month = {Spring},
   Abstract = {This music provides transition and background scoring for
             the Duke Department of Theater Studies production of SPRING
             AWAKENING, Spring, 2008.},
   Key = {fds152635}
}

@misc{fds165791,
   Author = {A.M. Kelley and Nicholas Lewis and Reginald Patterson and David
             Garner},
   Title = {Contra-Funkti, 1-6},
   Year = {2009},
   Abstract = {New approach to open improvisation, requiring close
             listening and response to polyphonic textures.},
   Key = {fds165791}
}

@misc{fds183921,
   Author = {A.M. Kelley},
   Title = {"Grist for the Mill"},
   Year = {2010},
   url = {http://itunes.apple.com/us/album/songs-for-the-soul/id380000131},
   Abstract = {Composition for mixed chamber ensemble, recorded for Albany
             Records by The Mallarme Chamber Players.},
   Key = {fds183921}
}

@misc{fds200491,
   Author = {A.M. Kelley},
   Title = {"Kudzu Vine Suite"},
   Year = {2011},
   Abstract = {Compositional audio montage, expanded from music in the
             soundtrack to Gibson's "Kudzu Vine".},
   Key = {fds200491}
}

@misc{fds200490,
   Author = {A.M. Kelley},
   Title = {Soundtrack to "Kudzu Vine" [Documentary]},
   Year = {2011},
   Month = {May},
   url = {http://vimeo.com/26640630},
   Abstract = {Electronic musical work to accompany the documentary by
             filmmaker Josh Gibson.},
   Key = {fds200490}
}


%% Ku, Hsiao-Mei   
@misc{fds43586,
   Author = {H. Ku},
   Title = {Zheng Qiufeng, Three Solo Violin Works, “Sinian”,
             “Xiyou” and “ Yaoshanying”, China Records, GCD-5196,
             2002},
   Year = {2005},
   Key = {fds43586}
}

@misc{fds43581,
   Author = {Scott Lindroth},
   Title = {Nassuh},
   Year = {2005},
   Month = {March},
   Abstract = {String Quartet No.2 by Malcolm Peyton –originally written
             for the Ciompi Nassuh with Susan Narucki by Scott Lindroth
             will be released soon.},
   Key = {fds43581}
}

@misc{fds43582,
   Author = {Malcom Peyton},
   Title = {String Quartet No.2},
   Year = {2005},
   Month = {November},
   Abstract = {String Quartet No.2 by Malcolm Peyton –originally written
             for the Ciompi},
   Key = {fds43582}
}

@misc{fds51151,
   Author = {Hsiao-mei Ku and Ning Lu},
   Title = {Violin and Piano Music of Ma Sicong (I)},
   Publisher = {Naxos},
   Year = {2007},
   Month = {July},
   Key = {fds51151}
}

@misc{fds165780,
   Author = {Hsiao-mei Ku and Ning Lu},
   Title = {"Music for Violin and Piano" Vol.II by Ma
             Sicong},
   Publisher = {ClassicsOnline},
   Address = {ClassicsOnline:http://www.classicsonline.com/catalogue/product.aspx?pid=889226.},
   Year = {2009},
   Month = {November},
   Key = {fds165780}
}

@misc{fds183585,
   Author = {H. Ku},
   Title = {“Music for violin and Piano” volume 2, by the Chinese
             composer Ma Sicong},
   Volume = {2},
   Series = {Naxos 8.570605},
   Publisher = {Naxos},
   Year = {2010},
   Month = {March},
   Key = {fds183585}
}

@misc{fds219948,
   Author = {H. Ku},
   Title = {Heinrich Wilhelm Ernst},
   Volume = {4},
   Series = {TOCC 0189},
   Publisher = {Toccata Classics},
   Address = {16 Dalkeith Court, Vencent Street, London, SW1P 4HH,
             UK},
   Year = {2013},
   Abstract = {String Quartet by Ernest},
   Key = {fds219948}
}


%% Lindroth, Scott A.   
@misc{fds18512,
   Author = {S.A. Lindroth},
   Title = {Two Pieces for Alto Saxophone and Chamber
             Ensemble},
   Publisher = {Dorn Publications},
   Year = {1977},
   Key = {fds18512}
}

@misc{fds18504,
   Author = {S.A. Lindroth},
   Title = {Chasing the Trane Out of Darmstadt},
   Publisher = {Dorn Publications},
   Year = {1980},
   Key = {fds18504}
}

@misc{fds18503,
   Author = {S.A. Lindroth},
   Title = {Pieces of Piano},
   Publisher = {Ajir Music},
   Year = {1982},
   Key = {fds18503}
}

@misc{fds18514,
   Author = {S.A. Lindroth},
   Title = {In the Red Mountains},
   Publisher = {Ajir Music},
   Year = {1984},
   Key = {fds18514}
}

@misc{fds18510,
   Author = {S.A. Lindroth},
   Title = {CDCM Computer Music Series},
   Publisher = {Centaur Records},
   Year = {1985},
   Key = {fds18510}
}

@misc{fds18513,
   Author = {S.A. Lindroth},
   Title = {Syntax},
   Publisher = {Ajir Music},
   Year = {1985},
   Key = {fds18513}
}

@misc{fds18501,
   Author = {S.A. Lindroth},
   Title = {Relations to Rigor I},
   Publisher = {Ajir Music},
   Year = {1986},
   Key = {fds18501}
}

@misc{fds18506,
   Author = {S.A. Lindroth},
   Title = {Two Part Invention},
   Publisher = {Ajir Music},
   Year = {1986},
   Key = {fds18506}
}

@misc{fds18500,
   Author = {S.A. Lindroth},
   Title = {Relations to Rigor II},
   Publisher = {Ajir Music},
   Year = {1987},
   Key = {fds18500}
}

@misc{fds18507,
   Author = {S.A. Lindroth},
   Title = {A Fire's Bright Song},
   Publisher = {Ajir Music},
   Year = {1987},
   Key = {fds18507}
}

@misc{fds18499,
   Author = {S.A. Lindroth},
   Title = {Stomp},
   Publisher = {Ajir Music},
   Year = {1988},
   Key = {fds18499}
}

@misc{fds18498,
   Author = {S.A. Lindroth},
   Title = {Treatise on Tailor's Dummies},
   Publisher = {Ajir Music},
   Year = {1989},
   Key = {fds18498}
}

@misc{fds18502,
   Author = {S.A. Lindroth},
   Title = {In the Middle of the Road},
   Publisher = {Ajir Music},
   Year = {1989},
   Key = {fds18502}
}

@misc{fds18508,
   Author = {S.A. Lindroth},
   Title = {Clash and Glitter},
   Publisher = {Ajir Music},
   Year = {1989},
   Key = {fds18508}
}

@misc{fds18496,
   Author = {S.A. Lindroth},
   Title = {Duo for Violins},
   Publisher = {Ajir Music},
   Year = {1990},
   Key = {fds18496}
}

@misc{fds18497,
   Author = {S.A. Lindroth},
   Title = {Whistle Stop},
   Publisher = {Ajir Music},
   Year = {1990},
   Key = {fds18497}
}

@misc{fds18509,
   Author = {S.A. Lindroth},
   Title = {Bang On A Can, vol. 1},
   Publisher = {CRI},
   Year = {1991},
   Key = {fds18509}
}

@misc{fds18492,
   Author = {S.A. Lindroth},
   Title = {Light},
   Publisher = {Ajir Music},
   Year = {1991},
   Key = {fds18492}
}

@misc{fds18493,
   Author = {S.A. Lindroth},
   Title = {Fantasy for Two Pianos},
   Publisher = {Ajir Music},
   Year = {1992},
   Key = {fds18493}
}

@misc{fds18495,
   Author = {S.A. Lindroth},
   Title = {January Music},
   Publisher = {Ajir Music},
   Year = {1993},
   Key = {fds18495}
}

@misc{fds18490,
   Author = {S.A. Lindroth},
   Title = {Quartet},
   Publisher = {Ajir Music},
   Year = {1994},
   Key = {fds18490}
}

@misc{fds18494,
   Author = {S.A. Lindroth},
   Title = {Big Band},
   Publisher = {Ajir Music},
   Year = {1994},
   Key = {fds18494}
}

@misc{fds18489,
   Author = {S.A. Lindroth},
   Title = {Terza Rima},
   Publisher = {Ajir Music},
   Year = {1995},
   Key = {fds18489}
}

@misc{fds18491,
   Author = {S.A. Lindroth},
   Title = {The Dolphins},
   Publisher = {Ajir Music},
   Year = {1995},
   Key = {fds18491}
}

@misc{fds18488,
   Author = {S.A. Lindroth},
   Title = {Glide},
   Publisher = {Ajir Music},
   Year = {1996},
   Key = {fds18488}
}

@misc{fds18487,
   Author = {S.A. Lindroth},
   Title = {Small Change},
   Publisher = {Ajir Music},
   Year = {1997},
   Key = {fds18487}
}

@misc{fds18486,
   Author = {S.A. Lindroth},
   Title = {String Quartet},
   Publisher = {Ajir Music},
   Year = {1997},
   Key = {fds18486}
}

@misc{fds18511,
   Author = {S.A. Lindroth},
   Title = {Human Gestures},
   Publisher = {CRI},
   Year = {1999},
   Key = {fds18511}
}

@misc{fds18485,
   Author = {S.A. Lindroth},
   Title = {Midde of the Road},
   Publisher = {Ajir Music},
   Year = {2000},
   Key = {fds18485}
}

@misc{fds18483,
   Author = {S.A. Lindroth},
   Title = {Spin Cycle},
   Publisher = {Ajir Music},
   Year = {2001},
   Key = {fds18483}
}

@misc{fds18505,
   Author = {S.A. Lindroth},
   Title = {Incidental Music for "Mao II"},
   Year = {2001},
   Key = {fds18505}
}

@misc{fds18484,
   Author = {S.A. Lindroth},
   Title = {American Landscape},
   Publisher = {Ajir Music},
   Year = {2002},
   Key = {fds18484}
}

@misc{fds18482,
   Author = {S.A. Lindroth},
   Title = {Bell Plates},
   Publisher = {Ajir Music},
   Year = {2002},
   Month = {September},
   Key = {fds18482}
}

@misc{fds12450,
   Author = {S.A. Lindroth},
   Title = {Spin Cycle},
   Year = {2002},
   Month = {December},
   Key = {fds12450}
}

@misc{fds12451,
   Author = {S.A. Lindroth},
   Title = {Spin Cycle},
   Year = {2003},
   Key = {fds12451}
}

@misc{fds12452,
   Author = {S.A. Lindroth},
   Title = {The Dolphins},
   Year = {2003},
   Key = {fds12452}
}

@misc{fds12689,
   Author = {S.A. Lindroth},
   Title = {Nasuh},
   Publisher = {Ajir Music},
   Year = {2003},
   Month = {December},
   Key = {fds12689}
}

@misc{fds32023,
   Author = {S.A. Lindroth},
   Title = {The Dolphins},
   Publisher = {Americus Records},
   Year = {2004},
   Month = {Summer},
   Key = {fds32023}
}

@misc{fds32022,
   Author = {S.A. Lindroth},
   Title = {Small Change},
   Publisher = {Steve Weiss Music},
   Year = {2004},
   Month = {Fall},
   Key = {fds32022}
}

@misc{fds31590,
   Author = {S.A. Lindroth and John E. Bower},
   Title = {soundSense},
   Year = {2004},
   Month = {November},
   Abstract = {A multimedia installation presented for the opening of the
             new Center for Interdisciplinary Engineering, Medicine, and
             Applied Sciences. Using an array of infrared biometric
             sensors devloped by the Duke Information Spaces Project
             (DISP), data from the sensors is used to trigger or generate
             musical harmonies and melodies.},
   Key = {fds31590}
}

@misc{fds45502,
   Author = {S.A. Lindroth},
   Title = {The Dolphins},
   Publisher = {Bridge Recordings},
   Year = {2005},
   Key = {fds45502}
}

@misc{fds45501,
   Author = {S.A. Lindroth},
   Title = {Spin Cycle},
   Year = {2005},
   Key = {fds45501}
}

@misc{fds49234,
   Author = {S.A. Lindroth},
   Title = {MIX TAPEStry},
   Year = {2006},
   url = {http://vis.duke.edu/Research/mixtapestry},
   Key = {fds49234}
}

@misc{fds50424,
   Author = {S.A. LIndroth (music) and Anya Belkina (video)},
   Title = {Poetry Garden},
   Year = {2006},
   Key = {fds50424}
}

@misc{fds53986,
   Author = {S.A. Lindroth},
   Title = {Awaken},
   Year = {2007},
   Abstract = {A 45-minute multimedia work in 4 continuous movements:
             Prelude, The Garden, Nasuh, and Azaan. Visual media designed
             by Anya Belkina.},
   Key = {fds53986}
}

@misc{fds140596,
   Author = {S.A. Lindroth},
   Title = {Spin Cycle (Youngstown State University Symphonic Wind
             Ensemble; Steven Gage, conductor)},
   Journal = {Youngstown State University Symphonic Wind Ensemble; Steven
             Gage, conductor},
   Year = {2007},
   Key = {fds140596}
}

@misc{fds140597,
   Author = {S.A. Lindroth},
   Title = {Chasing The Trane Out of Darmstadt},
   Journal = {Noah Getz, tenor saxophone (scheduled for release in
             2007)},
   Year = {2007},
   Key = {fds140597}
}

@misc{fds140592,
   Author = {S.A. Lindroth (music) and Anya Belkina (video)},
   Title = {Crowded With Voices},
   Year = {2007},
   Key = {fds140592}
}

@misc{fds140594,
   Author = {S.A. Lindroth},
   Title = {Azaan},
   Year = {2007},
   Key = {fds140594}
}

@article{fds296367,
   Author = {Ren, L and Dunson, D and Lindroth, S and Carin, L},
   Title = {Dynamic nonparametric bayesian models for analysis of
             music},
   Journal = {Journal of the American Statistical Association},
   Volume = {105},
   Number = {490},
   Pages = {458-472},
   Publisher = {Informa UK Limited},
   Year = {2010},
   Month = {June},
   ISSN = {0162-1459},
   url = {http://hdl.handle.net/10161/4397 Duke open
             access},
   Abstract = {The dynamic hierarchical Dirichlet process (dHDP) is
             developed to model complex sequential data, with a focus on
             audio signals from music. The music is represented in terms
             of a sequence of discrete observations, and the sequence is
             modeled using a hidden Markov model (HMM) with time-evolving
             parameters. The dHDP imposes the belief that observations
             that are temporally proximate are more likely to be drawn
             from HMMs with similar parameters, while also allowing for
             "innovation" associated with abrupt changes in the music
             texture. The sharing mechanisms of the time-evolving model
             are derived, and for inference a relatively simple Markov
             chain Monte Carlo sampler is developed. Segmentation of a
             given musical piece is constituted via the model inference.
             Detailed examples are presented on several pieces, with
             comparisons to other models. The dHDP results are also
             compared with a conventional music-theoretic analysis. All
             the supplemental materials used by this paper are available
             online. © 2010 American Statistical Association.},
   Doi = {10.1198/jasa.2009.ap08497},
   Key = {fds296367}
}

@misc{fds200060,
   Author = {S.A. Lindroth},
   Title = {Passage},
   Year = {2011},
   Key = {fds200060}
}

@misc{fds200068,
   Author = {S.A. Lindroth},
   Title = {Twitter Music},
   Year = {2011},
   Abstract = {Composition for two percussion and electronics},
   Key = {fds200068}
}

@article{fds328969,
   Author = {Lindroth, SA},
   Title = {Teaching Composition: Artistic Growth Through Confrontation,
             Tact, Sympathy, and Honest},
   Journal = {Contemporary Music Review},
   Volume = {31},
   Number = {4},
   Pages = {297-304},
   Publisher = {Taylor & Francis (Routledge)},
   Editor = {Applebaum, M},
   Year = {2012},
   url = {http://dx.doi.org/10.1080/07494467.2012.725816},
   Abstract = {Teaching composition requires different strategies depending
             on each student's interests and experience. Reflecting on my
             own experiences as a composition student, I have found two
             teaching approaches to be especially helpful. Undergraduates
             frequently require compositional exercises that build
             technique and confidence. More experienced composers often
             benefit from carefully formulated confrontations that help
             students enlarge the scope of their musical imagination.
             Seminars allow students to explore new compositional
             approaches in the spirit of collaboration and
             experimentation. Such experiences can open new avenues for
             creative exploration.},
   Doi = {10.1080/07494467.2012.725816},
   Key = {fds328969}
}

@misc{fds220213,
   Author = {S.A. Lindroth},
   Title = {Alarm Calls},
   Year = {2013},
   Abstract = {Commissioned by John Locke for the UNCG Wind Ensemble.
             Premiered by this ensemble at the College Band Directors'
             Association National Conference of March 22, 2013 at Aycock
             Auditorium at UNCG.},
   Key = {fds220213}
}

@misc{fds220214,
   Author = {S.A. Lindroth},
   Title = {String Quintet},
   Year = {2013},
   Abstract = {Commissioned by the Ciompi Quartet and premiered by the
             Ciompi Quartet with cellist Ashley Bathgate on April 20,
             2013 in the Nelson Music Room at Duke University.},
   Key = {fds220214}
}

@misc{fds220215,
   Author = {S.A. Lindroth and Todd Berreth (visual media)},
   Title = {soundSpace},
   Year = {2013},
   Abstract = {An interactive sound installation exhibited at the North
             Carolina Museum of Life and Science.},
   Key = {fds220215}
}


%% Love, Randall M.   
@misc{fds28597,
   Title = {Fortepiano Music of Jan Vorísek, A Bohemian Composer
             in Beethoven's Vienna},
   Publisher = {Titanic (Ti-234)},
   Year = {1996},
   Key = {fds28597}
}

@misc{fds15718,
   Title = {White Man Sleeps},
   Publisher = {Arabesque label, classical download},
   Year = {2003},
   Key = {fds15718}
}

@misc{fds195317,
   Title = {Tombeau de Debussy-released on the Centaur label, this CD
             features compositions written for Debussy "in memoriam" by
             various of his contemporaries including Satie, Stravinsky,
             Bartok, Dukas, Ravel and others. It is coupled with
             recordings of Debussy's own work (Images II, L'Isle Joyeuse,
             Masques)},
   Year = {2010},
   Key = {fds195317}
}

@misc{fds184147,
   Title = {Ananda Dances-released on MSR Classics, features works by
             Bill Robinson performed by Duke violinist Eric Pritchard. I
             accompany him on "Ananda Dances" and "Govinda
             Sonata"},
   Year = {2010},
   Key = {fds184147}
}


%% McCarthy, Kerry R   
@article{fds26364,
   Author = {K. McCarthy},
   Title = {“Tallis’ Suscipe quaeso”},
   Journal = {Early Music},
   Year = {2000},
   Month = {May},
   Key = {fds26364}
}

@article{fds25285,
   Author = {K. McCarthy},
   Title = {Review of The Advent Project (James
             McKinnon)},
   Journal = {Medieval Review},
   Year = {2001},
   Month = {June},
   Key = {fds25285}
}

@article{fds25287,
   Author = {K. McCarthy},
   Title = {Music for all seasons: the Byrd Gradualia
             revisited},
   Journal = {Sacred Music},
   Volume = {129},
   Number = {1},
   Year = {2002},
   Month = {Spring},
   Key = {fds25287}
}

@article{fds26368,
   Author = {K. McCarthy},
   Title = {‘Notes as a garland’: chronology and narrative of
             Byrd’s Gradualia},
   Year = {2003},
   Key = {fds26368}
}

@article{fds25286,
   Author = {K. McCarthy},
   Title = {Review of Music in Medieval Manuscripts (Nicolas
             Bell)},
   Journal = {Medieval Review},
   Year = {2003},
   Month = {January},
   Key = {fds25286}
}

@article{fds26367,
   Author = {K. McCarthy},
   Title = {In atriis tuis Jerusalem: English recusant constructions of
             sacred time and space},
   Year = {2003},
   Month = {November},
   Key = {fds26367}
}

@article{fds26366,
   Author = {K. McCarthy},
   Title = {William Mundy’s Vox patris caelestis and the Assumption of
             the Virgin},
   Year = {2003},
   Month = {December},
   Key = {fds26366}
}

@article{fds25284,
   Author = {K. McCarthy},
   Title = {'Notes as a garland’: chronology and narrative of Byrd’s
             Gradualia},
   Journal = {Early Music History},
   Volume = {24},
   Pages = {49-84},
   Year = {2004},
   Key = {fds25284}
}

@article{fds26365,
   Author = {K. McCarthy},
   Title = {Fit to Print: controversy and editorial control in Byrd’s
             Latin publications},
   Journal = {Associates of the Stanford University Libraries},
   Year = {2004},
   Month = {May},
   Key = {fds26365}
}

@article{fds25283,
   Author = {K. McCarthy},
   Title = {William Mundy’s Vox patris caelestis and the Assumption of
             the Virgin},
   Journal = {Music and Letters},
   Volume = {85},
   Number = {3},
   Pages = {353-367},
   Year = {2004},
   Month = {August},
   Key = {fds25283}
}

@article{fds25282,
   Author = {K. McCarthy},
   Title = {Byrd, Augustine, and Tribue Domine},
   Journal = {Early Music},
   Volume = {32},
   Number = {4},
   Year = {2004},
   Month = {November},
   Key = {fds25282}
}

@article{fds33197,
   Author = {K. McCarthy},
   Title = {Review of Bach Studies from Dublin (eds. A. Leahy and
             Y. Tomita)},
   Journal = {BACH: Journal of the Riemenschneider Bach
             Institute},
   Volume = {36},
   Number = {1},
   Pages = {97-100},
   Year = {2005},
   Key = {fds33197}
}

@article{fds26363,
   Author = {K. McCarthy},
   Title = {Pygott, Richard},
   Volume = {Personenteil vol. 13},
   Pages = {§1087-88},
   Booktitle = {MGG (Die Musik in Geschichte und Gegenwart)},
   Year = {2005},
   Key = {fds26363}
}

@article{fds43544,
   Author = {K. McCarthy},
   Title = {Parsley, Osbert},
   Volume = {Personenteil vol. 13},
   Pages = {§143-44},
   Booktitle = {MGG (Die Musik in Geschichte und Gegenwart)},
   Year = {2005},
   Key = {fds43544}
}

@article{fds43552,
   Author = {K. McCarthy},
   Title = {"Collaborative voice in the Tallis-Byrd Cantiones"},
   Year = {2005},
   Key = {fds43552}
}

@article{fds43548,
   Author = {K. McCarthy},
   Title = {Fit to Print: Controversy and Editorial Control in the
             Publications of William Byrd},
   Journal = {Ex Libris (Associates of the Stanford University
             Libraries)},
   Volume = {13},
   Pages = {6-10},
   Year = {2005},
   Month = {Summer},
   Key = {fds43548}
}

@article{fds43554,
   Author = {K. McCarthy},
   Title = {"Rose garlands and gunpowder: Byrd's musical world in
             1605"},
   Year = {2005},
   Month = {August},
   Key = {fds43554}
}

@article{fds33195,
   Author = {K. McCarthy},
   Title = {Review of Johann Sebastian Bach: Christmas Oratorio
             (Ignace Bossuyt)},
   Journal = {Journal of the Riemenschneider Bach Institute},
   Volume = {37},
   Number = {1},
   Pages = {78-81},
   Year = {2006},
   Key = {fds33195}
}

@article{fds51351,
   Author = {K. McCarthy},
   Title = {A Motet for Lovers of Music},
   Journal = {Sacred Music},
   Volume = {133},
   Number = {1},
   Pages = {21-24},
   Year = {2006},
   Key = {fds51351}
}

@article{fds51345,
   Author = {K. McCarthy},
   Title = {The personal and the political in Byrd},
   Year = {2006},
   Key = {fds51345}
}

@article{fds51346,
   Author = {K. McCarthy},
   Title = {"Brought to speake English with the rest": Byrd's motet
             contrafacta},
   Year = {2006},
   Key = {fds51346}
}

@article{fds51347,
   Author = {K. McCarthy},
   Title = {Byrd's patrons at prayer},
   Year = {2006},
   Key = {fds51347}
}

@article{fds43546,
   Author = {K. McCarthy},
   Title = {Review of Byrd Edition vol. 13, Songs of Sundrie
             Natures (ed. David Mateer)},
   Journal = {NOTES: Journal of the Music Library Association},
   Volume = {62},
   Number = {4},
   Pages = {1049-52},
   Year = {2006},
   Month = {March},
   Key = {fds43546}
}

@book{fds43545,
   Author = {K. McCarthy},
   Title = {Liturgy and Contemplation in Byrd's Gradualia},
   Publisher = {Routledge},
   Year = {2007},
   Key = {fds43545}
}

@article{fds43547,
   Author = {K. McCarthy},
   Title = {Tallis, Thomas},
   Volume = {Personenteil vol. 16},
   Pages = {§457–70},
   Booktitle = {MGG (Die Musik in Geschichte und Gegenwart)},
   Year = {2007},
   Key = {fds43547}
}

@article{fds70592,
   Author = {K.McCarthy},
   Title = {Genre outlaws: Renaissance musical contrafacta and their
             makers},
   Year = {2007},
   Key = {fds70592}
}

@article{fds51350,
   Author = {K. McCarthy},
   Title = {Review of Philip Brett, William Byrd and his
             Contemporaries: Essays and a Monograph},
   Journal = {NOTES: Journal of the Music Library Association},
   Volume = {64},
   Number = {1},
   Pages = {63-66},
   Year = {2007},
   Key = {fds51350}
}

@article{fds70591,
   Author = {K. McCarthy},
   Title = {Byrd and the politics of exile},
   Year = {2007},
   Month = {July},
   Key = {fds70591}
}

@article{fds51348,
   Author = {K. McCarthy},
   Title = {Tallis, Isidore of Seville, and Suscipe
             quaeso},
   Journal = {Early Music},
   Volume = {35},
   Number = {3},
   Pages = {447-50},
   Year = {2007},
   Month = {August},
   Key = {fds51348}
}

@article{fds53482,
   Author = {K. McCarthy},
   Title = {"Brought to speake English with the rest": Byrd's motet
             contrafacta},
   Journal = {Musical Times},
   Volume = {148},
   Number = {3},
   Year = {2007},
   Month = {September},
   Key = {fds53482}
}

@article{fds156641,
   Author = {K.R. McCarthy},
   Title = {Contrafacture and ideology in the English
             Renaissance},
   Year = {2008},
   Key = {fds156641}
}

@article{fds156643,
   Author = {K.R. McCarthy},
   Title = {Philips' 1628 "Paradisus" and the Triumph of the
             Eucharist},
   Year = {2008},
   Key = {fds156643}
}

@article{fds51349,
   Author = {K. McCarthy},
   Title = {Byrd's patrons at prayer},
   Journal = {Music and Letters},
   Volume = {89},
   Number = {1},
   Year = {2008},
   Month = {February},
   Key = {fds51349}
}

@article{fds156642,
   Author = {K.R. McCarthy},
   Title = {Byrd and the Mass-Proper Tradition},
   Year = {2009},
   Key = {fds156642}
}

@article{fds156640,
   Author = {K. McCarthy (with John Harley)},
   Title = {From the library of William Byrd},
   Journal = {Musical Times},
   Volume = {150},
   Number = {4},
   Year = {2009},
   Month = {Winter},
   Key = {fds156640}
}

@article{fds166363,
   Author = {K. McCarthy},
   Title = {Review of Das Bach-Handbuch (Laaber-Verlag)},
   Journal = {BACH: Journal of the Riemenschneider Bach
             Institute},
   Year = {2010},
   Key = {fds166363}
}

