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Music Grad: All Publications (in the database)

List most recent publications in the database.    :chronological  alphabetical  combined  bibtex listing:

Acar, Senem

  1. "RILM projesi ve Türkiye’de yapılan akademik müzik çalışmalarına katkısı." Müzik ve Bilim .7 (March, 2007).
  2.  Spectral Representation: Timbre Characteristics of the Harpsichord, Koto, and Qanun. October, 2005 . (International Congress, Istanbul)

Blackburn, Anton

  1. Blackburn, A. "Voices That Matter: Authenticity, Identity, and Voice in the Musical Career of Lana Del Rey." Nota Bene: Canadian Undergraduate Journal of Musicology 13.1 (June, 2020): 84-114. [doi]  [abs]

Choi, Ka Man Misty

  1. Choi, KMM. Textual Permutation in Mauricio Kagel's Anagrama (1957-1958): New Modes of Serial Thought.  edited by Hocevar, KB; Pompe, G; Sukljan, N Peter Lang, 2016 (153-164 pp.).  [abs]

Ferreira De Mello Pinto, Yahn

  1. Yahn Wagner Pinto. "Composition and Musical Gesture: The musical persona as the basis for a new composition." Percepta 2.1 (2014): 131-150. [49]

Geoffroy-Schwinden, Rebecca D.

  1. Rebecca Geoffroy-Schwinden. Preface.  Musikproduktion Jürgen Höflich, June, 2014 . [html]
  2. Rebecca Geoffroy-Schwinden. "Rousseau and the Revolutionary Repertoire." Studies in Eighteenth-Century Culture 43 (March, 2014). [html]
  3. Rebecca Geoffroy-Schwinden, Review, Mark Darlow, Staging the French Revolution: Cultural Politics and the Paris Opéra, 1789-1794. Eighteenth-Century Music 11:1 (Spring, 2014): 115-118. [repo_A91lmPue], [doi]
  4. Rebecca Geoffroy-Schwinden. "Horrific Opera, Aesthetic Violence: Genere in Dario Argento's Opera (1987)." Kinetophone 1.1 (2014). [html]

Heilman, Jason S.

  1. Jason S. Heilman. "Militärmusik und kulturelle Identität in der k. u. k. Zeit: Musik zur Legitimierung eines Imperiums." ORF ON Science  (May, 2006). [144683]

Kawamoto, Makiko

  1. "Musical Silence as 'Nothingness' in Richard Wagner’s Parsifal." Proceedings of One-day Symposium on Silence, Chester in 2009  (forthcoming).
  2. ""'Silent' Influence on Early Wagner"." Proceedings of XIV. Internationaler Kongress der Gesellschaft für Musikforschung, Leipzig in 2008  (forthcoming).

Koplow, Jan

  1. Koplow Villavicencio, J. "Más que gritos y distorsión: el metal chileno ante la crisis ecológica y el modelo económico extractivista." Lenguas Radicales 1.4 (December, 2022). [doi]  [abs]
  2. Koplow Villavicencio, J. "Aproximación a la relación entre la escena metalera chilena y los pueblos originarios Mapuche, Selk’nam y Kawésqar." Contrapulso - Revista latinoamericana de estudios en música popular 4.2 (August, 2022): 78-93. [doi]  [abs]

Koppes, Annie

  1. Koppes, AE, Review: The Routledge Companion to Jazz and Gender (2023). Notes 80:3 (March, 2024).

Kotch, Alex H.

  1. Alex Kotch. Reggae Knife (Alex Kotch Remix). December, 2012 . [reggae-knife-alex-kotch-dance-remix]
  2. Alex Kotch. Reduce, Reuse, Recycle.  Eroica Recordings, 2009 . (Performed by Nicolas Prost and Trio Saxiana; for alto saxophone, tenor saxophone, piano) [html]  [abs]

Krall, Hannah

  1. Krall, H. "Uncovering the Origin Story of Juan Tizol’s Caravan: A Predecessor." Jazz Perspectives 13.3 (September, 2021): 261-277. [doi]

Lee, Gavin

  1. Gavin Lee. Escape from Stereotype: Affect Theory and the Politics of Ambiguity in New Music (in progress).  dissertation reviewed by Cambridge University Press music editor, external review pending dissertation revision, 2014 .
  2. Gavin Lee. "“Postcolonial Affect: The Logic of Ambiguous Relationality in Robert Casteels’ L’(autre) fille aux cheveux de Bali”." Journal of the Royal Musical Association (accepted pending revision).  (2014).
  3.  Politics of Ambiguity: Gender and Sexuality in Popular Music (book proposal in progress).  edited by Gavin Lee Routledge music editor indicated interest in reviewing book proposal, 2014 .
  4. Gavin Lee. Scions of the Musical West: Singapore at Cultural Crossroads.  Xcel, 2009 .  [author's comments]

