English : Publications since January 2023

%% Baran, Dominika M   
@article{fds369809,
   Author = {N/A},
   Title = {Anti-genderism in Global Nationalist Movements},
   Journal = {Gender and Language},
   Number = {Special issue},
   Publisher = {Equinox Publishing},
   Editor = {Tebaldi, C and Baran, D},
   Year = {2023},
   Key = {fds369809}
}

@article{fds369810,
   Author = {Baran, D},
   Title = {Defending Christianity from the “rainbow plague”:
             Historicized narratives of nationhood in rightwing
             antigenderist discourses in Poland},
   Journal = {Gender and Language},
   Volume = {17},
   Number = {1},
   Publisher = {Equinox Publishing},
   Year = {2023},
   Key = {fds369810}
}

@article{fds369811,
   Author = {Baran, D},
   Title = {American immigrants and English},
   Booktitle = {In The Wiley Blackwell Encyclopedia of World
             Englishes},
   Year = {2023},
   Key = {fds369811}
}


%% Beckwith, Sarah   
@article{fds371617,
   Author = {Beckwith, S},
   Title = {Absent Presences: The Theatre of Resurrection in
             York},
   Pages = {441-454},
   Booktitle = {Medieval Literature: Criticism and Debates},
   Year = {2023},
   Month = {January},
   ISBN = {9780415667890},
   url = {http://dx.doi.org/10.4324/9781003416791-46},
   Abstract = {The dead come to life in the bodies of the living – not
             just in resurrection but also in theatre. Corpus Christi
             theatre fully understands the complexity of this
             interrelationship in the palpable apparitions of
             Christ-the-actor to audiences in the Resurrection sequences
             of the York cycle. The earliest Middle English forms of the
             word “theatre” identify it as “a place for viewing,
             sight or view”; likewise the word for vision is during the
             very period of the performance of the York cycle, going
             through crucial changes, from meaning the “action or fact
             of seeing or contemplating something not actually present to
             the eye, a mystical, supernatural insight” to the “act
             of seeing with the bodily eye; the exercise of the ordering
             of the faculty of sight.” The origins and development of
             the “quem queritis” dialogue, so ostentatiously
             revisited in the York Resurrection play, are obscure and the
             evidence complex and contradictory.},
   Doi = {10.4324/9781003416791-46},
   Key = {fds371617}
}


%% Black, Taylor H   
@book{fds373892,
   Author = {Black, T},
   Title = {Style A Queer Cosmology},
   Pages = {304 pages},
   Publisher = {NYU Press},
   Year = {2023},
   Month = {October},
   ISBN = {9781479825004},
   Abstract = {"Style: A Queer Cosmology considers artists and critics
             whose work defines style as that which eludes paraphrase or
             social scientific categorization; rather, they show style to
             be the attributes that make us all more like ourselves and
             less ...},
   Key = {fds373892}
}


%% D'Alessandro, Michael F   
@article{fds373754,
   Author = {D’Alessandro, M},
   Title = {Dickens and Shakespeare and Longfellow, Oh My!: Staging the
             Fan Canon at the Nineteenth-Century Authors’
             Carnivals},
   Journal = {American Literary History},
   Volume = {35},
   Number = {2},
   Pages = {715-743},
   Publisher = {Oxford University Press (OUP)},
   Year = {2023},
   Month = {May},
   url = {http://dx.doi.org/10.1093/alh/ajad005},
   Abstract = {<jats:title>Abstract</jats:title> <jats:p>Beginning in the
             1870s, the short-lived fad of “Authors’ Carnivals”
             swept through American cities. At each carnival, hundreds of
             locals costumed themselves as famous literary characters,
             performing amateur theatricals and tableaux vivants based on
             their favorite books. Unexpected character combinations
             frequently appeared on the same stage. Shakespeare’s
             Falstaff stood beside Dickens’s Little Nell;
             Longfellow’s Hiawatha rubbed shoulders with Old Mother
             Goose. For attendees, these events offered peculiar thrills.
             Similar to today’s fan conventions and cosplay events,
             participants engaged their cherished texts anew through
             physical enactment. Meanwhile, spectators could witness the
             totality of their reading experiences within a single shared
             space. Amateur play suddenly brought so many literary works
             to three-dimensional life—and all at once.</jats:p>
             <jats:p>Despite their amusements, however, the carnivals
             also fell short of loftier goals. First, organizers sought
             to advance a definitive literary canon in America, but they
             only affirmed Eurocentric texts that no longer dominated the
             marketplace. Second, the events might have produced an
             innovative form of theater, yet clumsy staging and
             spectatorial disorientation stymied these efforts. Thus, the
             authors’ carnivals left behind not only a legacy of
             spectacular fandom but also one of squandered cultural
             potential.US authors’ carnivals finally demonstrate[d]
             both the possibilities and the shortcomings of the
             nineteenth-century cultural imagination. . . . [D]espite
             their estimable amusements . . . the carnivals ultimately
             proved resistant to the literary and theatrical cultures
             they intended to bolster.</jats:p>},
   Doi = {10.1093/alh/ajad005},
   Key = {fds373754}
}


