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| Publications of Leonard Tennenhouse :chronological alphabetical combined listing:
%% Books
@book{fds156908,
Title = {The Importance of Feeling English: American Literature and
the English Diaspora, 1750-1850},
Publisher = {Princeton University Press},
Year = {2007},
Key = {fds156908}
}
@book{fds160726,
Title = {Power on Display: The Politics of Shakespeare's
Genres},
Publisher = {New York and London: Methuen},
Year = {2004},
Key = {fds160726}
}
@book{fds160725,
Author = {Nancy Armstrong},
Title = {The Imaginary Puritan: Literature, Intellectual Labor, and
the Origins of Personal Life},
Publisher = {Berkeley: University of California Press},
Year = {1992},
Key = {fds160725}
}
@book{fds239756,
Author = {Tennenhouse, L},
Title = {The Tudor Interludes of Nice Wanton and Impatient
Poverty},
Publisher = {The Renaissance Imagination Series, Garland},
Year = {1984},
Key = {fds239756}
}
%% Edited
@misc{fds160752,
Author = {L. Tennenhouse and Guest},
Title = {The Early American Novel},
Journal = {NOVEL: A Forum on Fiction},
Volume = {40},
Number = {1-2},
Year = {2008},
Key = {fds160752}
}
@misc{fds156910,
Author = {Philip Gould},
Title = {America the Feminine},
Journal = {differences},
Volume = {11},
Number = {3},
Year = {2000},
Month = {Fall},
Key = {fds156910}
}
@misc{fds306053,
Title = {The Practice of Psychoanalytic Criticism},
Publisher = {Wayne State University Press},
Year = {1976},
Key = {fds306053}
}
%% Essays/Articles/Chapters in Books
@article{fds239757,
Author = {Armstrong, N and Tennenhouse, L},
Title = {The Imaginary Puritan: Literature, Intellectual Labor; and
the Origins of Personal Life},
Pages = {1-276},
Publisher = {Berkeley: University of California Press},
Year = {2023},
Month = {January},
ISBN = {9780520308961},
Abstract = {Nancy Armstrong and Leonard Tennenhouse challenge
traditional accounts of the origins of modern Anglo-American
culture by focusing on the emergence of print culture in
England and the North American colonies. They postulate a
modern middle class that consisted of authors and
intellectuals who literally wrote a new culture into being.
Milton's Paradise Lost marks the emergence of this new
literacy. The authors show how Milton helped transform
English culture into one of self-enclosed families made up
of self-enclosed individuals. However, the authors point out
that the popularity of Paradise Lost was matched by that of
the Indian captivity narratives that flowed into England
from the American colonies. Mary Rowlandson's account of her
forcible separation from the culture of her origins stresses
the ordinary person's ability to regain those lost origins,
provided she remains truly English. In a colonial version of
the Miltonic paradigm, Rowlandson sought to return to a
family of individuals much like the one in Milton's
depiction of the fallen world. Thus the origin both of
modern English culture and of the English novel are located
in North America. American captivity narratives formulated
the ideal of personal life that would be reproduced in the
communities depicted by Defoe, Richardson, and later
domestic fiction. This title is part of UC Press's Voices
Revived program, which commemorates University of California
Press’s mission to seek out and cultivate the brightest
minds and give them voice, reach, and impact. Drawing on a
backlist dating to 1893, Voices Revived makes high-quality,
peer-reviewed scholarship accessible once again using
print-on-demand technology. This title was originally
published in 1992.},
Key = {fds239757}
}
@article{fds335456,
Author = {Armstrong, N and Tennenhouse, L},
Title = {Novels in the Time of Democratic Writing},
Pages = {280 pages},
Publisher = {Haney Foundation},
Year = {2017},
Month = {December},
ISBN = {9780812249767},
Abstract = {Although it differed markedly from the style we attribute to
literary authors, Armstrong and Tennenhouse argue, such
democratic writing lives on in the novels of Cooper,
Hawthorne, Melville, and James.},
Key = {fds335456}
}
@article{fds343704,
Author = {Tennenhouse, L},
Title = {Playing and power},
Pages = {27-39},
Booktitle = {Staging the Renaissance},
Year = {2017},
Month = {January},
ISBN = {9781138181601},
url = {http://dx.doi.org/10.4324/9780203821565},
Abstract = {First, I shall cite one or two examples to suggest how far a
Tudor monarch could go in maintaining his or her
iconographic status. Ac- counts of the debate on the Act of
Supremacy reveal that some members of Parliament felt that
to name a woman Supreme Head of the Church was more than
most Catholics and many Protestants would tolerate. Although
her brother and father had assumed the title of “Supreme
Head�? of the Church of England, Elizabeth agreed to
revise the title she bore to “Supreme Governor. " This was
just one of many occasions where she allowed her image to be
sexed. But when sexuality was used in any way to compromise
her patriarchal prerogatives, the queen reacted in an
entirely different manner. In 1576, for instance, the
recently appointed Archbishop Grindal wrote her to request
