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| Publications of Bryan Gilliam :chronological alphabetical combined listing:
%% Books
@book{fds290669,
Author = {Gilliam, B},
Title = {Rounding Wagner's mountain: Richard Strauss and modern
German opera},
Pages = {1-340},
Publisher = {Cambridge University Press},
Year = {2014},
Month = {Spring},
ISBN = {9780521456593},
url = {http://dx.doi.org/10.1017/CBO9780511979699},
Abstract = {Richard Strauss’ fifteen operas, which span the years 1893
to 1941, make up the largest German operatic legacy since
Wagner’s operas of the nineteenth century. Many of
Strauss’s works were based on texts by Europe’s finest
writers: Oscar Wilde, Hugo von Hofmannsthal and Stefan
Zweig, among others, and they also overlap some of the most
important and tumultuous stretches of German history, such
as the founding and demise of a German empire, the rise and
fall of the Weimar Republic, the period of National
Socialism, and the post-war years, which saw a divided East
and West Germany. In the first book to discuss all
Strauss’s operas, Bryan Gilliam sets each work in its
historical, aesthetic, philosophical, and literary context
to reveal what made the composer’s legacy unique.
Addressing Wagner’s cultural influence upon this legacy,
Gilliam also offers new insights into the thematic and
harmonic features that recur in Strauss’s
compositions.},
Doi = {10.1017/CBO9780511979699},
Key = {fds290669}
}
@book{fds290940,
Author = {al, BGE},
Title = {Music, Image, Gesture},
Volume = {104},
Pages = {1-176 pages},
Publisher = {Duke University Press},
Editor = {Gilliam, B},
Year = {2005},
Key = {fds290940}
}
@book{fds290667,
Author = {Gilliam, B},
Title = {The Life of Richard Strauss, Cambridge Musical
Lives},
Publisher = {Cambridge University Press},
Year = {1999},
Key = {fds290667}
}
@book{fds290666,
Author = {al, BGE},
Title = {Music and Performance during the Weimar Republic},
Publisher = {Cambridge University Press},
Editor = {Gilliam, B},
Year = {1994},
Key = {fds290666}
}
@book{fds290664,
Author = {Gilliam, B},
Title = {Richard Strauss: New Perspectives on the Composer and His
Work},
Publisher = {Duke University Press},
Editor = {Gilliam, B},
Year = {1992},
Key = {fds290664}
}
@book{fds290665,
Author = {al, BGE},
Title = {Richard Strauss and His World},
Publisher = {Princeton University Press},
Editor = {Gilliam, B},
Year = {1992},
Key = {fds290665}
}
@book{fds290663,
Author = {Gilliam, B},
Title = {Richard Strauss’s Elektra},
Publisher = {Oxford University Press},
Year = {1991},
Key = {fds290663}
}
@book{fds290662,
Author = {Gilliam, B},
Title = {Richard Strauss’s ’Daphne’: Opera and Symphonic
Continuity},
Publisher = {Harvard Ph.D. Dissertation},
Year = {1984},
Key = {fds290662}
}
%% Articles
@article{fds303045,
Author = {B. Gilliam},
Title = {The Great War and Its Aftermath: Strauss's and
Hofmannsthal's Third-Way Modernism},
Pages = {In production},
Booktitle = {Modernism and Opera},
Publisher = {Johns Hopkins University Press},
Editor = {Richard Begam and Matthew Wilson Smith},
Year = {2016},
Key = {fds303045}
}
@article{fds303044,
Author = {B. Gilliam},
Title = {Essay on Der Rosenkavalier, Ariadne auf Naxos, and Die Frau
ohne Schatten},
Pages = {pp. 183-213},
Booktitle = {Richard Strauss Handbuch},
Publisher = {Metzler},
Editor = {Walter Werbeck},
Year = {2014},
Key = {fds303044}
}
@article{fds290606,
Author = {Gilliam, B},
Title = {Strauss’s Der Rosenkavalier, Ariadne auf Naxos, und Die
Frau ohne Schatten},
Pages = {75 Completed pagesand in press-75 Comple},
Booktitle = {Richard Strauss Handbuch},
Publisher = {Bärenreiter},
Editor = {Werbeck, W},
Year = {2014},
Key = {fds290606}
}
@article{fds290660,
Author = {Gilliam, B},
Title = {Dans l’ombre de Bach : Lyonel Feininger
musicien},
Year = {2011},
Month = {December},
Key = {fds290660}
}
@article{fds290605,
Author = {Gilliam, B},
Title = {In the Shadow of Bach: Lyonel Feininger as a
Musician},
Booktitle = {Lyonel Feininger: At the Edge of the World},
Publisher = {Yale},
Year = {2011},
Month = {July},
