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| Publications of Sarah Beckwith :chronological alphabetical combined listing:
%% Books
@book{fds239462,
Author = {Beckwith, S},
Title = {Shakespeare and the Grammar of Forgiveness},
Booktitle = {Cornell University Press},
Year = {2011},
Month = {April},
Key = {fds239462}
}
@book{fds239433,
Author = {Beckwith, S and Simpson, J},
Title = {Premodern Shakespeare},
Volume = {40},
Pages = {1-5},
Publisher = {Duke University Press},
Year = {2010},
Month = {December},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000274337600001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Abstract = {The deepest periodic division in English literary history is
between the "medieval" and the "early modern," not least
because the cultural investments in maintaining that
division are exceptionally powerful. Narratives of national
and religious identity and freedom; of individual liberties;
of the history of education and scholarship; of reading or
the history of the book; of a national drama; of the very
possibility of persuasive historical consciousness
itself-each of these narratives (and many more) is motivated
by positing a powerful break around 1530. Late medieval
English studies are rapidly transforming in many directions,
but one especially vigorous transformation well underway
seeks to speak across that entrenched divide. A wide range
of scholars, mostly medievalists but also early modernists,
have begun to set late medieval textual and dramatic
cultures into dialogue with their early modern counterparts.
This special issue focuses the conversation at an especially
rich point, that of Shakespearean theater. These essays
explore "premodern Shakespeare": how Shakespeare's drama
addresses and expresses the cultural revolution of the
relatively recent past, and how Shakespeare looks as seen
from the perspective of late medieval texts. © 2010 by Duke
University Press.},
Doi = {10.1215/10829636-2009-011},
Key = {fds239433}
}
@book{fds186387,
Author = {S. Beckwith and James Simpson},
Title = {Premodern Shakespeares},
Journal = {JMEMS},
Year = {2010},
Month = {January},
Key = {fds186387}
}
@book{fds306003,
Author = {Beckwith, S},
Title = {Reform and Cultural Revolution: Writing English Literary
History 1350-1547},
Volume = {35},
Editor = {Aers, D and Beckwith, S},
Year = {2005},
Key = {fds306003}
}
@book{fds306004,
Author = {Beckwith, S},
Title = {Hermeneutics and Ideology: Reading Medieval and Early Modern
Texts},
Volume = {33.1},
Editor = {Aers, D and Beckwith, S},
Year = {2003},
Key = {fds306004}
}
@book{fds239480,
Author = {Beckwith, S},
Title = {Signifying God: Social Relation and Symbolic Act in York’s
Play of Corpus Christi},
Publisher = {University of Chicago Press},
Year = {2001},
Key = {fds239480}
}
@book{fds306005,
Author = {Beckwith, S},
Title = {Sacrifice},
Volume = {31.3},
Editor = {Aers, D and Beckwith, S},
Year = {2001},
Key = {fds306005}
}
@book{fds239479,
Author = {Beckwith, S},
Title = {Christ’s Body: Identity, Culture and Society in Late
Medieval Writings},
Publisher = {Routledge},
Year = {1996},
Key = {fds239479}
}
%% Edited
@misc{fds6339,
Author = {S. Beckwith and A. Wharton},
Title = {--},
Journal = {JMEMS},
Volume = {32},
Number = {2},
Year = {2002},
Month = {Spring},
Key = {fds6339}
}
@misc{fds2462,
Author = {S. Beckwith and A. Wharton},
Title = {--},
Journal = {JMEMS},
Volume = {30},
Number = {2},
Year = {2000},
Month = {Spring},
Key = {fds2462}
}
@misc{fds2461,
Author = {S. Beckwith and A. Wharton},
Title = {--},
Journal = {JMEMS},
Volume = {29},
Number = {2},
Year = {1999},
Month = {Spring},
Key = {fds2461}
}
@misc{fds2457,
Title = {Communities in Transition},
Journal = {JMEMS},
Volume = {28},
Number = {2},
Year = {1998},
Key = {fds2457}
}
%% Essays/Articles/Chapters in Books
@article{fds371617,