that “you would not use to pronounce so resolutely and
preemptorily, quasi ex auctoritate, as ye may do in civil
and extern matters …. "4 The queen immediately sequestered
Grindal and would have removed him entirely from his post,
had he not “forstalled the arrangements … by dying,
still in office. "5 Where she would tolerate minor changes
in title, then, she would brook absolutely no challenge to
the power inherent in her blood. By the same token, upon
assuming the throne, she renewed the practice initiated by
her father and continued by her brother which installed the
royal coat of arms over the chancel arch of the churches of
England. Her coat of arms thus replaced the religious images
which had been condemned in the iconoclastic reform of the
English Church. “Honor toward this royal emblem, if not
civic veneration,�? writes John Phillips, “was now
demanded from Englishmen …. "6 As the church came to house
the secular emblems of state, the queen’s sexual body
acquired the power of a religious image. Bishop Jewel, for
one, referred to her as “the only nurse and mother of the
church. "7 Elizabeth treated sex as her particular signature
upon the body politic which in no way changed the essential
nature of its power.8.},
Doi = {10.4324/9780203821565},
Key = {fds343704}
}
@article{fds343335,
Author = {Tennenhouse, L},
Title = {Family rites: City comedy and the strategies of
patriarchalism},
Pages = {195-206},
Booktitle = {New Historicism and Renaissance Drama},
Year = {2016},
Month = {July},
ISBN = {9780582045545},
url = {http://dx.doi.org/10.4324/9781315504452},
Abstract = {Crucial to New Historicism was Foucault's claim that while
modern power is internalised, early modern power was
spectacular, an idea it employed to analyse the
theatricality of power and the power of theatre in the
Renaissance. This was the theme of Power on Display by the
American critic Leonard Tennenhouse, which viewed the
Renaissance stage as analogous to the scaffold as a place
where the spectacle of state was acted out. But Tennenhouse
departed from Cultural Poetics in his belief that 'such
displays were not produced' to the degree that contest was
ruled out. Just as a Tyburn crowd might stone the
executioner, history would discredit the scenarios of
Renaissance plays. In this extract, for example, he
describes the tension between the patriarchal endings of
Jacobean City Comedies and the teeming metropolis they held
at bay. On the stage patriarchy overrules individualist
paternalism as father gives way to grandfather or son; but
the genre could not thereby represent the 'Jacobean city of
night' with its volatile social mix. In stressing the limits
of representation Tennenhouse shows how art is pressured by
social reality: in this case the shift from the dynastic to
the nuclear family, a favourite New Historicist topic. His
book concludes that so far from dictating history, it would
be history that would shut the London theatre
down.},
Doi = {10.4324/9781315504452},
Key = {fds343335}
}
@article{fds302175,
Author = {Armstrong, N and Tennenhouse, L},
Title = {How to Imagine Community Without Property},
Pages = {27 pages},
Booktitle = {de Homenagem a Maria Irene Ramalho Santos: American
Literature In a Comparative Context.},
Publisher = {Impressa da Universidade de Comimbra},
Year = {2016},
Key = {fds302175}
}
@article{fds318200,
Author = {Tennenhouse, L},
Title = {Introduction by Leonard Tennenhouse},
Pages = {8-20},
Booktitle = {The Asylum Or, Alonzo and Melissa},
Publisher = {Early American Reprints},
Year = {2016},
Key = {fds318200}
}
@article{fds315628,
Author = {Armstrong, N and Tennenhouse, L},
Title = {Recalling Cora: Family Resemblances in the Last of the
Mohicans.},
Journal = {American Literary History},
Volume = {28},
Number = {2},
Pages = {1-23},
Publisher = {Oxford University Press (OUP): Policy F},
Year = {2016},
ISSN = {1468-4365},
url = {http://dx.doi.org/10.1093/alh/ajw007},
Doi = {10.1093/alh/ajw007},
Key = {fds315628}
}
@article{fds348896,
Author = {Tennenhouse, L},
Title = {The counterfeit order of the Merchant of
Venice},
Pages = {195-215},
Booktitle = {The Merchant of Venice: Critical Essays},
Year = {2015},
Month = {April},
ISBN = {9781138854963},
url = {http://dx.doi.org/10.4324/9781315709208},
Doi = {10.4324/9781315709208},
Key = {fds348896}
}
@article{fds376591,
Author = {Armstrong, N and Tennenhouse, L},
Title = {The network novel and how it unsettled domestic
fiction},
Pages = {306-320},
Booktitle = {A Companion to the English Novel},
Year = {2015},
Month = {January},
ISBN = {9781405194457},
url = {http://dx.doi.org/10.1002/9781118607251.ch20},
Abstract = {This essay considers the novel a network in its own right,
one that brought Austen into relation with Brockden Brown,
as well as Walpole, Radcliffe, Richardson, Smollett, and
Fielding. Austen won the hearts of readers across two
centuries, we argue, because her novels injected the risk of
romance into village life. This served to break up the
household and send its daughters into circulation until they
created something like a common culture among otherwise