@article{fds166364,
   Author = {K. McCarthy},
   Title = {Review-article on The Gyffard Partbooks, EECM vols.
             48 + 51 (ed. David Mateer)},
   Journal = {Journal of the Royal Musical Association},
   Year = {2010},
   Key = {fds166364}
}

@article{fds166362,
   Author = {K. McCarthy},
   Title = {Byrd and the Mass-Proper Tradition},
   Pages = {407-15},
   Booktitle = {Heinrich Isaac and Polyphony for the Proper of the Mass in
             the Late Middle Ages and Renaissance, ed. David
             Burn},
   Publisher = {Brepols},
   Editor = {David Burn},
   Year = {2011},
   Key = {fds166362}
}

@article{fds194828,
   Author = {K.R. McCarthy},
   Title = {Evidence of Things Past (review-article on David Mateer,
             The Gyffard Partbooks)},
   Journal = {Journal of the Royal Musical Association 135:2,
             405–11},
   Year = {2011},
   Key = {fds194828}
}

@article{fds194830,
   Author = {K.R. McCarthy},
   Title = {Philips’ 1628 Paradisus and the triumph of the
             Eucharist},
   Journal = {Renaissance Studies 25:3 (June 2011),
             447–58},
   Year = {2011},
   Key = {fds194830}
}

@article{fds194829,
   Author = {K.R. McCarthy},
   Title = {Philips’ 1628 Paradisus and the triumph of the
             Eucharist},
   Journal = {Renaissance Studies 25:3 (June 2011),
             447-58},
   Year = {2011},
   Key = {fds194829}
}

@article{fds211367,
   Author = {K.R. McCarthy},
   Title = {“More books from the library of William Byrd” (with John
             Harley)},
   Journal = {Musical Times},
   Volume = {135},
   Number = {2},
   Year = {2012},
   Month = {Spring},
   Key = {fds211367}
}

@book{fds33196,
   Author = {K. McCarthy},
   Title = {William Byrd},
   Publisher = {Oxford University Press},
   Year = {2013},
   Key = {fds33196}
}


%% McGuire, Charles E.   
@book{fds296369,
   Author = {McGuire, CE},
   Title = {Elgar's Oratorios The Creation of an Epic
             Narrative},
   Pages = {339 pages},
   Publisher = {Ashgate Pub Limited},
   Year = {2002},
   Month = {January},
   Abstract = {Understanding Elgar&#39;s four oratorios within this history
             should add a great deal to our understanding of Elgar,
             musical life at the time, and the differences between the
             public and private spaces of Britain&#39;s religious
             worship.},
   Key = {fds296369}
}


%% Meintjes, Louise   
@article{fds244319,
   Author = {Meintjes, L},
   Title = {"Paul Simon's Graceland, South Africa, and the Mediation of
             Musical Meaning"},
   Journal = {Ethnomusicology},
   Volume = {34},
   Number = {1},
   Pages = {37-73},
   Year = {1990},
   Month = {Winter},
   Key = {fds244319}
}

@article{fds244310,
   Author = {Meintjes, L},
   Title = {African Stars: Studies in Black South African Performance by
             V. Erlmann (U Chicago Press, 1991)},
   Journal = {Popular Music},
   Volume = {11},
   Number = {3},
   Pages = {378-380},
   Year = {1992},
   Month = {October},
   Key = {fds244310}
}

@article{fds244306,
   Author = {Meintjes, L},
   Title = {"John Lindemann" and "West Nkosi"},
   Series = {1st edition},
   Booktitle = {The Rough Guide to World Music},
   Publisher = {The Rough Guides: London},
   Editor = {Broughton, EEA},
   Year = {1994},
   Key = {fds244306}
}

@article{fds244311,
   Author = {Meintjes, L},
   Title = {Marabi Nights: Early South African Jazz and Vaudeville by C.
             Ballantine (Ravan Press, 1993)},
   Journal = {Popular Music},
   Volume = {15},
   Number = {2},
   Pages = {245-247},
   Year = {1996},
   Key = {fds244311}
}

@article{fds244316,
   Author = {MEINTJES, L},
   Title = {In the Time of Cannibals: The Word Music of South
             Africa's Basotho Migrants. DAVID B. COPLAN},
   Journal = {American Ethnologist},
   Volume = {23},
   Number = {3},
   Pages = {648-648},
   Publisher = {Wiley},
   Year = {1996},
   Month = {August},
   ISSN = {0094-0496},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:A1996VD84100020&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.1525/ae.1996.23.3.02a00200},
   Key = {fds244316}
}

@article{fds244307,
   Author = {Meintjes, L},
   Title = {"Hugh Masekela", and "Abdullah Ibrahim"},
   Booktitle = {The New Groves Dictionary of Music and Musicians},
   Year = {2001},
   Key = {fds244307}
}

@article{fds244308,
   Author = {Meintjes, L},
   Title = {Entries on DownTown Studios and EMI(South
             Africa)},
   Booktitle = {Encyclopedia of Popular Music of the World, Volume One:
             Media, Culture and the Industry},
   Publisher = {Cassell: London},
   Editor = {Shepherd, and Laing},
   Year = {2002},
   Key = {fds244308}
}

@book{fds244315,
   Author = {Meintjes, L},
   Title = {Sound of Africa!: Making Music Zulu in a South African
             Studio},
   Publisher = {Duke University Press},
   Year = {2003},
   Month = {January},
   Key = {fds244315}
}

@article{fds244314,
   Author = {Meintjes, L},
   Title = {"Heritage and Politics: An Ethnomusicological Perspective on
             Nation Building and Construction of the Past"},
   Year = {2003},
   Month = {May},
   Key = {fds244314}
}

@article{fds244303,
   Author = {Meintjes, L},
   Title = {"Reaching Overseas: South African Sound Engineers,
             Technology and Tradition"},
   Pages = {23-48},
   Booktitle = {Wired for Sound: Engineering and Technologies in Sonic
             Cultures},
   Publisher = {Middletown: Wesleyan University Press},
   Editor = {Greene, P and Porcello, T},
   Year = {2004},
   Key = {fds244303}
}

@article{fds244321,
   Author = {Meintjes, L},
   Title = {Shoot the Sergeant, Shatter the Mountain: The production of
             masculinity in Zulu Ngoma Song and Dance in post Apartheid
             South Africa},
   Journal = {Ethnomusicology Forum},
   Volume = {13},
   Number = {2},
   Pages = {173-201},
   Year = {2004},
   Key = {fds244321}
}

@misc{fds37915,
   Author = {L. Meintjes},
   Title = {"Oswenka: Zulu swankers' dress competition"},
   Year = {2004},
   Month = {March},
   Key = {fds37915}
}

@article{fds244320,
   Author = {Meintjes, L},
   Title = {O sentimento da política: produzindo ‘zuluidade’ em um
             estúdio de gravação sul-africano. [The Feeling of
             Politics: Producing Zuluness in a South African
             Studio.]},
   Journal = {Debates},
   Volume = {8},
   Pages = {78-92},
   Year = {2005},
   Key = {fds244320}
}

@book{fds37909,
   Author = {L. Meintjes},
   Title = {Dust of the Zulu: Ngoma Song, Dance and Masculinity in the
             Post Apartheid Struggle},
   Year = {2005},
   Key = {fds37909}
}

@article{fds244302,
   Author = {Meintjes, L},
   Title = {Dispare al Sargento, Derrumbe la Montaña: La Producción de
             la Masculinidad por medio del canto y baile Zulú "Ngoma" en
             la Suráfrica Post-Apartheid},
   Journal = {Trans: Revista Transcultural de Música/Transcultural Music
             Review},
   Volume = {10},
   Year = {2006},
   Key = {fds244302}
}

@article{fds244312,
   Author = {Meintjes, L},
   Title = {Representing African Music: Postcolonial Notes, Queries,
             Positions by Kofi Agawu (Routledge, 2003)},
   Journal = {Journal of the American Musicological Society},
   Volume = {59},
   Number = {3},
   Pages = {769-777},
   Year = {2007},
   Key = {fds244312}
}

@article{fds244313,
   Author = {Meintjes, L},
   Title = {The World of South African Music: A Reader edited by C.
             Lucia (Newcastle, Cambridge Scholars Press,
             2005)},
   Journal = {Journal of Southern African Studies},
   Volume = {34},
   Number = {1},
   Pages = {234-236},
   Year = {2008},
   Key = {fds244313}
}

@article{fds244304,
   Author = {Meintjes, L},
   Title = {The Politics of the Recording Studio: A Case Study from
             South Africa},
   Booktitle = {The Cambridge Companion to Recorded Music},
   Publisher = {Cambridge University Press},
   Editor = {Cook, N and Clarke, E and Leech-Wilkinson, D and Rink,
             J},
   Year = {2009},
   Key = {fds244304}
}

@article{fds183587,
   Author = {Samuels, D and L. Meintjes and A Ochoa and T Porcello},
   Title = {Soundscapes: Toward a Sounded Anthropology},
   Journal = {Annual Review of Anthropology},
   Volume = {39},
   Number = {329-345},
   Year = {2010},
   Key = {fds183587}
}

@article{fds183588,
   Author = {Porcello, Thomas and Louise Meintjes and Ana Maria Ochoa and David Samuels},
   Title = {The Reorganization of the Sensory World},
   Journal = {Annual Review of Anthropology},
   Volume = {39},
   Pages = {51-66},
   Year = {2010},
   Key = {fds183588}
}

@article{fds244317,
   Author = {Samuels, DW and Meintjes, L and Ochoa, AM and Porcello,
             T},
   Title = {Soundscapes: Toward a sounded anthropology},
   Journal = {Annual Review of Anthropology},
   Volume = {39},
   Number = {1},
   Pages = {329-345},
   Publisher = {ANNUAL REVIEWS},
   Year = {2010},
   Month = {October},
   ISSN = {0084-6570},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000284029100020&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Abstract = {A generation of scholars in multiple disciplines has
             investigated sound in ways that are productive for
             anthropologists. We introduce the concept of soundscape as a
             modality for integrating this work into an anthropological
             approach. We trace its history as a response to the
             technological mediations and listening practices emergent in
             modernity and note its absence in the anthropological
             literature. We then trace the history of technology that
             gave rise to anthropological recording practices, film sound
             techniques, and experimental sound art, noting productive
             interweavings of these threads. After considering
             ethnographies that explore relationships between sound,
             personhood, aesthetics, history, and ideology, we question
             sound's supposed ephemerality as a reason for the
             discipline's inattention. We conclude with a call for an
             anthropology that more seriously engages with its own
             history as a sounded discipline and moves forward in ways
             that incorporate the social and cultural sounded world more
             fully. Copyright © 2010 by Annual Reviews. All rights
             reserved.},
   Doi = {10.1146/annurev-anthro-022510-132230},
   Key = {fds244317}
}

@article{fds244318,
   Author = {Porcello, T and Meintjes, L and Ochoa, AM and Samuels,
             DW},
   Title = {The reorganization of the sensory world},
   Journal = {Annual Review of Anthropology},
   Volume = {39},
   Number = {1},
   Pages = {51-66},
   Publisher = {ANNUAL REVIEWS},
   Year = {2010},
   Month = {October},
   ISSN = {0084-6570},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000284029100004&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Abstract = {Although anthropological and critical social theory have a
             long interest in sensory experience, work on the senses has
             intensified within the past 20 years. This article traces
             three sensory genealogies within anthropology: the work of
             Ong and McLuhan as critiqued and advanced by David Howes and
             the Concordia Project; phenomenological studies as advanced
             by Paul Stoller; and a focus on materialities as advanced by
             Nadia Seremetakis. Studies of individual senses, which we
             survey, led to calls for a more integrated approach to the
             senses, both within anthropology and from cinema and media
             studies. In various ways, the senses are constituted by
             their imbrication in mediated cultural practices, whether
             mediated by technology, discourse, or local epistemologies.
             We argue that integrating language and discourse into the
             study of the senses along with new media insights more fully
             articulates the significance of body-sensorial knowledge.
             Copyright © 2010 by Annual Reviews. All rights
             reserved.},
   Doi = {10.1146/annurev.anthro.012809.105042},
   Key = {fds244318}
}

@article{fds244305,
   Author = {Meintjes, L},
   Title = {The Recording Studio as Fetish},
   Booktitle = {The Sound Studies Reader},
   Publisher = {Routledge},
   Editor = {Sterne, J},
   Year = {2012},
   Key = {fds244305}
}

@article{fds244309,
   Author = {Meintjes, L and Meintjes, L and Ochoa, AM and Porcello, T and Samuels,
             DW},
   Title = {Ethnomusicology},
   Booktitle = {Oxford Bibliographies in Anthropology},
   Publisher = {Oxford University Press,},
   Address = {New York},
   Editor = {Jackson, J},
   Year = {2012},
   Key = {fds244309}
}

@article{fds376375,
   Author = {Meintjes, L},
   Title = {The Recording Studio as Fetish},
   Publisher = {Routledge},
   Year = {2012},
   Key = {fds376375}
}

@article{fds356533,
   Author = {Meintjes, L},
   Title = {Hi-fi sociality, Lo-fi sound: Affect and precarity in an
             independent South African recording studio},
   Pages = {207-223},
   Booktitle = {State and Culture in Postcolonial Africa:
             Enchantings},
   Year = {2017},
   Month = {January},
   ISBN = {9780253029980},
   Key = {fds356533}
}

@book{fds367944,
   Author = {Meintjes, L},
   Title = {Dust of the Zulu},
   Publisher = {Duke University Press},
   Year = {2017},
   Month = {July},
   url = {http://dx.doi.org/10.1215/9780822373636},
   Abstract = {<jats:p>In Dust of the Zulu Louise Meintjes traces the
             political and aesthetic significance of ngoma, a competitive
             form of dance and music that emerged out of the legacies of
             colonialism and apartheid in South Africa. Contextualizing
             ngoma within South Africa's history of violence, migrant
             labor, the HIV epidemic, and the world music market,
             Meintjes follows a community ngoma team and its professional
             subgroup during the twenty years after apartheid's end. She
             intricately ties aesthetics to politics, embodiment to the
             voice, and masculine anger to eloquence and virtuosity,
             relating the visceral experience of ngoma performances as
             they embody the expanse of South African history. Meintjes
             also shows how ngoma helps build community, cultivate
             responsible manhood, and provide its participants with a
             means to reconcile South Africa's past with its
             postapartheid future. Dust of the Zulu includes over one
             hundred photographs of ngoma performances, the majority
             taken by award-winning photojournalist TJ
             Lemon.</jats:p>},
   Doi = {10.1215/9780822373636},
   Key = {fds367944}
}

@book{fds316271,
   Author = {Meintjes, L},
   Title = {Dust of the Zulu: Ngoma Aesthetics after
             Apartheid},
   Pages = {360 pages},
   Publisher = {Duke University Press Books},
   Year = {2017},
   Month = {August},
   ISBN = {9780822362654},
   Abstract = {In Dust of the Zulu Louise Meintjes traces the political and
             aesthetic significance of ngoma, a competitive form of dance
             and music that emerged out of the legacies of colonialism
             and apartheid in South Africa. Contextualizing ngoma within
             South Africa's history of violence, migrant labor, the HIV
             epidemic, and the world music market, Meintjes follows a
             community ngoma team and its professional subgroup during
             the twenty years after apartheid's end. She intricately ties
             aesthetics to politics, embodiment to the voice, and
             masculine anger to eloquence and virtuosity, relating the
             visceral experience of ngoma performances as they embody the
             expanse of South African history. Meintjes also shows how
             ngoma helps build community, cultivate responsible manhood,
             and provide its participants with a means to reconcile South
             Africa's past with its postapartheid future. Dust of the
             Zulu includes over one hundred photographs of ngoma
             performances, the majority taken by award-winning
             photojournalist TJ Lemon.},
   Key = {fds316271}
}

@article{fds370448,
   Author = {Meintjes, L},
   Title = {Louise Meintjes Ululation},
   Pages = {61-76},
   Booktitle = {REMAPPING SOUND STUDIES},
   Year = {2019},
   ISBN = {978-1-4780-0046-4},
   Key = {fds370448}
}


%% Moreno, Jairo   
@article{fds8001,
   Author = {Thomas Christensen},
   Title = {Rameau and Musical Thought in the Enlightenment},
   Journal = {Journal of Music Theory},
   Volume = {40},
   Number = {2},
   Pages = {354-361},
   Publisher = {Cambridge: Cambridge University Press, 1993},
   Year = {1996},
   Key = {fds8001}
}

@article{fds7511,
   Title = {Body'n'Soul?: Voice and Movement in Keith Jarrett's
             Pianism},
   Journal = {The Musical Quarterly},
   Volume = {83},
   Number = {1},
   Pages = {75-92},
   Year = {1999},
   Key = {fds7511}
}

@article{fds7510,
   Title = {Challenging Views of Sequential Repetition: From
             Satzlehre to Melodielehre},
   Journal = {Journal of Music History},
   Volume = {44},
   Number = {1},
   Pages = {127-169},
   Year = {2000},
   Key = {fds7510}
}

@misc{fds12694,
   Author = {Lucía Pulido},
   Title = {Religious and Pagan Songs from Colombia: A New Musical
             Proposal},
   Publisher = {Intuition},
   Year = {2000},
   Key = {fds12694}
}

@article{fds7503,
   Title = {Schenker's Parallelisms, Schoenberg's Motive, and
             Referential Tones: Notes on Pluralistic Analysis},
   Journal = {The College Music Symposium},
   Volume = {41},
   Pages = {91-111},
   Year = {2001},
   Key = {fds7503}
}

@article{fds7508,
   Title = {Tropical Discourses: Community, History, and Sentiment in
             Rubén Blades's Latin Music(s)},
   Journal = {Journal of Popular Music Studies},
   Volume = {13},
   Number = {2},
   Pages = {133-163},
   Year = {2001},
   Key = {fds7508}
}

@misc{fds12693,
   Author = {Antonio Arnedo Quintet},
   Title = {Columbia},
   Publisher = {MTM},
   Year = {2001},
   Key = {fds12693}
}

@book{fds7498,
   Title = {Critical Terms for Musical Study},
   Publisher = {University of California Press},
   Editor = {Jairo Moreno and Philip Rupprecht},
   Year = {2003},
   Key = {fds7498}
}

@article{fds7501,
   Title = {Subjectivity, Interpretation, and Irony in Gottfried Weber's
             Analysis of Mozart's K. 465},
   Journal = {Music Theory Spectrum},
   Volume = {25},
   Year = {2003},
   Key = {fds7501}
}

@article{fds12731,
   Author = {J. Moreno},
   Title = {"Sound, Perceptions, and the Early Modern Subject in
             Descartes's Compendium Musicae."},
   Year = {2003},
   Key = {fds12731}
}

@article{fds12732,
   Author = {J. Moreno},
   Title = {"Tropical Discources: Latino Unity and Rubén Blades's
             Music(s)"},
   Year = {2003},
   Key = {fds12732}
}

@article{fds12733,
   Author = {J. Moreno},
   Title = {"Irony, Subjectivity, and the Limits of Theory in Gottfried
             Weber's Analysis of Mozart's K. 465"},
   Year = {2003},
   Key = {fds12733}
}

@article{fds12734,
   Author = {J. Moreno},
   Title = {"Irony, Subjectivity, and the Limits of Theory in Gottfried
             Weber's Analysis of Mozart's K. 465"},
   Year = {2003},
   Key = {fds12734}
}

@article{fds12735,
   Author = {J. Moreno},
   Title = {"The Epistemology of the Imaginary"},
   Year = {2003},
   Key = {fds12735}
}

@article{fds12736,
   Author = {J. Moreno},
   Title = {"Imitation and Motivation in Mattheson's Rhetorical
             Analysis"},
   Year = {2003},
   Key = {fds12736}
}

@article{fds8000,
   Author = {Naomi Cumming},
   Title = {Sonic Self: Musical Subjectivity and Signification},
   Journal = {Music Theory Spectrum},
   Publisher = {Bloomington: Indiana University Press, 2000},
   Year = {2003},
   Month = {May},
   Key = {fds8000}
}

@book{fds7497,
   Title = {Music Theories and Musical Thought from Zarlino to
             Weber},
   Publisher = {Indiana University Press},
   Year = {2003},
   Month = {Fall},
   Key = {fds7497}
}

@article{fds7499,
   Title = {Bauzá-Gillespie-Latin Jazz: Difference, Modernity, and
             the Black Caribbean},
   Journal = {South Atlantic Quarterly},
   Year = {2003},
   Month = {Fall},
   Key = {fds7499}
}


%% Mösenbichler-Bryant, Verena   
@misc{fds198281,
   Author = {transcribed by V.M. Moesenbichler-Bryant},
   Title = {Mr. Tambourine Man: Seven Poems of Bob Dylan for Wind
             Ensemble and amplified Soprano},
   Publisher = {G. Schirmer},
   Year = {2009},
   Key = {fds198281}
}

@article{fds296368,
   Author = {Moesenbichler-Bryant, VM},
   Title = {Article on Steven Bryant’s Axis Mundi published in
             “Teaching Music Through Performance in Band” Vol. 8, GIA
             Publications},
   Volume = {8},
   Publisher = {GIA},
   Editor = {Miles, R},
   Year = {2011},
   ISBN = {1579998194},
   Key = {fds296368}
}

@misc{fds219604,
   Author = {V.M. Moesenbichler-Bryant},
   Title = {transcription of Steven Bryant's works Idyll and Whirlwind
             for Symphony Orchestra},
   Year = {2013},
   Abstract = {Transcription of two works originally written for Wind
             Ensemble for symphony orchestra. Works premiered in the new
             setting on 11/24/2013 with the Duke Medicine
             Orchestra.},
   Key = {fds219604}
}


%% Paley, Elizabeth   
@article{fds15587,
   Author = {E. Paley},
   Title = {Review of Jenefer Robinson, ed., Music and Meaning (Ithaca:
             Cornell University Press, 1997)},
   Journal = {In Theory Only, accepted March 2001},
   Key = {fds15587}
}

@article{fds15586,
   Author = {E. Paley},
   Title = {Structural Framing in Mendelssohn's Midsummer Night's Dream;
             or, How to Get into Fairyland},
   Journal = {Submitted to Musical Quarterly, Feb. 2002},
   Key = {fds15586}
}

@article{fds7567,
   Title = {Zwischenreden fur Zwischenakten: Egmont and
             the Melodramatic Supplement},
   Journal = {South Atlantic Quarterly},
   Key = {fds7567}
}

@book{fds15588,
   Author = {E. Paley},
   Title = {Dungeons, Demons, and Dreams: Music and the Supernatural in
             German Melodrama},
   Abstract = {Melodrama, the combination of spoken declamation and
             instrumental accompaniment, captivated composers and
             audiences alike in 19th-century Germany, yet audiences today
             are largely unfamiliar with this once popular and
             influential compositional technique. Dramatic scenes that
             motivated melodramas provided sites for radical experiments
             in chromaticism, instrumentation, and fragmentary forms, and
             often stretched the musical imagination in surprising ways.
             Through detailed musical and textual analyses of melodrama
             in Benda's Medea (1775), Weber's Der Freischütz (1821),
             Beethoven's Fidelio (1804-05) and Egmont (1809-10),
             Schumann's Manfred (1848), Schoenberg's Pierrot lunaire
             (1912), and Knieper's soundtrack to Wim Wenders' film Himmel
             über Berlin (1987), Dungeons, Demons, and Dreams considers
             questions of narrative voice, compositional authority,
             performance practice, and critical reception to give
             melodrama its much deserved due.},
   Key = {fds15588}
}

@article{fds15584,
   Author = {E. Paley},
   Title = {'The Voice Which Was My Music': Narrative and Nonnarrative
             Musical Discourse in Schumann's Manfred},
   Journal = {Nineteenth-Century Music},
   Volume = {24},
   Number = {1},
   Pages = {3-20},
   Year = {2000},
   Month = {Summer},
   Key = {fds15584}
}

@article{fds15583,
   Author = {E. Paley},
   Title = {Schumann's Dramatic Choral and Stage Works},
   Booktitle = {Cambridge Companion to Schumann},
   Editor = {Beate Perrey},
   Year = {2004},
   Key = {fds15583}
}


%% Parkins, Robert   
@article{fds291763,
   Author = {Parkins, R},
   Title = {Transposition in Seventeenth-Century English Organ
             Accompaniments and the Transposing Organ (J. Bunker
             Clark)},
   Journal = {Journal of the American Musical Instrument
             Society},
   Volume = {IV},
   Pages = {116-118},
   Year = {1978},
   Key = {fds291763}
}

@article{fds291768,
   Author = {Parkins, R},
   Title = {Cabezón to Cabanilles: Ornamentation in Spanish Keyboard
             Music},
   Journal = {The Organ Yearbook},
   Volume = {XI},
   Pages = {5-16},
   Year = {1980},
   Key = {fds291768}
}

@article{fds331380,
   Author = {PARKINS, R},
   Title = {KEYBOARD FINGERING IN EARLY SPANISH SOURCES},
   Journal = {COLLEGE MUSIC SYMPOSIUM},
   Volume = {21},
   Number = {2},
   Pages = {169-169},
   Year = {1981},
   Key = {fds331380}
}

@misc{fds16183,
   Author = {R. Parkins},
   Title = {Mendelssohn, Brahms and 17th-Century Spain
             (LP)},
   Publisher = {Gothic},
   Year = {1982},
   Key = {fds16183}
}

@misc{fds16178,
   Author = {R. Parkins},
   Title = {Mendelssohn, Brahms and 17th Century Spain},
   Publisher = {Gothic 68109},
   Year = {1982},
   Key = {fds16178}
}

@article{fds16568,
   Author = {R. Parkins and R. Larry Todd},
   Title = {Mendelssohn’s Fugue in F Minor: A Discarded Movement of
             the First Organ Sonata},
   Journal = {The Organ Yearbook},
   Volume = {XIV},
   Pages = {61-77},
   Year = {1983},
   Key = {fds16568}
}

@misc{fds16182,
   Author = {R. Parkins},
   Title = {Early Spanish Keyboard Music (LP)},
   Publisher = {Musical Heritage Society},
   Year = {1983},
   Key = {fds16182}
}

@misc{fds16177,
   Author = {R. Parkins},
   Title = {Early Spanish Keyboard Music},
   Publisher = {Musical Heritage Society MHS 4724L},
   Year = {1983},
   Key = {fds16177}
}

@article{fds291769,
   Author = {Parkins, R},
   Title = {Keyboard Fingering in Early Spanish Sources},
   Journal = {Early Music},
   Volume = {XI},
   Number = {3},
   Pages = {323-331},
   Year = {1983},
   Month = {July},
   Key = {fds291769}
}

@article{fds291771,
   Author = {Parkins, R},
   Title = {Mendelssohn and the Erard Piano},
   Journal = {The Piano Quarterly},
   Number = {125},
   Pages = {53-58},
   Year = {1984},
   Month = {Spring},
   Key = {fds291771}
}

@article{fds291764,
   Author = {Parkins, R},
   Title = {J. S. Bach as Organist (ed. George Stauffer and Ernest
             May)},
   Journal = {Early Keyboard Journal},
   Volume = {IV},
   Pages = {68-74},
   Year = {1985},
   Key = {fds291764}
}

@article{fds291765,
   Author = {Parkins, R},
   Title = {(numerous short music and book reviews)},
   Journal = {The Organ Yearbook},
   Volume = {XVII-},
   Year = {1986},
   Key = {fds291765}
}