%% Gobert, R. Darren   
@article{fds372136,
   Author = {Gobert, RD},
   Title = {Performance and Modernity: Enacting Change on the
             Globalizing Stage By Julia A. Walker. Cambridge: Cambridge
             University Press, 2021; pp. xiii + 299, 20 illustrations.
             $99.99 cloth, $99.99 e-book.},
   Journal = {Theatre Survey},
   Volume = {64},
   Number = {2},
   Pages = {231-233},
   Publisher = {Cambridge University Press (CUP)},
   Year = {2023},
   Month = {May},
   url = {http://dx.doi.org/10.1017/s0040557423000030},
   Doi = {10.1017/s0040557423000030},
   Key = {fds372136}
}


%% Grubnic, Tanja   
@article{fds369684,
   Author = {Grubnic, T},
   Title = {Platforms and Poetry as a Popular Form of
             Engagement},
   Pages = {211-220},
   Booktitle = {Virtual Identities and Digital Culture},
   Publisher = {Routledge},
   Year = {2023},
   Month = {February},
   url = {http://dx.doi.org/10.4324/9781003310730-25},
   Doi = {10.4324/9781003310730-25},
   Key = {fds369684}
}


%% Hayles, N. Katherine   
@article{fds371867,
   Author = {Hayles, NK},
   Title = {Subversion of the Human Aura: A Crisis in
             Representation},
   Journal = {American Literature},
   Volume = {95},
   Number = {2},
   Pages = {256-279},
   Year = {2023},
   Month = {June},
   url = {http://dx.doi.org/10.1215/00029831-10575063},
   Abstract = {The human aura is now being subverted by a variety of
             simulacra. OpenAI’s language-generation program GPT-3
             illustrates the challenges of interpreting
             algorithmic-generated texts. This article advocates
             interpretive strategies that recognize the profound
             differences (in the case of GPT-3) of language that issues
             from a program that has a model only of language, not of the
             world. Conscious robots, when and if they emerge, will have
             profoundly different embodiments than humans. Fictions that
             imagine conscious robots thus face a similar challenge
             presented by the GPT-3 texts: will they gloss over the
             differences, or will they enact strategies that articulate
             the differences and explore their implications for humans
             immersed in algorithmic cultures? The author analyzes three
             contemporary novels that engage with this challenge: Annalee
             Newitz’s Autonomous (2017), Kuzuo Ishiguro’s Klara and
             the Sun (2021), and Ian McEwan’s Machines like Me (2019).
             Each interrogates how the human aura is subverted by
             conscious robots. The article concludes by proposing how a
             reconfigured human aura should be constituted.},
   Doi = {10.1215/00029831-10575063},
   Key = {fds371867}
}

@article{fds373494,
   Author = {Hayles, NK},
   Title = {Literary Cybernetics: The Point (of the Spear)},
   Journal = {New Literary History},
   Volume = {54},
   Number = {2},
   Pages = {1289-1294},
   Year = {2023},
   Month = {March},
   url = {http://dx.doi.org/10.1353/nlh.2023.a907175},
   Doi = {10.1353/nlh.2023.a907175},
   Key = {fds373494}
}


%% Jones, Douglas A   
@article{fds375166,
   Author = {Jones, DA},
   Title = {Repetition and Value in Richard Wright’s Man Who Lived
             Underground},
   Journal = {American Literature},
   Volume = {95},
   Number = {1},
   Pages = {123-134},
   Year = {2023},
   Month = {March},
   url = {http://dx.doi.org/10.1215/00029831-10345407},
   Abstract = {This essay considers how Richard Wright’s newly released
             novel, The Man Who Lived Underground (2021), offers a
             profound black existentialist rumination on suffering,
             alienation, pleasure, and aesthetic experience. Homing in on
             the novel’s use of figures of repetition and queries of
             the ontology of value, it reads how Wright makes way for
             modes of thought that, while scorned by normative aims and
             logics, produce new perspectives, habits, and, perhaps,
             avenues for individual fulfilment in an otherwise absurd
             world hostile to black life and personhood.},
   Doi = {10.1215/00029831-10345407},
   Key = {fds375166}
}