isolated communities. But Austen ultimately won the minds of
critics and canonizers because her fiction also provided the
means of managing the risk of a world in motion. Reading her
households as hubs in a network, we open a line of critical
inquiry that also connects her with those Victorian
novelists who saw the household as a provincial hub in a
giant network that allowed English people to circulate
between metropolitan centers and locations across the
globe.},
Doi = {10.1002/9781118607251.ch20},
Key = {fds376591}
}
@article{fds239735,
Author = {Tennenhouse and Tennenhouse, L and Armstrong, N},
Title = {The Network Novel and How It Unsettled the Domestic
Fiction},
Pages = {306-320},
Booktitle = {A Companion to the English Novel},
Publisher = {Wiley-Blackwell},
Editor = {Arata, S and Wicke, J and Hunter, J},
Year = {2015},
ISBN = {9781405194457},
url = {http://dx.doi.org/10.1002/9781118607251.ch20},
Abstract = {This essay considers the novel a network in its own right,
one that brought Austen into relation with Brockden Brown,
as well as Walpole, Radcliffe, Richardson, Smollett, and
Fielding. Austen won the hearts of readers across two
centuries, we argue, because her novels injected the risk of
romance into village life. This served to break up the
household and send its daughters into circulation until they
created something like a common culture among otherwise
isolated communities. But Austen ultimately won the minds of
critics and canonizers because her fiction also provided the
means of managing the risk of a world in motion. Reading her
households as hubs in a network, we open a line of critical
inquiry that also connects her with those Victorian
novelists who saw the household as a provincial hub in a
giant network that allowed English people to circulate
between metropolitan centers and locations across the
globe.},
Doi = {10.1002/9781118607251.ch20},
Key = {fds239735}
}
@article{fds311934,
Author = {Armstrong, N and Tennenhouse, L},
Title = {Novels before Nations: How Early US Novels Imagined
Community},
Journal = {Canadian Review of Comparative Literature / Revue Canadienne
de Littérature Comparée},
Volume = {42},
Number = {4},
Pages = {353-367},
Publisher = {Johns Hopkins University Press},
Year = {2015},
url = {http://dx.doi.org/10.1353/crc.2015.0036},
Doi = {10.1353/crc.2015.0036},
Key = {fds311934}
}
@article{fds306051,
Author = {Tennenhouse, L},
Title = {Violence done to women on the Renaissance
stage},
Pages = {77-97},
Publisher = {Routledge},
Year = {2014},
Month = {June},
ISBN = {9781138015401},
url = {http://dx.doi.org/10.4324/9781315794389},
Doi = {10.4324/9781315794389},
Key = {fds306051}
}
@article{fds349174,
Author = {Armstrong, N and Tennenhouse, L},
Title = {The literature of conduct, the conduct of literature, and
the politics of desire: An introduction},
Pages = {1-24},
Booktitle = {The Ideology of Conduct (Routledge Revivals): Essays in
Literature and the History of Sexuality},
Year = {2014},
Month = {June},
ISBN = {9781138015432},
Key = {fds349174}
}
@article{fds306049,
Author = {Armstrong, N and Tennenhouse, L},
Title = {The Ideology of Conduct: (Routledge Revivals) Essays in
Literature and the History of Sexuality},
Pages = {254 pages},
Publisher = {Routledge},
Editor = {Tennenhouse, L and Armstrong, N},
Year = {2014},
ISBN = {9781317744320},
Abstract = {This collection investigates how middle-class writers who
had long emulated the behaviour of the aristocracy began to
criticise that behaviour by formulating an alternative
object of desire.},
Key = {fds306049}
}
@article{fds344617,
Author = {Tennenhouse, L},
Title = {Playing and power},
Pages = {27-39},
Booktitle = {Staging the Renaissance: Reinterpretations of Elizabethan
and Jacobean Drama},
Year = {2013},
Month = {January},
ISBN = {9780415901673},
url = {http://dx.doi.org/10.4324/9781315862804},
Abstract = {The " lawyers,�? as Axton observes, “were unable or
unwilling to sepa- rate state and monarch.�?2 Elizabeth
also insisted upon identifying her body with England on
grounds she embodied the mystical power of the blood. Her
natural body both contained and stood for this power. It did
so at a moment when England was ready to understand power in
nationalist terms and Elizabeth was bent on displaying her
power accordingly. Her sexual features figured into a
representation of the monarch’s body and redefined the
concept of the body politic in certain characteristically
Elizabethan ways. At the same time, I will insist, the
monarch’s sexuality was always just that, the monarch’s
sexuality.3 As such, the features of Elizabeth’s body
natural were always already components of a political figure
which made the physical vigor and autonomy of the monarch
one and the same thing as the condition of England. The
English form of patriarchy distributed power according to a
principle whereby a female could legitimately and fully
embody the power of the patriarch. Those powers were in her
and nowhere else so long as she sat on the throne. They were
no less patriarchal for being embodied as a female, and the
female was no less female for possessing patriarchal powers.
