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Publications of Roseen Giles    :chronological  alphabetical  combined listing:

%% Books   
@book{fds372385,
   Author = {Giles, R},
   Title = {Monteverdi and the Marvellous Poetry, Sound, and
             Representation},
   Publisher = {Cambridge University Press},
   Year = {2023},
   Month = {November},
   ISBN = {9781009355353},
   Abstract = {It illuminates how experiments in language and perception at
             the turn of the seventeenth century were influenced and
             informed by the work of musicians of that
             era.},
   Key = {fds372385}
}


%% Articles   
@article{fds364999,
   Author = {Giles, R},
   Title = {Sigismondo D'India et ses mondes: Un compositeur italien
             d'avant-garde, histoire et documents. Jorge Morales.
             Collection “Épitome musical.” Turnhout: Brepols, 2019.
             592 pp. €125.},
   Journal = {Renaissance Quarterly},
   Volume = {75},
   Number = {2},
   Pages = {705-707},
   Publisher = {Cambridge University Press (CUP)},
   Year = {2022},
   url = {http://dx.doi.org/10.1017/rqx.2022.183},
   Doi = {10.1017/rqx.2022.183},
   Key = {fds364999}
}

@article{fds357401,
   Author = {Giles, R},
   Title = {Giambattista Marino’s L’Adone: A Drama of
             Madrigals},
   Journal = {Italianist},
   Volume = {40},
   Number = {3},
   Pages = {419-440},
   Year = {2020},
   Month = {January},
   url = {http://dx.doi.org/10.1080/02614340.2020.1886756},
   Abstract = {Giambattista Marino’s L’Adone (1623) is the longest poem
             written in the Italian language. Exceeding even Torquato
             Tasso’s Gerusalemme liberata (1581) in length, L’Adone
             lacks the most central characteristic of epic poetry: a
             coherent narrative. As the quintessential example of Italian
             seicentismo, L’Adone was censured by Marino’s severest
             critic, Tomaso Stigliani, for being a poem composed entirely
             of ‘a succession of madrigals’. The absence of a
             comprehensible story coupled with convoluted rhetoric makes
             L’Adone utterly impractical for musical setting. Why then
             was it a literary source for seventeenth-century opera?
             Similarly, why did madrigal composers seem to find it
             equally attractive? This article proposes that musical
             interpretations of Marino’s epic presented a challenge to
             the notion of dramatic verisimilitude; musical settings
             based on Marino’s epic demonstrate one of the principal
             musical debates of the century, namely the tension between
             the verisimilitude of opera and the artifice of the
             madrigal.},
   Doi = {10.1080/02614340.2020.1886756},
   Key = {fds357401}
}

@article{fds338353,
   Author = {Giles, R},
   Title = {Physicality and Devotion in Heinrich Ignaz Franz Biber’s
             Rosary Sonatas},
   Journal = {Yale Journal of Music and Religion},
   Volume = {4},
   Number = {2},
   Pages = {68-104},
   Publisher = {Yale Institute of Sacred Music},
   Year = {2018},
   Key = {fds338353}
}

@article{fds341429,
   Author = {Giles, R},
   Title = {'A Natural Voice?'},
   Journal = {Cambridge Opera Journal},
   Volume = {29},
   Number = {2},
   Pages = {240-251},
   Publisher = {Cambridge University Press (CUP)},
   Year = {2018},
   url = {http://dx.doi.org/10.1017/s0954586717000143},
   Doi = {10.1017/s0954586717000143},
   Key = {fds341429}
}

@article{fds357402,
   Author = {Giles, R},
   Title = {Mirrors of Heaven or Worldly Theaters? Venetian Nunneries
             and Their Music},
   Journal = {RENAISSANCE AND REFORMATION},
   Volume = {41},
   Number = {2},
   Pages = {184-187},
   Year = {2018},
   Key = {fds357402}
}

