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| Publications of David Need :recent first alphabetical combined listing:%% Books @book{fds312443, Author = {Rilke, RM}, Title = {Roses: The Late French Poetry of Rainer Maria Rilke}, Pages = {213 pages}, Publisher = {Horse and Buggy Press}, Editor = {Need, D}, Year = {2014}, Month = {July}, ISBN = {0989640108}, Abstract = {Translation of Rilke's French Language Suite "Les Roses" with accompanying essay, additional translations and pen and ink image sequence by Clare Johnson}, Key = {fds312443} } @book{fds297735, Author = {Need, D}, Title = {Songs In-Between the Day / Offshore ST. Mark — Two Suites}, Pages = {69 pages}, Publisher = {Three Count Pour Press}, Year = {2015}, ISBN = {9780988937758}, Abstract = {Two suites of poetry by the author.}, Key = {fds297735} } @book{fds345745, Author = {Rilke, RM}, Title = {From Notebooks and Personal Papers}, Pages = {210 pages}, Year = {2018}, Month = {October}, ISBN = {1848616023}, Abstract = {This volume is the first English translation of these poems in the arrangement Rilke had set down in 1926. The arrangement translated here has only appeared in German as Aus Taschen-Büchern und Merk-Blättern.}, Key = {fds345745} } %% Papers Published @article{fds297736, Author = {Need, D}, Title = {Kerouac’s Buddhism}, Journal = {Talisman: A Journal of Contemporary Poetry and Poetics}, Volume = {32/33}, Number = {Summer/Fall}, Pages = {83-90}, Year = {2006}, Key = {fds297736} } @article{fds297737, Author = {Need, D}, Title = {A Man Made of Words}, Journal = {Talisman: A Journal of Contemporary Poetry and Poetics}, Volume = {35}, Number = {Summer/Fall}, Pages = {105-114}, Year = {2007}, Key = {fds297737} } @article{fds297746, Author = {Need, DN}, Title = {: “Initiation and Lyric Structure: Nathaniel Tarn’s Essays on Poetics”}, Journal = {Golden Handcuffs Review}, Volume = {II.11 (Spring/Summer)}, Pages = {215-225}, Year = {2009}, Month = {Summer}, Key = {fds297746} } @article{fds297745, Author = {Need, DN}, Title = {"Death's Trials" from St. John's Rose Slumber}, Journal = {Hambone}, Year = {2009}, Month = {Fall}, Key = {fds297745} } @article{fds297747, Author = {Need, DN}, Title = {From "Offshore St. Mark"}, Journal = {Talisman}, Number = {38/39/40 (Summer 2010)}, Pages = {142-163}, Year = {2011}, Key = {fds297747} } @article{fds297738, Author = {Need, D}, Title = {What Water is Said? A Review Essay}, Journal = {Oyster Boy Review}, Volume = {12}, Number = {Summer}, Pages = {68-70}, Year = {2012}, Key = {fds297738} } @article{fds297739, Author = {Need, D}, Title = {Adjacency and the Politics of Everyday Practice: Fanny Howe’s Lives of a Spirit}, Journal = {Spoke}, Volume = {1}, Number = {Fall}, Year = {2013}, Key = {fds297739} } @article{fds297740, Author = {Need, D}, Title = {Folding Time: On the ‘Gnostic’ Effects of Irruption and Loss in the Work of H.D., Philip K. Dick, Allen Ginsberg, and Alice Notley}, Journal = {Talisman}, Volume = {41}, Number = {Fall}, Year = {2013}, Key = {fds297740} } %% Articles in a Collection @article{fds305593, Author = {Need, DN}, Title = {Spontaneity, Immediacy, and Difference: Philosophy, Being in Time, and Creativity in the Aesthetics of Jack Kerouac, Charles Olson, and John Cage}, Booktitle = {The Philosophy of the Beats}, Publisher = {University Press of Kentucy}, Editor = {Elkholy, SN}, Year = {2012}, Key = {fds305593} } @article{fds297742, Author = {Need, D}, Title = {Spontaneity, immediacy, and difference: Philosophy, being in time, and creativity in the aesthetics of jack kerouac, charles olson, and john cage}, Pages = {195-210}, Booktitle = {The Philosophy of the Beats}, Publisher = {University Press of Kentucy}, Address = {Lexington, KY}, Editor = {Sharin N. Elkholy}, Year = {2012}, Month = {December}, Abstract = {At the outset of The Four Quartets (1936) quoted above, T. S. Eliot takes up the possibility that the problem of historical conditioning (the limits placed on human freedom/being by history) might be resolved by drawing a contrast between a processual, which is a historical mode of being limned as "time present and time past," and a unitive present. This is thought of as "the still point of the turning world" without which "there would be no dance" even though "there is only the dance."1 