@article{fds375167,
   Author = {Jones, DA},
   Title = {Elizabeth McHenry, To Make Negro Literature: Writing,
             Literary Practice, and African American Authorship},
   Journal = {American Literary History},
   Volume = {35},
   Number = {1},
   Pages = {508-510},
   Publisher = {Oxford University Press (OUP)},
   Year = {2023},
   Month = {February},
   url = {http://dx.doi.org/10.1093/alh/ajac254},
   Doi = {10.1093/alh/ajac254},
   Key = {fds375167}
}

@article{fds375168,
   Author = {Jones, DAJ},
   Title = {PAUL LAURENCE DUNBAR The life and times of a caged
             bird},
   Journal = {TLS-THE TIMES LITERARY SUPPLEMENT},
   Number = {6270},
   Pages = {20-20},
   Year = {2023},
   Key = {fds375168}
}


%% Luthra, Nitin   
@article{fds372213,
   Author = {Luthra, N},
   Title = {Captive maternals and democracy as Hegelian
             Sittlichkeit: the case of the undocumented,
             incarcerated, and racialized in the United States and
             India},
   Journal = {Journal for Cultural Research},
   Pages = {1-15},
   Publisher = {Informa UK Limited},
   Year = {2023},
   Month = {July},
   url = {http://dx.doi.org/10.1080/14797585.2023.2238145},
   Doi = {10.1080/14797585.2023.2238145},
   Key = {fds372213}
}


%% Mitchell, Robert E.   
@misc{fds368138,
   Author = {Halpern, O and Mitchell, R},
   Title = {The Smartness Mandate},
   Pages = {335 pages},
   Publisher = {M I T PRESS},
   Year = {2023},
   Month = {January},
   ISBN = {0262544512},
   Abstract = {The smartness mandate constitutes a new form of planetary
             governance, and Halpern and Mitchell aim to map the logic of
             this seemingly inexorable and now naturalized demand to
             compute, to illuminate the genealogy of how we arrived here
             and ...},
   Key = {fds368138}
}


%% Moi, Toril   
@article{fds371699,
   Author = {Moi, T},
   Title = {Acknowledging Hanna Pitkin: A Belated Discovery of a Kindred
             Spirit},
   Journal = {Polity},
   Volume = {55},
   Number = {3},
   Pages = {479-487},
   Year = {2023},
   Month = {July},
   url = {http://dx.doi.org/10.1086/725254},
   Doi = {10.1086/725254},
   Key = {fds371699}
}


%% Pfau, Thomas   
@article{fds373535,
   Author = {Pfau, T},
   Title = {Response to My Interlocutors},
   Journal = {Modern Theology},
   Volume = {40},
   Number = {2},
   Pages = {478-495},
   Year = {2024},
   Month = {April},
   url = {http://dx.doi.org/10.1111/moth.12903},
   Doi = {10.1111/moth.12903},
   Key = {fds373535}
}


%% Psomiades, Kathy A.   
@misc{fds305422,
   Author = {Psomiades, KA},
   Title = {Primitive Marriage: Victorian Anthropology, the Novel and
             Sexual Modernity},
   Publisher = {Oxford University Press},
   Year = {2023},
   Month = {June},
   Key = {fds305422}
}


%% Rogers, Abigail   
@article{fds371392,
   Author = {Rogers, A},
   Title = {‘A LIGHT IN SOUND, A SOUND-LIKE POWER IN LIGHT’:
             COLERIDGE’S PHENOMENAL INVISIBLE},
   Journal = {Literature and Theology},
   Volume = {37},
   Number = {3},
   Pages = {199-215},
   Publisher = {Oxford University Press (OUP)},
   Year = {2023},
   Month = {September},
   url = {http://dx.doi.org/10.1093/litthe/frad017},
   Abstract = {In a reading of ‘The Eolian Harp’ that draws briefly on
             ‘Frost at Midnight’, this article discusses
             Coleridge’s quest to do justice to the epiphanic
             potentialities of visual experience. In response to critical
             accounts of his metaphysics as imposed heavy-handedly upon
             reality, I reread Coleridge’s speculative reflections as
             both heuristic and responsive to something unequivocally
             real. Across these two poems, Coleridge transcribes his
             wonderstruck attunement to the visible world as replete with
             intimations of God. In doing so, the poet seeks a way of
             speaking about God that neither synonymises him with the
             world nor places him beyond the realm of phenomenal
             experience altogether.},
   Doi = {10.1093/litthe/frad017},
   Key = {fds371392}
}