Author = {Beckwith, S},
Title = {Absent Presences: The Theatre of Resurrection in
York},
Pages = {441-454},
Booktitle = {Medieval Literature: Criticism and Debates},
Year = {2023},
Month = {January},
ISBN = {9780415667890},
url = {http://dx.doi.org/10.4324/9781003416791-46},
Abstract = {The dead come to life in the bodies of the living – not
just in resurrection but also in theatre. Corpus Christi
theatre fully understands the complexity of this
interrelationship in the palpable apparitions of
Christ-the-actor to audiences in the Resurrection sequences
of the York cycle. The earliest Middle English forms of the
word “theatre” identify it as “a place for viewing,
sight or view”; likewise the word for vision is during the
very period of the performance of the York cycle, going
through crucial changes, from meaning the “action or fact
of seeing or contemplating something not actually present to
the eye, a mystical, supernatural insight” to the “act
of seeing with the bodily eye; the exercise of the ordering
of the faculty of sight.” The origins and development of
the “quem queritis” dialogue, so ostentatiously
revisited in the York Resurrection play, are obscure and the
evidence complex and contradictory.},
Doi = {10.4324/9781003416791-46},
Key = {fds371617}
}
@article{fds336357,
Author = {Beckwith, S},
Title = {Hamlet’s ethics},
Pages = {222-246},
Booktitle = {Shakespeare's Hamlet: Philosophical Perspectives},
Year = {2017},
Month = {January},
ISBN = {9780190698522},
url = {http://dx.doi.org/10.1093/oso/9780190698515.003.0009},
Abstract = {“Hamlet’s Ethics” argues that the critical question of
delay in Hamlet has blinded readers to the play’s
exploration of questions of agency and vision. The so-called
indecision of Hamlet at the point of action is framed in the
play, but in such a way as to expose and altogether overturn
the prototype of revenge. What does it mean to be the author
of one’s own acts, and what does one become in doing them?
What are the ends of action? Hamlet opens out these
questions of what we become by virtue of our acts. In so
doing this tragedy offers us an object lesson in ethics, but
not as a question of either obligation or choice, but as a
question of the vision by which the world comes into focus
for us at all.},
Doi = {10.1093/oso/9780190698515.003.0009},
Key = {fds336357}
}
@article{fds376723,
Author = {Beckwith, S},
Title = {Sources: Volver, or Coming Back},
Pages = {135-140},
Booktitle = {Shakespeare in Our Time: a Shakespeare Association of
America Collection},
Year = {2016},
Month = {January},
ISBN = {9781472520425},
Key = {fds376723}
}
@article{fds239430,
Author = {Bauer, N and Beckwith, S and Crary, A and Laugier, S and Moi, T and Zerilli, L},
Title = {Introduction},
Volume = {46},
Pages = {v-xiii},
Year = {2015},
Month = {March},
url = {http://dx.doi.org/10.1353/nlh.2015.0012},
Doi = {10.1353/nlh.2015.0012},
Key = {fds239430}
}
@article{fds303299,
Author = {Beckwith, S},
Title = {William Shakespeare and Stanley Cavell: Acknowledgement,
Confession and Tragedy},
Booktitle = {Stanley Cavell and Literary Studies},
Publisher = {Continuum},
Year = {2011},
Month = {September},
Key = {fds303299}
}
@article{fds239459,
Author = {Beckwith and Aers, D and Beckwith, S},
Title = {The Eucharist},
Pages = {153-165},
Booktitle = {Cultural Reformations},
Publisher = {Oxford University Press},
Editor = {Simpson, J and Cummings, B},
Year = {2011},
Key = {fds239459}
}
@article{fds239460,
Author = {Beckwith, S},
Title = {Acknowledgement and Confession in Cymbeline},
Pages = {97-126},
Booktitle = {Shakesepeare and Religion: Early Modern and Postmeodern
Perspectives},
Publisher = {University of Notre Dame Press},
Year = {2011},
Key = {fds239460}
}
@article{fds303298,
Author = {Aers, D and Beckwith, S},
Title = {The Eucharist},
Pages = {153-165},