Lee, Jung-Min Mina

  1. Lee, J-MM. "Hegemonic Mimicry: Korean Popular Culture of the Twenty-First Century. By KYUNG HYUN KIM. Durham: Duke University Press, 2021. xviii, 303 pp. ISBN: 9781478014492 (paper).." The Journal of Asian Studies 82.2 (2023): 260-262.
  2. Lee, J-MM. "Finding the K in K-pop Musically: A Stylistic History." Cambridge Companion to K-pop  (2023): 51-72.
  3. Lee, J-MM. "Minjung Kayo: Imagining Democracy through Song in South Korea.." Twentieth Century Music 20.1 (2023): 49-69.
  4. Lee, J-MM. "Foreword to You Call That Music?!: Korean Popular Music Through the Generations, by Young-mee Lee.."   (2022). translated by Cho, Y-MY; Park, BJ; Yoon, J
  5. Lee, J-M. "Artificial Intelligence and Composition: From Algorithm Composition to Composition Using Deep Learning [In Korean]." 디지털 혁명과 음악 [Digital Revolution and Music]  (2021).
  6. Lee, J-MM. "Singing its Way to Prosperity: Shaping the Public Mind through “Healthy Popular Music” in South Korea." Music and Politics 14.1 (June, 2020). [doi]

Luppi, Guillermo

  1. Luppi, G, Heavy Metal Music in Argentina: In Black We Are Seen ed. by Emiliano Scaricaciottoli, Nelson Varas-Díaz, and Daniel Nevárez Araújo (review). Latin American Music Review 43:1 (2022): 116-119.
  2. Luppi, G. "Reviviendo al tango: Interpretación Históricamente Informada (HIP) en la primera década del tango joven." Revista del Instituto de Investigaciones Musicológicas Carlos Vega 33.1 (September, 2019): 67-91.
  3. Luppi, G. Reviviendo al tango: Interpretación Históricamente Informada (HIP) en la primera década del tango joven. December, 2018 .
  4. Luppi, G. "Modelando a Cupido: una aproximación mitográfica a la Epistre au dieu d’Amours de Christine de Pizan." Auster 23 (November, 2018): 73-92. [doi]
  5. Guillermo Luppi, . "Shedding Some Light on Donatoni's 'Lumen'." Perspectives of New Music 54.1 (2016): 179-195. [doi]

Mace, Angela R.

  1. Nicole Grimes and Angela R. Mace. Mendelssohn Perspectives.  Ashgate Press, October, 2012 .
  2. J. Michael Cooper, revised and enlarged by Angela R. Mace. Felix Mendelssohn Bartholdy: A Guide to Research.  2nd ed. Routledge., 2011 . [available here]
  3. Angela R. Mace, review of Felix Mendelssohn Bartholdy, Die erste Walpurgisnacht, First complete version of 1832-33, ed. John Michael Cooper (Recent Researches in Music of the Nineteenth and Early Twentieth Centuries. Madison, Wisconsin: A-R Editions, 2008). Nineteenth Century Music Review 7:2 (August, 2010).
  4. Angela R. Mace, review of Mendelssohn in Performance, ed. Siegwart Reichwald. Nineteenth-Century Music Review 7:1 (July, 2010).
  5. Angela R. Mace, review of G. F. Händel, Israel in Ägypten, arr. Felix Mendelssohn-Bartholdy, Hermann Max, soloists, Rheinische Kantorei, and Das Kleine Konzert. CPO 777 222-2, 2009. Early Music America 15:3 (Fall, 2009): 20.
  6. Angela R. Mace, review of Anton Eberl: The Complete Sonatas for Solo Piano. John Khouri, fortepiano. Music and Arts CD 1221, 2009. Early Music America 15:2 (Summer, 2009): 15.
  7. R. Larry Todd and Angela R. Mace. "Mendelssohn and the Free Chorale." Choral Journal 49.9 (March, 2009): 49-69..
  8. Angela R. Mace and R. Larry Todd. "Verzeichnis der Werke Felix Mendelssohn Bartholdys." Felix Mendelssohn Bartholdy: Sein Leben, Seine Musik Carus-Verlag/Reclam August, 2008: 719-746.