In being patriarchal, we must conclude, the form of state
power was not understood as male in any biological sense,
for Elizabeth was certainly represented and treated as a
female. The idea of a female patriarch appears to have posed
no contradiction in terms of Elizabethan culture. This
chapter pursues several implica- tions of this iconic notion
of the queen’s body by way of considering the conditions
for political display.},
Doi = {10.4324/9781315862804},
Key = {fds344617}
}
@article{fds239734,
Author = {Tennenhouse, L},
Title = {Unsettling Novels of the Early Republic},
Pages = {ms. pp. 27-ms. pp. 27},
Booktitle = {Oxford History of the Novel in English},
Publisher = {Oxford University Press},
Editor = {Kennedy, G and Person, L},
Year = {2013},
Key = {fds239734}
}
@article{fds239733,
Author = {Tennenhouse, L},
Title = {The Early American Novel},
Booktitle = {The Encyclopedia of the Novel (Chichester: Wiley-Blackwell,
2011), 263-67.},
Publisher = {Wiley-Blackwell},
Editor = {Logan, PM and Hegeman, S and George, O and Kristal,
E},
Year = {2011},
Key = {fds239733}
}
@article{fds239710,
Author = {Tennenhouse, L},
Title = {The importance of feeling English: American literature and
the British diaspora, 1750-1850},
Pages = {1-158},
Year = {2009},
Month = {February},
ISBN = {9780691096810},
Abstract = {American literature is typically seen as something that
inspired its own conception and that sprang into being as a
cultural offshoot of America's desire for national identity.
But what of the vast precedent established by English
literature, which was a major American import between 1750
and 1850? In The Importance of Feeling English, Leonard
Tennenhouse revisits the landscape of early American
literature and radically revises its features. Using the
concept of transatlantic circulation, he shows how some of
the first American authors--from poets such as Timothy
Dwight and Philip Freneau to novelists like William Hill
Brown and Charles Brockden Brown--applied their newfound
perspective to pre-existing British literary models. These
American "re-writings" would in turn inspire native British
authors such as Jane Austen and Horace Walpole to reconsider
their own ideas of subject, household, and nation. The
enduring nature of these literary exchanges dramatically
recasts early American literature as a literature of
diaspora, Tennenhouse argues--and what made the settlers'
writings distinctly and indelibly American was precisely
their insistence on reproducing Englishness, on making
English identity portable and adaptable. Written in an
incisive and illuminating style, The Importance of Feeling
English reveals the complex roots of American literature,
and shows how its transatlantic movement aided and abetted
the modernization of Anglophone culture at
large.},
Key = {fds239710}
}
@article{fds239780,
Author = {Armstrong, N and Tennenhouse, L},
Title = {Sovereignty and the Form of Formlessness},
Journal = {Differences: A Journal of Feminist Cultural
Studies},
Volume = {20},
Series = {Special issue.},
Number = {2-3},
Pages = {148-178},
Publisher = {Duke University Press},
Year = {2009},
ISSN = {1040-7391},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000271548100007&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Doi = {10.1215/10407391-2009-007},
Key = {fds239780}
}
@article{fds239781,
Author = {Armstrong, N and Tennenhouse, L},
Title = {The Problem of Population and the Form of the American
Novel},
Journal = {American Literary History},
Volume = {20},
Number = {4},
Pages = {667-685},
Publisher = {Oxford University Press (OUP)},
Year = {2008},
ISSN = {0896-7148},
url = {http://dx.doi.org/10.1093/alh/ajn046},
Doi = {10.1093/alh/ajn046},
Key = {fds239781}
}
@article{fds239755,
Author = {Tennenhouse, L},
Title = {Is there an early American novel?},
Journal = {Novel},
Volume = {40},
Number = {1-2},
Pages = {5-17},
Publisher = {Duke University Press},
Year = {2007},
Month = {January},
ISSN = {0029-5132},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000253025400001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Doi = {10.1215/ddnov.040010005},
Key = {fds239755}
}
@article{fds239715,
Author = {Tennenhouse, L},
Title = {The Importance of Feeling English},
Pages = {158 pages},
Publisher = {Princeton University Press},
Year = {2007},
ISBN = {9780691096810},
Abstract = {This book challenges the very notion of American Literature
-- what it is and how we date it -- by daring not to assume
that different national governments mean different national
literatures.},
Key = {fds239715}
}
@article{fds239742,
Author = {Tennenhouse, L},
Title = {Revisiting A New World of Words},