@article{fds291770,
   Author = {Parkins, R},
   Title = {Rediscovering the German Romantic Organ},
   Journal = {The Diapason},
   Pages = {14-17, 14-15, 12-13},
   Year = {1989},
   Month = {Spring},
   Key = {fds291770}
}

@misc{fds16181,
   Author = {R. Parkins},
   Title = {Early Iberian Organ Music},
   Publisher = {Naxos},
   Year = {1993},
   Key = {fds16181}
}

@misc{fds30583,
   Author = {R. Parkins},
   Title = {"Entrada" (Anon.) on "An Introduction to Early
             Music'"},
   Publisher = {Naxos 8.551203},
   Year = {1993},
   Key = {fds30583}
}

@misc{fds16176,
   Author = {R. Parkins},
   Title = {Early Iberian Organ Music},
   Publisher = {Naxos 8.550705},
   Year = {1993},
   Key = {fds16176}
}

@misc{fds16180,
   Author = {R. Parkins},
   Title = {Brahms: Complete Organ Works},
   Publisher = {Naxos},
   Year = {1994},
   Key = {fds16180}
}

@misc{fds16175,
   Author = {R. Parkins},
   Title = {Brahms: Complete Organ Works},
   Publisher = {Naxos 8.550824},
   Year = {1994},
   Key = {fds16175}
}

@article{fds291767,
   Author = {Parkins, R},
   Title = {Spain and Portugal},
   Booktitle = {Keyboard Music Before 1700},
   Publisher = {Schirmer},
   Editor = {Silbiger, A},
   Year = {1995},
   Key = {fds291767}
}

@article{fds291766,
   Author = {Parkins, R},
   Title = {The Registration of Baroque Organ Music (Barbara
             Owen)},
   Journal = {The Sixteenth Century Journal},
   Volume = {XXIX},
   Number = {1},
   Pages = {183-185},
   Year = {1998},
   Key = {fds291766}
}

@misc{fds16174,
   Author = {R. Parkins},
   Title = {German Romantic Organ Music},
   Publisher = {Gothic},
   Year = {1998},
   Key = {fds16174}
}

@misc{fds16172,
   Author = {R. Parkins},
   Title = {German Romantic Organ Music},
   Publisher = {Gothic G49096},
   Year = {1998},
   Key = {fds16172}
}

@misc{fds16173,
   Author = {R. Parkins},
   Title = {Iberian and South German Organ Music},
   Publisher = {Calcante},
   Year = {2001},
   Key = {fds16173}
}

@misc{fds15149,
   Author = {R. Parkins},
   Title = {Iberian and South German Organ Music},
   Publisher = {Calcante CD036},
   Year = {2001},
   Month = {Spring},
   Key = {fds15149}
}

@article{fds291762,
   Author = {Parkins, R},
   Title = {Spain and Portugal (revised 2nd edition)},
   Booktitle = {Keyboard Music Before 1700},
   Publisher = {Routledge},
   Editor = {Silbiger, A},
   Year = {2003},
   Key = {fds291762}
}

@misc{fds15592,
   Author = {R. Parkins},
   Title = {Vierne: Messe solennelle (for choir and two
             organs)},
   Publisher = {Arsis CD133},
   Year = {2003},
   Key = {fds15592}
}

@article{fds16566,
   Author = {R. Parkins},
   Title = {Spain and Portugal},
   Series = {second edition},
   Booktitle = {Keyboard Music Before 1700},
   Publisher = {Routledge},
   Editor = {Alexander Silbiger},
   Year = {2003},
   Key = {fds16566}
}

@misc{fds15145,
   Author = {R. Parkins},
   Title = {Organ Music of Frescobaldi},
   Publisher = {Calcante CD038},
   Year = {2003},
   Month = {Fall},
   Key = {fds15145}
}

@misc{fds15842,
   Author = {R. Parkins},
   Title = {Organ Music of Frescobaldi},
   Publisher = {Calcante},
   Year = {2003},
   Month = {Fall},
   Key = {fds15842}
}

@article{fds291761,
   Author = {Parkins, R},
   Title = {Clavecímbano," "Clavicordio," "Nassarre},
   Booktitle = {The Harpsichord and Clavichord: An Encyclopedia},
   Publisher = {Routledge},
   Address = {New York & London},
   Editor = {Kipnis, I},
   Year = {2007},
   ISBN = {0-415-93765-5},
   Key = {fds291761}
}

@misc{fds211197,
   Author = {R. Parkins},
   Title = {Early Spanish Keyboard Music},
   Year = {2013},
   Key = {fds211197}
}

@misc{fds219659,
   Author = {R. Parkins},
   Title = {Mendelssohn, Brahms and 17th Century Spain},
   Year = {2013},
   Key = {fds219659}
}


%% Penner, Nina   
@article{fds318349,
   Author = {Penner, N},
   Title = {Opera Singing and Fictional Truth},
   Journal = {The Journal of Aesthetics and Art Criticism},
   Volume = {71},
   Number = {1},
   Pages = {81-90},
   Editor = {Bicknell, J and Fisher, JA},
   Year = {2013},
   Month = {February},
   url = {http://dx.doi.org/10.1111/j.1540-6245.2012.01544.x},
   Doi = {10.1111/j.1540-6245.2012.01544.x},
   Key = {fds318349}
}

@article{fds325696,
   Author = {Penner, N},
   Title = {Rethinking the Diegetic/Nondiegetic Distinction in the Film
             Musical},
   Journal = {Music and the Moving Image},
   Volume = {10},
   Number = {3},
   Pages = {3-20},
   Year = {2017},
   Key = {fds325696}
}


%% Pritchard, Eric N.   
@misc{fds12467,
   Author = {The Ciompi Quartet},
   Title = {Chamber Music of Mark Kuss},
   Publisher = {Gasparo},
   Year = {1999},
   Key = {fds12467}
}

@misc{fds12468,
   Author = {The Ciompi Quartet},
   Title = {"Human Gestures" Music by Scott Lindroth},
   Publisher = {CRI (808)},
   Year = {1999},
   Key = {fds12468}
}

@misc{fds12469,
   Author = {The Ciompi Quartet},
   Title = {Music from the Highlands Chamber Music Festival},
   Year = {1999},
   Key = {fds12469}
}

@misc{fds12470,
   Author = {Oxford String Quartet},
   Title = {Palm Court Christmas},
   Publisher = {Mastersound (15095-1818-2)},
   Year = {1999},
   Key = {fds12470}
}

@misc{fds12466,
   Author = {The Ciompi Quartet},
   Title = {The Ciompi Quartet Live at St. Stevens},
   Publisher = {Atlas},
   Year = {2001},
   Key = {fds12466}
}

@misc{fds17293,
   Title = {Melancholie},
   Publisher = {Albany Records},
   Year = {2003},
   Key = {fds17293}
}

@misc{fds144918,
   Author = {Ciompi Quartet},
   Title = {String Quartets of Paul Schoenfield},
   Year = {2008},
   Abstract = {Released on Naxos Records through the Milken Archive for
             American Jewish Music},
   Key = {fds144918}
}

@misc{fds165854,
   Author = {E.N. Pritchard},
   Title = {"Ananda Dances" Music for Violin and Piano by Bill
             Robinson},
   Year = {2009},
   Key = {fds165854}
}

@misc{fds183670,
   Author = {Bill Robinson and Eric Pritchard and Randall Love},
   Title = {Ananda Dances - Music for Violin by Bill
             Robinson},
   Year = {2010},
   Key = {fds183670}
}

@misc{fds199379,
   Author = {Ciompi Quartet},
   Title = {String Quartet "Journey to the West" by Chiayu
             Hsu},
   Year = {2011},
   Key = {fds199379}
}

@misc{fds215969,
   Author = {Ciompi Quartet},
   Title = {"Ictus" String Quartet by David Lipten},
   Year = {2012},
   Key = {fds215969}
}

@misc{fds215970,
   Author = {Ciompi Quartet},
   Title = {String Quartet in B-Flat Major by Heinrich
             Ernst},
   Year = {2013},
   Key = {fds215970}
}


%% Raimi, Frederic B.   
@misc{fds15677,
   Author = {F.B. Raimi},
   Title = {Schoenfield, Raimi, Kuss},
   Publisher = {Gasparo Records},
   Year = {2003},
   Month = {Winter},
   Key = {fds15677}
}


%% Raimi, Jane H.   
@misc{fds26362,
   Title = {The Music of Robert Ward},
   Publisher = {Bay Cities},
   Year = {1980},
   Key = {fds26362}
}

@misc{fds26361,
   Title = {Chamber Music of Robert Ward},
   Publisher = {Albany Records},
   Year = {1982},
   Key = {fds26361}
}

@misc{fds26360,
   Title = {Robert Fuchs: Phantasiestucke, Sonata, Trio},
   Publisher = {Centaur CRC-2278},
   Year = {1996},
   Key = {fds26360}
}

@misc{fds15023,
   Title = {Donald Wheelock: 3 Sonatas},
   Publisher = {Gasparo GSCD-316},
   Year = {1998},
   Key = {fds15023}
}

@misc{fds12701,
   Title = {Fiddler's Galaxy},
   Publisher = {Albany Records TROY 407},
   Year = {2000},
   Key = {fds12701}
}

@misc{fds12699,
   Title = {Music of Mark Kuss},
   Publisher = {Gasparo GSCD-337},
   Year = {2000},
   Key = {fds12699}
}

@misc{fds12698,
   Title = {Fairy Scenes: Music of Robert and Clara Schumann},
   Publisher = {Centaur CRC-2581},
   Year = {2002},
   Key = {fds12698}
}

@misc{fds48975,
   Title = {Raimi Plays Raimi, Schoenfield, and Kuss},
   Publisher = {Gasparo Records},
   Year = {2003},
   Key = {fds48975}
}

@misc{fds12696,
   Title = {Melancholie},
   Publisher = {Albany Records},
   Year = {2003},
   Key = {fds12696}
}

@misc{fds144358,
   Title = {Music of Robert Ward},
   Year = {2008},
   Abstract = {to be released 2009},
   Key = {fds144358}
}


%% Rupprecht, Philip   
@misc{fds292156,
   Author = {Rupprecht, P},
   Title = {Conference Report: Arnold Schoenberg Institute/Music Theory
             Society of New York State: Joint Meeting, Barnard College,
             Columbia University, October 1991},
   Journal = {Music Analysis},
   Volume = {11},
   Number = {1},
   Pages = {129-33},
   Year = {1992},
   Key = {fds292156}
}

@article{fds320543,
   Author = {Rupprecht, P},
   Title = {Review: Andrew Mead, An Introduction to the Music of Milton
             Babbitt},
   Journal = {Institute for Studies in American Music Newsletter},
   Volume = {25},
   Number = {2},
   Pages = {12-14},
   Year = {1996},
   Key = {fds320543}
}

@article{fds292171,
   Author = {Philip Rupprecht},
   Title = {Tonal stratification and Uncertainty in Britten’s
             music},
   Journal = {Journal of Music Theory},
   Volume = {40},
   Number = {2},
   Pages = {311-346},
   Year = {1996},
   Month = {Fall},
   Key = {fds292171}
}

@article{fds292158,
   Author = {Rupprecht, P},
   Title = {Review: Kyle Gann, The music of Conlon Nancarrow},
   Journal = {Institute for Studies in American Music Newsletter},
   Volume = {27},
   Number = {1},
   Pages = {5-7},
   Year = {1997},
   Key = {fds292158}
}

@article{fds292159,
   Author = {Rupprecht, P},
   Title = {Review: Anthony Pople, ed., Theory, Analysis and Meaning in
             Music},
   Journal = {Journal of Music Theory},
   Volume = {41},
   Number = {1},
   Pages = {157-75},
   Year = {1997},
   Month = {Spring},
   Key = {fds292159}
}

@article{fds292148,
   Author = {Rupprecht, P},
   Title = {The Chamber Music},
   Pages = {245-59},
   Booktitle = {The Cambridge Companion to Benjamin Britten},
   Publisher = {Cambridge University Press,},
   Editor = {Cooke, M},
   Year = {1999},
   Key = {fds292148}
}

@article{fds376407,
   Title = {The Chamber Music},
   Pages = {245-59},
   Publisher = {Cambridge University Press,},
   Year = {1999},
   Key = {fds376407}
}

@book{fds292164,
   Author = {Rupprecht, P},
   Title = {Britten’s Musical Language},
   Publisher = {Cambridge University Press},
   Year = {2001},
   url = {http://www.amazon.com/Brittens-Musical-Language-Twentieth-Century/dp/0521031036/ref=sr_1_1/189-7790522-2579128?s=books&ie=UTF8&qid=1414769263&sr=1-1&keywords=rupprecht+britten},
   Key = {fds292164}
}

@article{fds292160,
   Author = {Rupprecht, P},
   Title = {Review: Jonathan Cross, The Stravinsky Legacy},
   Journal = {Journal of the American Musicological Society},
   Volume = {56},
   Number = {2},
   Pages = {498-507},
   Year = {2003},
   Month = {Summer},
   Key = {fds292160}
}

@article{fds292170,
   Author = {Philip Rupprecht},
   Title = {Above and beyond the bass: harmony and texture in George
             Benjamin’s Viola, Viola},
   Journal = {Tempo: a quarterly review of modern music},
   Volume = {59},
   Pages = {28-38},
   Year = {2005},
   Month = {April},
   Key = {fds292170}
}

@misc{fds350331,
   Title = {"Liturgy and Trope in Britten’s War Requiem" (Note for
             Duke Chapel performances, dir. Rodney Wynkoop, April 19-20,
             2008)},
   Year = {2008},
   Key = {fds350331}
}

@article{fds292149,
   Author = {Rupprecht, P},
   Title = {Thematic Drama in Early Peter Maxwell Davies: Op. 1 to the
             First Taverner Fantasia},
   Pages = {45-78},
   Booktitle = {Maxwell Davies Studies},
   Publisher = {Cambridge University Press,},
   Editor = {Gloag, K and Jones, N},
   Year = {2009},
   Key = {fds292149}
}

@article{fds376406,
   Title = {Thematic Drama in Early Peter Maxwell Davies: Op. 1 to the
             First Taverner Fantasia},
   Pages = {45-78},
   Publisher = {Cambridge University Press,},
   Year = {2009},
   Key = {fds376406}
}

@article{fds305709,
   Author = {Rupprecht, P},
   Title = {"Something slightly indecent": British composers, the
             European avant-garde, and national stereotypes in the
             1950s},
   Journal = {Musical Quarterly},
   Volume = {91},
   Number = {3-4},
   Pages = {275-326},
   Publisher = {Oxford University Press (OUP)},
   Year = {2009},
   Month = {March},
   ISSN = {0027-4631},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000267616000005&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.1093/musqtl/gdp003},
   Key = {fds305709}
}

@misc{fds350330,
   Title = {The Vorticists: Musical Allies},
   Year = {2010},
   Key = {fds350330}
}

@book{fds292165,
   Author = {Various},
   Title = {Tonality 1900-1950: Concept and Practice},
   Publisher = {Stuttgart: Franz Steiner Verlag},
   Editor = {Woerner, F and Scheideler, U and Rupprecht, P},
   Year = {2012},
   ISBN = {978-3515101608},
   url = {http://www.steiner-verlag.de/titel/59171.html},
   Key = {fds292165}
}

@article{fds292161,
   Author = {Rupprecht, P},
   Title = {Review: Matthew Riley, ed., "British Music and Modernism,
             1895-1960"},
   Journal = {Music and Letters},
   Volume = {93},
   Pages = {103-06},
   Year = {2012},
   Key = {fds292161}
}

@article{fds292151,
   Author = {Rupprecht, P},
   Title = {Among the Ruined Languages: Britten’s Triadic Modernism,
             1930-1940},
   Pages = {223-245},
   Booktitle = {Tonality 1900-1950: Concept and Practice},
   Publisher = {Stuttgart: Franz Steiner,},
   Editor = {Woerner, F and Scheideler, U and Rupprecht, P},
   Year = {2012},
   Key = {fds292151}
}

@article{fds376405,
   Title = {Among the Ruined Languages: Britten’s Triadic Modernism,
             1930-1940},
   Pages = {223-245},
   Publisher = {Stuttgart: Franz Steiner,},
   Year = {2012},
   Key = {fds376405}
}

@article{fds292167,
   Author = {Rupprecht, P},
   Title = {British Music and Modernism, 1895-1960. Ed. by Matthew
             Riley.},
   Journal = {Music and Letters},
   Volume = {93},
   Number = {1},
   Pages = {103-106},
   Publisher = {Oxford University Press (OUP)},
   Year = {2012},
   Month = {February},
   ISSN = {0027-4224},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000301905700011&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.1093/ml/gcr101},
   Key = {fds292167}
}

@book{fds292166,
   Author = {ed. Philip Rupprecht},
   Title = {Rethinking Britten},
   Publisher = {Oxford University Press},
   Editor = {Rupprecht, P},
   Year = {2013},
   url = {http://global.oup.com/academic/product/rethinking-britten-9780199794805;jsessionid=298A075E8904493D3DCFEDC0830D1AA2?cc=us&lang=en&},
   Key = {fds292166}
}

@article{fds292152,
   Author = {Rupprecht, P},
   Title = {Britten and the Avant-Garde in the 1950s},
   Pages = {131-55},
   Booktitle = {Rethinking Britten},
   Publisher = {Oxford University Press},
   Editor = {Rupprecht, P},
   Year = {2013},
   Key = {fds292152}
}

@article{fds292153,
   Author = {Rupprecht, P},
   Title = {Agency Effects in the Instrumental Drama of Musgrave and
             Birtwistle},
   Pages = {189-215},
   Booktitle = {Music and Narrative Since 1900},
   Publisher = {Indiana University Press,},
   Editor = {Klein, ML and Reyland, N},
   Year = {2013},
   Key = {fds292153}
}

@article{fds292154,
   Author = {Rupprecht, P},
   Title = {Introduction: Britten’s Music and Its Audiences},
   Pages = {xv-xxxi},
   Booktitle = {Rethinking Britten},
   Publisher = {Oxford University Press},
   Editor = {Rupprecht, P},
   Year = {2013},
   Key = {fds292154}
}

@article{fds292155,
   Author = {Rupprecht, P},
   Title = {Mechanical Song: Birtwistle’s Rhythmic
             Imagination},
   Booktitle = {Birtwistle Studies},
   Publisher = {Cambridge Univ. Press},
   Editor = {Beard, D and Gloag, K and Jones, N},
   Year = {2013},
   Key = {fds292155}
}

@article{fds376404,
   Title = {Introduction: Britten’s Music and Its Audiences},
   Pages = {xv-xxxi},
   Publisher = {Oxford University Press},
   Year = {2013},
   Key = {fds376404}
}

@article{fds376403,
   Title = {Britten and the Avant-Garde in the 1950s},
   Pages = {131-55},
   Publisher = {Oxford University Press},
   Year = {2013},
   Key = {fds376403}
}

@article{fds376557,
   Title = {Agency Effects in the Instrumental Drama of Musgrave and
             Birtwistle},
   Pages = {189-215},
   Publisher = {Indiana University Press,},
   Year = {2013},
   Key = {fds376557}
}

@article{fds292147,
   Author = {Rupprecht, P},
   Title = {Edward Elgar, Serenade for Strings, op. 20, Score, edited by
             Christopher Hogwood (Kassel: Bärenreiter-Verlag, 2010), BA
             9041, viii, 18 pp., with critical commentary and
             facsimile.},
   Journal = {Nineteenth-Century Music Review},
   Volume = {10},
   Number = {2},
   Pages = {390-394},
   Publisher = {Cambridge University Press (CUP)},
   Year = {2013},
   Month = {December},
   ISSN = {1479-4098},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000339586100024&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.1017/s1479409813000463},
   Key = {fds292147}
}

@book{fds302481,
   Author = {Rupprecht, P},
   Title = {British Musical Modernism: The Manchester Group and their
             Contemporaries},
   Pages = {1-492},
   Publisher = {Cambridge University Press},
   Year = {2015},
   ISBN = {9780521844482},
   url = {http://dx.doi.org/10.1017/CBO9781139033350},
   Abstract = {British Musical Modernism explores the works of eleven key
             composers to reveal the rapid shifts of expression and
             technique that transformed British art music in the post-war
             period. Responding to radical avant-garde developments in
             post-war Europe, the Manchester Group composers - Alexander
             Goehr, Peter Maxwell Davies, and Harrison Birtwistle - and
             their contemporaries assimilated the serial-structuralist
             preoccupations of mid-century internationalism to an art
             grounded in resurgent local traditions. In close readings of
             some thirty-five scores, Philip Rupprecht traces a modernism
             suffused with the formal elegance of the 1950s, the
             exuberant theatricality of the 1960s, and - in the works of
             David Bedford and Tim Souster - the pop, minimalist, and
             live-electronic directions of the early 1970s. Setting
             music-analytic insights against a broader social-historical
             backdrop, Rupprecht traces a British musical modernism that
             was at once a collective artistic endeavor, and a sounding
             myth of national identity.},
   Doi = {10.1017/CBO9781139033350},
   Key = {fds302481}
}

@article{fds350329,
   Author = {Rupprecht, P},
   Title = {Mechanical song: Birtwistle’s rhythmic
             imagination},
   Pages = {26-62},
   Booktitle = {Harrison Birtwistle Studies},
   Publisher = {Cambridge Univ. Press},
   Editor = {David Beard and Kenneth Gloag and Nicholas Jones},
   Year = {2015},
   Month = {January},
   url = {http://dx.doi.org/10.1017/CBO9781316145326.004},
   Abstract = {Soon the year slides past never the same twice. There is no
             foretelling its fulfilment from the start. These words,
             translated from their original medieval context and set by
             Harrison Birtwistle in Narration: A Description of the
             Passing of a Year (1963), touch on a central strand of the
             composer's art: his preoccupation with rhythm and the flow
             of musical time, not merely as a problem of technique or
             construction, but as a dramatic or thematic ‘topic’,
             offered to listeners as a focus of attention. Pulse, return,
             cycle, time – all such categories, in Birtwistle's music,
             become prime (some would say primal) concerns, as is obvious
             even from his evocative work titles. His early response to
             the Gawain text in Narration is hardly his first creative
             attempt to foreground music's passing beat. A great deal of
             compositional invention inheres in demonstrating for
             listeners an almost calendric-seasonal sense of growth and
             transformation as the music unfolds. If time's ‘sliding
             past’ is to be the issue, then Refrains and Choruses
             (1957) already advertises a concern with return as formal
             and rhetorical possibility: the work ends, hauntingly, with
             eleven reiterations of a single five-note chord, each one
             revoiced, so tracing a progressive change. The ticking
             polyrhythmic ‘Toccatas’ in the opera Punch and Judy, a
             decade later (1966–7), display Birtwistle's fascination
             with measuring or marking time's movement: they are ‘to
             sound like some mechanical process switched on and off’,
             the score indicates. This overtly mechanical line of
             thinking about music's rhythm extends from Chronometer
             (1971–2) to Harrison's Clocks (1998) and beyond.
             Birtwistle's rhythmic imagination invites attention at both
             technical and symbolic levels. Throughout his career, he has
             fashioned images of time's passing – in each work, the
             processes are recognizably his own, yet they have
             continuously evolved: never the same twice. His music
             thrives on a tension between the listener's conscious aural
             grasp of the passing moment and evolving awareness of
             slower, inexorably circling returns.},
   Doi = {10.1017/CBO9781316145326.004},
   Key = {fds350329}
}

@article{fds316039,
   Author = {Rupprecht, P},
   Title = {Review: Britten's Unquiet Pasts: Sound and Memory in Postwar
             Reconstruction, by Heather Wiebe},
   Journal = {Journal of the American Musicological Society},
   Volume = {68},
   Number = {3},
   Pages = {698-703},
   Publisher = {University of California Press},
   Year = {2015},
   Month = {December},
   ISSN = {0003-0139},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000369174500008&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.1525/jams.2015.68.3.698},
   Key = {fds316039}
}

@book{fds320459,
   Author = {Wörner, F and Scheideler, U and Rupprecht, PE},
   Title = {Tonality Since 1950},
   Pages = {345 pages},
   Publisher = {Franz Steiner Verlag},
   Editor = {Woerner, F and Scheideler, U and Rupprecht, P},
   Year = {2017},
   ISBN = {351511582X},
   Abstract = {Tonality Since 1950 documents the debate surrounding one of
             the most basic technical and artistic resources of music in
             the later 20th century.},
   Key = {fds320459}
}

@article{fds320457,
   Author = {Rupprecht, P},
   Title = {Quickenings of the Heart: Notes on Rhythm and Tempo in
             Britten’s Music},
   Pages = {317-345},
   Booktitle = {Benjamin Britten Studies: Essays on an Inexplicit
             Art},
   Publisher = {Boydell Press},
   Editor = {Stroeher, V and Vickers, J},
   Year = {2017},
   ISBN = {978-1783271955},
   Key = {fds320457}
}

@article{fds320458,
   Author = {Rupprecht, P},
   Title = {Tonality Rediscovered: Oliver Knussen and the Musical
             ‘Object’ in the 1970s.},
   Pages = {209--231},
   Booktitle = {Tonality Since 1950},
   Publisher = {Franz Steiner Verlag},
   Editor = {Woerner, F and Scheideler, U and Rupprecht, P},
   Year = {2017},
   Month = {February},
   Key = {fds320458}
}

@article{fds320456,
   Author = {Rupprecht, P},
   Title = {Images in Sound: Movement, Harmony and Colour in the Early
             Music},
   Booktitle = {The Music of Simon Holt},
   Publisher = {Boydell},
   Editor = {Charlton, D},
   Year = {2017},
   Month = {June},
   Key = {fds320456}
}

@article{fds332212,
   Author = {Rupprecht, P},
   Title = {Scenes from Britten's 'Spring Symphony'},
   Booktitle = {Literary Britten},
   Publisher = {Boydell},
   Editor = {Kennedy, K},
   Year = {2018},
   Key = {fds332212}
}

@article{fds350328,
   Author = {Rupprecht, P},
   Title = {Rhythmic Dignity: Motive, Signal, and Flux in the Music of
             James Dillon},
   Journal = {MUSIKTHEORIE},
   Volume = {34},
   Number = {4},
   Pages = {347-376},
   Year = {2019},
   Key = {fds350328}
}

@article{fds358466,
   Author = {Rupprecht, P},
   Title = {Voicing ideology: Modernism and the middlebrow in Britten's
             operas},
   Journal = {Music and Letters},
   Volume = {101},
   Number = {2},
   Pages = {343-366},
   Year = {2020},
   Month = {May},
   url = {http://dx.doi.org/10.1093/ml/gcaa028},
   Doi = {10.1093/ml/gcaa028},
   Key = {fds358466}
}

@article{fds370134,
   Author = {Rupprecht, P},
   Title = {Pieces of Tradition: An Analysis of Contemporary Tonal
             Music},
   Journal = {Journal of Music Theory},
   Volume = {66},
   Number = {2},
   Pages = {291-302},
   Year = {2022},
   Month = {January},
   url = {http://dx.doi.org/10.1215/00222909-9930962},
   Doi = {10.1215/00222909-9930962},
   Key = {fds370134}
}


%% Seaman, William   
@article{fds317951,
   Author = {Seaman, W},
   Title = {Notes and Observations on Artificial Games},
   Booktitle = {Artificial Games Catalogue},
   Year = {1993},
   Key = {fds317951}
}

@article{fds293608,
   Author = {Seaman, W},
   Title = {1997},
   Booktitle = {Intelligent Environments–Spatial Aspect of the Information
             Revolution},
   Editor = {Droege, P},
   Year = {1997},
   ISBN = {0444823328/6434 2433211-744357},
   Key = {fds293608}
}