Neill, Sarah E

  1. Sarah Elaine Neill. "Johannes Brahms. Albumblatt fuer Klavier." Nineteenth-Century Music Review 10.1 (June 2013): 198-201. [repo_A892e2yI]

Ramage, Maxwell

  1. Ramage, M. "Repetitive Variety and Other Balancing Acts: Debussy's Transcendental Oscillations." Music Theory and Analysis 7.2 (2020): 287-319.
  2. Ramage, M. "Do It Again: Sequences in Gershwin and Kern’s Popular Songs." Gamut 7.1 (2014): 89-123.

Santos Rutschman, Kirsten E.

  1. Santos Rutschman, K. Fridays with Malla: Musical Repertoire in the Swedish Salon of Malla Silfverstolpe. July, 2016 .
  2. Santos Rutschman, K. Arrangements of Swedish Folksong for Male Chorus. July, 2016 .
  3. Santos Rutschman, K. Untangling Traditions of Swedish Folksong for Male Chorus. July, 2016 .
  4. Santos Rutschman, K. Sonic Artifacts Before the Age of Recording: The Role of Art Music in the Preservation of Folk Music. July, 2016 .
  5. Santos Rutschman, K, Jean Sibelius, Concerto for Violin and Orchestra in D minor, Early version [Op. 47/1904] and Op. 47, JSW II/1. Nineteenth Century Music Review 13:2 (2016): 401-403.
  6. Santos Rutschman, K, Jean Sibelius, Aallottaret, Op. 73, Tapiola, Op. 112, Jean Sibelius Works I/16 2014 (Wiesbaden: Breitkopf & Härtel, 2012) and Lemminkäinen, Op. 22 (early versions), JSW I/12a (2013). Nineteenth-Century Music Review 11:2 (2014): 389-393.
  7. Rutschman, K. "Swedish Opera in Translation: Gustaf Adolf and Ebba Brahe." Ars Lyrica 22 (2013): 95-130.
  8. Rutschman, K, Selected Songs of the Munich School 1870-1920: Lieder for Soprano Voice and Piano, edited by Robert W. Wason (Middleton, WI: A­R Editions, 2010). Nineteenth-Century Music Review 9:2 (December, 2012): 387-389. (Cambridge University Press) [repo_A88y2Vqi]

Scurria, Amy C   (search)

  1. Amy Scurria. What the Soul Remembers.  Adamo Press, 2009 . [html]  [abs]
  2. Amy Scurria. Esperanza Rising.  Adamo Press, 2009 . [html]  [abs]
  3. Amy Scurria. La Loba.  Adamo Press, 2008 . [html]  [abs]
  4. Amy Scurria. Tiamat.  Adamo Press, 2008 . [html]  [abs]
  5. Amy Scurria. Something Borrowed, Something Blue.  Adamo Press, 2008 . [html]  [abs]
  6. Amy Scurria. Adaptations.  Adamo Press, 2007 . [html]  [abs]
  7. A. Scurria. And He Shall Be Like a Tree for SATB Choir and Organ/Piano.  Theodore Presser Company, 2000 . [com]
  8. A. Scurria. A Prayer for SATB Choir.  Theodore Presser Company, 1999 . [com]
  9. A. Scurria. Beyond All Walking for Full Orchestra.  Theodore Presser Company, 1998 . [com]

Somoroff, Matthew A.

  1. M.A. Somoroff, Media Review Essay. Jazz Perspectives 3:2 (August, 2009): 183-187.
  2. Review of Hamilton, Andy, Lee Konitz: Conversations on the Improviser's Art. Popular Music and Society 32:1 (February, 2009): 139-141.
  3. Review of Solis, Gabriel, Monk's Music: Thelonious Monk and Jazz History in the Making. Ethnomusicology 52:3 (Fall, 2008): 466-468.
  4. Review of: Alexander Weheliye, Phonographies. Popular Music & Society 30:2 (May, 2007): 292-294.
  5. Review of: Kyra Gaunt, The Games Black Girls Play. Popular Music & Society 30:2 (May, 2007): 298-300.

Williams, Chris

  1. Williams, C. "Embodied Music Theory and Improvised Composition: Bill Evans, the Architect." Principals of Music Composing XVII (2017): 86-98.  [abs]

Woodruff, Jennifer A.

  1. J.A. Woodruff, Review of "The Games Black Girls Play: Learning the Ropes from Double Dutch to Hip Hop" by Kyra Gaunt. Ethnomusicology 51:2 (2007): 347-49.
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