Key = {fds290605}
}
@article{fds290623,
Author = {Gilliam, B},
Title = {"Strauss and the Sexual Body: The Aesthetics Humor,
Philosophy, and Ego-Assertion"},
Pages = {269-79},
Booktitle = {Richard Strauss Companion},
Publisher = {Cambridge University Press},
Editor = {Youmans, C},
Year = {2010},
Month = {December},
Key = {fds290623}
}
@article{fds290624,
Author = {Gilliam, B},
Title = {"The Hofmannsthal Operas"},
Pages = {119-35},
Booktitle = {Richard Strauss Companion},
Publisher = {Cambridge University Press},
Editor = {Youmans, C},
Year = {2010},
Month = {December},
Key = {fds290624}
}
@article{fds311410,
Author = {Gilliam, B},
Title = {The Strauss-Hofmannsthal operas},
Pages = {119-135},
Booktitle = {The Cambridge Companion to Richard Strauss},
Publisher = {Cambridge University Press},
Year = {2010},
Month = {January},
ISBN = {9780521899307},
url = {http://dx.doi.org/10.1017/CCOL9780521899307.008},
Abstract = {The collaboration between Richard Strauss and Hugo von
Hofmannsthal was one of the greatest composer-librettist
relationships of all time, spanning nearly three decades
until the poet's untimely death in July, 1929. It was an
artistic association at the level of Verdi-Boito or
Mozart-Da Ponte but, unlike these two earlier librettists,
Hofmannsthal had a successful and independent career as a
writer of some of Austria's finest lyric poetry, and his
plays remain in the repertoire of German-speaking theater.
Before setting Hofmannsthal's Elektra to music, Strauss had
worked with various authors and various texts (those by
himself, Ernst von Wolzogen, and Oscar Wilde). But with
Hofmannsthal he collaborated on six operas, a series
interrupted only by Intermezzo (1924). The partnership with
Hofmannsthal also initiated an association with Austrians
for all his future operatic collaborations: Stefan Zweig,
Joseph Gregor, and Clemens Krauss. Much has been made of the
differences between Strauss and Hofmannsthal, the German and
the Austrian, and these contrasts in personality, literary
tastes, and artistic views are quite true. The famous
photograph taken by Strauss's son, Franz, is one of two men
standing together outside the composer's villa in Garmisch
around the time of Der Rosenkavalier. Strauss, wearing
walking breeches, with a cigarette in his left hand and a
walking stick in his right, looks directly into the camera,
while Hofmannsthal - nearly a head shorter - stands holding
a horizontal umbrella, wearing a hat covering his eyes,
awkwardly staring away from the camera in the direction of
Strauss.},
Doi = {10.1017/CCOL9780521899307.008},
Key = {fds311410}
}
@article{fds290622,
Author = {Gilliam, B},
Title = {"In the Shadow of Bach: Lyonel Feininger as
Musician"},
Booktitle = {Lyonel Feininger: On the Edge of the World},
Publisher = {Yale University Press},
Editor = {Haskell, B},
Year = {2010},
Key = {fds290622}
}
@article{fds290621,
Author = {Gilliam, B},
Title = {"Between Resignation and Hope: The Late Strauss"},
Pages = {pp. 167-80},
Booktitle = {Late Thoughts},
Publisher = {J. Paul Getty Institute},
Editor = {Crowe, T and Painter, K},
Year = {2006},
Key = {fds290621}
}
@article{fds290620,
Author = {Gilliam, B},
Title = {" ’Ich bin ein anderer als ich war’: Ariadne auf Naxos -
das Konzept der Verwandlung und die Ablehnung der
griechischen Tragödie"},
Series = {Edition Text+Kritik},
Pages = {69-80},
Booktitle = {Richard Strauss: Der griechischer Germane},
Publisher = {Munich: Boorberg Verlag},
Editor = {Tadday, U},
Year = {2005},
Key = {fds290620}
}
@article{fds290617,
Author = {Gilliam, B},
Title = {"Die Rezeption der von Einem Opern in Amerika und die
Ideologien des Stils"},
Pages = {303-13},
Booktitle = {Gottfried von Einem Kongress},
Publisher = {Hans Schneider},
Editor = {Fuchs, I},
Year = {2003},
Key = {fds290617}
}
@article{fds290618,
Author = {Gilliam, B},
Title = {"From Hollywood to Berlin: The Influence of American Film on
Weimar Music Theater},
Pages = {147-59},
Booktitle = {Americanism/Amerikanismus/Weill: Die Suche nach kultureller
Indentität in der ersten Hälfte des 20.