Booktitle = {Cultural Reformations},
Editor = {Cummings, B},
Year = {2010},
Key = {fds303298}
}
@article{fds239458,
Author = {Beckwith, S},
Title = {Shakespeare’s Resurrections},
Booktitle = {Shakespeare and the Middle Ages},
Publisher = {Oxford University Press},
Editor = {Perry, C and Watkins, J},
Year = {2009},
Month = {October},
Key = {fds239458}
}
@article{fds239457,
Author = {Beckwith, S},
Title = {Middle English Drama},
Booktitle = {The Cambridge Companion to Middle English
Literature},
Publisher = {Cambridge University Press},
Editor = {Scanlon, L},
Year = {2009},
Month = {June},
Key = {fds239457}
}
@article{fds239429,
Author = {Beckwith, S},
Title = {Drama},
Pages = {83-94},
Booktitle = {The Cambridge Companion to Medieval English Literature
1100-1500},
Publisher = {Cambridge University Press},
Year = {2009},
Month = {January},
ISBN = {9780521841672},
url = {http://dx.doi.org/10.1017/CCOL9780521841672.007},
Abstract = {“Middle English Drama” is the conventional, if
misleading, category referring to the textual remnants of a
vast, expansive, very imaginative performative culture which
was largely non-textual. Drama bespeaks authors who write
it, theaters in which it might be produced, and conflicts
explored in a room with the third wall removed. But the
extant texts from the medieval tradition we call
“dramatic” have no known authors, and no special,
separate spaces in which they are produced. Middle English
theater is likely to seem odd and inert when forced into
these alien categories of analysis. We must consider it not
as a separate aesthetic sphere, but rather, as part of the
material organization of public life. Two scenes, both much
anthologized, can stand as paradigmatic instances. The first
scene can stand for medieval theater's interest in the
actor's body as a primary medium of contemplation,
interaction, and the creation of community; the second for
the uses of theatrical prop as icon, index, symbol, figure.
There are twelve pageants in the York Corpus Christi cycle
that concern the passion. These scenes are boisterous and
busy (to take up the infectiously alliterative language of
the plays), composed of multiple levels and tensions, and
scenically enormously complex. But their still center is the
York Crucifixion, in which Christ's body is ritually
tortured in an agonizingly extended sequence culminating in
the reconstruction on stage of the central icon of the
culture – Christ on the cross, dramatically played as both
reenactment of the crucifixion, and a construction of its
central representation. Christ is nailed to the cross by a
group of soldiers, played by pinners (makers of joining
pegs) who mumble and joke about the arduousness of their
labor, the labor that constitutes the only action of the
play. This action relentlessly translates the theatrical
principle that, working through the very medium of the
actor's body, the play must process time at the speed of the
actor's body.},
Doi = {10.1017/CCOL9780521841672.007},
Key = {fds239429}
}
@article{fds239434,
Author = {Aers, D and Beckwith, S},
Title = {Discerning the Body},
Booktitle = {Collection on Medieval and ReformationCulture},
Publisher = {Oxford UP},
Editor = {Cummings, B and Simpson, J},
Year = {2008},
Key = {fds239434}
}
@article{fds239456,
Author = {Beckwith, S},
Title = {Medieval Penance, Reformation Repentance and Measure for
Measure},
Pages = {193-204},
Booktitle = {Reading the Medieval in Early Modern England},
Publisher = {Cambridge University Press},
Editor = {McMullan, G and Matthews, D},
Year = {2007},
Month = {Spring},
ISBN = {978-0-521-86843-3},
Key = {fds239456}
}
@article{fds53052,
Title = {The Play of Voice: Acknowledgment, Knowledge and
Self-Knowledge in Measure for Measure},
Booktitle = {Spectacle and Public Performance in the Late Middle Ages and