@article{fds317950,
   Author = {Seaman, W},
   Title = {Hybrid Architectures/Media Information Environments},
   Booktitle = {Intelligent Environments–Spatial Aspect of the Information
             Revolution},
   Publisher = {North Holland},
   Editor = {Droege, P},
   Year = {1997},
   Key = {fds317950}
}

@article{fds293627,
   Author = {Seaman, W},
   Title = {Emergent Constructions: Re-embodied Intelligence within
             Recombinant Poetic Networks,},
   Journal = {Digital Creativity 9. 3, pp 153–160},
   Year = {1998},
   Key = {fds293627}
}

@article{fds293609,
   Author = {Seaman, W},
   Title = {Nonsense Logic},
   Booktitle = {Reframing Consciousness},
   Publisher = {Intellect Press},
   Editor = {Ascott, R},
   Year = {1999},
   Key = {fds293609}
}

@article{fds317949,
   Author = {Seaman, W},
   Title = {Motioning Toward the Emergent Definition of E-phany
             Physics},
   Journal = {Consciousness Reframed 3: Conference Proceedings},
   Publisher = {University of Wales College},
   Editor = {Ascott, R and Punt, M},
   Year = {2000},
   Key = {fds317949}
}

@article{fds293637,
   Author = {Seaman, W},
   Title = {Exchange Fields: Embodied Positioning as Interface
             Strategy},
   Journal = {Convergence Magazine},
   Volume = {7},
   Number = {2},
   Year = {2001},
   Key = {fds293637}
}

@article{fds293610,
   Author = {Seaman, W},
   Title = {Recombinant Poetics: Emergent Explorations of Digital Video
             in Virtual Space},
   Booktitle = {Transluminations: New Screen Mediia Narratives},
   Publisher = {BFI Publishers},
   Editor = {Zapp, and Reiser},
   Year = {2002},
   Key = {fds293610}
}

@article{fds293611,
   Author = {Seaman, W},
   Title = {Recombinant Poetics — Media-Element Field
             Explorations},
   Series = {MIT Press},
   Booktitle = {First Person: New Media as Story, Performance, and
             Game},
   Editor = {Wardrip-Fruin, N and Harrigan, P},
   Year = {2003},
   Key = {fds293611}
}

@article{fds293638,
   Author = {Seaman, W},
   Title = {The Hybrid Invention Generator — Assorted
             Relations},
   Journal = {Technoetic Arts: a journal of speculative
             research},
   Volume = {1},
   Number = {2},
   Publisher = {Intellect Press},
   Year = {2003},
   Key = {fds293638}
}

@article{fds293628,
   Author = {Seaman, W},
   Title = {The Illusive Nature of Context: The Negotiation of the
             Thoughtbody},
   Booktitle = {P0Es1S: The Aesthetics of Digital Poetry},
   Publisher = {Hatje Cantz Publishers},
   Editor = {Heibach, C and Wentz, K and Seaman, W},
   Year = {2004},
   Key = {fds293628}
}

@article{fds293635,
   Author = {Seaman, W},
   Title = {Endophysics and the Thoughtbody Environment, an Outline for
             a Neo-computational Paradigm},
   Year = {2004},
   Key = {fds293635}
}

@article{fds293639,
   Author = {Seaman, W},
   Title = {Toward the Production of Nano-computers and in turn
             Nano-related Emotive Virtual/Physical Environments},
   Journal = {Intelligent Agent},
   Volume = {4},
   Number = {2},
   Year = {2004},
   Abstract = {Paper presented at the conference "Emotional
             Architectures/Cognitive Armatures", The Banff Center,
             Canada, Sept. 2001.},
   Key = {fds293639}
}

@article{fds293640,
   Author = {Seaman, W and Gaugusch, A},
   Title = {(RE)Sensing the Observer — Offering an Open Order
             Cybernetics},
   Journal = {Technoetic Arts: a journal of speculative
             research},
   Volume = {2},
   Number = {1},
   Year = {2004},
   Key = {fds293640}
}

@article{fds317948,
   Author = {Seaman, W},
   Title = {Notions of the Hybrid : A Particular Hybrid Educational
             Methodology / RISD Digital Media},
   Year = {2004},
   Key = {fds317948}
}

@article{fds293629,
   Author = {Seaman, W and Hiwaki, K and Ratjen, W and Seaman, B and Locker, M and Lasker, GE and Aydin, A},
   Title = {Intelligent Computerized Dolls as Companions in Old
             Age},
   Year = {2005},
   Key = {fds293629}
}

@article{fds293630,
   Author = {Seaman, W},
   Title = {Recombinant Poetics: The Thoughtbody Environment},
   Journal = {a Minima Magazine},
   Volume = {13},
   Number = {New Media Actual Art},
   Year = {2005},
   Key = {fds293630}
}

@article{fds293636,
   Author = {Seaman, W},
   Title = {Pattern Flows | Hybrid Accretive Processes Informing
             Identity Construction},
   Journal = {Convergence Magazine},
   Volume = {7},
   Number = {2},
   Year = {2005},
   Key = {fds293636}
}

@article{fds293612,
   Author = {Seaman, W and Rössler, OE},
   Title = {Toward the Creation of an Intelligent Situated Computer and
             Related Robotic System: An Intra-functional Network of
             Living Analogies},
   Booktitle = {Emoçào Art.ficial 3.0, Itau Cultural Center
             Publication},
   Year = {2006},
   Key = {fds293612}
}

@article{fds293613,
   Author = {Seaman, W},
   Title = {Unpacking Neosentience / Dystopian Techno-Evolution},
   Journal = {Mutomorphosis},
   Year = {2007},
   Key = {fds293613}
}

@article{fds293614,
   Author = {Seaman, W},
   Title = {Recombinant Poetics and Related Database
             Aesthetics},
   Booktitle = {Database Aesthetics},
   Publisher = {University of Minnesota Press},
   Editor = {Vesna, V},
   Year = {2007},
   Key = {fds293614}
}

@article{fds293615,
   Author = {Seaman, W},
   Title = {Recombinant Poetics},
   Booktitle = {New Media Poetry, an International Anthology},
   Editor = {Kac, E},
   Year = {2007},
   Key = {fds293615}
}

@article{fds293616,
   Author = {Seaman, W},
   Title = {A Generative Emergent Approach to Graduate
             Education},
   Booktitle = {Educating Artists for the Future, Learning at the
             Intersections of Art, Science, Technology, and
             Culture},
   Editor = {Alexenberg, M},
   Year = {2008},
   Key = {fds293616}
}

@article{fds293617,
   Author = {Seaman, W},
   Title = {Unpacking Simultaneity for Differing Observer Perspectives
             and Qualities of Environment},
   Booktitle = {Simultaneity},
   Publisher = {World Scientific},
   Editor = {Vrobel, S and Rossler, OE and Marks-Tarlow, T},
   Year = {2008},
   Key = {fds293617}
}

@article{fds293631,
   Author = {Seaman, W and Rössler, OE},
   Title = {Neosentience – A New Branch of Scientific and Poetic
             Inquiry Related to Artificial Intelligence},
   Journal = {Technotic Arts},
   Volume = {6},
   Number = {1},
   Year = {2008},
   Key = {fds293631}
}

@article{fds293618,
   Author = {Seaman, W},
   Title = {Combinatoric Micro-strategies for Emergent Transdisciplinary
             Education},
   Booktitle = {Rethinking the Contemporary Art School (NSCAD)},
   Publisher = {NSCAD},
   Year = {2009},
   Abstract = {The potential is to develop a series of both human and
             computational processes (see glossary) to augment
             transdisciplinary education, in part employing specific
             technologically mediated linguistic framing mechanisms. One
             also seeks to employ generative systems enabling creative
             output, specific forms of search capability, and intelligent
             associated juxtaposition, as another set of potential
             overarching strategies. The collaboration of artists in
             transdisciplinary research becomes one of many intersecting
             ‘perspective’ vectors forming a complex intellectual
             topology. The outcome of the research arising from such
             classes may have impact on many different fields depending
             on how the work is parsed, framed and ultimately
             contextualized. Artworks produced in conjunction with such
             research can potentially be articulated as conceptual art
             and/or inform poetic artistic production as a secondary
             manifestation where the artist is ‘inspired’ by the
             research to make ‘related’ works of art. Alternately
             questions central to the sciences and the humanities can
             potentially be addressed, and later specific knowledge can
             be folded back into the individual disciplines, expanding
             the ongoing definition of each of many differing fields.
             Micro-strategies There are many micro-strategies (see
             glossary) that can be drawn upon in the service of enabling
             new forms of Transdisciplinary research. A micro-strategy is
             a focused algorithmic process that is being employed to
             facilitate a chosen goal directed activity.},
   Key = {fds293618}
}

@article{fds293619,
   Author = {Seaman, W},
   Title = {OULIPO|vs|Recombinant Poetics},
   Booktitle = {Art & Electronic Media},
   Publisher = {Phaidon Press},
   Editor = {Shanken, E},
   Year = {2009},
   Key = {fds293619}
}

@article{fds293632,
   Author = {Seaman, W},
   Title = {Recombinant Poetics / Emergent Meaning as Examined and
             Explored Within a Specific Generative Virtual
             Environment},
   Publisher = {VDM},
   Year = {2010},
   ISBN = {isbn-10 3639236513, isbn-13 978-3639236514},
   Key = {fds293632}
}

@article{fds293641,
   Author = {Seaman, W},
   Title = {(Re)Thinking — The Body, Generative Tools and
             Computational Articulation},
   Journal = {Technoetic Arts,},
   Year = {2010},
   Key = {fds293641}
}

@article{fds293620,
   Author = {Seaman, W and Rössler, OE},
   Title = {Neosentience | The Benevolence Engine},
   Booktitle = {Neosentience | The Benevolence Engine},
   Publisher = {Intellect Press},
   Year = {2011},
   ISBN = {9781841504049},
   Abstract = {Coined by artist and media researcher Bill Seaman,
             “neosentience” describes a new branch of scientific
             inquiry related to artificial intelligence. This volume
             explores the groundbreaking work of Seaman and theoretical
             physicist Otto E. Rossler in exploring the potential of an
             intelligent robotic entity possessed of a form of sentience
             that ever more closely resembles that of a human being.
             Individual chapters approach the concept from a range of
             disciplines, including psychology, neuroscience,
             linguistics, and the arts. Neosentience is a burgeoning area
             of interest, and this book encourages readers to reflect on
             how we experience and interpret the world, how memory works,
             and what it is to be human.},
   Key = {fds293620}
}

@article{fds293633,
   Author = {Perriquet, O and Seaman, W},
   Title = {Art <-> Science Relationalities},
   Journal = {International Symposium on Electronic Art Proceedings
             (forthcoming)},
   Year = {2011},
   Key = {fds293633}
}

@article{fds303142,
   Author = {Seaman, W},
   Title = {The Engine of Engines - Toward A Computational
             Ecology},
   Booktitle = {Integral Biomathics: Tracing the Road to Reality -
             Proceedings of ACIB’11 Conference in Stirling, Scotland,
             August 29-31, 2011 and iBioMath’2011 Workshop at
             ECAL’11, Paris},
   Publisher = {Springer-Verlag, Berlin-Heidelberg},
   Editor = {Simeonov, PL and Smith, LS and Eds, ACE},
   Year = {2012},
   Abstract = {Our knowledge related to the entailments of functionalities
             of different biological processes as they enable sentience
             to arise in the human is still limited due to the biological
             complexity of the body. There are two interrelated research
             paradigms that can be developed to approach this problem–
             one paradigm seeks to study the body and articulate its
             entailments (intra-functionalities) at multiple scales over
             time; the second paradigm seeks to glean knowledge from this
             study of biological processes and create new forms of
             computation to enable us to transcend the limitations of
             current computational modes. The nature and scope of the
             question necessitates an interdisciplinary approach to
             research through the development of a multi-perspective
             approach to knowledge production. Here, key solutions can in
             part arise at the interstices between disciplines, and
             potentially enable us to define and ‘chip away’ at the
             problem set. Central is observing the body as a distributed
             network of computational processes that function at
             different physical scales as well as across time-dependent,
             process-oriented accretive frames. We can articulate the
             study of the body by calling it an electrochemical
             computer— a computer whose deep functionality is not yet
             fully entailed. Historically the nature of the problem has
             been to isolate a biological system and study its
             entailments to ascertain its functionality. Yet, the nature
             of sentience asks us as researchers to take a more holistic
             approach, despite the complexity at play. These two
             paradigms then become a long-term problem set that a network
             of high-end researchers can collaborate on, by bringing
             different areas of expertise to the table. The notion of
             developing a biomimetic/bio-relational Engine of Engines—
             A Computational Ecology (Stengers 2005) derives from
             observing computational systems at work in the body and
             approaching them through observation— through
             technological, mathematical and/or computational
             abstraction. Where the body has been described as
             functioning as a computational system that transcends the
             Turing limit (Siegelmann 1999)(Maclennan 2003)(Penrose 1989)
             new approaches to computation need to be undertaken to
             reflect this deep complexity.},
   Key = {fds303142}
}

@article{fds293622,
   Author = {W. Seaman and Seaman, W and Simeonov, PL and Brezina, EH and Cottam, R and Ehresmann,
             AC and Gare, A and Goranson, T and Gomez-Ramirez, J and Josephson, BD and Marchal, B and Matsuno, K and Root-Bernstein, RS and Rössler, OE and Salthe, SN and Schroeder, M and Seaman, B and Siregar, P and Smith,
             LS},
   Title = {White Paper},
   Booktitle = {Integral Biomathics: Tracing the Road to Reality Subtitle:
             Proceedings of ACIB’11 Conference in Stirling, Scotland,
             August 29-31, 2011 and iBioMath’2011 Workshop at
             ECAL’11, Paris},
   Publisher = {Springer-Verlag, Berlin-Heidelberg},
   Editor = {Simeonov, PL and Smith, LS and Ehresmann, AC},
   Year = {2012},
   Month = {July},
   Abstract = {This is the final outcome of the INBIOSA project which ends
             by the end of December 2011. A slighly different version
             including some appendices will be delivered to the EC later.
             We believe that this White Paper is a defining document that
             can be used to direct future research in Integral
             Biomathics. It can be the base for cooperation projects in
             this field.},
   Key = {fds293622}
}

@article{fds293623,
   Author = {Seaman, W},
   Title = {The Engine of Engines - Toward A Computational
             Ecology},
   Booktitle = {Integral Biomathics: Tracing the Road to Reality -
             Proceedings of ACIB’11 Conference in Stirling, Scotland,
             August 29-31, 2011 and iBioMath’2011 Workshop at
             ECAL’11, Paris.},
   Editor = {Simeonov, EBPL and Smith, LS and Winter, ACEE},
   Year = {2012},
   Month = {July},
   ISBN = {3642281109},
   Abstract = {Our knowledge related to the entailments of functionalities
             of different biological processes as they enable sentience
             to arise in the human is still limited due to the biological
             complexity of the body. There are two interrelated research
             paradigms that can be developed to approach this problem–
             one paradigm seeks to study the body and articulate its
             entailments (intra-functionalities) at multiple scales over
             time; the second paradigm seeks to glean knowledge from this
             study of biological processes and create new forms of
             computation to enable us to transcend the limitations of
             current computational modes. The nature and scope of the
             question necessitates an interdisciplinary approach to
             research through the development of a multi-perspective
             approach to knowledge production. Here, key solutions can in
             part arise at the interstices between disciplines, and
             potentially enable us to define and ‘chip away’ at the
             problem set. Central is observing the body as a distributed
             network of computational processes that function at
             different physical scales as well as across time-dependent,
             process-oriented accretive frames. We can articulate the
             study of the body by calling it an electrochemical
             computer— a computer whose deep functionality is not yet
             fully entailed. Historically the nature of the problem has
             been to isolate a biological system and study its
             entailments to ascertain its functionality. Yet, the nature
             of sentience asks us as researchers to take a more holistic
             approach, despite the complexity at play. These two
             paradigms then become a long-term problem set that a network
             of high-end researchers can collaborate on, by bringing
             different areas of expertise to the table. The notion of
             developing a biomimetic/bio-relational Engine of Engines—
             A Computational Ecology (Stengers 2005) derives from
             observing computational systems at work in the body and
             approaching them through observation— through
             technological, mathematical and/or computational
             abstraction. Where the body has been described as
             functioning as a computational system that transcends the
             Turing limit (Siegelmann 1999)(Maclennan 2003)(Penrose 1989)
             new approaches to computation need to be undertaken to
             reflect this deep complexity. The},
   Key = {fds293623}
}

@article{fds293625,
   Author = {Seaman, W},
   Title = {From Neosentience to Recombinant Informatics, A Research
             Overview},
   Journal = {Computer Science, Technology, and Application},
   Year = {2013},
   Keywords = {Biomimetics • Bio-abstraction • Biocomputation •
             Learning Systems • Robotics • Electrochemical Computer
             • Neosentience • Recombinant Informatics},
   Abstract = {An overview of Seaman’s research relevant to new forms of
             Computer Science, Technology and Application covers a number
             of different theoretical research areas and approaches
             including the examination of new (and historical) studies
             that seek to look holistically at particular relations at
             operation in the mind/brain/body/environment, functioning
             across different scales. Seaman is interested in what he
             calls a multi-perspective approach to knowledge production.
             He is deeply interested in the trajectory of research
             started in Cybernetics at the Biological Research Lab headed
             by Heinz von Foerster [1][2][3][4][5][6], yet points to work
             by Rashevsky [7] as an important precursor, along with
             McCulloch and Pitts[8]. Cyberneticist Gordon Pask is of
             particular interest because he also explored a range of
             pursuits form the sciences[9][10][11][12] to the arts [13]
             to architecture [14] and learning systems/conversation
             theory, and ‘teaching machines’[15]. Pask, like von
             Foerster was also interested in new forms of computation and
             dynamic interactivity. We can trace a lineage from studies
             in Cybernetics to the study of contemporary complex systems.
             From this broad research agenda Seaman seeks to work toward
             the creation of new computational systems and in particular,
             new approaches to transdisciplinary research that point at
             forms of computation in the body, and explore these through
             biomimetics and bio-abstraction. As a media researcher,
             Seaman seeks to bring his knowledge of computational media,
             and broad historical research drawn from multiple
             disciplinary fields, into dynamic relationality. Central to
             this broad set of studies has been the articulation with
             scientist Otto Rössler, of a series of disparate research
             areas that might be enfolded in the creation of a new form
             of robotic leaning system, that again draws from biomimetics
             and bio-abstraction, discussed in their book –
             Neosentience | The Benevolence Engine.[16] This book
             provides a series of micro-chapters that let researchers
             explore a set of disparate foci in a non-linear manner.
             Seaman describes this approach as “Recombinant
             Informatics”[17] — the juxtaposition, combination and
             recombination of differing informational contexts in the
             service of insight production. Seaman’s broad theoretical
             research agenda focuses in part on entailment structures
             [18] and the deep study of multiple physical processes as
             they contribute to “computation” in the body[19]; the
             long-term expansion of computational forms relevant to
             Neuroscience—exploring the notion of creating an
             electrochemical computer inspired by biomimetics and
             bio-abstraction[20][21]; the development of a network of
             computers inspired by computation in the body— The Engine
             of Engines; the bringing to light of relevant biologically
             related historical research that to some degree has been
             left out of the central discourses in multiple scientific
             disciplines and in computer science— in particular work
             done at the Biological Computer Lab headed by Heintz von
             Foerster [22]. In order to deal with the complexity of these
             issues in a pragmatic manner Seaman along with Todd Berreth
             and Olivier Perriquet are working on the creation of a
             computational system to help facilitate this research and
             other disciplinary, interdisciplinary, and transdisciplinary
             research relevant to Computer Science, Technology and
             Application, entitled the Insight Engine.[23]
             [24]},
   Key = {fds293625}
}

@article{fds293626,
   Author = {Seaman, W},
   Title = {Neosentience and the Abstraction of Abstraction},
   Journal = {Systems Connecting Matter, Life, Culture and
             Technology},
   Volume = {1},
   Number = {1},
   Year = {2013},
   ISSN = {2305-6991},
   url = {http://www.systems-journal.eu/},
   Keywords = {Neosentience; bisociation; neosentient design; artificial
             Intelligence; robotics; multi-perspective approach; 2nd
             order Cybernetics; insight engine},
   Abstract = {This paper employs a survey methodology to point at notions
             surrounding “the reflexive” and “reciprocity” drawn
             from the history of Cybernetics as it falls in relation to
             current “Neosentient” research. Seaman and O. E.
             Rössler have been involved in a decade long discussion
             exploring the future of artificial intelligence and its
             relation to robotics. Seaman coined the term Neosentience
             arising out of this ongoing “conversation” with Rössler
             which is articulated in their book – Neosentience | The
             Benevolence Engine (Seaman & Rössler, 2011). The book is a
             non-linear compendium of observations. When we abstract
             thought potentials in the human and seek to re-embody them
             within a robotic system in a functional manner that reflects
             the original bio-functionality of the human, we are thus
             elucidating the abstraction of abstraction.},
   Key = {fds293626}
}

@article{fds293634,
   Author = {Seaman, W},
   Title = {Four Transcultural Case Studies: Transmedial Walks, Drives
             and Observations,},
   Journal = {Technoetic Arts},
   Volume = {10},
   Series = {2-3},
   Number = {Spring},
   Pages = {2-3},
   Editor = {Ascott, R and YUAN, XJ},
   Year = {2013},
   ISSN = {1477-965X},
   Keywords = {language,culture,technological creation,generative
             systems,interactive art,installation art},
   Abstract = {This article discusses four different case studies related
             to complex technological works that were created through
             international collaborations. The Exquisite Mechanism of
             Shivers/Ex.Mech Red Dice/Des Chiffré Com↔Space A China of
             Many Senses The article discusses elements of language,
             culture, technological creation and process.},
   Key = {fds293634}
}

@article{fds376621,
   Author = {Seaman, W},
   Title = {Computational Creativity | A Multi-perspective
             Approach},
   Year = {2013},
   Month = {November},
   Key = {fds376621}
}

@unpublished{fds293624,
   Author = {Seaman, W},
   Title = {Computational Creativity | A Multi-perspective
             Approach},
   Journal = {TBA},
   Year = {2013},
   Month = {November},
   url = {http://re-new.org/},
   Keywords = {computational creativity, Cybernetics, Gordon Pask,
             Recombinant Poetics, Recombinant Informatics, learning
             systems, multi-perspective approach. Biological Computer
             Laboratory, Heinz von Foerester},
   Abstract = {In this talk I will discuss Computational Creativity | A
             multi-perspective Approach. Building on historical
             references to cybernetics and artificial intelligence, I
             will also introduce my more recent collaborative research
             with Otto Rössler on Neosentience, which holds great
             potential for the future of creativity involving robotics
             and learning systems. These ideas will be further elaborated
             and amplified with concrete examples from my artistic
             practice, including The Many Senses Engine (with Todd
             Berreth), on display at the festival exhibition.},
   Key = {fds293624}
}

@article{fds317947,
   Author = {Seaman, W},
   Title = {From Recombinant Poetics to Recombinant Informatics},
   Journal = {2014 International Conference on Cyberworlds
             (CW)},
   Year = {2014},
   Key = {fds317947}
}

@article{fds303143,
   Author = {Seaman, W and Rössler, O},
   Title = {Neosentience - A New Branch of Scientific and Poetic Inquiry
             Related to Artificial Intelligence},
   Journal = {Technoetic Arts, Volume 6, Issue 1, March
             2008},
   Year = {2014},
   Month = {February},
   ISSN = {1477-965X},
   Key = {fds303143}
}

@article{fds293606,
   Author = {Seaman, W},
   Title = {A multi-perspective approach to knowledge
             production},
   Journal = {Kybernetes},
   Volume = {43},
   Number = {9/10},
   Pages = {1412-1424},
   Booktitle = {TBA},
   Publisher = {Emerald},
   Editor = {Glanville, R and Griffiths, D and Baron, P},
   Year = {2014},
   Month = {October},
   url = {http://asc-cybernetics.org/2013},
   Keywords = {Knowledge Production, Computational Approach, Memory
             Theatre, The Art of Memory, Human as Computer, Computing a
             reality, 2nd Order Cybernetics},
   Abstract = {Purpose: The purpose of this paper is to discuss a
             Multi-perspective approach to knowledge production in terms
             of a set of cybernetic concepts relevant to the approach; to
             describe a software system that computationally embodies the
             approach; and to articulate a research project that
             pragmatically employs the approach.},
   Doi = {10.1108/K-07-2014-0145},
   Key = {fds293606}
}

@article{fds317946,
   Author = {Seaman, W},
   Title = {Neosentient Architecture Generator – n_Arch.gen},
   Year = {2015},
   Month = {October},
   Key = {fds317946}
}

@article{fds332191,
   Author = {Seaman, W},
   Title = {Emergent Relationality System / The Insight
             Engine},
   Booktitle = {Digital Methods and Remote Sensing in Archaeology:
             Archaeology in the Age of Sensing},
   Editor = {Forte, M and Campana, S},
   Year = {2016},
   Key = {fds332191}
}

@article{fds332188,
   Author = {Seaman, W},
   Title = {Continuum Computing},
   Booktitle = {50:50 – Scenarios for the Next 50 Years},
   Publisher = {Fast Future Publishing},
   Editor = {Talwar, R},
   Year = {2018},
   Key = {fds332188}
}

@article{fds332189,
   Author = {Seaman, W},
   Title = {Roy Ascott – Early Interactive Work and Some Cybernetic
             Relationalities (forthcoming)},
   Journal = {Cybernetics and Human Knowing: a journal of second order
             cybernetics, autopoiesis and cyber-semiotics},
   Publisher = {Imprint Academic},
   Year = {2018},
   Key = {fds332189}
}

@article{fds332190,
   Author = {Seaman, W},
   Title = {Towards A Dynamic Heterarchical Ecology Of Conversations
             (forthcoming)},
   Journal = {Cybernetics and Human Knowing: a journal of second order
             cybernetics, autopoiesis and cyber-semiotics},
   Publisher = {Imprint Academic},
   Year = {2018},
   Key = {fds332190}
}


%% Silbiger, Alexander   
@article{fds354741,
   Author = {Silbiger, A},
   Title = {The Roman Frescobaldi Tradition, c. 1640-1670},
   Journal = {Journal of the American Musicological Society},
   Volume = {33},
   Number = {1},
   Pages = {42-87},
   Publisher = {University of California Press},
   Year = {1980},
   Month = {April},
   url = {http://dx.doi.org/10.1525/jams.1980.33.1.03a00020},
   Doi = {10.1525/jams.1980.33.1.03a00020},
   Key = {fds354741}
}

@book{fds354740,
   Author = {Quadricentennial Frescobaldi Conference (1983 : Madison,
             W},
   Title = {Frescobaldi Studies},
   Pages = {398 pages},
   Publisher = {Duke University Press},
   Year = {1987},
   ISBN = {9780822307112},
   Abstract = {Kerll , born in 1627 , was sent to Rome by his later patron
             in Brussels , Archduke Leopold Wilhelm , to study with
             Giacomo Carissimi.2 Some of Kerll&#39;s biographers have
             conjectured that he also studied with Frescobaldi.3 Although
             the dates of&nbsp;...},
   Key = {fds354740}
}

@book{fds354739,
   Author = {Silbiger, A},
   Title = {Italian Manuscript Sources of Seventeenth-century Keyboard
             Music},
   Pages = {646 pages},
   Year = {1990},
   Key = {fds354739}
}