Jahrhunderts},
Publisher = {Argus},
Editor = {Danuser, H and Gottschewski, H},
Year = {2003},
Key = {fds290618}
}
@article{fds290619,
Author = {Gilliam, B},
Title = {Introductory Essay},
Booktitle = {The Richard Strauss Companion},
Publisher = {Praeger},
Editor = {Schmid, M-D},
Year = {2003},
Key = {fds290619}
}
@article{fds290614,
Author = {Gilliam, B},
Title = {" ’Friede im Innern’: Aussenwelt und Innenwelt von
Richard Strauss um 1935"},
Pages = {93-111},
Booktitle = {Richard Strauss und die Moderne},
Publisher = {Henschel},
Editor = {Edelmann, B and Lodes, B and Schlötterer, R},
Year = {2001},
Key = {fds290614}
}
@article{fds290615,
Author = {Gilliam, B},
Title = {"Biography for Stephen Jaffe"},
Booktitle = {New Grove},
Editor = {Sadie, S},
Year = {2001},
Key = {fds290615}
}
@article{fds290616,
Author = {Gilliam, B},
Title = {"Biography (19,000 words) on Richard Strauss"},
Volume = {24},
Booktitle = {Revised New Grove Dictionary of Music and
Musicians},
Publisher = {Macmillan},
Editor = {Sadie, S},
Year = {2001},
Key = {fds290616}
}
@article{fds12741,
Author = {B. Gilliam},
Title = {"Elektras Tanz and Auflösung"},
Booktitle = {Festschrift Reinhold Schlotterer},
Publisher = {Wissner},
Editor = {Bernd Edelmann},
Year = {1999},
Key = {fds12741}
}
@article{fds290611,
Author = {Gilliam, B},
Title = {"A Viennese Opera Composer in Hollywood: Erich Wolfgang
Korngold’s Double Exile in America"},
Pages = {334-57},
Booktitle = {Driven from Paradise: The Musical Migration from Nazi
Germany to the United States},
Publisher = {University of California Press},
Editor = {Brinkmann, R and Wolff, C},
Year = {1999},
Key = {fds290611}
}
@article{fds290612,
Author = {Gilliam, B},
Title = {Prefatory essay in honor of Günter Brosche},
Booktitle = {Fetstschrift Günter Brosche},
Publisher = {Hans Schneider},
Editor = {Leibnitz, T},
Year = {1999},
Key = {fds290612}
}
@article{fds290613,
Author = {Gilliam, B},
Title = {"Elektras Tanz and Auflösung"},
Booktitle = {Festschrift Reinhold Schlotterer},
Publisher = {Wissner},
Editor = {Edelmann, B},
Year = {1999},
Key = {fds290613}
}
@article{fds290610,
Author = {Gilliam, B},
Title = {"The Tone Poems of Richard Strauss"},
Pages = {345-68},
Booktitle = {The 19th-Century Symphony},
Editor = {Holoman, DK},
Year = {1997},
Key = {fds290610}
}
@article{fds290609,
Author = {Gilliam, B},
Title = {"Stage and Screen: Kurt Weill and Operatic Reform in the
1920s"},
Booktitle = {Music and Performance during the Weimar Republic},
Publisher = {Cambridge University Press},
Editor = {Gilliam, B},
Year = {1994},
Key = {fds290609}
}
@article{fds290607,
Author = {Gilliam, B},
Title = {"Richard Strauss’s Intermezzo: Innovation and
Tradition"},
Pages = {259-83},
Booktitle = {Richard Strauss: New Perspectives},
Publisher = {DUke University Press},
Editor = {Gilliam, B},
Year = {1992},
Key = {fds290607}
}
@article{fds290608,
Author = {Gilliam, B},
Title = {"Daphne’s Transformation"},
Pages = {33-66},
Booktitle = {Richard Strauss and His World},
Publisher = {Princeton University Press},
Editor = {Gilliam, B},
Year = {1992},
Key = {fds290608}
}
%% Papers
@article{fds290600,
Author = {Gilliam, B},
Title = {Zoë Alexis Lang. The Legacy of Johann Strauss: Political