the Renaissance},
Publisher = {Brill},
Editor = {Robert Stilman},
Year = {2006},
Month = {Spring},
Key = {fds53052}
}
@article{fds239451,
Author = {Beckwith, S},
Title = {The Play of Voice: Knowledge, Acknowledgment and Judgement
in Measure for Measure},
Booktitle = {Spectacle and Public Performance in the Late Middle Ages and
the Renaissance},
Publisher = {Brill},
Editor = {Stillma, R},
Year = {2006},
Month = {March},
Key = {fds239451}
}
@article{fds239454,
Author = {Beckwith, S},
Title = {Long review essay on Catholic Shakespeares},
Booktitle = {Medieval and Renaissance Drama in England},
Year = {2006},
Month = {Winter},
Key = {fds239454}
}
@article{fds239455,
Author = {Beckwith, S},
Title = {Preserving, Conserving, Deserving the Past: A Meditation on
Ruin in Postwar Britain in five Fragments.},
Pages = {p. 191-210},
Booktitle = {A Place to Believe In: Locating Medieval
Landscapes},
Publisher = {Penn State University Press, 2006},
Editor = {Lees, C and Overing, G},
Year = {2006},
Month = {Winter},
Key = {fds239455}
}
@article{fds239452,
Author = {Beckwith, S},
Title = {Repairs in the Dark: Medieval Penance and Reformation
Repentance in Measure for Measure},
Booktitle = {Reading the Medieval in the Early Modern edited by David
Mathews and Gordon MacMullan},
Publisher = {Cambridge University Press},
Year = {2005},
Key = {fds239452}
}
@article{fds239453,
Author = {Beckwith, S},
Title = {Office,Role,Persona: Martin Marprelate’s Contribution to
Theater History},
Booktitle = {Image and Imagination of the Religious Self in Late Medieval
and Early Modern Europe edited by Walter
Melion},
Year = {2005},
Key = {fds239453}
}
@article{fds239450,
Author = {Beckwith, S},
Title = {Preserving, Deserving, Conserving the Past: A Meditation in
Fragments on Ruin as Relic in Post War England},
Booktitle = {eds, Lees and Overing},
Publisher = {State Press},
Editor = {Lees, C and Overby, G},
Year = {2004},
Key = {fds239450}
}
@article{fds5232,
Title = {Stephen Greenblatt's Hamlet and the Forms of
Oblivion},
Journal = {Journal of Medieval and Early Modern Studies},
Year = {2003},
Month = {January},
Abstract = {(Exploring the hermeneutics of the new historicism in early
modern English literature)},
Key = {fds5232}
}
@article{fds239449,
Author = {Beckwith, S},
Title = {Absent Presences: Resurrection Theatre in
York},
Booktitle = {Festschrift for Derek Pearsall},
Editor = {Aers, D and Woodbridge, B and Brewer},
Year = {2000},
Key = {fds239449}
}
@article{fds303046,
Author = {S Beckwith},
Title = {Catholicism and Catholicity: Eucharistic Communities in
Historical and Contemporary Perspectives},
Journal = {Directions in Modern Theology},
Volume = {15},
Number = {2},
Publisher = {Blackwell},
Editor = {G. Jones and J. Buckley},
Year = {1999},
Month = {March},
Abstract = {Based on conference being held at Duke, April 17-19, under
auspices of the Homeland Foundation},
Key = {fds303046}
}
@article{fds239440,
Author = {Beckwith, S},
Title = {Review of Covert Operations: Secrecy in Middle English
Literature},
Booktitle = {Studies in the Age of Chaucer},
Publisher = {U of Pennsylvania P},
Year = {1999},
Key = {fds239440}
}
@article{fds239439,
Author = {Beckwith, S},
Title = {Review of The Body Broken: the Calvinist Doctrine of the
Eucharist and the Symbolization of Power in Sixteenth
Century France},
Booktitle = {Church History},
Publisher = {Clarendon},
Year = {1998},
Key = {fds239439}
}
@article{fds239448,
Author = {Beckwith, S},
Title = {"Pytussely beholde": Duffy, Consolation and the Contemporary
Past},
Booktitle = {Assays},
Editor = {Knapp, P},
Year = {1997},
Key = {fds239448}
}
@article{fds239446,
Author = {Beckwith, S},
Title = {Sacrum Signum: Sacramentality and Dissent in York’s
Theatre of Corpus Christi},
Booktitle = {Dissent in the Middle Ages},
Publisher = {Cambridge UP},