Although this moment precedes postwar thematization of immediacy under the tropes of spontaneity and the popular call to "be here now," the text provides evidence that the new emphasis on spontaneous praxis in the work of a range of artists was not simply an expressionist response to the violence of World War II. Rather, this new aesthetic program consistently carried forward an ongoing attempt to address the post-Enlightenment articulation of historical consciousness as a limit condition for awareness and identity. In what follows, I explore what I call the schematization of being in time in the work of three artists- The writers Jack Kerouac and Charles Olson, and the composer John Cage- All of whom are thought of as introducing foundational frameworks for an emerging aesthetics of spontaneity and immediacy. In each case, I explore the debts the artist owes to one or another of the early- Twentieth-century philosophical schemas that directly thematize an account of being in relation to successive moments of time. These include the use Kerouac made of the philosophical/historical schema laid out in Oswald Spengler's Decline of the West, Charles Olson's adaptation of key structures and terms used by Alfred North Whitehead in the elaboration of his metaphysics, the influence of the Perennialist philosophy and Vedanta-based aesthetics of Ananda Coomaraswamy on John Cage's understanding of silence as deep measure. The aim of this essay is to suggest that there are important differences with respect to the ways in which these artists conceptualized the position of the human being in time and that these differences lead to different understandings of the nature and virtues of immediacy and spontaneity. These differences are rooted in their respective philosophical influences and are, in the end, different kinds of arguments about the kinds of freedom one finds in what Eliot called the still point of the present. In delineating influence and borrowing, I have chosen not to address either the truth claims made by a given philosopher or the fidelity of the artist to the philosophical concepts that influenced their compositions or their own versions of such concepts, an undertaking beyond the scope of this forum. By first exploring the relationship between philosophical discourses and theories of creativity in Kerouac, Olson, and Cage, I aim to show how the differences between their sources and influences lead to very different conceptions of what is at stake in a moment of creative expression. Making sense of these differences allows us to better assess the nuances around the notions of immediacy and spontaneity, which are powerful tropes associated with the 1960s and the Beats in particular. Copyright © 2012 by The University Press of Kentucky. All rights reserved.}, Key = {fds297742} } @article{fds345743, Title = {French: Rainer Maria Rilke translated by David Need}, Booktitle = {Fafnir's Heart World Poetry in Translation}, Publisher = {Bombaykala Books}, Editor = {Chabria, PS}, Year = {2018}, Month = {December}, ISBN = {8193835387}, Abstract = {It features poems in 17 languages with special introductions to the work of each of the 49 featured poets and translators by editor Priya Sarukkai Chabria."We knew these delights existed around the world.}, Key = {fds345743} } @article{fds345744, Title = {German: Rainer Maria Rilke translated by David Need}, Booktitle = {Fafnir's Heart World Poetry in Translation}, Publisher = {Bombaykala Books}, Editor = {Chabria, PS}, Year = {2018}, Month = {December}, ISBN = {8193835387}, Abstract = {It features poems in 17 languages with special introductions to the work of each of the 49 featured poets and translators by editor Priya Sarukkai Chabria."We knew these delights existed around the world.}, Key = {fds345744} } %% Book Reviews @article{fds297743, Author = {Need, DN}, Title = {“On Zhang Er’s So Translating Rivers and Cities”}, Journal = {Talisman}, Volume = {38/39/40 (Summer 2010)}, Pages = {117-118}, Year = {2010}, Key = {fds297743} } @article{fds297744, Author = {Need, DN}, Title = {“Guillevic’s The Sea and Other Poems”}, Journal = {Talisman}, Volume = {38/39/40 (Summer 2010)}, Pages = {122-123}, Year = {2010}, Key = {fds297744} } | |
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