Influence and Twentieth-Century Identity. Cambridge:
Cambridge University Press, 2014. Pp. 248.},
Journal = {Austrian History Yearbook},
Volume = {46},
Pages = {434-436},
Publisher = {Cambridge University Press (CUP)},
Year = {2015},
Month = {April},
ISSN = {0067-2378},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000353516300050&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Doi = {10.1017/s0067237814000551},
Key = {fds290600}
}
@article{fds303047,
Author = {B. Gilliam},
Title = {Richard Strauss und das Problem der Ehe},
Year = {2014},
Key = {fds303047}
}
@article{fds303048,
Author = {B. Gilliam},
Title = {Zur Strauss Rezeption in Amerika nach 1945},
Year = {2014},
Abstract = {Richard Strauss Conference, University of
Munich},
Key = {fds303048}
}
@article{fds290659,
Author = {Gilliam, B},
Title = {Rhetoric and the Human Condition in Mozart’s Last Three
Symphonies},
Year = {2013},
Month = {August},
Key = {fds290659}
}
@article{fds290658,
Author = {Gilliam, B},
Title = {The Problem of Trauma and Memory in Elektra, Ariadne auf
Naxos, and Die Aegytische Helena},
Year = {2013},
Key = {fds290658}
}
@article{fds218724,
Author = {B. Gilliam},
Title = {Erinnerung und Trauma in Ariadne auf Naxos},
Year = {2012},
Key = {fds218724}
}
@article{fds290678,
Author = {Gilliam, B},
Title = {A House Divided},
Journal = {OPERA NEWS},
Volume = {74},
Number = {11},
Pages = {16-21},
Year = {2010},
ISSN = {0030-3607},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000276580700007&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds290678}
}
@article{fds290682,
Author = {Gilliam, B},
Title = {"A House Divided: The Tragic History of Dresden's Semper
Opera House"},
Journal = {Opera News},
Year = {2010},
Key = {fds290682}
}
@article{fds290657,
Author = {Gilliam, B},
Title = {" ’Ich bin ein anderer als ich war’: Ariadne auf Naxos
and the Rejection of Greek Tragedy},
Year = {2006},
Key = {fds290657}
}
@article{fds41181,
Author = {B. Gilliam},
Title = {"Music during the Holocaust: Viktor Ullmann’s Der Kaiser
von Atlantis"},
Year = {2005},
Month = {July},
Key = {fds41181}
}
@article{fds290656,
Author = {Gilliam, B},
Title = {"Don Quixote and the Cinematic Strauss"},
Year = {2005},
Month = {June},
Key = {fds290656}
}
@article{fds290672,
Author = {Gilliam, B},
Title = {Introduction},
Journal = {South Atlantic Quarterly},
Volume = {104},
Number = {1},
Pages = {1-5},
Publisher = {Duke University Press},
Editor = {B. Gilliam},
Year = {2005},
Month = {January},
ISSN = {0038-2876},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000225650300001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Doi = {10.1215/00382876-104-1-1},
Key = {fds290672}
}
@article{fds290683,
Author = {Gilliam, B},
Title = {" 'Friede im Innern': Strauss's Inner and Outer Worlds in
the mid-1930s"},
Journal = {JAMS},
Pages = {563-595},
Year = {2005},
Key = {fds290683}
}
@article{fds290655,
Author = {Gilliam, B},
Title = {"Richard Strauss and the National Socialist
Regime"},
Year = {2004},
Month = {November},
Key = {fds290655}
}
@article{fds290654,
Author = {Gilliam, B},
Title = {"Body and Spirit in the Slow Movement of Beethoven’s Op.