@article{fds331900,
   Author = {Giles, R},
   Title = {Monteverdi, Marino and the aesthetic of meraviglia},
   Journal = {Early Music},
   Volume = {45},
   Number = {3},
   Pages = {415-427},
   Publisher = {Oxford University Press (OUP)},
   Year = {2017},
   Month = {December},
   url = {http://dx.doi.org/10.1093/em/cax045},
   Doi = {10.1093/em/cax045},
   Key = {fds331900}
}

@article{fds331901,
   Author = {Giles, R},
   Title = {The Inaudible Music of the Renaissance: From Marsilio Ficino
             to Robert Fludd},
   Journal = {Renaissance and Reformation},
   Volume = {39},
   Number = {2},
   Pages = {129-166},
   Publisher = {University of Toronto, Victoria University, Centre for
             Reformation and Renaissance Studies},
   Year = {2016},
   Key = {fds331901}
}


%% Articles in Books   
@article{fds374999,
   Author = {Giles, R},
   Title = {Monteverdi's Contradictory Kisses},
   Pages = {81-133},
   Booktitle = {MONTEVERDI AND THE MARVELLOUS},
   Year = {2023},
   ISBN = {978-1-00-935539-1},
   Key = {fds374999}
}

@article{fds374998,
   Author = {Giles, R},
   Title = {The Sound of the Marvellous},
   Pages = {12-40},
   Booktitle = {MONTEVERDI AND THE MARVELLOUS},
   Year = {2023},
   ISBN = {978-1-00-935539-1},
   Key = {fds374998}
}

@article{fds375000,
   Author = {Giles, R},
   Title = {Monteverdi's Earliest Laments},
   Pages = {216-268},
   Booktitle = {MONTEVERDI AND THE MARVELLOUS},
   Year = {2023},
   ISBN = {978-1-00-935539-1},
   Key = {fds375000}
}

@article{fds375001,
   Author = {Giles, R},
   Title = {Tasso and the Music of Epic},
   Pages = {164-215},
   Booktitle = {MONTEVERDI AND THE MARVELLOUS},
   Year = {2023},
   ISBN = {978-1-00-935539-1},
   Key = {fds375001}
}

@article{fds375002,
   Author = {Giles, R},
   Title = {Marino and the Rime boscherecce},
   Pages = {41-80},
   Booktitle = {MONTEVERDI AND THE MARVELLOUS},
   Year = {2023},
   ISBN = {978-1-00-935539-1},
   Key = {fds375002}
}

@article{fds375003,
   Author = {Giles, R},
   Title = {Monteverdi's Modes of Representation Introduction},
   Pages = {1-+},
   Booktitle = {MONTEVERDI AND THE MARVELLOUS},
   Year = {2023},
   ISBN = {978-1-00-935539-1},
   Key = {fds375003}
}

@article{fds375004,
   Author = {Giles, R},
   Title = {Il bacio mordace: Of Kissing and Biting},
   Pages = {134-163},
   Booktitle = {MONTEVERDI AND THE MARVELLOUS},
   Year = {2023},
   ISBN = {978-1-00-935539-1},
   Key = {fds375004}
}

@article{fds337292,
   Author = {Giles, R},
   Title = {The Adiastematic Sources Preserving the Liturgical Office of
             Saint Thomas Becket},
   Pages = {29-39},
   Booktitle = {The Becket Offices Paradigms for Liturgical
             Research},
   Editor = {Hughes, A},
   Year = {2014},
   ISBN = {9781926664293},
   Key = {fds337292}
}

@article{fds337293,
   Author = {Giles, R},
   Title = {Melismas in the Office for Thomas Becket of
             Canterbury},
   Pages = {139-156},
   Booktitle = {Les Traditions Du Plain-chant Occidental Actes Du Colloque
             de L'Institut Grégorien Du Canada : Université McMaster
             (Hamilton), 13-16 Août 2009},
   Year = {2010},
   Abstract = {FOREWORD t is a great pleasure to see in print this volume
             of essays which commemorates the Conference oTraditions in
             Western Plainchant" hosted by the Gregorian Institute
             of Canada (GIC) at McMaster University in August
             2009.},
   Key = {fds337293}
}


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