Journal = {Early American Literature},
Volume = {42},
Number = {2},
Pages = {363-368},
Publisher = {Project MUSE},
Year = {2007},
ISSN = {0012-8163},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000247536900008&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Doi = {10.1353/eal.2007.0028},
Key = {fds239742}
}
@article{fds306050,
Title = {The Early American Novel},
Journal = {Novel: A Forum on Fiction},
Volume = {40},
Number = {1-2},
Year = {2007},
Key = {fds306050}
}
@article{fds156932,
Author = {Nancy Armstrong},
Title = {A Mind for Passion: Locke and Hutcheson on
Desire},
Pages = {131-151},
Booktitle = {Politics and Passions 1500-1850},
Publisher = {Princeton University Press},
Editor = {Victoria Kahn and Neil Saccamano and Daniela
Coli},
Year = {2006},
Key = {fds156932}
}
@article{fds239732,
Author = {Tennenhouse, L},
Title = {The Coffeehouse},
Booktitle = {The Oxford Encyclopedia of British Literature},
Publisher = {Oxford University Press},
Year = {2006},
Key = {fds239732}
}
@article{fds239762,
Author = {Armstrong, N and Tennenhouse, L},
Title = {A Mind for Passion: Locke and Hutcheson on
Desire},
Pages = {131-150},
Booktitle = {Politics and the Passions, 1500-1850},
Publisher = {Princeton University Press},
Editor = {Coli, D and Kahn, V and Saccamano, N},
Year = {2006},
ISBN = {0691118612},
Key = {fds239762}
}
@article{fds239731,
Author = {Tennenhouse, L},
Title = {A Language for a Nation: A Transatlantic
Problematic},
Pages = {62-84},
Booktitle = {Transatlantic Revolutions},
Publisher = {Palgrave},
Editor = {Verhoeven, WM},
Year = {2002},
Key = {fds239731}
}
@article{fds239730,
Author = {Tennenhouse, L},
Title = {Carribbean Degeneracy and the Problem of Masculinity in
Ormond},
Pages = {104-124},
Booktitle = {Finding Colonial Americas: Essays Honoring J.A. Leo
Lemay},
Publisher = {University of Delaware Press},
Editor = {Mulford, C and Shields, DS},
Year = {2001},
Key = {fds239730}
}
@article{fds239728,
Author = {Armstrong, N and Tennenhouse, L},
Title = {The Literature of Conduct, the Conduct of Literature, and
the Politics of Desire},
Booktitle = {Literary Criticism from 1400-1800},
Publisher = {Gale Research},
Editor = {Trudeau, L},
Year = {2000},
Key = {fds239728}
}
@article{fds239729,
Author = {Tennenhouse, L},
Title = {Libertine America},
Journal = {differences},
Volume = {11},
Number = {3},
Pages = {1-28},
Booktitle = {America the Feminine},
Year = {2000},
Month = {Fall},
Key = {fds239729}
}
@article{fds156939,
Title = {Violence Done to Women on the Renaissance
Stage},
Booktitle = {Shakespearean Criticism},
Publisher = {Gale Research},
Editor = {Michelle Lee},
Year = {1999},
Key = {fds156939}
}
@article{fds239726,
Author = {Tennenhouse, L},
Title = {Violence Done to Women on the Renaissance
Stage},
Pages = {77-97},
Booktitle = {The Violence of Representation},
Year = {1999},
Key = {fds239726}
}
@article{fds239754,
Author = {Tennenhouse, L},
Title = {Patriarchal Strategies in Shakespearean Romance},
Pages = {43-60},
Publisher = {Longman},
Editor = {Ryan, K},
Year = {1999},
Key = {fds239754}
}
@article{fds239753,
Author = {Tennenhouse, L},
Title = {The American Richardson},
Journal = {Yale Journal of Criticism},
Volume = {12},
Pages = {177-96},
Year = {1998},
Key = {fds239753}
}
@article{fds239774,
Author = {Tennenhouse, L},
Title = {The Americanization of 'Clarissa' (Samuel Richardson,
influence in colonial America)},
Journal = {YALE JOURNAL OF CRITICISM},
Volume = {11},
Number = {1},
Pages = {177-196},
Year = {1998},
ISSN = {0893-5378},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=000074705400019&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds239774}
}
@article{fds239725,
Author = {Tennenhouse, L},
Title = {Family Rites: Patriarchal Strategies in Shakespearean
Romances},
Pages = {43-90},
Booktitle = {Shakespeare: The Last Plays},
Publisher = {Longman},
Editor = {Ryan, K},
Year = {1997},
Key = {fds239725}
}
@article{fds239724,
Author = {Tennenhouse, L},
Title = {Twelfth Night},
Pages = {82-91},
Booktitle = {Twelfth Nigh: Contemporary Critical Essays},
Publisher = {Macmillan},
Editor = {White, RS},
Year = {1996},
Key = {fds239724}
}
@article{fds239772,
Author = {Tennenhouse, L},
Title = {The case of the resistant captive},
Journal = {South Atlantic Quarterly},
Volume = {95},
Number = {4},
Pages = {919-946},
Publisher = {Duke University Press},
Year = {1996},
ISSN = {1527-8026},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=A1996WB93100004&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds239772}
}
@article{fds239769,
Author = {TENNENHOUSE, L},
Title = {The Cambridge History Of American Literature, Vol 1,