@article{fds354256,
   Author = {Silbiger, A},
   Title = {Bach and the Chaconne},
   Journal = {Journal of Musicology},
   Volume = {17},
   Number = {3},
   Pages = {358-385},
   Publisher = {University of California Press},
   Year = {1999},
   Month = {July},
   url = {http://dx.doi.org/10.2307/764098},
   Doi = {10.2307/764098},
   Key = {fds354256}
}

@article{fds354743,
   Title = {Fantasy and Craft: The Solo Instrumentalist},
   Booktitle = {The Cambridge History of Seventeenth-Century
             Music},
   Publisher = {Cambridge University Press},
   Year = {2005},
   Month = {December},
   ISBN = {9780521792738},
   Abstract = {A comprehensive study of European musical culture in the
             seventeenth century.},
   Key = {fds354743}
}

@article{fds335553,
   Author = {Silbiger, A},
   Title = {Quartet for two violins, viola and cello},
   Journal = {NINETEENTH-CENTURY MUSIC REVIEW},
   Volume = {10},
   Number = {2},
   Pages = {394-397},
   Year = {2013},
   Key = {fds335553}
}

@article{fds335554,
   Author = {Silbiger, A},
   Title = {Quartet for two violins, viola and cello in G
             minor},
   Journal = {NINETEENTH-CENTURY MUSIC REVIEW},
   Volume = {10},
   Number = {2},
   Pages = {394-397},
   Year = {2013},
   Key = {fds335554}
}

@article{fds354738,
   Author = {Silbiger, A},
   Title = {Music and the Crisis of Seventeenth-Century
             Europe},
   Booktitle = {Music and Science in the Age of Galileo},
   Publisher = {Springer Science & Business Media},
   Year = {2013},
   Month = {March},
   ISBN = {9789401580045},
   Abstract = {This volume opens up new areas in both musicology and the
             history of science, and twists together various strands of
             parallel work by musicians and scientists on Galileo and his
             time.},
   Key = {fds354738}
}

@article{fds331094,
   Author = {Silbiger, A},
   Title = {Liber secundus diversarum modulationum: Singulis, binis,
             ternis, quaternisque vocibus (1627) by Girolamo
             Frescobaldi},
   Journal = {Notes},
   Volume = {73},
   Number = {1},
   Pages = {154-157},
   Publisher = {Project MUSE},
   Year = {2016},
   url = {http://dx.doi.org/10.1353/not.2016.0101},
   Doi = {10.1353/not.2016.0101},
   Key = {fds331094}
}


%% Stoia, Nicholas   
@article{fds303563,
   Author = {Stoia, N},
   Title = {Mode, Harmony, and Dissonance Treatment in American Folk and
             Popular Music, c. 1920-1945},
   Journal = {Music Theory Online},
   Volume = {16},
   Number = {3},
   Publisher = {Society for Music Theory},
   Year = {2010},
   Month = {August},
   Abstract = {In American folk and popular music, dissonance frequently
             functions in ways that cannot be explained by conventional
             tonal theory. Two types of dissonance—the dropping and
             hanging thirds—function outside of classical norms, and
             within the framework of a mode built around the tonic triad
             that either transposes or remains in place with changes of
             harmony. The interaction between the mode and harmony
             influences the large-scale structure of a strophe or other
             section and the perception of its tension and
             resolution.},
   Key = {fds303563}
}

@article{fds303564,
   Author = {Stoia, N},
   Title = {The Common Stock of Schemes in Early Blues and Country
             Music},
   Journal = {Music Theory Spectrum},
   Volume = {35},
   Number = {2},
   Pages = {194-234},
   Publisher = {Oxford University Press (OUP)},
   Year = {2013},
   url = {http://dx.doi.org/10.1525/mts.2013.35.2.194},
   Doi = {10.1525/mts.2013.35.2.194},
   Key = {fds303564}
}

@article{fds303565,
   Author = {Stoia, N},
   Title = {Triple Counterpoint and Six-Four Chords in J.S. Bach’s
             Sinfonia in F Minor},
   Journal = {Music Analysis},
   Volume = {34},
   Number = {3},
   Pages = {305-334},
   Publisher = {WILEY},
   Year = {2015},
   Month = {October},
   url = {http://dx.doi.org/10.1111/musa.12041},
   Doi = {10.1111/musa.12041},
   Key = {fds303565}
}

@article{fds323612,
   Author = {Stoia, N and Adams, K and Drakulich, K},
   Title = {Rap Lyrics as Evidence: What Can Music Theory Tell
             Us?},
   Journal = {Race and Justice},
   Year = {2017},
   Month = {January},
   Abstract = {Recent scholarship has shed light on the troubling use of
             rap lyrics in criminal trials. Prosecutors have interpreted
             defendants’ rap lyrics as accurate descriptions of past
             behavior or in some cases as real threats of violence. There
             are at least two problems with this practice: One concerns
             the interpretation of art in a legalistic context and the
             second involves the targeting of rap over other genres and
             the role of racism therein. The goal of the present work is
             translational, to demonstrate the relevance of music
             scholarship on this topic to criminologists and legal
             experts. We highlight the usage of lyric formulas, stock
             lyrical topics understood by musicians and their audiences,
             many of which make sense only in the context of a given
             genre. The popularity of particular lyric formulas at
             particular times appears connected to contemporaneous social
             conditions. In African American music, these formulas have a
             long history, from blues, through rock and roll, to
             contemporary rap music. The work illustrates this through
             textual analyses of lyrics identifying common formulas and
             connecting them to relevant social factors, in order to
             demonstrate that fictionalized accounts of violence form the
             stock-in-trade of rap and should not be interpreted
             literally.},
   Key = {fds323612}
}

@article{fds349052,
   Author = {Stoia, N},
   Title = {The Tour-of-Keys Model and the Prolongational Structure in
             Sonata-Form Movements by Haydn and Mozart},
   Journal = {Journal of Schenkerian Studies},
   Volume = {12},
   Pages = {79-123},
   Year = {2019},
   Key = {fds349052}
}

@article{fds355120,
   Author = {Stoia, N},
   Title = {Blues Lyric Formulas in Early Country Music, Rhythm and
             Blues, and Rock and Roll},
   Journal = {Music Theory Online},
   Volume = {26},
   Number = {4},
   Publisher = {Society for Music Theory},
   Year = {2020},
   Month = {December},
   url = {http://dx.doi.org/10.30535/mto.26.4.8},
   Abstract = {<jats:p>This article briefly recounts recent work
             identifying the most common lyric formulas in early blues
             and then demonstrates the prevalence of these formulas in
             early country music, rhythm and blues, and rock and roll.
             The study shows how the preference for certain formulas in
             prewar country music—like the preference for the same
             formulas in prewar blues—reflects the social instability
             of the time, and how the de-emphasis of these same formulas
             in rhythm and blues and rock and roll reflects the relative
             affluence of the early postwar period. This shift in textual
             content is the lyrical counterpart to the electrification,
             urbanization, and growing formal complexity that mark the
             transformation of prewar blues and country music into
             postwar rhythm and blues and rock and roll.</jats:p>},
   Doi = {10.30535/mto.26.4.8},
   Key = {fds355120}
}

@book{fds355130,
   Author = {Stoia, N},
   Title = {Sweet thing: The history and musical structure of a shared
             american vernacular form},
   Pages = {1-266},
   Publisher = {Oxford University Press, USA},
   Year = {2021},
   Month = {January},
   ISBN = {9780190881993},
   url = {http://dx.doi.org/10.1093/oso/9780190881979.001.0001},
   Abstract = {Sweet Thing: The History and Musical Structure of a Shared
             American Vernacular Form is a historical and analytical
             study of one of the most productive and enduring shared
             musical resources in North American vernacular music. Many
             of us learn the form as children, when we sing "If you're
             happy and you know it clap your hands," and we hear it
             frequently in popular music, but usually without realizing
             that this poetic and rhythmic pattern has been penetrating
             the minds of musicians and listeners for centuries. The
             antecedents of the form date back to sixteenth-century
             Scotland and England, and appear in seventeenth-century
             English popular music; eighteenth-century English and
             American broadside balladry; nineteenth-century American
             folk hymnody, popular song, gospel hymnody, and ragtime; and
             American folk repertoire collected in the early twentieth
             century. It continued to generate many songs in early
             twentieth-century popular genres, including blues, country,
             and gospel music, through which it entered into many postwar
             popular genres like rhythm and blues, rock and roll, soul,
             country pop, the folk revival, and rock music. This book
             offers the most comprehensive examination to date of the
             centuries-long history of the scheme, and defines its
             musical parameters in twentieth-century popular
             music.},
   Doi = {10.1093/oso/9780190881979.001.0001},
   Key = {fds355130}
}


%% Supko, John   
@misc{fds296372,
   Author = {Supko, JP},
   Title = {Everybody Says Everything},
   Year = {2007},
   url = {http://www.johnsupko.com/everybody.mp3},
   Key = {fds296372}
}

@misc{fds296373,
   Author = {Supko, JP},
   Title = {Dream Cuisine},
   Year = {2007},
   url = {http://www.johnsupko.com/dreamcuisine.mp3},
   Key = {fds296373}
}

@misc{fds296374,
   Author = {Supko, JP},
   Title = {Littoral},
   Year = {2007},
   url = {http://www.johnsupko.com/littoral.mp3},
   Key = {fds296374}
}

@misc{fds296375,
   Author = {Supko, JP},
   Title = {Songs of a Landloper},
   Year = {2009},
   url = {http://www.johnsupko.com/work.htm},
   Key = {fds296375}
}

@misc{fds296377,
   Author = {Supko, JP},
   Title = {Straits},
   Year = {2009},
   Month = {November},
   Key = {fds296377}
}

@misc{fds184104,
   Author = {J.P. Supko},
   Title = {How Many Midnights},
   Year = {2010},
   Key = {fds184104}
}

@misc{fds296378,
   Author = {Supko, JP},
   Title = {"This Window Makes Me Feel", new version for alto
             flute},
   Year = {2010},
   Month = {February},
   Key = {fds296378}
}

@misc{fds296379,
   Author = {Supko, JP},
   Title = {Straits II (acoustic version)},
   Year = {2010},
   Month = {May},
   Key = {fds296379}
}

@misc{fds296380,
   Author = {Supko, JP},
   Title = {Rooms},
   Year = {2010},
   Month = {November},
   Key = {fds296380}
}

@misc{fds296381,
   Author = {Supko, JP},
   Title = {Inland Ocean},
   Year = {2010},
   Month = {December},
   Key = {fds296381}
}

@misc{fds296382,
   Author = {Supko, JP and Seaman, B},
   Title = {S_traits},
   Year = {2011},
   Month = {February},
   Abstract = {"S_traits" is an ongoing project concerning a generative &
             interactive performance environment based on a text by Bill
             Seaman that responds to Kenneth Koch’s poem "Straits."
             "S_traits" can produce a unique electronic setting of the
             text, or be used as a performance environment for a live
             concert.},
   Key = {fds296382}
}

@misc{fds296383,
   Author = {Supko, JP},
   Title = {USINE},
   Year = {2011},
   Month = {September},
   Abstract = {"USINE" is a 24-hour work for bass clarinet, melodica,
             saxophones, electric guitar, double bass, drum set &
             generative electronics.},
   Key = {fds296383}
}

@misc{fds296384,
   Author = {Supko, JP},
   Title = {This City},
   Year = {2011},
   Month = {October},
   Abstract = {"This City" is a work for piano & generative electronics
             written for pianist Mabel Kwan & based on a text by Robert
             Fitterman. Duration 17 mins. ca.},
   Key = {fds296384}
}

@misc{fds296371,
   Author = {Supko, JP},
   Title = {Drawn Only Once},
   Publisher = {New Amsterdam Records},
   Address = {Brooklyn, NY},
   Year = {2011},
   Month = {November},
   url = {http://www.newamsterdamrecords.com/?portfolio=due-east-drawn-only-once},
   Abstract = {"Drawn Only Once" is a CD + 5.1 surround-sound DVD set of
             two multimedia works, "Littoral" & "This Window Makes Me
             Feel" performed by the flute/percussion duo Due East & guest
             artists Hai-Ting Chinn & David Broome. In "Littoral" the
             voice of the Nobel Prize-nominated Dutch writer Cees
             Nooteboom reading his poem "Cartography" (specially recorded
             for this project) is integrated with the
             music.},
   Key = {fds296371}
}

@misc{fds296385,
   Author = {Supko, JP},
   Title = {ALL SOULS},
   Year = {2012},
   Key = {fds296385}
}

@misc{fds296386,
   Author = {Supko, JP},
   Title = {I asked for names of all that is},
   Year = {2012},
   Month = {July},
   Key = {fds296386}
}

@misc{fds296387,
   Author = {Supko, JP},
   Title = {HIMALAJA},
   Year = {2012},
   Month = {July},
   Key = {fds296387}
}

@misc{fds296388,
   Author = {Supko, JP},
   Title = {R!},
   Year = {2012},
   Month = {August},
   Key = {fds296388}
}

@misc{fds296389,
   Author = {Supko, JP},
   Title = {VEXED},
   Year = {2012},
   Month = {September},
   Key = {fds296389}
}

@misc{fds296390,
   Author = {Supko, JP and Seaman, B},
   Title = {s_traits},
   Year = {2013},
   Key = {fds296390}
}

@misc{fds296391,
   Author = {Supko, JP},
   Title = {FLESH},
   Year = {2013},
   Month = {March},
   url = {http://www.johnsupko.com/FLESH},
   Key = {fds296391}
}

@misc{fds296392,
   Author = {Supko, JP},
   Title = {A Free Invention for George Pitcher},
   Year = {2013},
   Month = {May},
   url = {http://www.johnsupko.com/A-FREE-INVENTION-FOR-GEORGE-PITCHER},
   Key = {fds296392}
}

@misc{fds296393,
   Author = {Supko, JP},
   Title = {ALL SOULS (revised & expanded version 2012-2013)},
   Year = {2013},
   Month = {November},
   Key = {fds296393}
}

@misc{fds296394,
   Author = {Supko, JP},
   Title = {divine the rest},
   Year = {2013},
   Month = {December},
   Key = {fds296394}
}

@misc{fds296376,
   Author = {Church, M and Burt, TP and Galay, VJ and Kondolf,
             GM},
   Title = {Rivers},
   Pages = {98-129},
   Year = {2015},
   Month = {January},
   ISBN = {9780521878128},
   url = {http://dx.doi.org/10.1017/CBO9780511627057.005},
   Abstract = {Introduction Water plays a key role in the transfer of mass
             and energy within the Earth system. Incoming solar radiation
             drives evaporation of about 434 000 km3 a-1 from the ocean
             surface and 71 000 km3 a-1 from the land surface, while
             precipitation delivers about 398 000 km3 a-1 of water to the
             ocean and 107 000 km3 a-1 to the land surface. The balance
             is redressed through the flow of 36 000 km3 a-1 of water
             from the land to the oceans via rivers (data in Berner and
             Berner, 1996). Environmental change affecting any of these
             water transfers produces changes in runoff and river flows,
             hence in the rivers themselves. Changing climate is
             intensifying the global hydrological cycle, leading to
             significant changes in precipitation, runoff and
             evapotranspiration (Huntington, 2006; Bates et al., 2008;
             see also Chapter 1). Intensification of the hydrological
             cycle is likely to mean an increase in hydrological extremes
             (IPCC, 2001). Changes in the frequency distribution of
             precipitation alter water flows and water availability in
             the surface environment leading, in turn, to a change in
             river regimes. These factors are superimposed upon the
             effects of human actions associated with land use and with
             the attempt to control water for various uses that have
             directly changed river channels and the quality of water
             flowing in them. Land surface condition mediates quantity of
             water and the amount and calibre of sediment delivered to
             rivers which, in turn, influences river sedimentation,
             morphology and stability. Humans also manipulate the
             terrestrial hydrological cycle deliberately by construction
             of reservoirs, abstractions of water for human use, and
             discharges of water into river courses. Moreover, we
             directly modify watercourses by realigning them, by river
             ‘training’ works, by dredging, by fixing banks and
             building dykes.},
   Doi = {10.1017/CBO9780511627057.005},
   Key = {fds296376}
}

@misc{fds296370,
   Author = {Supko, JP},
   Title = {How I Taught My Computer to Write Its Own
             Music},
   Journal = {Nautilus},
   Number = {21},
   Year = {2015},
   Month = {February},
   url = {http://nautil.us/issue/21/information/how-i-taught-my-computer-to-write-its-own-music},
   Abstract = {I wanted to build the ideal collaborator. Was I ever
             surprised.},
   Key = {fds296370}
}


%% Todd, R. Larry   
@article{fds292629,
   Author = {Todd, RL},
   Title = {Retrograde, Inversion, Retrograde-Inversion and Related
             Techniques in the Masses of Obrecht},
   Journal = {The Musical Quarterly},
   Volume = {64},
   Pages = {50-78},
   Year = {1978},
   Key = {fds292629}
}

@article{fds292577,
   Author = {Todd, RL},
   Title = {Krummacher, Friedhelm, Mendelssohn–der Komponist: Studien
             zur Kammermusik für Streicher, Munic, 1978},
   Journal = {Music Library Association Notes},
   Volume = {36},
   Pages = {95-96},
   Year = {1979},
   Key = {fds292577}
}

@article{fds292630,
   Author = {Todd, RL},
   Title = {Of Sea Gulls and Counterpoint: The Early Version of
             Mendelssohn’s Hebrides Overture},
   Journal = {19th Century Music},
   Volume = {2},
   Pages = {197-213},
   Year = {1979},
   Key = {fds292630}
}

@article{fds341278,
   Author = {Todd, RL and Krummacher, F},
   Title = {Mendelssohn-der Komponist: Studien zur Kammermusik fur
             Streicher},
   Journal = {Notes},
   Volume = {36},
   Number = {1},
   Pages = {95-95},
   Publisher = {JSTOR},
   Year = {1979},
   Month = {September},
   url = {http://dx.doi.org/10.2307/939921},
   Doi = {10.2307/939921},
   Key = {fds341278}
}

@article{fds292631,
   Author = {TODD, RL},
   Title = {The Genesis of Webern's Opus 32},
   Journal = {The Musical Quarterly},
   Volume = {LXVI},
   Number = {4},
   Pages = {581-591},
   Publisher = {Oxford University Press (OUP)},
   Year = {1980},
   ISSN = {0027-4631},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:A1980KR19100007&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.1093/mq/lxvi.4.581},
   Key = {fds292631}
}

@article{fds292632,
   Author = {Todd, RL},
   Title = {Haydn and the Sturm und Drang: A Revaluation},
   Journal = {Music Review},
   Volume = {41},
   Pages = {172-196},
   Year = {1980},
   Key = {fds292632}
}

@article{fds292633,
   Author = {Todd, RL},
   Title = {An Unfinished Symphony by Mendelssohn},
   Journal = {Music & Letters},
   Volume = {61},
   Pages = {293-309},
   Year = {1980},
   Key = {fds292633}
}

@article{fds292634,
   Author = {Todd, RL},
   Title = {A Sonata by Mendelssohn},
   Journal = {Piano Quarterly},
   Volume = {29},
   Pages = {30-41},
   Year = {1980},
   Key = {fds292634}
}

@article{fds292578,
   Author = {Todd, RL},
   Title = {Mendelssohn, Psaumes (Erato STU 71101 and 7123) and Kantaten
             und geistliche Lieder (Musicophon BM 30 SL
             1336)},
   Journal = {The Musical Quarterly},
   Volume = {67},
   Pages = {445-51},
   Year = {1981},
   Key = {fds292578}
}

@article{fds292579,
   Author = {Todd, RL},
   Title = {Mendelssohn, Heimkehr aus der Fremde EMI IC 065-30
             741},
   Journal = {Music Review},
   Volume = {42},
   Pages = {80-81},
   Year = {1981},
   Key = {fds292579}
}

@article{fds341277,
   Author = {TODD, RL},
   Title = {MENDELSSOHN CANTATAS AND SACRED SONGS + VOKAL-UND-INSTRUMENTAL-ENSEMBLE-MARBURG,
             BECK,R - MUSICAPHON-BM-30-SL-1336},
   Journal = {MUSICAL QUARTERLY},
   Volume = {67},
   Number = {3},
   Pages = {445-451},
   Year = {1981},
   Key = {fds341277}
}

@article{fds341276,
   Author = {TODD, RL},
   Title = {AN UNFINISHED PIANO CONCERTO BY MENDELSSOHN},
   Journal = {COLLEGE MUSIC SYMPOSIUM},
   Volume = {21},
   Number = {2},
   Pages = {169-170},
   Year = {1981},
   Key = {fds341276}
}

@misc{fds165566,
   Author = {R. Larry Todd and ed.},
   Title = {Mendelssohn, Piano Sonata in B-flat minor},
   Publisher = {C. F. Peters},
   Address = {New York},
   Year = {1981},
   Key = {fds165566}
}

@misc{fds165567,
   Author = {R. Larry Todd and ed.},
   Title = {Mendelssohn, O Haupt voll Blut und Wunden},
   Publisher = {A-R Editions},
   Address = {Madison, WI},
   Year = {1981},
   Key = {fds165567}
}

@article{fds292635,
   Author = {Todd, RL},
   Title = {Liszt, Fantasy and Fugue for Organ on "Ad nos, ad salutarem
             undam"},
   Journal = {19th-Century Music},
   Volume = {4},
   Number = {3},
   Pages = {250-261},
   Publisher = {University of California Press},
   Year = {1981},
   Month = {April},
   ISSN = {0148-2076},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:A1981LW97700005&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.1525/ncm.1981.4.3.02a00060},
   Key = {fds292635}
}

@article{fds292580,
   Author = {Todd, RL},
   Title = {Crum, Margaret, Catalogue of the Mendelssohn Papers in the
             Bodleian Library, Vol. I, Tutzing, 1980},
   Journal = {Music & Letters},
   Volume = {63},
   Pages = {319-20},
   Year = {1982},
   Key = {fds292580}
}

@article{fds292636,
   Author = {TODD, RL},
   Title = {An Unfinished Piano Concerto by Mendelssohn},
   Journal = {The Musical Quarterly},
   Volume = {LXVIII},
   Number = {1},
   Pages = {80-101},
   Publisher = {Oxford University Press (OUP)},
   Year = {1982},
   ISSN = {0027-4631},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:A1982NF65100004&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.1093/mq/lxviii.1.80},
   Key = {fds292636}
}

@article{fds292637,
   Author = {Todd, RL},
   Title = {Report of the First International Mendelssohn-Schumann
             Conference},
   Journal = {Music Review},
   Volume = {43},
   Pages = {135-136},
   Year = {1982},
   Key = {fds292637}
}

@book{fds292604,
   Author = {Todd, R},
   Title = {Mendelssohn’s Musical Education: A Study and Edition of
             His Exercises in Composition},
   Pages = {xii+246 pages},
   Publisher = {Cambridge University Press},
   Year = {1983},
   Key = {fds292604}
}

@article{fds292638,
   Author = {TODD, RL},
   Title = {A PASSION CANTATA BY MENDELSSOHN},
   Journal = {AMERICAN CHORAL REVIEW},
   Volume = {25},
   Number = {1},
   Pages = {3-17},
   Year = {1983},
   Key = {fds292638}
}

@article{fds292639,
   Author = {Todd, Parkins and RLR},
   Title = {Mendelssohn’s Fugue in F Minor: A Discarded Movement of
             the First Organ Sonata},
   Journal = {The Organ Yearbook},
   Volume = {XIV},
   Pages = {61-77},
   Year = {1983},
   Key = {fds292639}
}

@article{fds43472,
   Title = {Mendelssohn’s Fugue in F Minor: A Discarded Movement from
             the First Organ Sonata},
   Journal = {The Organ Yearbook},
   Volume = {14},
   Pages = {61-77},
   Year = {1983},
   Key = {fds43472}
}

@book{fds292605,
   Title = {Mendelssohn and Schumann Essays: Perspectives on Their Music
             and Its Context},
   Pages = {vii+189 pages},
   Publisher = {Duke University Press},
   Editor = {Todd, RL and Finson, JW},
   Year = {1984},
   Key = {fds292605}
}

@article{fds292581,
   Author = {Todd, RL},
   Title = {Schuhmacher, G., ed., Felix Mendelssohn Bartholdy,
             Darmstadt, 1982},
   Journal = {Music & Letters},
   Volume = {65},
   Pages = {99-103},
   Year = {1984},
   Key = {fds292581}
}

@article{fds292582,
   Author = {Todd, RL},
   Title = {Crum, Margaret, Catalogue of the Mendelssohn Papers in the
             Bodleian Library, Vol. II, Tutzing, 1983},
   Journal = {Music & Letters},
   Volume = {65},
   Pages = {354-55},
   Year = {1984},
   Key = {fds292582}
}

@article{fds292546,
   Author = {Todd, RL},
   Title = {"Mendelssohn’s Ossianic Manner, with a New Source—On
             Lena’s Gloomy Heath"},
   Pages = {137-83},
   Booktitle = {Mendelssohn and Schumann Essays},
   Year = {1984},
   Key = {fds292546}
}

@article{fds292547,
   Author = {Todd, RL},
   Title = {"Mendelssohn"},
   Pages = {183-94},
   Booktitle = {Ch. 4 of The Heritage of Music, vol. 5},
   Publisher = {Oxford University Press},
   Editor = {Finscher, L},
   Year = {1984},
   Key = {fds292547}
}

@article{fds292548,
   Author = {Todd, RL},
   Title = {"Felix Mendelssohn Bartholdy"},
   Pages = {199-301},
   Booktitle = {The New Grove Early Romantic Masters 2},
   Publisher = {London: Macmillan},
   Year = {1985},
   Key = {fds292548}
}

@misc{fds165565,
   Author = {R. Larry Todd and ed.},
   Title = {Mendelssohn, Early Works for Piano, Early Works for Violin
             and Piano},
   Publisher = {Cambridge University Press},
   Address = {Cambridge},
   Year = {1985},
   Key = {fds165565}
}

@article{fds292583,
   Author = {Todd, RL},
   Title = {Brown, Clive, Louis Spohr: A Critical Biography, Cambridge,
             1984},
   Journal = {Music Library Association Notes},
   Volume = {42},
   Pages = {340-41},
   Year = {1986},
   Key = {fds292583}
}

@article{fds292549,
   Author = {Todd, RL},
   Title = {"Orchestral Texture and the Art of Orchestration"},
   Pages = {191-226},
   Booktitle = {The Orchestra: Origins and Transformations},
   Publisher = {New York: Scribner’s},
   Editor = {Peyser, J},
   Year = {1986},
   Key = {fds292549}
}

@misc{fds165563,
   Author = {R. Larry Todd and ed.},
   Title = {Mendelssohn, Kyrie in D minor (1825)},
   Publisher = {Carus-Verlag/Philipp Reclam},
   Address = {Stuttgart},
   Year = {1986},
   Key = {fds165563}
}

@misc{fds165564,
   Author = {R. Todd},
   Title = {Mendelssohn, Hör mein Bitten, Orchesterfassung},
   Publisher = {Carus-Verlag/Philipp Reclam},
   Address = {Stuttgart},
   Year = {1986},
   Key = {fds165564}
}

@article{fds341275,
   Author = {Todd, RL and Brown, C},
   Title = {Louis Spohr: A Critical Biography},
   Journal = {Notes},
   Volume = {42},
   Number = {3},
   Pages = {540-540},
   Publisher = {JSTOR},
   Year = {1986},
   Month = {March},
   url = {http://dx.doi.org/10.2307/897336},
   Doi = {10.2307/897336},
   Key = {fds341275}
}