130"},
Year = {2004},
Month = {March},
Key = {fds290654}
}
@article{fds290680,
Author = {Gilliam, B},
Title = {Visual voice (Strauss's 'Salome')},
Journal = {OPERA NEWS},
Volume = {68},
Number = {9},
Pages = {23-+},
Year = {2004},
ISSN = {0030-3607},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000188882800009&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds290680}
}
@article{fds290687,
Author = {Gilliam, B},
Title = {"Ariadne, Daphne, and the Problem of Transformation"},
Journal = {Cambridge Opera Journal},
Volume = {15},
Number = {1},
Pages = {67-81},
Year = {2003},
Key = {fds290687}
}
@article{fds290653,
Author = {Gilliam, B},
Title = {"Ariadne, Daphne, und das Problem der Verwandlung"},
Year = {2002},
Month = {October},
Key = {fds290653}
}
@article{fds290652,
Author = {Gilliam, B},
Title = {"Between Resignation and Hope: The Late Strauss"},
Year = {2002},
Month = {May},
Key = {fds290652}
}
@article{fds290651,
Author = {Gilliam, B},
Title = {"Strauss’s ’Crazy Jewish Girl’: Salome and
fin-de-siècle Modernism"},
Year = {2002},
Month = {January},
Key = {fds290651}
}
@article{fds290676,
Author = {Gilliam, B},
Title = {Shadowland (The complex and symbolic world of Strauss's most
challenging work, Die 'Frau ohne Schatten')},
Journal = {OPERA NEWS},
Volume = {66},
Number = {7},
Pages = {14-17},
Year = {2002},
ISSN = {0030-3607},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000172610100015&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds290676}
}
@article{fds290675,
Author = {Mingo, B and Gilliam, B},
Title = {The endangered list (Nominees for the most unjustly
neglected opera)},
Journal = {OPERA NEWS},
Volume = {66},
Number = {5},
Pages = {50-+},
Year = {2001},
ISSN = {0030-3607},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000171550800036&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds290675}
}
@article{fds290650,
Author = {Gilliam, B},
Title = {Utopia und Katastrophe: Richard Strauss während des dritten
Reiches},
Year = {2000},
Month = {November},
Key = {fds290650}
}
@article{fds290648,
Author = {Gilliam, B},
Title = {"The String Quartet and Its Changing Audiences in the 19th
Century"},
Year = {2000},
Month = {October},
Key = {fds290648}
}
@article{fds290649,
Author = {Gilliam, B},
Title = {Politics and the Spirit: Richard Strauss and the
1930s},
Year = {2000},
Month = {October},
Key = {fds290649}
}
@article{fds290647,
Author = {Gilliam, B},
Title = {Sound, Image, Music: Hollywood Film Music},
Year = {2000},
Month = {May},
Key = {fds290647}
}
@article{fds290646,
Author = {Gilliam, B},
Title = {From Hollywood to Berlin: The Influence of American Film on
Weimar Music Theater},
Year = {2000},
Month = {February},
Key = {fds290646}
}
@article{fds290645,
Author = {Gilliam, B},
Title = {’Friede im Innern’: Strauss’s Inner and Outer Worlds
in the 1930s},
Year = {1999},
Month = {October},
Key = {fds290645}
}
@article{fds290644,
Author = {Gilliam, B},
Title = {’Friede im Innern’: Die innere und äußere
Persönlichkeit des Richard Strauss um die Mitte der
dreißiger Jahre},
Year = {1999},
Month = {July},
Key = {fds290644}
}
@article{fds41881,
Author = {B. Gilliam},
Title = {Elektras Tanz und Auflösung},
Year = {1999},
Month = {April},
Key = {fds41881}
}
@article{fds290643,
Author = {Gilliam, B},
Title = {Elektras Tanz und Auflösung},
Year = {1999},
Month = {April},
Key = {fds290643}
}
@article{fds290642,
Author = {Gilliam, B},
Title = {Variations on an Enigma: Richard Strauss Fifty Years after
his Death},
Year = {1999},
Month = {January},
Key = {fds290642}
}
@article{fds290673,
Author = {Gilliam, B},
Title = {Strauss' "Friedenstag" und die Politik: Antwort an Gerhard
Splitt},
Journal = {Archiv für Musikwissenschaft},
Volume = {56},
Number = {4},
Pages = {347-347},
Publisher = {JSTOR},
Year = {1999},
ISSN = {0003-9292},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000083608400004&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Doi = {10.2307/931057},