1590-1820 - Bercovitch,S, Patell,Crk},
Volume = {56},
Pages = {207-220},
Year = {1995},
Month = {June},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=A1995RB08900006&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds239769}
}
@article{fds239752,
Author = {Tennenhouse, L},
Title = {American Literary History in the Age of Critical Theory and
Mulitculturalism},
Journal = {Modern Language Quarterly},
Number = {56},
Pages = {207-220},
Year = {1995},
Key = {fds239752}
}
@article{fds239722,
Author = {Tennenhouse, L},
Title = {Rituals of State/Strategies of Power},
Booktitle = {Shakespeare’s History Plays Contemporary Critical
Essays},
Publisher = {Macmillan},
Editor = {Holderness, G},
Year = {1993},
Key = {fds239722}
}
@article{fds239723,
Author = {Tennenhouse, L},
Title = {King Lear: The Iconography of Power},
Pages = {60-72},
Booktitle = {King Lear: Contemporary Critical Essays},
Publisher = {Macmillan},
Editor = {Ryan, K},
Year = {1993},
Key = {fds239723}
}
@article{fds239751,
Author = {Armstrong, N and Tennenhouse, L},
Title = {History, Poststructuralism, and the Question of
Narrative},
Journal = {Narrative},
Volume = {1},
Pages = {45-58},
Year = {1993},
Key = {fds239751}
}
@article{fds239768,
Author = {Armstrong, N and Tennenhouse, L},
Title = {A Novel Nation; or, How to Rethink Modern England as an
Emergent Culture},
Journal = {Modern Language Quarterly},
Volume = {54},
Number = {3},
Pages = {327-344},
Publisher = {Duke University Press},
Year = {1993},
ISSN = {0026-7929},
url = {http://dx.doi.org/10.1215/00267929-54-3-327},
Doi = {10.1215/00267929-54-3-327},
Key = {fds239768}
}
@article{fds303313,
Author = {Armstrong, N and Tennenhouse, L},
Title = {Poststructuralism and the Question of History},
Journal = {Narrative},
Volume = {1},
Pages = {45-58},
Year = {1993},
Key = {fds303313}
}
@article{fds239760,
Author = {Armstrong, N and Tennenhouse, L},
Title = {The American Origins of the English Novel},
Journal = {American Literary History},
Volume = {4},
Number = {3},
Pages = {386-410},
Publisher = {Oxford University Press (OUP)},
Year = {1992},
Month = {Fall},
ISSN = {0896-7148},
url = {http://dx.doi.org/10.1093/alh/4.3.386},
Doi = {10.1093/alh/4.3.386},
Key = {fds239760}
}
@article{fds156911,
Author = {Nancy Armstrong},
Title = {The Imaginary Puritan: Literature, Intellectual Labor, and
the Origins of Personal Life},
Publisher = {University of California Press},
Year = {1992},
Key = {fds156911}
}
@article{fds239721,
Author = {Tennenhouse, L},
Title = {Power in Hamlet},
Pages = {160=67-160=67},
Booktitle = {Hamlet: Contemporary Critical Essays},
Publisher = {Macmillan},
Editor = {Coyle, M},
Year = {1992},
Key = {fds239721}
}
@article{fds303312,
Author = {Armstrong, N and Tennenhouse, L},
Title = {The American Origins of the English Novel},
Journal = {American Literary History},
Volume = {4},
Number = {3},
Pages = {386-410},
Year = {1992},
Key = {fds303312}
}
@article{fds239720,
Author = {Tennenhouse, L},
Title = {Hamlet and the Queen’s Body},
Booktitle = {Essays on Renaissance Drama},
Publisher = {Routledge},
Editor = {Stallybrass, P and Kastan, D},
Year = {1991},
Key = {fds239720}
}
@article{fds239719,
Author = {Tennenhouse, L},
Title = {Arcadian Rhetoric: Sidney and the Politics of
Courtship},
Pages = {201-12},
Booktitle = {Sir Philip Sidney’s Achievements},
Publisher = {AMS},
Editor = {Allen, MJB and Baker-Smith, D and Kinney, AF and Sullivan,
MM},
Year = {1990},
Key = {fds239719}
}
@article{fds239749,
Author = {Tennenhouse, L},
Title = {Simulating History: A Cockfight for Our Times},
Journal = {TDR: The Drama Review},
Volume = {34},
Pages = {137-55},
Year = {1990},
Key = {fds239749}
}
@article{fds239750,
Author = {Armstrong, N and Tennenhouse, L},
Title = {The Interior Difference: A Brief Genealogy of Dreams,
1650-1717},
Journal = {Eighteenth-Century Studies},
Volume = {23},
Number = {4},
Pages = {458-78},
Year = {1990},
Key = {fds239750}
}
@article{fds303311,
Author = {Armstrong, N and Tennenhouse, L},
Title = {The Interior Difference: A Brief Genealogy of
Dreams},
Journal = {Journal for Eighteenth-Century Studies},
Volume = {23},
Number = {4},
Pages = {458-478},
Year = {1990},
Key = {fds303311}
}
@article{fds239748,
Author = {Armstrong, N and Tennenhouse, L},
Title = {Gender and the Work of Words},
Journal = {Cultural Critique},
Volume = {13},
Pages = {229-78},
Year = {1989},
Month = {Fall},
Key = {fds239748}
}
@article{fds239777,
Author = {ARMSTRONG, N and TENNENHOUSE, L},
Title = {Gender And Work Of Words + The Historical Verbal
Characterization Of Labor},
Journal = {CULTURAL CRITIQUE},
Number = {13},
Pages = {229-278},