Editor = {Copeland, R},
Year = {1996},
Month = {January},
Key = {fds239446}
}
@article{fds239438,
Author = {Beckwith, S},
Title = {Review of Texts of the Passion: Latin Devotional Literature
and Medieval Society},
Booktitle = {Studies in Philology},
Publisher = {U of Pennsylvania P},
Year = {1996},
Key = {fds239438}
}
@article{fds239445,
Author = {Beckwith, S},
Title = {Ritual, Theatre and Social Space in York’s Play of Corpus
Christi},
Booktitle = {Bodies and Disciplines: Intersections of Literature and
History in Fifteenth Century England},
Publisher = {U of Minnesota P},
Editor = {Hanawalt, B and Wallace, D},
Year = {1995},
Month = {January},
Key = {fds239445}
}
@article{fds239437,
Author = {Beckwith, S},
Title = {Review of Feminist Approaches to the Medieval
Body},
Booktitle = {Speculum},
Editor = {Stanbury, S and Lomperis, L},
Year = {1995},
Key = {fds239437}
}
@article{fds239444,
Author = {Beckwith, S},
Title = {Making the World in York and the York Corpus Christi
Cycle},
Pages = {254-276},
Booktitle = {Framing Medieval Bodies},
Publisher = {Manchester UP},
Editor = {Kay, S and Rubin, M},
Year = {1994},
Month = {January},
Key = {fds239444}
}
@article{fds239436,
Author = {Beckwith, S},
Title = {Review of The New Medievalism},
Series = {3.2},
Booktitle = {Envoi: A Review Journal of Medieval Literature},
Editor = {Borwnlee, M and Brownlee, K and Nichols, S},
Year = {1993},
Key = {fds239436}
}
@article{fds239443,
Author = {Beckwith, S},
Title = {Ritual, Church and Theatre: Medieval Dramas of the
Sacramental Body},
Pages = {65-90},
Booktitle = {Culture and History: Essays on English Communities,
Identities and Writing 1350-1600},
Publisher = {Harvester},
Editor = {Aers, D and Hempstead, H},
Year = {1992},
Month = {January},
Key = {fds239443}
}
@article{fds239442,
Author = {Beckwith, S},
Title = {The Power of Devils and the Hearts of Men: Notes Towards a
Drama of Witchcraft},
Pages = {143-161},
Booktitle = {Shakespeare and the Changing Curriculum},
Publisher = {Routledge},
Editor = {Wheale, N and Aers, L},
Year = {1991},
Key = {fds239442}
}
@article{fds239441,
Author = {Beckwith, S},
Title = {A Very Material Mysticism: The Medieval Mysticism of Margery
Kempe},
Pages = {34-57},
Booktitle = {Medieval Literature: History, Criticism and
Ideology},
Editor = {Aers, D},
Year = {1986},
Key = {fds239441}
}
@article{fds303052,
Title = {How to Do Words with Things: Medieval Theatre and the
Sacrament of the Word},
Month = {January},
Key = {fds303052}
}
%% Short Stories
@misc{fds341332,
Author = {Aers, D and Beckwith, S},
Title = {The fortunes of tragedy},
Journal = {Journal of Medieval and Early Modern Studies},
Volume = {49},
Number = {1},
Pages = {1-5},
Year = {2019},
Month = {January},
url = {http://dx.doi.org/10.1215/10829636-7279600},
Doi = {10.1215/10829636-7279600},
Key = {fds341332}
}
%% Book Reviews
@article{fds369842,
Author = {Beckwith, S},
Title = {Enter the Child: A Scene from Stanley Cavell's the Claim of
Reason},
Journal = {Philosophy and Literature},
Volume = {46},
Number = {2},
Pages = {251-262},
Year = {2022},
Month = {October},
url = {http://dx.doi.org/10.1353/phl.2022.0018},
Abstract = {Taking its cue from a resonant passage in Stanley Cavell’s
The Claim of Reason, this essay reflects on the necessity of
the figure of the child for Cavell’s philosophy and for
his understanding of the differences between Austinian and
Wittgensteinian criteria. It develops the difference between
instruction and initiation by meditating on how we learn the
words for love. Finally, I examine briefly the figure of the
boy Mamillius, son of the skeptic Leontes, in William
Shakespeare’s The Winter’s Tale, whom Cavell first
noticed as central to the play’s energies.},
Doi = {10.1353/phl.2022.0018},
Key = {fds369842}
}
@article{fds367919,
Author = {Aers, D and Beckwith, S},