@article{fds292541,
   Author = {Mintz, S and Ostrovsky, P},
   Title = {Mendelssohn, Violin Sonatas},
   Booktitle = {Schlomo Mintz and Paul Ostrovsky},
   Publisher = {DGG},
   Year = {1987},
   Key = {fds292541}
}

@article{fds292550,
   Author = {Todd, RL},
   Title = {"Franz Liszt, Carl Friedrich Weitzmann and the Augmented
             Triad"},
   Pages = {153-77},
   Booktitle = {The Second Practice of Nineteenth-Century
             Tonality},
   Publisher = {University of Nebraska Press},
   Editor = {Kinderman, W and Krebs, H},
   Year = {1988},
   Key = {fds292550}
}

@article{fds292640,
   Author = {Todd, RL},
   Title = {The "Unwelcome Guest" Regaled: Franz Liszt and the Augmented
             Traid},
   Journal = {19th-Century Music},
   Volume = {12},
   Number = {2},
   Pages = {93-115},
   Publisher = {University of California Press},
   Year = {1988},
   Month = {October},
   ISSN = {0148-2076},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:A1988T486300001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.1525/ncm.1988.12.2.02a00010},
   Key = {fds292640}
}

@article{fds292584,
   Author = {Todd, RL},
   Title = {Citron, M., ed., The Letters of Fanny Hensel to Felix
             Mendelssohn (NY, 1987)},
   Journal = {Music & Letters},
   Volume = {70},
   Pages = {554-56},
   Year = {1989},
   Key = {fds292584}
}

@article{fds292585,
   Author = {Todd, RL},
   Title = {Pape, M., Mendelssohns Leipziger Orgelkonzert 1840,
             Wiesbaden, 1988},
   Journal = {Musical Times},
   Volume = {130},
   Pages = {374-374},
   Year = {1989},
   Key = {fds292585}
}

@article{fds292586,
   Author = {Todd, RL},
   Title = {Samson, J., ed., Chopin Studies, Cambridge,
             1988},
   Journal = {Musical Times},
   Volume = {130},
   Pages = {281-82},
   Year = {1989},
   Key = {fds292586}
}

@article{fds292587,
   Author = {Todd, RL},
   Title = {Finson, Jon, Robert Schumann and the Study of Orchestral
             Composition: The Genesis of the First Symphony Op. 38,
             Oxford, 1990},
   Journal = {Musical Times},
   Volume = {130},
   Pages = {485-485},
   Year = {1989},
   Key = {fds292587}
}

@book{fds292606,
   Author = {Todd, R},
   Title = {The Musical Art: An Introduction to Western
             Music},
   Pages = {xxi+189 pages},
   Publisher = {Belmont: Wadsworth},
   Year = {1990},
   Key = {fds292606}
}

@article{fds292641,
   Author = {Todd, RL},
   Title = {A Mendelssohn Miscellany},
   Journal = {Music & Letters},
   Volume = {71},
   Pages = {52-63},
   Year = {1990},
   Key = {fds292641}
}

@article{fds292642,
   Author = {Todd, RL},
   Title = {From the Composer’s Workshop: Two Little-Known Fugues by
             Mendelssohn},
   Journal = {The Musical Times},
   Volume = {131},
   Pages = {183-187},
   Year = {1990},
   Key = {fds292642}
}

@article{fds292551,
   Author = {Todd, RL},
   Title = {"Piano Music Reformed: The Case of Felix Mendelssohn
             Bartholdy"},
   Pages = {178-220},
   Booktitle = {Nineteenth-Century Piano Music},
   Year = {1990},
   Key = {fds292551}
}

@misc{fds165561,
   Author = {R. Larry Todd and ed.},
   Title = {Mendelssohn, Psalm 98, Op. 91},
   Publisher = {Carus Verlag},
   Address = {Stuttgart},
   Year = {1990},
   Key = {fds165561}
}

@misc{fds165562,
   Author = {R. Larry Todd and ed.},
   Title = {Mendelssohn, Psalm 95, Op. 46},
   Publisher = {Carus-Verlag/Philipp Reclam},
   Address = {Stuttgart},
   Year = {1990},
   Key = {fds165562}
}

@book{fds292607,
   Title = {Perspectives on Mozart Performance},
   Pages = {xvi+263 pages},
   Publisher = {Cambridge University Press},
   Editor = {Todd, RL and Williams, P},
   Year = {1991},
   Key = {fds292607}
}

@article{fds292588,
   Author = {Todd, RL},
   Title = {Temperley, Nicholas, ed., The London Pianoforte School, 20
             vols. (NY, 1984-1987)},
   Journal = {Journal of the American Musicological Society},
   Volume = {44},
   Pages = {128-36},
   Year = {1991},
   Key = {fds292588}
}

@article{fds292589,
   Author = {Todd, RL},
   Title = {Jost, Christa, ed., Mendelssohns Lieder ohne Worte (Tutzing,
             1988)},
   Journal = {Music Library Association Notes},
   Volume = {47},
   Pages = {489-489},
   Year = {1991},
   Key = {fds292589}
}

@article{fds292590,
   Author = {Todd, RL},
   Title = {Little, Wm. A., Mendelssohn Organ Works, 5 vols. (London,
             1987-1990)},
   Journal = {Organ Yearbook},
   Volume = {22},
   Pages = {169-73},
   Year = {1991},
   Key = {fds292590}
}

@article{fds292552,
   Author = {Todd, RL},
   Title = {"Mozart according to Mendelssohn: A Contribution to
             Rezeptionsgeschichte"},
   Pages = {158-203},
   Booktitle = {Perspectives on Mozart Performance},
   Year = {1991},
   Key = {fds292552}
}

@article{fds292553,
   Author = {Todd, RL},
   Title = {"Mendelssohn"},
   Pages = {527-29},
   Booktitle = {St. James Guide to Biography},
   Publisher = {Chicago: St. James Press},
   Year = {1991},
   Key = {fds292553}
}

@book{fds43032,
   Title = {Mendelssohn and His World},
   Pages = {xv+404},
   Publisher = {Princeton University Press},
   Editor = {R. Larry Todd},
   Year = {1991},
   Key = {fds43032}
}

@article{fds341274,
   Author = {Todd, RL},
   Title = {The London Pianoforte School 1766-1860: Clementi, Dussek,
             Cogan, Cramer, Field, Pinto, Sterndale Bennett, and Other
             Masters of the Pianoforte . Nicholas Temperley
             .},
   Journal = {Journal of the American Musicological Society},
   Volume = {44},
   Number = {1},
   Pages = {128-136},
   Publisher = {University of California Press},
   Year = {1991},
   Month = {April},
   url = {http://dx.doi.org/10.1525/jams.1991.44.1.03a00060},
   Doi = {10.1525/jams.1991.44.1.03a00060},
   Key = {fds341274}
}

@article{fds341273,
   Author = {Todd, RL and Jost, C},
   Title = {Mendelssohns Lieder ohne Worte},
   Journal = {Notes},
   Volume = {48},
   Number = {2},
   Pages = {489-489},
   Publisher = {JSTOR},
   Year = {1991},
   Month = {December},
   url = {http://dx.doi.org/10.2307/942045},
   Doi = {10.2307/942045},
   Key = {fds341273}
}

@book{fds292609,
   Title = {Mendelssohn Studies},
   Pages = {xi+261 pages},
   Publisher = {Cambridge University Press},
   Editor = {Todd, RL},
   Year = {1992},
   Key = {fds292609}
}

@article{fds292591,
   Author = {Todd, RL},
   Title = {Ward Jones, Peter, Catalogue of the Mendelssohn Papers in
             the Bodleian Library, Vol. III, Tutzing,
             1989},
   Journal = {Music & Letters},
   Volume = {73},
   Pages = {125-26},
   Year = {1992},
   Key = {fds292591}
}

@article{fds292643,
   Author = {Todd, RL},
   Title = {Introduction to F. Mendelssohn Bartholdy, a collection of
             the composer’s watercolors and drawings},
   Journal = {No. 7 in the art series of the Atelier Mujinkan in Japanese
             and English},
   Year = {1992},
   Key = {fds292643}
}

@article{fds292554,
   Author = {Todd, RL},
   Title = {"The Unfinished Mendelssohn"},
   Pages = {158-84},
   Booktitle = {Mendelssohn and His World},
   Year = {1992},
   Key = {fds292554}
}

@article{fds292555,
   Author = {Todd, RL},
   Title = {"Gerade das Lied wie es dasteht: On Text and Meaning in
             Mendelssohn’s Lieder ohne Worte"},
   Pages = {355-79},
   Booktitle = {Musical Humanism and Its Legacy: Essays in Honor of Claude
             Palisca},
   Publisher = {Stuyvesant: Pendragon Press},
   Editor = {Baker, NK},
   Year = {1992},
   Key = {fds292555}
}

@article{fds292556,
   Author = {Todd, RL},
   Title = {"Me voilà perruqué: Mendelssohn’s Six Preludes and
             Fugues Op. 35 Reconsidered"},
   Pages = {162-99},
   Booktitle = {Mendelssohn Studies},
   Year = {1992},
   Key = {fds292556}
}

@article{fds292557,
   Author = {Todd, RL},
   Title = {"Strauss before Liszt and Wagner: Some Observations"},
   Pages = {3-40},
   Booktitle = {Richard Strauss: New Perspectives on the Composer and His
             Works},
   Publisher = {Duke University Press},
   Editor = {Gilliam, B},
   Year = {1992},
   Key = {fds292557}
}

@book{fds292610,
   Author = {Todd, RL},
   Title = {Mendelssohn, "The Hebrides" and Other Overtures},
   Pages = {vii+121 pages},
   Publisher = {Cambridge University Press},
   Year = {1993},
   Key = {fds292610}
}

@article{fds292592,
   Author = {Todd, RL},
   Title = {Mendelssohn, Elijah and Der 114. Psalm (London, 1990 and
             Wiesbaden, 1991)},
   Journal = {Music Library Association Notes},
   Volume = {50},
   Pages = {745-46},
   Year = {1993},
   Key = {fds292592}
}

@article{fds341272,
   Author = {TODD, RL},
   Title = {SCHUMANN, 'FANTASIE OP.17' - MARSTON,N},
   Journal = {TLS-THE TIMES LITERARY SUPPLEMENT},
   Number = {4706},
   Pages = {19-19},
   Year = {1993},
   Key = {fds341272}
}

@article{fds292542,
   Author = {Orchestra, OC},
   Title = {Mendelssohn, String Symphonies Nos. 8, 9, and
             10},
   Booktitle = {Orpheus Chamber Orchestra},
   Publisher = {DGG},
   Year = {1993},
   Key = {fds292542}
}

@article{fds292593,
   Author = {Todd, RL},
   Title = {Marston, Nicholas, Schumann: Fantasie Op.
             17},
   Journal = {Times Literary Supplement},
   Pages = {19-19},
   Year = {1993},
   Month = {June},
   Key = {fds292593}
}

@article{fds165576,
   Author = {Marston, Nicholas},
   Title = {Schumann: Fantasie Op. 17},
   Journal = {Times Literary Supplement},
   Pages = {19},
   Year = {1993},
   Month = {June},
   Key = {fds165576}
}

@article{fds341269,
   Author = {Todd, RL and Mendelssohn, F and Pilkington, M and Riedel,
             CR},
   Title = {Elijah: An Oratorio for Soprano, Alto, Tenor and Bass Soli,
             SATB, Orchestra and Organ, Opus 70. Vocal
             Score},
   Journal = {Notes},
   Volume = {50},
   Number = {2},
   Pages = {745-745},
   Publisher = {JSTOR},
   Year = {1993},
   Month = {December},
   url = {http://dx.doi.org/10.2307/898515},
   Doi = {10.2307/898515},
   Key = {fds341269}
}

@book{fds292611,
   Title = {Schumann and His World},
   Pages = {xi+396 pages},
   Publisher = {Princeton University Press},
   Editor = {Todd, RL},
   Year = {1994},
   Key = {fds292611}
}

@article{fds292558,
   Author = {Todd, RL},
   Title = {"On Quotation in Schumann’s Music"},
   Pages = {80-112},
   Booktitle = {Schumann and His World},
   Year = {1994},
   Key = {fds292558}
}

@misc{fds165559,
   Author = {R. Larry Todd and ed.},
   Title = {Mendelssohn, Psalm 115, Op. 31 (Non nobis
             Domine)},
   Publisher = {Carus Verlag},
   Address = {Stuttgart},
   Year = {1994},
   Key = {fds165559}
}

@misc{fds165560,
   Author = {R. Larry Todd and ed.},
   Title = {Mendelssohn, Christus, Op. 97},
   Publisher = {Carus Verlag},
   Address = {Stuttgart},
   Year = {1994},
   Key = {fds165560}
}

@article{fds292559,
   Author = {Todd, RL},
   Title = {"New Light on Mendelssohn’s Freie Phantasie
             (1840)"},
   Pages = {205-18},
   Booktitle = {Literary and Musical Notes: Wm. A. Little
             Festschrift},
   Publisher = {Bern, Peter Lang},
   Editor = {Orth, GC},
   Year = {1995},
   Key = {fds292559}
}

@misc{fds165558,
   Author = {R. Larry Todd and ed.},
   Title = {Mendelssohn, Elijah, Op. 70},
   Publisher = {Carus Verlag},
   Address = {Stuttgart},
   Year = {1995},
   Key = {fds165558}
}

@article{fds292575,
   Author = {Todd, RL},
   Title = {"Mendelssohn: Composer of the Month"},
   Pages = {39-42},
   Booktitle = {BBC Music Magazine},
   Year = {1995},
   Month = {August},
   Key = {fds292575}
}

@article{fds292543,
   Author = {Stone, S and Eley, J},
   Title = {Mendelssohn, Piano Concerto in E minor, Robert Schumann,
             Konzertsatz for piano and orchestra, Clara Schumann, Piano
             Sonata in G minor},
   Booktitle = {Jennifer Eley, Sayard Stone, English Chamber
             Orchestra},
   Publisher = {Koch International},
   Year = {1996},
   Key = {fds292543}
}

@article{fds292560,
   Author = {Todd, R},
   Title = {"Mendelssohn"},
   Pages = {78-107},
   Booktitle = {Nineteenth-Century Symphony},
   Publisher = {New York: Schirmer Books, Macmillan},
   Editor = {Holoman, K},
   Year = {1996},
   Key = {fds292560}
}

@misc{fds165557,
   Author = {R. Larry Todd and ed.},
   Title = {Mendelssohn, Lauda Sion Op. 73},
   Publisher = {Carus Verlag},
   Address = {Stuttgart},
   Year = {1996},
   Key = {fds165557}
}

@article{fds292594,
   Author = {Todd, RL},
   Title = {Gade, Niels, Werke},
   Journal = {Music Library Association Notes 54/4},
   Pages = {982-84},
   Publisher = {Copenhagen},
   Year = {1996},
   Month = {June},
   Key = {fds292594}
}

@article{fds22189,
   Author = {Niels W. Gade},
   Title = {Werke},
   Journal = {Music Library Association Notes 54/4},
   Pages = {982-84},
   Publisher = {Copenhagen},
   Year = {1996},
   Month = {June},
   Key = {fds22189}
}

@article{fds292561,
   Author = {Todd, RL},
   Title = {"On Mendelssohn’s Operatic Destiny: Die Lorelei
             Reconsidered"},
   Pages = {113-40},
   Booktitle = {Felix Mendelssohn Bartholdy: Kongreß-Bericht Berlin
             1994},
   Publisher = {Wiesbaden, Breitkopf & Haertel},
   Editor = {Schmidt, CM},
   Year = {1997},
   Key = {fds292561}
}

@article{fds292562,
   Author = {Todd, RL},
   Title = {"On the Visual in Mendelssohn’s Music"},
   Pages = {115-24},
   Booktitle = {Cari amici: Festschrift 25 Jahre Carus-Verlag},
   Publisher = {Stuttgart},
   Editor = {Mohn, B and Ryschawy, H},
   Year = {1997},
   Key = {fds292562}
}

@misc{fds165556,
   Author = {R. Larry Todd and ed.},
   Title = {Mendelssohn, St. Paul, Op. 36},
   Publisher = {Carus Verlag},
   Address = {Stuttgart},
   Year = {1997},
   Key = {fds165556}
}

@article{fds292544,
   Author = {Botstein, L},
   Title = {Mendelssohn, Paulus},
   Booktitle = {Leon Botstein, Royal Scottish National Orchestra &
             Chorus},
   Publisher = {Arabesque},
   Year = {1998},
   Key = {fds292544}
}

@article{fds292545,
   Author = {Gardiner, JE},
   Title = {Mendelssohn, Symphonies Nos. 4 (Original and Revised
             Versions) and 5},
   Booktitle = {John Eliot Gardiner and the Vienna Philharmonic},
   Publisher = {DGG},
   Year = {1998},
   Key = {fds292545}
}

@article{fds292563,
   Author = {Todd, RL},
   Title = {"The Chamber Music of Mendelssohn"},
   Pages = {170-205},
   Booktitle = {19th-Century Chamber Music},
   Publisher = {New York: Schirmer Books, Macmillan},
   Editor = {Hefling, S},
   Year = {1998},
   Key = {fds292563}
}

@article{fds341268,
   Author = {Todd, RL and Gade, NW and Foltmann, NB and Hansen,
             FE},
   Title = {Symphony No. 4, Op. 20},
   Journal = {Notes},
   Volume = {54},
   Number = {4},
   Pages = {982-982},
   Publisher = {JSTOR},
   Year = {1998},
   Month = {June},
   url = {http://dx.doi.org/10.2307/900096},
   Doi = {10.2307/900096},
   Key = {fds341268}
}

@article{fds292564,
   Author = {Todd, RL},
   Title = {Three articles on Opp. 1, 9, and 119},
   Pages = {156-97},
   Booktitle = {The Complete Brahms},
   Publisher = {Norton},
   Editor = {Botstein, L},
   Year = {1999},
   Key = {fds292564}
}

@misc{fds12427,
   Author = {Muray Perahia},
   Title = {Songs without Words (Mendelssohn, Schubert/Liszt,
             Busoni)},
   Journal = {Murray Perahia},
   Publisher = {Sony Classical},
   Year = {1999},
   Key = {fds12427}
}

@article{fds292565,
   Author = {Todd, RL},
   Title = {"Felix Mendelssohn-Bartholdy: Overture to Elijah,
             Arrangement for Piano Duet (1847)"},
   Pages = {313-20},
   Booktitle = {Music History from Primary Sources: A Guide to the
             Moldenhauer Archives},
   Publisher = {Washington, Library of Congress},
   Editor = {Newsom, J and Mann, A},
   Year = {2000},
   Key = {fds292565}
}

@article{fds292595,
   Author = {Todd, RL},
   Title = {Weber, C. M. von, Sämtliche Werke: Kirchenmusik},
   Journal = {Music Library Association Notes},
   Volume = {57},
   Number = {4},
   Pages = {999-10001},
   Publisher = {Mainz, 1998},
   Year = {2001},
   Key = {fds292595}
}

@article{fds292646,
   Author = {R.L. Todd and Todd, Evans and Olson, RLDJ},
   Title = {A Welsh Collection of Mendelssohniana: Letters at
             Aberystwyth},
   Journal = {Current Musicology},
   Volume = {65},
   Pages = {116-140},
   Year = {2001},
   Key = {fds292646}
}

@article{fds292566,
   Author = {Todd, RL},
   Title = {"Mendelssohn"},
   Pages = {389-424},
   Booktitle = {New Grove Dictionary of Music and Musicians, 2nd
             ed},
   Publisher = {London: Macmillan},
   Year = {2001},
   Key = {fds292566}
}

@misc{fds12426,
   Author = {Atlantis Trio},
   Title = {Felix and Fanny Mendelssohn, Piano Trios},
   Journal = {The Atlantis Trio},
   Publisher = {Musica omnia},
   Year = {2001},
   Key = {fds12426}
}

@article{fds341265,
   Author = {Todd, RL},
   Title = {Missa sancta Nr. 1 Es-Dur (WeV A.2) mit Offertorium "Gloria
             et honore" (WeV A.3); Missa sancta Nr. 2 G-Dur (WeV A.5) mit
             Offertorium "In die solemnitatis" (WeV A.4)
             (review)},
   Journal = {Notes},
   Volume = {57},
   Number = {4},
   Pages = {999-1001},
   Publisher = {Project MUSE},
   Year = {2001},
   Month = {June},
   url = {http://dx.doi.org/10.1353/not.2001.0116},
   Doi = {10.1353/not.2001.0116},
   Key = {fds341265}
}

@article{fds292567,
   Author = {Todd, RL},
   Title = {"On Stylistic Affinities between the Music of Fanny Hensel
             and Felix Mendelssohn Bartholdy"},
   Pages = {245-61},
   Booktitle = {The Mendelssohns: Their Music in History},
   Publisher = {N. Y., Oxford University Press},
   Editor = {Cooper, JM},
   Year = {2002},
   Key = {fds292567}
}

@article{fds292568,
   Author = {Todd, RL},
   Title = {"Ein wenig still und scheu: Clara Wieck/Schumann as
             Colleague of Felix Mendelssohn Bartholdy"},
   Pages = {767-784},
   Booktitle = {Schumanniana Nova: Festschrift Gerd Nauhaus zum 60.
             Geburtstag},
   Publisher = {Sinzig, Studio Verlag},
   Editor = {Appel, BR and Bar, U and Wendt, M},
   Year = {2002},
   Key = {fds292568}
}

@article{fds292596,
   Author = {Todd, RL},
   Title = {Reynolds, Motives for Allusion},
   Year = {2003},
   Key = {fds292596}
}

@article{fds292597,
   Author = {Todd, RL},
   Title = {Mendelssohn, Die schöne Melusine},
   Year = {2003},
   Key = {fds292597}
}

@article{fds16750,
   Author = {Mendelssohn},
   Title = {Die schöne Melusine},
   Year = {2003},
   Key = {fds16750}
}

@article{fds16754,
   Author = {Reynolds, C. A.},
   Title = {Motives for Allusion},
   Year = {2003},
   Key = {fds16754}
}

@book{fds17009,
   Author = {R. L. Todd and general},
   Title = {Routledge Studies in Musical Genres Series},
   Year = {2003},
   Key = {fds17009}
}

@book{fds292612,
   Author = {Todd, RL},
   Title = {Mendelssohn: A Life in Music},
   Pages = {xxix+683 pages},
   Publisher = {NY., Oxford University Press},
   Year = {2003},
   Month = {October},
   Key = {fds292612}
}

@book{fds310110,
   Author = {R. L. Todd},
   Title = {Nineteenth-Century Piano Music},
   Series = {2nd Edition},
   Pages = {xvi+468pp.},
   Publisher = {Routledge},
   Editor = {RL Todd},
   Year = {2004},
   Key = {fds310110}
}

@article{fds292569,
   Author = {Todd, RL},
   Title = {"On Mendelssohn’s Sacred Music, Real and
             Imaginary"},
   Pages = {167-188},
   Booktitle = {Cambridge Mendelssohn Companion},
   Publisher = {Cambridge Univ. Press},
   Editor = {Mercer-Taylor, P},
   Year = {2004},
   Key = {fds292569}
}

@article{fds292570,
   Author = {Todd, RL},
   Title = {"Zu Mendelssohns ’Allegro brilliant’ op. 92: ein Duo
             für Clara Schumann"},
   Series = {Leipzig, Edition Peters},
   Pages = {249-60},
   Booktitle = {Dem Stolz und der Zierde unserer Stadt: Felix Mendelssohn
             Bartholdy und Leipzig},
   Editor = {Seidel, W},
   Year = {2004},
   Key = {fds292570}
}

@misc{fds139004,
   Author = {R. L. Todd and ed.},
   Title = {Fanny Hensel's Piano Music},
   Pages = {iv+59pp.},
   Publisher = {Dover Publications, Mineola, N.Y.},
   Year = {2004},
   Key = {fds139004}
}

@article{fds292623,
   Author = {Todd, RL},
   Title = {Mendelssohn's Legacy: A Performer's Symposium},
   Journal = {Piano},
   Pages = {20-29},
   Year = {2005},
   Key = {fds292623}
}

@article{fds292644,
   Author = {Todd, RL},
   Title = {Hidden Treasures [bicentenary of Fanny Mendelssohn
             Hensel]},
   Journal = {Piano},
   Pages = {13-14},
   Year = {2005},
   Key = {fds292644}
}

@article{fds292645,
   Author = {Todd, RL},
   Title = {Mendelssohn the Musical Polymath},
   Journal = {Piano Today},
   Pages = {7, 24},
   Year = {2005},
   Key = {fds292645}
}

@article{fds341264,
   Author = {Todd, RL},
   Title = {Motives for allusion: Context and contem in
             ninefeenth-century music.},
   Journal = {JOURNAL OF MUSICOLOGICAL RESEARCH},
   Volume = {24},
   Number = {1},
   Pages = {71-75},
   Year = {2005},
   Key = {fds341264}
}

@article{fds292571,
   Author = {Todd, R},
   Title = {"Nineteenth-Century Concertos for Strings and
             Winds"},
   Pages = {118-138},
   Booktitle = {Cambridge Companion to the Concerto},
   Publisher = {Cambridge University Press},
   Editor = {Keefe, S},
   Year = {2005},
   Key = {fds292571}
}

@article{fds292572,
   Author = {Todd, RL},
   Title = {Mendelssohn entry},
   Booktitle = {The Canterbury Dictionary of Hymnology},
   Publisher = {Canterbury Press},
   Editor = {Watson, JR},
   Year = {2005},
   Key = {fds292572}
}

@article{fds292576,
   Author = {Todd, R},
   Title = {"Humboldt, Mendelssohn and Musical Unity"},
   Pages = {3-15},
   Booktitle = {conference proceedings of Alexander von Humboldt: From the
             Americas to the Cosmos, CUNY Graduate Center
             (www.humboldt/conference.org/)},
   Year = {2005},
   Key = {fds292576}
}

@misc{fds43028,
   Title = {Mendelssohn Bartholdy, Baerenreiter Urtext: Konzert in
             e-Moll, Op. 64 1844/1845},
   Pages = {xxii+190pp.},
   Publisher = {Baerenreiter, Kassel, Germany},
   Editor = {R. Larry Todd},
   Year = {2005},
   Key = {fds43028}
}

@misc{fds43038,
   Author = {Emerson String Quartet},
   Title = {The String Quartets of Mendelssohn},
   Publisher = {Deutsche Grammophon},
   Year = {2005},
   Key = {fds43038}
}

@misc{fds43483,
   Author = {R. Todd},
   Title = {Notes for the Emerson String Quartet Mendelssohn cycle,
             Carnegie Hall, N.Y},
   Year = {2005},
   Key = {fds43483}
}

@article{fds165570,
   Author = {R. Larry Todd and ed.},
   Title = {Hidden Treasures (Fanny Mendelssohn Hensel},
   Journal = {Piano},
   Pages = {13-14},
   Year = {2005},
   Month = {October},
   Key = {fds165570}
}

@article{fds165572,
   Author = {R. Todd},
   Title = {Mendelssohn the Musical Polymath},
   Journal = {Piano Today},
   Pages = {7, 24},
   Year = {2005},
   Month = {Fall},
   Key = {fds165572}
}

@article{fds292626,
   Author = {Todd, RL},
   Title = {Mendelssohn's Legacy: A Performers' Symposium, with Andras
             Schiff, Roberto Prosseda, Frederic Chiu, Anton Kuerti,
             Martin Jones},
   Journal = {Piano},
   Pages = {20-29},
   Year = {2005},
   Month = {October},
   Key = {fds292626}
}