Year = {1989},
ISSN = {0882-4371},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=A1989DX83900010&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Doi = {10.2307/1354275},
Key = {fds239777}
}
@article{fds303310,
Author = {Armstrong, N and Tennenhouse, L},
Title = {Gender and the Work of Words},
Journal = {Cultural Critique},
Volume = {13},
Pages = {229-279},
Year = {1989},
Key = {fds303310}
}
@article{fds306052,
Author = {Nancy Armstrong},
Title = {The Ideology of Conduct: Essays on Literature and the
History of Sexuality},
Pages = {243 pages},
Publisher = {Methuen Publishing},
Editor = {Armstrong, N and Tennenhouse, L},
Year = {1987},
Key = {fds306052}
}
@article{fds239747,
Author = {Tennenhouse, L},
Title = {Power on Display: The Politics of Shakespeare’s
Genres},
Publisher = {Methuen},
Address = {New York and London},
Year = {1986},
Key = {fds239747}
}
@article{fds239718,
Author = {Tennenhouse, L},
Title = {Strategies of State and Political Plays: A Midsummer
Night’s Dream, The Henriad, and Henry VIII},
Pages = {109-28},
Booktitle = {Political Shakespeare},
Publisher = {Manchester University Press and Ithaca: Cornell University
Press},
Editor = {Dollimore, J and Sinfield, A},
Year = {1985},
Key = {fds239718}
}
@article{fds312001,
Title = {The Rhetoric of Violence},
Publisher = {Rutledge},
Editor = {Armstrong, N and Tennenhouse, L},
Year = {1985},
Key = {fds312001}
}
@article{fds239770,
Author = {TENNENHOUSE, L},
Title = {Representing Power - 'Measure For Measure' In Its
Time},
Journal = {GENRE},
Volume = {15},
Number = {1-2},
Pages = {139-156},
Year = {1982},
ISSN = {0016-6928},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=A1982PQ69400008&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds239770}
}
@article{fds239717,
Author = {Tennenhouse, L},
Title = {Sir Walter Raleigh and the Literature of
Clientage},
Pages = {235-58},
Booktitle = {Patronage in the Renaissance},
Publisher = {Princeton University Press},
Editor = {Little, GF and Orgel, S},
Year = {1981},
Key = {fds239717}
}
@article{fds239716,
Author = {Tennenhouse, L},
Title = {The Hidden Order of the The Merchant of Venice},
Pages = {54-69},
Booktitle = {Representing Shakespeare; New Psychoanalytic
Essays},
Publisher = {Johns Hopkins University Press},
Editor = {Kahn, C and Schwartz, M},
Year = {1980},
Key = {fds239716}
}
@article{fds239763,
Author = {TENNENHOUSE, L},
Title = {The Comic Matrix Of Shakespeare Tragedies -
Snyder,S},
Journal = {Criticism-A Quarterly for Literature and the
Arts},
Volume = {22},
Number = {3},
Pages = {273-274},
Year = {1980},
ISSN = {0011-1589},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=A1980KN03200008&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds239763}
}
@article{fds239771,
Author = {TENNENHOUSE, L},
Title = {Dramatic Identities And Cultural Tradition - Studies In
Shakespeare And His Contemporaries},
Journal = {Criticism-A Quarterly for Literature and the
Arts},
Volume = {21},
Number = {4},
Pages = {365-366},
Year = {1979},
ISSN = {0011-1589},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=A1979JB68000006&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds239771}
}
@article{fds239745,
Author = {Tennenhouse, L},
Title = {Balaam and Saul and the World of II Tamburlaine},
Journal = {Neuphilologische Mitteilugen},
Volume = {78},
Pages = {115-17},
Year = {1977},
Key = {fds239745}
}
@article{fds239746,
Author = {Tennenhouse, L},
Title = {Coriolanus: History and the Crisis of Semantic
Order},
Journal = {Comparative Drama},
Volume = {10},
Pages = {328-346},
Year = {1977},
Key = {fds239746}
}
@article{fds239765,
Author = {TENNENHOUSE, L},
Title = {Great Feast Of Language In Loves Labours
Lost},
Journal = {Criticism-A Quarterly for Literature and the
Arts},
Volume = {19},
Number = {3},
Pages = {284-284},
Year = {1977},
ISSN = {0011-1589},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=A1977EP25100019&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds239765}
}
@article{fds239766,
Author = {TENNENHOUSE, L},
Title = {'Psychological Study Of Literature Limitations,
Possibilities, And Accomplishments'},
Journal = {Philosophy and Literature},
Volume = {1},
Number = {2},
Pages = {247-248},
Publisher = {Johns Hopkins University Press},
Year = {1977},
ISSN = {1086-329X},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=A1977EP20100012&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Doi = {10.1353/phl.1977.0018},
Key = {fds239766}
}
@article{fds239775,
Author = {TENNENHOUSE, L},
Title = {Ethic of Time - Structures of Experience in Shakespeare -
Sypher, W},
Journal = {Criticism-A Quarterly for Literature and the