Key = {fds290673}
}
@article{fds290674,
Author = {Gilliam, B},
Title = {Modern times - Richard Strauss' later operas reflect the
disunity of contemporary life},
Journal = {OPERA NEWS},
Volume = {64},
Number = {2},
Pages = {26-31},
Year = {1999},
ISSN = {0030-3607},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000081517400025&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds290674}
}
@article{fds290641,
Author = {Gilliam, B},
Title = {Die Rezeption der von Einem Opern in Amerika und die
Ideologien des Stils},
Year = {1998},
Month = {June},
Key = {fds290641}
}
@article{fds290640,
Author = {Gilliam, B},
Title = {Kurt Weill, Weimar Theater, and Operatic
Reform},
Year = {1998},
Month = {April},
Key = {fds290640}
}
@article{fds290639,
Author = {Gilliam, B},
Title = {Tragedy and Epic in Siegfried’s Funeral
Music},
Year = {1998},
Month = {March},
Key = {fds290639}
}
@article{fds290638,
Author = {Gilliam, B},
Title = {Sibelius and Modernism},
Year = {1997},
Month = {December},
Key = {fds290638}
}
@article{fds290637,
Author = {Gilliam, B},
Title = {Five colloquia on the theme: ’Music, Image,
Gesture’},
Year = {1996},
Month = {May},
Key = {fds290637}
}
@article{fds290636,
Author = {Gilliam, B},
Title = {Bruckner’s 8th Symphony},
Year = {1996},
Month = {April},
Key = {fds290636}
}
@article{fds290670,
Author = {Gilliam, B},
Title = {Bruckner's Annexation Revisited: A Response to Manfred
Wagner},
Journal = {The Musical Quarterly},
Volume = {80},
Number = {1},
Pages = {124-131},
Publisher = {Oxford University Press (OUP)},
Year = {1996},
Month = {January},
ISSN = {0027-4631},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:A1996UZ37200008&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Doi = {10.1093/mq/80.1.124},
Key = {fds290670}
}
@article{fds290635,
Author = {Gilliam, B},
Title = {A Viennese Opera Composer in Hollywood: Erich Wolfgang
Korngold’s Double Exile in America},
Year = {1996},
Key = {fds290635}
}
@article{fds311411,
Author = {Gilliam, B},
Title = {The authorship of the text of Strauss's 'friedenstag'},
Journal = {Music and Letters},
Volume = {76},
Number = {1},
Pages = {142-143},
Publisher = {Oxford University Press (OUP)},
Year = {1995},
Month = {February},
ISSN = {0027-4224},
url = {http://dx.doi.org/10.1093/ml/76.1.142},
Doi = {10.1093/ml/76.1.142},
Key = {fds311411}
}
@article{fds290685,
Author = {Gilliam, B},
Title = {"The Annexation of Anton Bruckner: Nazi Revisionism and the
Politics of Appropriation"},
Journal = {The Musical Quarterly},
Volume = {78},
Pages = {558-583},
Year = {1994},
Month = {Fall},
Key = {fds290685}
}
@article{fds41890,
Author = {B. Gilliam},
Title = {The Annexation of Anton Bruckner: Nazi Revisionism and
Misappropriation},
Year = {1994},
Key = {fds41890}
}
@article{fds290677,
Author = {Gilliam, B},
Title = {The Annexation of Anton Bruckner: Nazi Revisionism and the
Politics of Appropriation},
Journal = {The Musical Quarterly},
Volume = {78},
Number = {3},
Pages = {584-604},
Publisher = {Oxford University Press (OUP)},
Year = {1994},
ISSN = {0027-4631},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:A1994PY57700007&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Doi = {10.1093/mq/78.3.584},
Key = {fds290677}
}
@article{fds311412,
Author = {GILLIAM, B},
Title = {'SALOME' + IN RESPONSE TO SHOWALTER,ELAINE},
Journal = {TLS-THE TIMES LITERARY SUPPLEMENT},
Number = {4773},
Pages = {17-17},
Year = {1994},
ISSN = {0307-661X},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:A1994PH43100020&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds311412}
}
@article{fds290684,
Author = {Gilliam, B},
Title = {"The Two Versions of Bruckner’s Symphony no. 8"
("Rehearings")},
Journal = {19th-Century Music},
Volume = {15},
Pages = {59-69},
Year = {1992},
Month = {Summer},
Key = {fds290684}
}
@article{fds290679,
Author = {GILLIAM, B},
Title = {THE 2 VERSIONS OF BRUCKNER 8TH SYMPHONY},