@article{fds292598,
   Author = {Todd, RL},
   Title = {Mendelssohn, Ouvertüre in C, Op. 101, Bärenreiter Urtext,
             Christopher Hogwood, ed., Kassel, 2003},
   Journal = {Nineteenth-Century Music Review},
   Year = {2007},
   Key = {fds292598}
}

@article{fds292599,
   Author = {Todd, RL},
   Title = {Mendelssohn, Die erste Walpurgisnacht, facsimile of the
             autograph piano-vocal score, ed. Hiromi Hoshino, Tokyo,
             2005},
   Journal = {Music Library Association Notes},
   Year = {2007},
   Key = {fds292599}
}

@article{fds292600,
   Author = {Todd, RL},
   Title = {Florestan Trio (Hyperion Label) recording of the Mendelssohn
             Piano Trios},
   Journal = {Nineteenth-Century Music Review},
   Year = {2007},
   Key = {fds292600}
}

@article{fds292628,
   Author = {Todd, RL},
   Title = {"Fanny Hensel's Op. 6 No. 1 and the Art of Musical
             Reminiscence"},
   Journal = {Nineteenth-Century Music Review},
   Volume = {4},
   Number = {2},
   Year = {2007},
   Key = {fds292628}
}

@article{fds292573,
   Author = {Todd, RL},
   Title = {"Die Matthäus-Passion–Widerhall und Wirkung in
             Mendelssohns Musik"},
   Pages = {79-97},
   Booktitle = {Zu groß, zu unerreichbar: Bach-Rezeption im Zeitalter
             Mendelssohn und Schumanns},
   Publisher = {Breitkopf & Haetel},
   Address = {Wiesbaden},
   Editor = {Hartinger, A and Wolff, C and Wollny, P},
   Year = {2007},
   Key = {fds292573}
}

@article{fds292574,
   Author = {Todd, RL},
   Title = {"Mendelssohnian Allusions in the Early Piano Works of
             William Sterndale Bennett"},
   Pages = {101-18},
   Booktitle = {The Piano in Nineteenth-Century British Culture},
   Publisher = {Ashgate},
   Address = {Aldershot},
   Editor = {Ellsworth, T and Wollenberg, S},
   Year = {2007},
   Key = {fds292574}
}

@book{fds42998,
   Author = {R. Larry Todd},
   Title = {Mendelssohn Essays},
   Pages = {xiii+340pp.},
   Publisher = {Routledge},
   Address = {New York},
   Year = {2007},
   Abstract = {The volume comprises a selection (15) of my Mendelssohn
             essays, including five previously unpublished studies of
             Mendelssohn and Fanny Hensel},
   Key = {fds42998}
}

@article{fds366274,
   Author = {Todd, RL},
   Title = {Die erste Walpurgisnacht: Ballade von Goethe für Chor und
             Orchester, op. 60 (review)},
   Journal = {Notes},
   Volume = {64},
   Number = {2},
   Pages = {358-360},
   Publisher = {Project MUSE},
   Year = {2007},
   Month = {December},
   url = {http://dx.doi.org/10.1353/not.2007.0147},
   Doi = {10.1353/not.2007.0147},
   Key = {fds366274}
}

@book{fds292614,
   Author = {Todd, RL},
   Title = {Felix Mendelssohn Bartholdy: Sein Leben, seine
             Musik},
   Pages = {798pp. pages},
   Publisher = {Carus-Verlag/Philipp Reclam},
   Address = {Stuttgart},
   Year = {2008},
   Key = {fds292614}
}

@misc{fds165548,
   Author = {R. Larry Todd and ed.},
   Title = {Mendelssohn Bartholdy, Konzert in e für Klavier und
             Orchester},
   Pages = {xiii+121pp.},
   Publisher = {Bärenreiter},
   Address = {Kassel},
   Year = {2008},
   Key = {fds165548}
}

@misc{fds165568,
   Author = {Sebastian Knauer},
   Title = {Pure Mendelssohn},
   Year = {2008},
   Key = {fds165568}
}

@article{fds292601,
   Author = {Todd, RL},
   Title = {Stefan Wolitz, Fanny Hensels Chorwerke (Tutzing,
             2007)},
   Journal = {Music & Letters 90 (2009), 689-91},
   Year = {2009},
   Key = {fds292601}
}

@article{fds292625,
   Author = {Todd, RL},
   Title = {The Masterpiece that Never Was: Reconstructing Mendelssohn's
             Piano Concerto No. 3},
   Journal = {Piano Journal},
   Pages = {15-19},
   Year = {2009},
   Key = {fds292625}
}

@article{fds165574,
   Author = {Wolitz, Stefan},
   Title = {Fanny Hensels Chorwerke (Tutzing, 2007)},
   Journal = {Music & Letters 90 (2009), 689-91},
   Year = {2009},
   Key = {fds165574}
}

@misc{fds165549,
   Author = {R. Larry Todd and ed.},
   Title = {Mendelssohn Bartholdy Bärenreiter Urtext: Lieder ohne
             Worte},
   Pages = {xviii+213pp.},
   Publisher = {Bärenreiter},
   Address = {Kassel},
   Year = {2009},
   Key = {fds165549}
}

@misc{fds165550,
   Author = {Frieder Bernius},
   Title = {Felix Mendelssohn Bartholdy, Oedipus in Kolonos, Kammerchor
             Stuttgart, Klassische Philharmonie Stuttgart, Frieder
             Bernius, conductor},
   Publisher = {Carus Verlag},
   Address = {Stuttgart},
   Year = {2009},
   Key = {fds165550}
}

@misc{fds165551,
   Author = {Frieder Bernius},
   Title = {Felix Mendelssohn Bartholdy, Antigone, Kammerchor Stuttgart,
             Klassische Philharmonie Stuttgart, Frieder Bernius,
             conductor},
   Publisher = {Carus Verlag},
   Address = {Stuttgart},
   Year = {2009},
   Key = {fds165551}
}

@article{fds292624,
   Author = {Todd, RL},
   Title = {"Mache mich ein wenig Lärm vor"},
   Journal = {Die Welt am Sonntag},
   Pages = {Kultur 62-Kultur 63},
   Year = {2009},
   Month = {February},
   Key = {fds292624}
}

@article{fds292627,
   Author = {Todd, RL and Mace, AR},
   Title = {Mendelssohn and the Free Chorale},
   Journal = {Choral Journal},
   Volume = {49},
   Number = {9},
   Pages = {49.-69.},
   Year = {2009},
   Month = {March},
   Key = {fds292627}
}

@article{fds292622,
   Author = {Todd, RL},
   Title = {Mendelssohn and Us: Reflections on the Bicentenary},
   Journal = {Ad Parnassum},
   Volume = {7},
   Pages = {7-35},
   Year = {2009},
   Month = {October},
   Key = {fds292622}
}

@article{fds341263,
   Author = {Todd, RL},
   Title = {Fanny Hensels Chorwerke. By Stefan Wolitz.},
   Journal = {Music and Letters},
   Volume = {90},
   Number = {4},
   Pages = {689-691},
   Publisher = {Oxford University Press (OUP)},
   Year = {2009},
   Month = {November},
   url = {http://dx.doi.org/10.1093/ml/gcp025},
   Doi = {10.1093/ml/gcp025},
   Key = {fds341263}
}

@article{fds292617,
   Author = {Todd, RL},
   Title = {"Mendelssohn Reception and Us: Reflections on the
             Bicentenary"},
   Journal = {Ad Parnassum},
   Volume = {7},
   Pages = {7-36},
   Year = {2010},
   Key = {fds292617}
}

@article{fds292618,
   Author = {Todd, RL},
   Title = {"Mendelssohn's Third Piano Concerto, a Tale of Two
             Concertos"},
   Journal = {Bulletin of Musashino Academia Musicae, Tokyo},
   Pages = {27-52},
   Year = {2010},
   Key = {fds292618}
}

@article{fds292619,
   Author = {Todd, RL},
   Title = {"Mendelssohn's Lieder ohne Worte and the Limits of Musical
             Expression"},
   Journal = {Bulletin of Musashino Academia Musicae, Tokyo},
   Volume = {41},
   Pages = {1-25},
   Year = {2010},
   Key = {fds292619}
}

@article{fds292620,
   Author = {Todd, RL},
   Title = {"Robert Schumann and the Art of Musical Composition"},
   Journal = {Clavier Companion},
   Volume = {2},
   Number = {3},
   Pages = {26-31},
   Year = {2010},
   Key = {fds292620}
}

@article{fds292621,
   Author = {R.L. Todd and Todd and Cooper, RLAM},
   Title = {"'With True Esteem and Friendship': The Correspondence of
             Felix Mendelssohn Bartholdy and Louis Spohr"},
   Journal = {Journal of Musicological Research},
   Volume = {29},
   Number = {2-3},
   Pages = {171-259},
   Publisher = {Informa UK Limited},
   Year = {2010},
   url = {http://dx.doi.org/10.1080/01411896.2010.482512},
   Abstract = {Felix Mendelssohn Bartholdy and Louis Spohr, two of the most
             influential musical figures of Restoration musical culture
             in the German lands, exchanged detailed letters about some
             of the most important issues of their day. Most of this
             correspondence has remained unpublished. Thirty-nine letters
             exchanged by these two composers are presented in English
             translation and the original German. The letters contain
             pithy discussions of individual works of both composers -
             Mendelssohn's St. Paul and Elijah, the symphony-cantata
             Lobgesang, his "Scottish" and "Italian" Symphonies, and the
             Melusine Overture; as well as Spohr's oratorio Des Heilands
             letzte Stunden, his "Historical" Symphony, and the Tochter
             der Luft Overture, among others. The letters also
             collectively offer insight into general aspects of
             mid-nineteenth-century musical life, such as recommending
             and hiring singers and instrumentalists, arranging for the
             performance of new music and concert programming generally,
             the politics of libretto creation for nineteenth-century
             oratorios and operas, and the state of current musical
             affairs, especially where the revival of earlier music and
             the issues facing the historicist movement are concerned.
             Copyright © Taylor & Francis Group, LLC.},
   Doi = {10.1080/01411896.2010.482512},
   Key = {fds292621}
}

@article{fds341260,
   Author = {Todd, RL},
   Title = {Felix Mendelssohn Bartholdy: Thematically Systematic List of
             Musical Works (MWV)},
   Journal = {NINETEENTH-CENTURY MUSIC REVIEW},
   Volume = {7},
   Number = {2},
   Pages = {135-142},
   Year = {2010},
   Key = {fds341260}
}

@article{fds341261,
   Author = {Todd, RL},
   Title = {All letters, based on Rudolf Elvers scale collection edited
             by Helmut Loos and William Seidel, Volume 1: 1816 to June
             1830, vol 2, July 1830 to July 1832},
   Journal = {NINETEENTH-CENTURY MUSIC REVIEW},
   Volume = {7},
   Number = {2},
   Pages = {135-142},
   Year = {2010},
   Key = {fds341261}
}

@article{fds341262,
   Author = {Cooper, JM and Todd, RL},
   Title = {Foreword: In honor of Peter Ward Jones},
   Journal = {Journal of Musicological Research},
   Volume = {29},
   Number = {2-3},
   Pages = {85},
   Year = {2010},
   Month = {April},
   url = {http://dx.doi.org/10.1080/01411896.2010.482505},
   Doi = {10.1080/01411896.2010.482505},
   Key = {fds341262}
}

@article{fds292616,
   Author = {Todd, RL},
   Title = {Fanny Hensel's Musik für die Toten der Cholera-Epidemie},
   Journal = {Dialogues and Extensions, American Symphony
             Orchestra},
   Year = {2010},
   Month = {November},
   Key = {fds292616}
}

@article{fds292602,
   Author = {Todd, RL},
   Title = {Mendelssohn, Briefe, 2 vols. (Kassel, Bärenreiter) and Ralf
             Wehner, Felix Mendelsohn Bartholdy: Thematisch-systematisches
             Verzeichnis der musikalischen Werke (Leipzig, Brietkopf &
             Härtel)},
   Journal = {19th Century Music Reivew},
   Volume = {7},
   Number = {2},
   Pages = {135-42},
   Year = {2011},
   Key = {fds292602}
}

@article{fds292603,
   Author = {Todd, RL},
   Title = {6 short articles for Classic FM Magazine},
   Year = {2011},
   Month = {April},
   Key = {fds292603}
}

@book{fds292615,
   Author = {Todd, RL},
   Title = {Fanny Hensel: The Other Mendelssohn},
   Pages = {1-454},
   Publisher = {Oxford University Press},
   Address = {New York},
   Year = {2011},
   Month = {October},
   ISBN = {9780195180800},
   url = {http://dx.doi.org/10.1093/acprof:oso/9780195180800.001.0001},
   Abstract = {Granddaughter of the philosopher Moses Mendelssohn and
             sister of the composer Felix Mendelssohn Bartholdy, Fanny
             Hensel (1805-47) was an extraordinary musician who left well
             over four hundred compositions, most of which fell into
             oblivion until their rediscovery late in the 20th century.
             This book offers a compelling, authoritative account of
             Hensel's life and music, and her struggle to emerge as a
             publicly recognized composer.},
   Doi = {10.1093/acprof:oso/9780195180800.001.0001},
   Key = {fds292615}
}

@book{fds292608,
   Author = {Todd, RL},
   Title = {Mendelssohn and His World},
   Pages = {1-403},
   Year = {2012},
   Month = {January},
   ISBN = {9780691027159},
   Abstract = {During the 1830s and 1840s the remarkably versatile
             composer-pianist-organist-conductor Felix
             Mendelssohn-Bartholdy stood at the forefront of German and
             English musical life. Bringing together previously
             unpublished essays by historians and musicologists,
             reflections on Mendelssohn written by his contemporaries,
             the composer's own letters, and early critical reviews of
             his music, this volume explores various facets of
             Mendelssohn's music, his social and intellectual circles,
             and his career. The essays in Part I cover the nature of a
             Jewish identity in Mendelssohn's music (Leon Botstein); his
             relationship to the Berlin Singakademie (William A. Little);
             the role of his sister Fanny Hensel, herself a child prodigy
             and accomplished composer (Nancy Reich); Mendelssohn's
             compositional craft in the Italian Symphony and selected
             concert overtures (Claudio Spies); his oratorio Elijah
             (Martin Staehelin); his incidental music to Sophocles'
             Antigone (Michael P. Steinberg); his anthem "Why, O Lord,
             delay forever?" (David Brodbeck); and an unfinished piano
             sonata (R. Larry Todd). Part II presents little-known
             memoirs by such contemporaries as J. C. Lobe, A. B. Marx,
             Julius Schubring, C. E. Horsley, Max Mller, and Betty
             Pistor. Mendelssohn's letters are represented in Part III by
             his correspondence with Wilhelm von Boguslawski and Aloys
             Fuchs, here translated for the first time. Part IV contains
             late nineteenth-century critical reviews by Heinrich Heine,
             Franz Brendel, Friedrich Niecks, Otto Jahn, and Hans von
             Blow.},
   Key = {fds292608}
}

@article{fds341259,
   Author = {Todd, RL},
   Title = {Preface},
   Journal = {Mendelssohn and His World},
   Volume = {9781400831623},
   Pages = {ix-xi},
   Year = {2012},
   Month = {January},
   url = {http://dx.doi.org/10.1515/9781400831623.ix},
   Doi = {10.1515/9781400831623.ix},
   Key = {fds341259}
}

@misc{fds220736,
   Author = {Nancy Green and cello and R. Larry Todd and piano},
   Title = {Felix Mendelssohn: The Complete Works for Cello & Piano and
             Fanny Mendelssohn Hensel, Fantasia in G minor},
   Publisher = {JRI Recordings},
   Year = {2013},
   Key = {fds220736}
}

@book{fds292613,
   Author = {Todd, RL},
   Title = {Mendelssohn essays},
   Pages = {1-340},
   Publisher = {Routledge},
   Year = {2013},
   Month = {January},
   ISBN = {9780203940068},
   url = {http://dx.doi.org/10.4324/9780203940068},
   Abstract = {When R. Larry Todd’s biography, Mendelssohn: A Life in
             Music, appeared in 2003, it won acclaim from several critics
             as a definitive biography. In researching Mendelssohn’s
             life over the last two and a half decades, Todd uncovered
             much new information about the composer and his music, his
             family and his peers, and his complex reception history.
             Now, as we approach the 2009 bicentenary of Mendelssohn’s
             birth, the author has chosen and compiled fifteen essays
             written between 1980 and 2005, including five previously
             unpublished, that examine several aspects of the composer
             whom Goethe and Heine likened to a second
             Mozart.},
   Doi = {10.4324/9780203940068},
   Key = {fds292613}
}

@book{fds341256,
   Author = {Todd, RL},
   Title = {Preface to the first edition},
   Pages = {vii-xii},
   Year = {2013},
   Month = {January},
   ISBN = {9781315024479},
   url = {http://dx.doi.org/10.4324/9781315024479},
   Doi = {10.4324/9781315024479},
   Key = {fds341256}
}

@book{fds341257,
   Author = {Todd, RL},
   Title = {Nineteenth-century piano music, Second edition},
   Pages = {1-468},
   Year = {2013},
   Month = {January},
   ISBN = {9781315024479},
   url = {http://dx.doi.org/10.4324/9781315024479},
   Doi = {10.4324/9781315024479},
   Key = {fds341257}
}

@book{fds341258,
   Author = {Todd, RL},
   Title = {Preface to the second edition},
   Pages = {xiv},
   Year = {2013},
   Month = {January},
   ISBN = {9781315024479},
   url = {http://dx.doi.org/10.4324/9781315024479},
   Doi = {10.4324/9781315024479},
   Key = {fds341258}
}

@misc{fds305516,
   Author = {Todd, RL},
   Title = {Mendelssohn, The Complete Solo Piano Music, vol. 1, Howard
             Shellley, Hyperion, 2013},
   Year = {2014},
   Month = {November},
   Key = {fds305516}
}

@misc{fds305517,
   Author = {Todd, RL},
   Title = {Mendelssohn Bartholdy, Lieder mit und ohne Worte, Thmas
             Michael Allen, Reinild Mees, Ars Produktion,
             2009},
   Year = {2014},
   Month = {November},
   Key = {fds305517}
}

@misc{fds305518,
   Author = {Todd, RL},
   Title = {Felix Mendelssohn, Piano Trio Op. 49, Piano Sextet Op. 110,
             The Atlantis Trio & Ensemble, Musica Omnia,
             2006},
   Year = {2014},
   Month = {November},
   Key = {fds305518}
}

@misc{fds305519,
   Author = {Todd, RL},
   Title = {Mendelssohn, Violin Concertos, Alina Ibragimova, Orchestra
             of the Age of Enlightenment, Vladimir Jurowski, Hyperion,
             2012},
   Year = {2014},
   Month = {November},
   Key = {fds305519}
}

@misc{fds305520,
   Author = {Todd, RL},
   Title = {Mendelssohn, The Piano Trios, Wu Han, Philip Setzer, David
             Finckel, Artist Led, 2011},
   Year = {2014},
   Month = {November},
   Key = {fds305520}
}

@misc{fds305521,
   Author = {Todd, RL},
   Title = {Felix Mendelssohn Bartholdy, Schauspielmusiken, Carus
             Verlag, 2014},
   Year = {2014},
   Month = {November},
   Key = {fds305521}
}

@misc{fds305522,
   Author = {Todd, RL},
   Title = {Felix Mendelssohn Bartholdy, Oratorien, Kammerchor
             Stuttgart, Frieder Bernius, Carus Verlag,
             2013},
   Year = {2014},
   Month = {November},
   Key = {fds305522}
}

@misc{fds305523,
   Author = {Todd, RL},
   Title = {Daniel Hope,, Mendelssohn, Chamber Orchestra of Europe,
             Thomas Hengelbrock, DGG, 2007},
   Year = {2014},
   Month = {November},
   Key = {fds305523}
}

@misc{fds305524,
   Author = {Todd, RL},
   Title = {Mendelssohn Discoveries: Rare Piano Works, Roberto Prosseda,
             Decca, 2005},
   Year = {2014},
   Month = {November},
   Key = {fds305524}
}

@misc{fds305525,
   Author = {Todd, RL},
   Title = {Mendelssohn, The Complete Solo Piano Music, vol. 2, Howard
             Shelley, Hyperion, 2014},
   Year = {2014},
   Month = {November},
   Key = {fds305525}
}

@misc{fds305526,
   Author = {Todd, RL},
   Title = {Mendelssohn, Violin Sonatas, Shlomo Mintz and Paul
             Ostrovsky, DGG, 1987},
   Year = {2014},
   Month = {November},
   Key = {fds305526}
}

@misc{fds305527,
   Author = {Todd, RL},
   Title = {Mendelssohn, String Symphonies Nos. 8, 9, and 10, Orpheus
             Chamber Orchestra, DGG, 1993},
   Year = {2014},
   Month = {November},
   Key = {fds305527}
}

@misc{fds305528,
   Author = {Todd, RL},
   Title = {Mendelssohn, Piano Concerto in E minor, Robert Schumann,
             Konzerstatz for piano and orchestra, Clara Schumann, Piano
             Sonata in G minor, Jennifer Eley, Sayard Stone, English
             Chamber Orchestra, Koch International, 1996},
   Year = {2014},
   Month = {November},
   Key = {fds305528}
}

@misc{fds305529,
   Author = {Todd, RL},
   Title = {Mendelssohn, Symphonies Nos. 4 (Original and Revised
             Versions) and 5, John Eliot Gardiner and the Vienna
             Philharmonic, DGG, 1998},
   Year = {2014},
   Month = {November},
   Key = {fds305529}
}

@misc{fds305530,
   Author = {Todd, RL},
   Title = {Mendelssohn, Paulus, Leon Botstein, Royal Scottish National
             Orchestra & Chorus, Arabesque, 1998},
   Year = {2014},
   Month = {November},
   Key = {fds305530}
}

@misc{fds305531,
   Author = {Todd, RL},
   Title = {Murray Perahia, Songs without Words (Mendelssohn,
             Schubert/Liszt, Busoi), Sony Classical, 1999},
   Year = {2014},
   Month = {November},
   Key = {fds305531}
}

@misc{fds305532,
   Author = {Todd, RL},
   Title = {Felix and Fanny Mendelssohn, Piano Trios, The Atlantis Trio,
             Musica Omnia, 2001},
   Year = {2014},
   Month = {November},
   Key = {fds305532}
}

@misc{fds305533,
   Author = {Todd, RL},
   Title = {Mendelssohn, Complete String Quartets, Emerson String
             Quartet, Deutsche Grammophon, 2005},
   Year = {2014},
   Month = {November},
   Key = {fds305533}
}

@misc{fds305534,
   Author = {Todd, RL},
   Title = {Sebastian Knauer, Pure Mendelssohn, Berlin Classics, Edel
             Kultur, 2008},
   Year = {2014},
   Month = {November},
   Key = {fds305534}
}

@misc{fds305535,
   Author = {Todd, RL},
   Title = {Mendelssohn, Antigone, Op. 55, Frieder Bernius, Kammerchor
             Stuttgart, Klassische Philharmonie Stuttgart, Carus Verlag,
             2009},
   Year = {2014},
   Month = {November},
   Key = {fds305535}
}

@misc{fds305536,
   Author = {Todd, RL},
   Title = {Mendelssohn, Oedipus in Kolonos, Frieder Bernius, Kammerchor
             Stuttgart, Klassische Philharmonie Stuttgart, Carus Verlag,
             2209},
   Year = {2014},
   Month = {November},
   Key = {fds305536}
}

@book{fds332863,
   Author = {Todd, RL and Moskovitz, M},
   Title = {Beethoven's Cello: Five Revolutionary Sonatas and Their
             World},
   Publisher = {Boydell Press},
   Year = {2017},
   Month = {October},
   ISBN = {978-1783272372},
   Key = {fds332863}
}

@article{fds341254,
   Author = {Todd, RL},
   Title = {Introduction},
   Journal = {Nineteenth-Century Music Review},
   Volume = {15},
   Number = {3},
   Pages = {325-328},
   Year = {2018},
   Month = {December},
   url = {http://dx.doi.org/10.1017/S1479409818000320},
   Doi = {10.1017/S1479409818000320},
   Key = {fds341254}
}

@article{fds341255,
   Author = {Todd, RL},
   Title = {Late Brahms, Ancient Modes},
   Journal = {Nineteenth-Century Music Review},
   Volume = {15},
   Number = {3},
   Pages = {421-442},
   Year = {2018},
   Month = {December},
   url = {http://dx.doi.org/10.1017/S1479409818000319},
   Abstract = {History has often viewed Brahms as a Janus-faced composer
             who turned his gaze backward to contemplate the accumulated
             riches of music history even as he sought late in his career
             to exploit new means of musical expression. On the one hand,
             he habitually collected passages from a long line of
             composers that breached the traditional prohibition against
             parallel fifths and octaves; he exchanged ideas with
             musicologists such as Nottebohm, Mandyczewski and Adler, and
             read early issues of the Vierteljahrsschrift für
             Musikwissenschaft; and he indulged from time to time in a
             distinctive musical historicism. But on the other hand, his
             music was embraced for showing a way forward for a number of
             next-generation composers who would contend with
             twentieth-century modernism, most notably of course
             Schoenberg, in his essay 'Brahms the Progressive', but also
             Anton von Webern, whose transitional Passacaglia op. 1 was
             unthinkable without the precedent of Brahms's op. 90, and
             whose aphoristic miniatures betrayed the concentrated
             expression and opening up of register in Brahms's late
             Klavierstücke. This essay considers one still relatively
             little-explored facet of Brahms's historical gaze - his use
             of modes in his later music, and their potential for
             creating alternative means of musical organization that
             challenged, and yet were somehow compatible with, tonality.
             Examples considered include the first movement of the
             Clarinet Trio op. 114 and slow movement of the String
             Quintet no. 2 op. 111. Unlike Brahms's earlier compositions
             that treat modes as signifiers of a style of folk music or
             simulated folk music, the later instrumental works seem to
             juxtapose principles of modal organization within the
             context of tonal compositions. Thus, in the first movement
             of the Clarinet Trio, eerie passages in fauxbourdon impress
             as allusions to a distant, archaic musical other, as if
             Brahms the historian were searching for the distant roots of
             his musical aesthetic.},
   Doi = {10.1017/S1479409818000319},
   Key = {fds341255}
}

@article{fds350327,
   Author = {Todd, RL},
   Title = {Leipzig after Bach: Church & Concert Life in a German
             City},
   Journal = {BACH},
   Volume = {50},
   Number = {2},
   Pages = {308-313},
   Year = {2019},
   Key = {fds350327}
}

@article{fds361993,
   Author = {Todd, RL},
   Title = {Rebecca Cypess and Nancy Sinkoff, eds, Sara Levy's World:
             Gender, Judaism, and the Bach Tradition in Enlightenment
             Berlin (Rochester: University of Rochester Press, 2018), x +
             292 pp. $99.00},
   Journal = {Nineteenth-Century Music Review},
   Volume = {17},
   Number = {3},
   Pages = {477-481},
   Publisher = {Cambridge University Press (CUP)},
   Year = {2020},
   Month = {December},
   url = {http://dx.doi.org/10.1017/s1479409819000429},
   Doi = {10.1017/s1479409819000429},
   Key = {fds361993}
}