Arts},
Volume = {19},
Number = {3},
Pages = {284-284},
Year = {1977},
ISSN = {0011-1589},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:A1977EP25100020&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds239775}
}
@article{fds239744,
Author = {Tennenhouse, L},
Title = {Beowulf and the Sense of History},
Journal = {Bucknell Review},
Volume = {19},
Pages = {137-46},
Year = {1971},
Key = {fds239744}
}
%% Book Reviews
@article{fds239773,
Author = {Tennenhouse, L},
Title = {The Spread of Novels: Translation and Prose Fiction in the
Eighteenth Century},
Journal = {NOVEL-A FORUM ON FICTION},
Volume = {45},
Number = {1},
Pages = {120-123},
Publisher = {Duke University Press},
Year = {2012},
ISSN = {0029-5132},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=000304239300015&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Doi = {10.1215/00295132-1541396},
Key = {fds239773}
}
@article{fds186417,
Title = {The Nationalism of the Transnational Novel: Mary Helen
McMurran, Translation and the Spread of Novels in the
Eighteenth Century (Princeton: Princeton UP, 2010). Ms. 8
pps},
Journal = {NOVEL},
Year = {2011},
Key = {fds186417}
}
@article{fds239743,
Author = {Tennenhouse, L},
Title = {'The Nationalism of the Transnational Novel'. Review of
Translation and the Spread of Novels in the Eighteenth
Century by Mary Helen McMurran (Princeton UP,
2010)},
Journal = {NOVEL},
Year = {2011},
Key = {fds239743}
}
@article{fds170519,
Author = {Su Fang Ng},
Title = {Literature and the Politics of Family in Seventeenth-Century
England},
Journal = {Modern Philology},
Pages = {viii + 236},
Publisher = {Cambridge University Press},
Year = {2009},
Key = {fds170519}
}
@article{fds157886,
Author = {Ross Chambers},
Title = {Room for Maneuver: Reading (the) Oppositional (in)
Narrative},
Journal = {Modern Fiction Studies},
Pages = {438-41},
Publisher = {University of Chicago Press},
Year = {1994},
Key = {fds157886}
}
@article{fds239741,
Author = {L. Tennenhouse},
Title = {Review of Room for Maneuver: Reading (the) Oppositional (in)
Narrative by Ross Chambers},
Journal = {Modern Fiction Studies},
Pages = {438-41},
Publisher = {University of Chicago Press},
Year = {1994},
Key = {fds239741}
}
@article{fds239764,
Author = {Tennehouse, L},
Title = {Review of Tragedies Of Tyrants - Political-Thought And
Theater In The English by Rebecca W Bushnell},
Journal = {Modern Philology: critical and historical studies in
postclassical literature},
Volume = {90},
Number = {3},
Pages = {426-430},
Publisher = {University of Chicago Press},
Year = {1993},
Month = {February},
ISSN = {1545-6951},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=A1993KP67600010&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Doi = {10.1086/392091},
Key = {fds239764}
}
@article{fds239778,
Author = {Tennenhouse, L},
Title = {Review of Hidden Designs: The Critical Profession And
Renaissance Literature by Jonathan Crew},
Journal = {Journal of English and Germanic Philology},
Volume = {88},
Number = {2},
Pages = {228-231},
Year = {1989},
Month = {April},
ISSN = {0364-2968},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=A1989U070200012&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds239778}
}
@article{fds239740,
Author = {Tennenhouse, L},
Title = {Review of Revolution and Rebellion: State and society in
England in the Seventeenth and Eighteenth Centuries by JCD
Clark},
Journal = {History and Theory},
Volume = {27},
Pages = {310-321},
Year = {1988},
Key = {fds239740}
}
@article{fds239739,
Author = {Tennenhouse, L},
Title = {Review of Crime and God’s Judgement in Shakespeare by
Robert Rentoul Reed, Jr.},
Journal = {Renaissance Quarterly},
Volume = {38},
Pages = {170-172},
Year = {1985},
Key = {fds239739}
}
@article{fds239737,
Author = {Tennenhouse, L},
Title = {Review of The Comic in Renaissance Comedy by David
Farley-Hills},
Journal = {Renaissance Quarterly},
Volume = {35},
Pages = {663-65},
Year = {1982},
Key = {fds239737}
}
@article{fds239738,
Author = {Tennenhouse, L},
Title = {Review of Comic Transformations in Shakespeare by Ruth
Nevo},
Journal = {Renaissance Quarterly},
Volume = {38},
Pages = {663-65},
Year = {1982},
Key = {fds239738}
}
@article{fds239776,
Author = {Tennenhouse, L},
Title = {Review of John Webster, Citizen and Dramatist by M.C.
Bradbrook},
Journal = {Criticism: a quarterly for literature and the
arts},
Volume = {23},
Number = {2},
Pages = {181-183},
Year = {1981},
ISSN = {1536-0342},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=A1981MB68400007&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds239776}
}
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