Journal = {NINETEENTH CENTURY MUSIC},
Volume = {16},
Number = {1},
Pages = {59-69},
Year = {1992},
ISSN = {0148-2076},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:A1992JT00300005&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds290679}
}
@article{fds290634,
Author = {Gilliam, B},
Title = {The Influence of Film on German Opera of the
1920s},
Year = {1991},
Month = {November},
Key = {fds290634}
}
@article{fds290633,
Author = {Gilliam, B},
Title = {Richard Strauss’s Intermezzo: Innovation and
Tradition},
Year = {1990},
Month = {April},
Key = {fds290633}
}
@article{fds290632,
Author = {Gilliam, B},
Title = {Intermezzo und die Zeitoper in den Zwanziger
Jahren},
Year = {1989},
Month = {October},
Key = {fds290632}
}
@article{fds290631,
Author = {Gilliam, B},
Title = {Die Elektra Premiere: Hintergründe und Rezeption},
Year = {1989},
Month = {June},
Key = {fds290631}
}
@article{fds290630,
Author = {Gilliam, B},
Title = {T. S. Eliot, The Waste Land, and the Legacy of
Wagner},
Year = {1988},
Month = {March},
Key = {fds290630}
}
@article{fds290629,
Author = {Gilliam, B},
Title = {Hugo von Hofmannsthal, Richard Strauss, and the Evolution of
Elektra},
Year = {1988},
Key = {fds290629}
}
@article{fds290671,
Author = {Gilliam, B},
Title = {Gustav Mahler Richard Strauss: Correspondence, 1888-1911 .
Gustav Mahler , Richard Strauss , Herta Blaukopf
.},
Journal = {Journal of the American Musicological Society},
Volume = {39},
Number = {2},
Pages = {418-422},
Publisher = {University of California Press},
Year = {1986},
Month = {July},
ISSN = {0003-0139},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:A1986D961900010&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Doi = {10.1525/jams.1986.39.2.03a00100},
Key = {fds290671}
}
@article{fds290686,
Author = {Gilliam, B},
Title = {"Richard Strauss's Preliminary Opera Sketches: Thematic
Fragments and Symphonic Continuity"},
Journal = {19th Century Music},
Volume = {9},
Pages = {176-188},
Year = {1986},
Month = {Spring},
Key = {fds290686}
}
@article{fds290681,
Author = {GILLIAM, B},
Title = {STRAUSS PRELIMINARY OPERA SKETCHES + 'ELEKTRA' AND DER
'ROSENKAVALIER' - THEMATIC FRAGMENTS AND SYMPHONIC
CONTINUITY},
Journal = {NINETEENTH CENTURY MUSIC},
Volume = {9},
Number = {3},
Pages = {176-188},
Year = {1986},
ISSN = {0148-2076},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:A1986D397300002&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds290681}
}
@article{fds290628,
Author = {Gilliam, B},
Title = {Richard Strauss’s Preliminary Opera Sketches: Thematic
Fragments and Symphonic Continuity},
Year = {1982},
Month = {November},
Key = {fds290628}
}
@article{fds290627,
Author = {Gilliam, B},
Title = {Stefan Zweig’s Contribution to Strauss Opera after Die
schweigsame Frau},
Year = {1981},
Month = {April},
Key = {fds290627}
}
@article{fds290625,
Author = {Gilliam, B},
Title = {Ein Skizzenbuch von Richard Strauss an der Harvard
University},
Year = {1978},
Month = {December},
Key = {fds290625}
}
%% Reviews
@article{fds41178,
Author = {B. Gilliam},
Title = {various},
Series = {Reviews},
Year = {2005},
Key = {fds41178}
}
%% Program Notes
@misc{fds138972,
Author = {B. Gilliam},
Title = {"La música surt de mi!" La dansa i la dissolució
d'Elektra},
Journal = {2007-2008 Opera Barcelona Program Book},
Year = {2007},
Key = {fds138972}
}
@misc{fds138973,
Author = {B. Gilliam},
Title = {Elektra},
Journal = {2007-2008 Opera Bilbao Program Book},
Year = {2007},
Key = {fds138973}
}
%% Others
@misc{fds41179,
Author = {B. Gilliam},
Title = {various},
Series = {Short Essays},
Year = {2005},
Key = {fds41179}
}
@misc{fds41188,
Author = {B. Gilliam},
Title = {various},
Series = {Public Lectures},
Year = {2005},
Key = {fds41188}
}
@misc{fds41189,
Author = {B. Gilliam},
Title = {various},
Series = {Media Appearances},
Year = {2005},
Key = {fds41189}
}
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