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Publications of Philip Rupprecht    :chronological  alphabetical  by type  bibtex listing:

  1. Rupprecht, P. "Voicing ideology: Modernism and the middlebrow in Britten's operas." vol. 101 no. 2 May, 2020: 343-366. [doi]
  2. Rupprecht, P. "Rhythmic Dignity: Motive, Signal, and Flux in the Music of James Dillon." vol. 34 no. 4 2019: 347-376.
  3. Rupprecht, P. "Scenes from Britten's 'Spring Symphony'." Literary Britten. Edited by Kennedy, K. Boydell 2018.
  4. Rupprecht, P. "Images in Sound: Movement, Harmony and Colour in the Early Music." The Music of Simon Holt. Edited by Charlton, D. Boydell June, 2017.
  5. Rupprecht, P. "Tonality Rediscovered: Oliver Knussen and the Musical ‘Object’ in the 1970s.." Tonality Since 1950. Edited by Woerner, F; Scheideler, U; Rupprecht, P. Franz Steiner Verlag February, 2017: 209--231.
  6. Rupprecht, P. "Quickenings of the Heart: Notes on Rhythm and Tempo in Britten’s Music." Benjamin Britten Studies: Essays on an Inexplicit Art. Edited by Stroeher, V; Vickers, J. Boydell Press 2017: 317-345.
  7. Wörner, F; Scheideler, U; Rupprecht, PE. Tonality Since 1950.  edited by Woerner, F; Scheideler, U; Rupprecht, P Franz Steiner Verlag, 2017 (345 pages pp.).  [abs]
  8. Rupprecht, P, Review: Britten's Unquiet Pasts: Sound and Memory in Postwar Reconstruction, by Heather Wiebe. Journal of the American Musicological Society 68:3 (December, 2015): 698-703. [Gateway.cgi], [doi]
  9. Rupprecht, P. "Mechanical song: Birtwistle’s rhythmic imagination." Harrison Birtwistle Studies. Edited by David Beard, Kenneth Gloag and Nicholas Jones. Cambridge Univ. Press January, 2015: 26-62. [doi]  [abs]
  10. Rupprecht, P. British Musical Modernism: The Manchester Group and their Contemporaries.  Cambridge University Press, 2015 (1-492 pp.). [doi]  [abs]
  11. Rupprecht, P, Edward Elgar, Serenade for Strings, op. 20, Score, edited by Christopher Hogwood (Kassel: Bärenreiter-Verlag, 2010), BA 9041, viii, 18 pp., with critical commentary and facsimile.. Nineteenth Century Music Review 10:2 (December, 2013): 390-394. [Gateway.cgi], [doi]
  12. Rupprecht, P. "Britten and the Avant-Garde in the 1950s." Rethinking Britten. Edited by Rupprecht, P. Oxford University Press 2013: 131-55.
  13. Rupprecht, P. "Agency Effects in the Instrumental Drama of Musgrave and Birtwistle." Music and Narrative Since 1900. Edited by Klein, ML; Reyland, N. Indiana University Press 2013: 189-215.
  14. Rupprecht, P. "Introduction: Britten’s Music and Its Audiences." Rethinking Britten. Edited by Rupprecht, P. Oxford University Press 2013: xv-xxxi.
  15. Rupprecht, P. "Mechanical Song: Birtwistle’s Rhythmic Imagination." Birtwistle Studies. Edited by Beard, D; Gloag, K; Jones, N. CAMBRIDGE UNIV PRESS 2013.
  16. ed. Philip Rupprecht. Rethinking Britten.  edited by Rupprecht, P Oxford University Press, 2013 . [rethinking-britten-9780199794805;jsessionid=298A075E8904493D3DCFEDC0830D1AA2]
  17. Rupprecht, P, British Music and Modernism, 1895-1960. Ed. by Matthew Riley.. Music and Letters 93:1 (February, 2012): 103-106. [Gateway.cgi], [doi]
  18. Rupprecht, P. "Among the Ruined Languages: Britten’s Triadic Modernism, 1930-1940." Tonality 1900-1950: Concept and Practice. Edited by Woerner, F; Scheideler, U; Rupprecht, P. Stuttgart: Franz Steiner, 2012: 223-245.
  19. Rupprecht, P, Review: Matthew Riley, ed., "British Music and Modernism, 1895-1960". Music and Letters 93 (2012): 103-06.
  20. Various, . Tonality 1900-1950: Concept and Practice.  edited by Woerner, F; Scheideler, U; Rupprecht, P Stuttgart: Franz Steiner Verlag, 2012 . [html]
  21. P. Rupprecht. The Vorticists: Musical Allies. 2010 . (Talk and Concert, Nasher Museum of Art)
  22. Rupprecht, P. ""Something slightly indecent": British composers, the European avant-garde, and national stereotypes in the 1950s." Oxford University Press (OUP) vol. 91 no. 3-4 March, 2009: 275-326. [Gateway.cgi], [doi]
  23. Rupprecht, P. "Thematic Drama in Early Peter Maxwell Davies: Op. 1 to the First Taverner Fantasia." Maxwell Davies Studies. Edited by Gloag, K; Jones, N. Cambridge University Press 2009: 45-78.
  24. P. Rupprecht. "Liturgy and Trope in Britten’s War Requiem" (Note for Duke Chapel performances, dir. Rodney Wynkoop, April 19-20, 2008). 2008 .
  25. Philip Rupprecht,. "Above and beyond the bass: harmony and texture in George Benjamin’s Viola, Viola." vol. 59 April, 2005: 28-38.
  26. Rupprecht, P, Review: Jonathan Cross, The Stravinsky Legacy. Journal of the American Musicological Society 56:2 (Summer, 2003): 498-507.
  27. Rupprecht, P. Britten’s Musical Language.  Cambridge University Press, 2001 . (Paperback edition, December 2006) [189-7790522-2579128]
  28. Rupprecht, P. "The Chamber Music." The Cambridge Companion to Benjamin Britten. Edited by Cooke, M. Cambridge University Press 1999: 245-59.
  29. Rupprecht, P, Review: Kyle Gann, The music of Conlon Nancarrow. Institute for Studies in American Music Newsletter 27:1 (1997): 5-7.
  30. Rupprecht, P, Review: Anthony Pople, ed., Theory, Analysis and Meaning in Music. Journal of Music Theory 41:1 (Spring, 1997): 157-75.
  31. Philip Rupprecht,. "Tonal stratification and Uncertainty in Britten’s music." vol. 40 no. 2 Fall, 1996: 311-346.
  32. Rupprecht, P, Review: Andrew Mead, An Introduction to the Music of Milton Babbitt. Institute for Studies in American Music Newsletter 25:2 (1996): 12-14.
  33. Rupprecht, P. Conference Report: Arnold Schoenberg Institute/Music Theory Society of New York State: Joint Meeting, Barnard College, Columbia University, October 1991. 1992 (129-33 pp.).

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