%% Stan, Corina M   
@book{fds374325,
   Author = {Stan, C and Sussman, C},
   Title = {The Palgrave Handbook of European Migration in Literature
             and Culture},
   Pages = {660 pages},
   Publisher = {Springer Nature},
   Year = {2023},
   Month = {November},
   ISBN = {9783031307843},
   Abstract = {... Palgrave Handbook of European Migration in Literature
             and Culture : What does it mean to you to think of “
             migration literature ” as a category or a genre of
             composition , and how do you understand your writing and its
             central&nbsp;...},
   Key = {fds374325}
}


%% Sussman, Charlotte S.   
@article{fds371785,
   Author = {Sussman, C and Landels, T and Bradley, I and Desir, K and Glass, G and Lewis-Meeks, A and Harwell, J},
   Title = {“Died a small boy”: Re-Centering the Human in Geospatial
             Data from the Middle Passage},
   Journal = {Archipelagos},
   Volume = {7},
   Publisher = {Columbia University Libraries},
   Year = {2023},
   Month = {May},
   Key = {fds371785}
}


%% Tennenhouse, Leonard   
@article{fds239757,
   Author = {Armstrong, N and Tennenhouse, L},
   Title = {The Imaginary Puritan: Literature, Intellectual Labor; and
             the Origins of Personal Life},
   Pages = {1-276},
   Publisher = {Berkeley: University of California Press},
   Year = {2023},
   Month = {January},
   ISBN = {9780520308961},
   Abstract = {Nancy Armstrong and Leonard Tennenhouse challenge
             traditional accounts of the origins of modern Anglo-American
             culture by focusing on the emergence of print culture in
             England and the North American colonies. They postulate a
             modern middle class that consisted of authors and
             intellectuals who literally wrote a new culture into being.
             Milton's Paradise Lost marks the emergence of this new
             literacy. The authors show how Milton helped transform
             English culture into one of self-enclosed families made up
             of self-enclosed individuals. However, the authors point out
             that the popularity of Paradise Lost was matched by that of
             the Indian captivity narratives that flowed into England
             from the American colonies. Mary Rowlandson's account of her
             forcible separation from the culture of her origins stresses
             the ordinary person's ability to regain those lost origins,
             provided she remains truly English. In a colonial version of
             the Miltonic paradigm, Rowlandson sought to return to a
             family of individuals much like the one in Milton's
             depiction of the fallen world. Thus the origin both of
             modern English culture and of the English novel are located
             in North America. American captivity narratives formulated
             the ideal of personal life that would be reproduced in the
             communities depicted by Defoe, Richardson, and later
             domestic fiction. This title is part of UC Press's Voices
             Revived program, which commemorates University of California
             Press’s mission to seek out and cultivate the brightest
             minds and give them voice, reach, and impact. Drawing on a
             backlist dating to 1893, Voices Revived makes high-quality,
             peer-reviewed scholarship accessible once again using
             print-on-demand technology. This title was originally
             published in 1992.},
   Key = {fds239757}
}


%% Timmis, Patrick   
@article{fds358801,
   Author = {Timmis, P},
   Title = {The ‘Puritan’ Preacher and The Puritan
             Widow},
   Journal = {Studies in Philology},
   Publisher = {University of North Carolina Press},
   Year = {2023},
   Key = {fds358801}
}


%% Wald, Priscilla   
@article{fds371430,
   Author = {Wald, P},
   Title = {Afterword},
   Journal = {English Language Notes},
   Volume = {61},
   Number = {1},
   Pages = {95-99},
   Year = {2023},
   Month = {January},
   url = {http://dx.doi.org/10.1215/00138282-10293195},
   Doi = {10.1215/00138282-10293195},
   Key = {fds371430}
}


%% Werlin, Julianne   
@book{fds373997,
   Title = {The Poetry Book},
   Publisher = {DK},
   Year = {2023},
   Month = {November},
   ISBN = {9780744080834},
   Abstract = {Delve into the works of Dante, Baudelaire, Rimbaud,
             Dickinson, Eliot, and Neruda with in-depth literary analysis
             and fascinating biographies. Find out what odes, ballads,
             and allegories are.},
   Key = {fds373997}
}