@article{fds361992,
   Author = {Todd, RL},
   Title = {Fanny hensel’s lieder (ohne worte) and the boundaries of
             song: The curious case of the lied in d major, op. 8, no.
             3},
   Pages = {217-238},
   Booktitle = {The Songs of Fanny Hensel},
   Year = {2021},
   Month = {January},
   ISBN = {9780190919566},
   url = {http://dx.doi.org/10.1093/oso/9780190919566.003.0012},
   Abstract = {The subject of this chapter, Fanny Hensel’s Lied in D
             major for piano solo, Op. 8, No. 3, might seem an anomalous
             choice for a volume devoted to the composer’s texted
             Lieder. But one could readily advance the argument that,
             like Schubert, Hensel was at her core a naturally gifted
             song composer who gave as free a rein to lyrical impulses in
             her purely instrumental music as she did in setting the
             verses of her favorite poets-Goethe, Tieck, Eichendorff, and
             Heine. Some of her piano pieces, which she typically titled
             Lieder or Klavierlieder, raise the question as to whether
             particular poetic sources lay behind their inspiration.
             Perhaps the most enigmatic of these examples is Op. 8, No.
             3, which, when published posthumously in 1850, appeared with
             the title Lied, to which was added in parentheses
             “Lenau.” This chapter takes into account the sixteen
             Lenau settings composed by Hensel and her brother between
             1839 and 1847, and considers whether Op. 8, No. 3 might be
             linked to specific verses of Lenau, or might offer, perhaps,
             a musical portrait of the poet, who suffered a mental
             collapse in 1844.},
   Doi = {10.1093/oso/9780190919566.003.0012},
   Key = {fds361992}
}

@article{fds366916,
   Author = {Todd, RL},
   Title = {From the Church to the Concert Hall: J.S. Bach, Mendelssohn,
             and the Imaginary Chorale},
   Pages = {109-128},
   Booktitle = {Theology, Music, and Modernity: Struggles for
             Freedom},
   Year = {2021},
   Month = {January},
   ISBN = {9780198846550},
   url = {http://dx.doi.org/10.1093/oso/9780198846550.003.0006},
   Abstract = {‘Every room in which Bach is performed is transformed into
             a church.’ We do not know the context for this remark
             attributed to Mendelssohn (sometime before March 1835), but
             it reflects one significant thread in the nineteenth-century
             ‘emancipation of music’, namely the revival of the music
             of J.S. Bach, and his transformation from a largely
             forgotten Leipzig church musician into a dominant, canonic
             figure in European concert music. This chapter revisits some
             familiar aspects of Mendelssohn’s revival of Bach’s
             music, for example the seminal revival of the St. Matthew
             Passion in 1829, and Mendelssohn’s spiritual trajectory
             from Judaism to Christianity, and then explores ways in
             which his own music tested boundaries between sacred music
             for performance in church versus the concert hall. One way
             in which Mendelssohn allied his music with the spiritual was
             through the use of imaginary, ‘free’ chorales-that is,
             newly composed, textless chorale melodies that he inserted
             into a number of his purely instrumental compositions as a
             means of underscoring his newly acquired Protestant faith.
             The chapter concludes by exploring the significance of this
             device for several other nineteenth-century composers who
             similarly invoked the divine and sacred in their concert
             music},
   Doi = {10.1093/oso/9780198846550.003.0006},
   Key = {fds366916}
}

@article{fds361991,
   Author = {Todd, RL},
   Title = {Rethinking Mendelssohn. Ed. by Benedict
             Taylor},
   Journal = {Music and Letters},
   Volume = {102},
   Number = {2},
   Pages = {377-381},
   Publisher = {Oxford University Press (OUP)},
   Year = {2021},
   Month = {December},
   url = {http://dx.doi.org/10.1093/ml/gcab047},
   Doi = {10.1093/ml/gcab047},
   Key = {fds361991}
}


%% Troxler, Rebecca   
@misc{fds222176,
   Author = {R. Troxler},
   Title = {Box set (2 CDs) of the music of the sons of JS Bach on the
             Albany label},
   Year = {2013},
   Key = {fds222176}
}


%% Waeber, Jacqueline   
@article{fds292203,
   Author = {Jacqueline Waeber},
   Title = {Pygmalion et J.-J. Rousseau},
   Journal = {Fontes Artis Musicae},
   Volume = {44},
   Number = {1},
   Pages = {32-41},
   Year = {1997},
   Key = {fds292203}
}

@misc{fds70790,
   Author = {Jean-Jacques Rousseau and Horace Coignet},
   Title = {Pygmalion. Scène lyrique},
   Publisher = {Editions Université-Conservatoire de musique,
             Geneva},
   Editor = {Jacqueline Waeber},
   Year = {1997},
   Key = {fds70790}
}

@article{fds292197,
   Author = {Waeber, JR},
   Title = {"J’ai imaginé un genre de drame": Une réflexion sur la
             partition musicale du mélodrame de Pygmalion},
   Journal = {Schweizer Jahrbuch für Musikwissenschaft},
   Volume = {18},
   Pages = {147-179},
   Year = {1998},
   Key = {fds292197}
}

@article{fds292204,
   Author = {Jacqueline Waeber},
   Title = {Beaumarchais et Rousseau: Sur quelques aspects du renouveau
             de la pantomime et de l'avènement du mélodrame},
   Journal = {French Studies of the Eighteenth and Nineteenth
             Centuries},
   Volume = {8},
   Pages = {205-224},
   Year = {2000},
   Key = {fds292204}
}

@article{fds70795,
   Title = {Le Devin du Village, edited by Charlotte
             Kaufman},
   Journal = {Revue de Musicologie},
   Volume = {86},
   Number = {1},
   Pages = {161-164},
   Year = {2000},
   Key = {fds70795}
}

@article{fds292205,
   Author = {Jacqueline Waeber},
   Title = {Cette horrible innovation": The first version of the
             recitative parts of Rousseau's Le devin du
             village},
   Journal = {Music & Letters},
   Volume = {82},
   Number = {2},
   Pages = {177-213},
   Year = {2001},
   Key = {fds292205}
}

@article{fds292184,
   Author = {Waeber, JR},
   Title = {Claude Dauphin: La musique au temps des Lumières},
   Journal = {French Studies},
   Volume = {57},
   Number = {4},
   Pages = {539-540},
   Year = {2003},
   Key = {fds292184}
}

@article{fds292206,
   Author = {Jacqueline Waeber},
   Title = {Décor et pantomimes du Devin du Village: Une étude
             didascalique},
   Journal = {Annales de la Société Jean-Jacques Rousseau},
   Volume = {45},
   Pages = {131-165},
   Year = {2003},
   Key = {fds292206}
}

@article{fds292185,
   Author = {Waeber, JR},
   Title = {Christopher Kelly: Rousseau as Author},
   Journal = {French Studies},
   Volume = {58},
   Number = {3},
   Pages = {414-415},
   Year = {2004},
   Key = {fds292185}
}

@article{fds292182,
   Author = {Waeber, JR},
   Title = {Paysage d’avant Querelle: Rousseau continuateur de
             Grimm},
   Volume = {8},
   Pages = {229-249},
   Booktitle = {Studies on Voltaire and the Eighteenth Century},
   Year = {2004},
   Key = {fds292182}
}

@book{fds292192,
   Author = {J. Waeber and Waeber, J and Eigeldinger, J-J},
   Title = {Frédéric Chopin: Interprétations},
   Series = {Université de Genève: Recherches et Rencontres,
             20},
   Publisher = {Droz, Geneva},
   Year = {2005},
   Key = {fds292192}
}

@article{fds292173,
   Author = {Waeber, JR},
   Title = {L’invention du récitatif obligé, ou comment relire la
             Lettre sur la musique françoise},
   Pages = {187-203},
   Booktitle = {La Querelle des Bouffons dans la vie culturelle française
             du XVIIIème siècle},
   Publisher = {CNRS, Paris},
   Editor = {Fabiano, A},
   Year = {2005},
   Key = {fds292173}
}

@book{fds292193,
   Author = {Waeber, JR},
   Title = {En musique dans le texte. Le mélodrame, de Rousseau à
             Schoenberg},
   Publisher = {Van Dieren Editeur, Paris},
   Year = {2006},
   url = {http://books.google.fr/books?id=elOnZEK3MuMC&printsec=frontcover&hl=fr#v=onepage&q&f=false},
   Key = {fds292193}
}

@article{fds292186,
   Author = {Waeber, JR},
   Title = {Mark Darlow: Nicolas-Etienne Framery and Lyric Theatre in
             Eighteenth-Century France},
   Journal = {Eighteenth-Century Music},
   Volume = {3},
   Number = {1},
   Pages = {146-148},
   Year = {2006},
   Key = {fds292186}
}

@article{fds292187,
   Author = {Waeber, JR},
   Title = {Catherine Kintzler: Théâtre et opéra à l’âge
             classique},
   Journal = {Music & Letters},
   Volume = {87},
   Number = {4},
   Pages = {639-642},
   Year = {2006},
   Key = {fds292187}
}

@article{fds292188,
   Author = {Waeber, JR},
   Title = {Jean-Jacques Rousseau. Letter to d’Alembert, and Writings
             for the Theater. Translated and Edited by Allan Bloom,
             Charles Butterworth, and Christopher Kelly},
   Journal = {British Journal for Eighteenth-Century Studies},
   Volume = {30},
   Number = {1},
   Pages = {150–151-150–151},
   Year = {2007},
   Key = {fds292188}
}

@article{fds292201,
   Author = {Jacqueline Waeber},
   Title = {Searching for the Plot: Charles-Valentin Alkan's Souvenirs:
             Trois morceaux dans le genre pathétique, Op.
             15},
   Journal = {Journal of the Royal Musical Association},
   Volume = {132},
   Number = {1},
   Pages = {60-114},
   Publisher = {Cambridge University Press (CUP)},
   Year = {2007},
   url = {http://dx.doi.org/10.1093/jrma/fkm005},
   Abstract = {In the early nineteenth century, the piano étude was
             conceived as an outgrowth of the eighteenth-century
             exercice, perpetuating the idea of mechanical virtuosity
             devoid of any poetic meaning; but it was also shaped by the
             Romantic pièce de caractère. Drawing upon the context of
             Parisian musical life in the 1830s (notably the reception of
             Beethoven's Seventh Symphony), this article discusses
             Charles-Valentin Alkan's piano études Souvenirs: Trois
             morceaux dans le genre pathétique, op. 15 (Paris, 1837).
             This work shows how virtuoso idiomatic figures can act as
             genre markers, thereby allowing the encoding of a specific
             extramusical meaning. It further addresses the issue of the
             privileged understanding between the composer and his
             performer that goes back to eighteenth-century
             tradition.},
   Doi = {10.1093/jrma/fkm005},
   Key = {fds292201}
}

@article{fds292174,
   Author = {Waeber, JR},
   Title = {La scène kaléidoscope de la Gorge-aux-Loups},
   Pages = {24-27},
   Booktitle = {Der Freischütz, Programme du Grand Théâtre de
             Genève},
   Year = {2008},
   Key = {fds292174}
}

@book{fds292194,
   Author = {Waeber, JR},
   Title = {La Note Bleue. Mélanges offerts à Jean-Jacques
             Eigeldinger},
   Volume = {45},
   Series = {Publikationen der Schweizerischen Musikforschenden
             Gesellschaft Serie II},
   Publisher = {Peter Lang, Bern},
   Year = {2009},
   url = {http://www.peterlang.com/index.cfm?vID=10771&vLang=F&vHR=1&vUR=3&vUUR=4},
   Key = {fds292194}
}

@article{fds292202,
   Author = {Jacqueline Waeber},
   Title = {Jean-Jacques Rousseau's "unité de mélodie"},
   Journal = {Journal of the American Musicological Society},
   Volume = {62},
   Number = {1},
   Pages = {79-143},
   Publisher = {University of California Press},
   Year = {2009},
   url = {http://dx.doi.org/10.1525/jams.2009.62.1.79},
   Keywords = {J.-J. Rousseau, 18th-century music theory, melody, music and
             language},
   Abstract = {Introduced by Jean-Jacques Rousseau in his Letter on French
             music (1753), “unité de mélodie” has commonly been
             understood as a technical rule asserting the primacy of
             melody over all the other musical parameters. It is the key
             concept of Rousseau’s musical thought. Yet studies on
             eighteenth-century formulations of musical unity have only
             paid scant attention to Rousseau’s discussions of it,
             explaining its presence in his oeuvre as a symptom of the
             growing influence of the style galant in France. Drawing on
             Rousseau’s autobiographical and theoretical writings, this
             essay investigates the genesis of the “unité de
             mélodie,” beginning with its rhetorical roots and the
             influence of Friedrich-Melchior Grimm’s notion of the
             musical “contresens.” But Rousseau’s own autobiography
             is also key to understanding his intellectual approach of
             music. I argue that the “unité de mélodie” originated
             well before the years 1752–3, and that it is inextricably
             linked with Rousseau’s preoccupation with writing and
             musical notation, questions motivated by his search for
             musical texts that would allow for unmediated comprehension,
             whether through listening or score reading. Finally, in the
             “unité de mélodie,” we can see how Rousseau made a
             seminal contribution to late eighteenth-century French
             theoretical discourses on musical periodicity and on the
             importance of melody in establishing form.},
   Doi = {10.1525/jams.2009.62.1.79},
   Key = {fds292202}
}

@article{fds292175,
   Author = {Waeber, JR},
   Title = {"Le Devin de la Foire"? Revaluating the Pantomime in
             Rousseau’s Devin du village},
   Volume = {50},
   Series = {Publikationen der Schweizerische Musikforschende
             Gesellschaft Serie II},
   Pages = {149-172},
   Booktitle = {Musique et Geste en France: de Lully à la
             Révolution},
   Publisher = {Peter Lang},
   Address = {Bern},
   Editor = {Waeber, J},
   Year = {2009},
   Key = {fds292175}
}

@article{fds292176,
   Author = {Waeber, JR},
   Title = {Du bon usage des titres: le cas Alkan},
   Series = {Publikationen der Schweizerischen Musikforschenden
             Gesellschaft: Serie II/45},
   Pages = {241-265},
   Booktitle = {La Note bleue. Mélanges offerts à Jean-Jacques
             Eigeldinger},
   Publisher = {Peter Lang, Bern},
   Editor = {Waeber, J},
   Year = {2009},
   Key = {fds292176}
}

@article{fds292177,
   Author = {Waeber, JR},
   Title = {Grétry héritier de Rousseau: l’intégration du
             récitatif dans l’opéra-comique},
   Pages = {231–262-231–262},
   Booktitle = {André Modeste Grétry. L’Amant Jaloux ou Les Fausses
             Apparences. Livret, études et commentaires},
   Publisher = {Mardaga - Centre de Musique Baroque de Versailles},
   Address = {Wavres},
   Editor = {Duron, J},
   Year = {2009},
   Key = {fds292177}
}

@book{fds292195,
   Author = {Waeber, JR},
   Title = {Musique et Geste en France: de Lully à la
             Révolution},
   Volume = {50},
   Series = {Publikationen der Schweizerische Musikforschende
             Gesellschaft Serie II},
   Publisher = {Peter Lang},
   Address = {Bern},
   Year = {2010},
   ISBN = {978-3-03911-637-9},
   Key = {fds292195}
}

@article{fds292189,
   Author = {Waeber, JR},
   Title = {Sur quel pied danser? Danse et littérature},
   Journal = {French Studies},
   Volume = {64},
   Number = {2},
   Pages = {239-240},
   Year = {2010},
   Key = {fds292189}
}

@article{fds292200,
   Author = {Jacqueline Waeber},
   Title = {Déconstruire Rousseau: Chabanon annotateur du Dictionnaire
             de musique},
   Journal = {Annales de la Société Jean-Jacques Rousseau},
   Volume = {49},
   Pages = {245-280},
   Year = {2010},
   Keywords = {J.-J. Rousseau, Chabanon, musical mimesis,
             Enlightenment},
   Key = {fds292200}
}

@article{fds292178,
   Author = {Waeber, JR},
   Title = {L’opéra, fenêtre sur le Réel: The Piano Tuner of
             Earthquakes (2005) de Stephen et Timothy
             Quay},
   Pages = {351–364-351–364},
   Booktitle = {Opéra et Fantastique},
   Publisher = {Presses Universitaires de Rennes},
   Address = {Rennes},
   Editor = {Lacombe, H and Picard, T},
   Year = {2010},
   Key = {fds292178}
}

@article{fds292179,
   Author = {Waeber, JR},
   Title = {The Voice-Over as ’Melodramatic’ Voice},
   Series = {Interdisciplinary Studies in Opera},
   Pages = {215-235},
   Booktitle = {Melodramatic Voices: Understanding Music
             Drama},
   Publisher = {Ashgate},
   Address = {Aldershot, UK},
   Editor = {Hibberd, S},
   Year = {2011},
   Key = {fds292179}
}

@article{fds292180,
   Author = {Waeber, JR},
   Title = {Yvette Guilbert and the Revaluation of the “chanson
             populaire” and “chanson ancienne” during the Third
             Republic, 1889-1914},
   Pages = {264-306},
   Booktitle = {The Oxford Handbook to the New Cultural History of
             Music},
   Publisher = {Oxford University Press},
   Editor = {Fulcher, J},
   Year = {2011},
   Key = {fds292180}
}

@article{fds376768,
   Author = {Waeber, J},
   Title = {The Voice-Over as 'Melodramatic Voice'},
   Journal = {MELODRAMATIC VOICES: UNDERSTANDING MUSIC
             DRAMA},
   Pages = {215-235},
   Publisher = {ASHGATE PUBLISHING LTD},
   Year = {2011},
   Month = {January},
   Key = {fds376768}
}

@book{fds292196,
   Author = {Rousseau, J-J},
   Title = {Jean-Jacques Rousseau: Edition du Tricentenaire},
   Volume = {1},
   Publisher = {Garnier},
   Year = {2012},
   Key = {fds292196}
}

@article{fds292199,
   Author = {Waeber, J},
   Title = {Entre défigurement et palimpseste : les Six Nouveaux airs
             du Devin du village de Rousseau à Ginguené},
   Journal = {Orages},
   Volume = {11},
   Pages = {31-78},
   Year = {2012},
   Key = {fds292199}
}

@article{fds305537,
   Title = {Rousseau copiste de musique: l’envers de
             l’auteur?},
   Volume = {1},
   Pages = {197–222-197–222},
   Publisher = {The Voltaire Foundation},
   Editor = {Dea, MO},
   Year = {2012},
   Abstract = {On ne s’est guère interrogé sur ce que fut la principale
             activité professionnelle de Rousseau, ‘copiste de
             musique’. Recopier un texte musical a longtemps été,
             avant l’avènement des moyens mécaniques de reproduction,
             une activité essentielle de la pédagogie musicale. Le
             présent essai a pour propos d’éclairer les implications
             de ce ‘métier de copiste’ sur la relation de Rousseau
             à la musique, et leur incidence sur son projet de réforme
             de notation musicale. Au-delà de questions purement
             musicales, le métier de copiste s’inscrit dans la sphère
             d’activité de Rousseau écrivain et de son rapport à
             l’écriture.},
   Key = {fds305537}
}

@article{fds292181,
   Author = {Waeber, JR},
   Title = {Rousseau copiste de musique: l’envers de
             l’auteur?},
   Volume = {1},
   Series = {SVEC (Studies on Voltaire and the Eighteenth
             Century)},
   Pages = {197–222-197–222},
   Booktitle = {Jean-Jacques Rousseau en 2012: ’Puisqu’enfin mon nom
             doit vivre’},
   Publisher = {The Voltaire Foundation},
   Address = {Oxford},
   Editor = {Dea, MO},
   Year = {2012},
   Abstract = {On ne s’est guère interrogé sur ce que fut la principale
             activité professionnelle de Rousseau, ‘copiste de
             musique’. Recopier un texte musical a longtemps été,
             avant l’avènement des moyens mécaniques de reproduction,
             une activité essentielle de la pédagogie musicale. Le
             présent essai a pour propos d’éclairer les implications
             de ce ‘métier de copiste’ sur la relation de Rousseau
             à la musique, et leur incidence sur son projet de réforme
             de notation musicale. Au-delà de questions purement
             musicales, le métier de copiste s’inscrit dans la sphère
             d’activité de Rousseau écrivain et de son rapport à
             l’écriture.},
   Key = {fds292181}
}

@article{fds292183,
   Author = {Rousseau, J-J},
   Title = {Le Devin du village, édition critique, texte et musique par
             J. Waeber; Lettre à M. Grimm, édition critique par J.
             Waeber},
   Volume = {1},
   Series = {Classiques Garnier},
   Booktitle = {Jean-Jacques Rousseau: Edition du Tricentenaire},
   Publisher = {Garnier},
   Year = {2012},
   Key = {fds292183}
}

@article{fds292190,
   Author = {Waeber, J},
   Title = {Au-delà de l’opéra : l’opposition théorique entre ces
             deux genres revue au prisme du modèle mélodramatique de
             J.-J. Rousseau},
   Journal = {Nouvelle Revue d’Esthétique, numéro spécial "Pourquoi
             l’opéra?"},
   Number = {12},
   Pages = {23-32},
   Editor = {Pouradier, M},
   Year = {2013},
   Key = {fds292190}
}

@article{fds292198,
   Author = {J. Waeber and convenor, JW and Bloechl, O and Cohen, DE and Gasparov, B and Gelbart,
             M and Goehr, L and Kasunic, D and Loughridge, D},
   Title = {Colloquy: Jean-Jacques Rousseau in 2013: Afterthoughts on a
             Tercentenary},
   Journal = {Journal of the American Musicological Society},
   Volume = {66},
   Number = {1},
   Pages = {251–295},
   Year = {2013},
   Key = {fds292198}
}

@article{fds292172,
   Author = {Waeber, J and Gasparov, B and Goehr, L and Bloechl, O and Kasunic, D and Loughridge, D and Cohen, DE and Gelbart, M},
   Title = {Rousseau in 2013},
   Journal = {Journal of the American Musicological Society},
   Volume = {66},
   Number = {1},
   Pages = {251-295},
   Publisher = {University of California Press},
   Year = {2013},
   Month = {April},
   ISSN = {0003-0139},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000319301000006&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.1525/jams.2012.66.1.251},
   Key = {fds292172}
}

@article{fds292191,
   Author = {Waeber, J},
   Title = {What’s in a song: the case of Christopher Nolan’s
             ’Inception’},
   Journal = {SoundEffects},
   Volume = {3},
   Number = {1-2},
   Pages = {45-63},
   Year = {2013},
   Month = {August},
   url = {http://www.soundeffects.dk/article/view/15639/13513},
   Abstract = {Overblown cinematography and excess of visual attraction are
             the key features in Christopher Nolan’s Inception (UK/USA,
             2010), a film that eventually exhausts itself in its
             numerous tours de force. Yet, Inception’s multi-levelled
             phantasmagoria cannot escape to the mere materiality of the
             objects that regularly invade its cinematic space, and that
             are invoked for what they simply are: things. Throughout the
             film, their fastidious presence points towards a desire that
             Kracauer has identified as an “urge for concretion.” Not
             only does it provide a restraining counterpoint to the
             film’s constant negotiation of dream-like spaces, but it
             also mirrors one of cinema’s most enduring concerns: the
             obsession with the representation of the dense materiality
             of things. In Inception, one of these things — indeed, the
             most important of all — is not an object defined by its
             tactile materiality, but the fragment of a song: Edith
             Piaf’s 1960 recording of “Non, je ne regrette rien.”
             In this essay, I argue that Inception privileges a haptic
             treatment of this aural fragment in order to present the
             song as thing. While this song may be replete with
             pre-existing connotations that could potentially impact on
             the audience’s perception, its reduction to a brief
             fragment renders the meaning of its inter-textual
             potentialities illegible, but also singles out its sonic
             fabric in the aural foreground. Thus the paradoxical choice
             of a “vintage” recording that literally clashes with the
             glossy artificiality of the visual treatment (from objects
             to actors themselves). Although located at the purely aural
             level, the song fragment nevertheless resonates with
             Nolan’s well-known claim to anchor his visual effects in
             “real life” by giving them a “realistic style or
             patina”.},
   Key = {fds292191}
}

@article{fds223578,
   Title = {Le Devin de la Foire? Pantomime et jeu muet dans Le Devin du
             village},
   Series = {Recherches},
   Pages = {105-130},
   Booktitle = {Rousseau et le spectacle},
   Publisher = {Armand Colin},
   Address = {Paris},
   Editor = {Jacques Berchtold and Christophe Martin and Yannick
             Séité},
   Year = {2014},
   Key = {fds223578}
}


%% Waggoner, Andrew   
@article{fds342526,
   Author = {Waggoner, A},
   Title = {Burwell and Space: Inner, Outer, Environmental and
             Acoustical},
   Booktitle = {Contemporary Film Music Investigating Cinema Narratives and
             Composition},
   Publisher = {Palgrave Macmillan},
   Editor = {Coleman, L and Tillman, J},
   Year = {2017},
   Month = {June},
   ISBN = {9781137573742},
   Abstract = {The purpose of this book, through its very creation, is to
             strengthen the dialogue between practitioner and
             theorist.},
   Key = {fds342526}
}


%% Wang, Yun Emily   
@article{fds361510,
   Author = {Wang, YE},
   Title = {Sung and Spoken Puns as Queer "Home Making" in Toronto's
             Chinese Diaspora},
   Journal = {Women and Music: A Journal of Gender and
             Culture},
   Volume = {22},
   Number = {1},
   Pages = {50-62},
   Publisher = {Project MUSE},
   Year = {2018},
   url = {http://dx.doi.org/10.1353/wam.2018.0005},
   Doi = {10.1353/wam.2018.0005},
   Key = {fds361510}
}


%% Wynkoop, Rodney   
@misc{fds43441,
   Author = {Duke Chorale},
   Title = {An International Tour},
   Year = {1992},
   Key = {fds43441}
}

@misc{fds43440,
   Author = {Duke Chorale},
   Title = {In These Delightful Pleasant Groves},
   Year = {1998},
   Key = {fds43440}
}

@misc{fds12718,
   Author = {Duke Chapel Choir and orchestra},
   Title = {Handel's Messiah, Dec. 3-5, 1999, CD of live
             performance},
   Year = {2000},
   Key = {fds12718}
}

@misc{fds12719,
   Author = {Choral Society of Durham and Duke Chorale and orchestra},
   Title = {Orff's Carmina Burana, Feb. 26, 2000, CD of live
             performance},
   Year = {2000},
   Month = {February},
   Key = {fds12719}
}

@misc{fds12714,
   Author = {Duke Chorale},
   Title = {"Deck the Hall" Christmas CD},
   Year = {2001},
   Key = {fds12714}
}

@misc{fds12716,
   Author = {Duke Chorale},
   Title = {"I'm Gonna Sing" CD},
   Year = {2001},
   Key = {fds12716}
}

@misc{fds12713,
   Author = {Vocal Arts Ensemble},
   Title = {My Spirit Sang All Day},
   Publisher = {CD on Arsis label},
   Year = {2003},
   Key = {fds12713}
}

@misc{fds12717,
   Author = {Duke Chapel Choir and orchestra},
   Title = {10th Anniversary Concert, Oct. 30, 1999, CD of live
             performance},
   Year = {2003},
   Key = {fds12717}
}

@misc{fds12715,
   Author = {Duke Chapel Choir},
   Title = {Rutter Requiem and Vierne Messe Solennelle},
   Year = {2003},
   Month = {January},
   Key = {fds12715}
}

@misc{fds43215,
   Author = {Duke Chorale},
   Title = {Sing Joyfully!},
   Year = {2006},
   Key = {fds43215}
}

@misc{fds43216,
   Author = {Duke Chapel Choir},
   Title = {With Cheerful Voice},
   Year = {2007},
   Key = {fds43216}
}