Title = {Imagining the Virtues: Medieval and Early Modern
Histories},
Journal = {Journal of Medieval and Early Modern Studies},
Volume = {52},
Number = {3},
Pages = {407-413},
Year = {2022},
Month = {September},
url = {http://dx.doi.org/10.1215/10829636-9966051},
Doi = {10.1215/10829636-9966051},
Key = {fds367919}
}
@article{fds339236,
Author = {Aers, D and Beckwith, S},
Title = {Conversions},
Journal = {Journal of Medieval and Early Modern Studies},
Volume = {48},
Number = {3},
Pages = {433-434},
Publisher = {Duke University Press},
Year = {2018},
Month = {September},
url = {http://dx.doi.org/10.1215/10829636-7048535},
Doi = {10.1215/10829636-7048535},
Key = {fds339236}
}
@article{fds328098,
Author = {Beckwith, S},
Title = {Reading for our lives},
Journal = {PMLA},
Volume = {132},
Number = {2},
Pages = {331-336},
Publisher = {Modern Language Association (MLA)},
Year = {2017},
Month = {March},
url = {http://dx.doi.org/10.1632/pmla.2017.132.2.331},
Doi = {10.1632/pmla.2017.132.2.331},
Key = {fds328098}
}
@article{fds239431,
Author = {Beckwith, S},
Title = {Are there any women in Shakespeare's plays?: Fiction,
representation, and reality in feminist criticism},
Journal = {New Literary History},
Volume = {46},
Number = {2},
Pages = {241-260},
Publisher = {Johns Hopkins University Press},
Year = {2015},
Month = {March},
ISSN = {0028-6087},
url = {http://dx.doi.org/10.1353/nlh.2015.0018},
Doi = {10.1353/nlh.2015.0018},
Key = {fds239431}
}
@article{fds239432,
Author = {Bauer, N and Beckwith, S and Crary, A and Laugier, S and Moi, T and Zerilli, L},
Title = {Introduction},
Journal = {New Literary History},
Volume = {46},
Number = {2},
Pages = {v-xiii},
Publisher = {Project MUSE},
Year = {2015},
Month = {March},
ISSN = {0028-6087},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000360324500001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Doi = {10.1353/nlh.2015.0012},
Key = {fds239432}
}
@article{fds239484,
Author = {Beckwith, S},
Title = {Language goes on holiday: English allegorical drama and the
virtue tradition},
Journal = {Journal of Medieval and Early Modern Studies},
Volume = {42},
Number = {1},
Pages = {107-130},
Publisher = {Duke University Press},
Editor = {Jennifer Herdt},
Year = {2012},
Month = {December},
ISSN = {1082-9636},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000300206800006&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Abstract = {This article explores the virtue tradition in the English
theatrical tradition of morality theater and its fortunes on
the professional stage. It explores questions of recognition
in allegorical drama by examining "mankind" and "mercy" in
the morality play Mankind, the appropriation of this
tradition by the forces of commerce in The Three Ladies of
London and The Three Lords and Ladies of London, and
Jonson's hilarious use of the tradition in The Devil Is An
Ass. Ordinary language philosophy helps to reveal what is at
stake in this verbal drama of recognition. © 2012 by Duke
University Press.},
Doi = {10.1215/10829636-1473118},
Key = {fds239484}
}
@article{fds239477,
Author = {Beckwith, S},
Title = {William Shakespeare and Stanley Cavell: Acknowledgement,
Confession and Tragedy},
Booktitle = {Stanley Cavell and Literary Studies},
Publisher = {Continuum},
Year = {2011},
Month = {September},
Key = {fds239477}
}
@article{fds239485,
Author = {Aers, D and Beckwith, S},
Title = {Reform and cultural revolution: Introduction},
Journal = {Journal of Medieval and Early Modern Studies},
Volume = {35},
Number = {1},
Pages = {3-12},
Publisher = {Duke University Press},
Year = {2005},
Month = {January},
ISSN = {1082-9636},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000227118700002&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Doi = {10.1215/10829636-35-1-3},
Key = {fds239485}
}
@article{fds306002,
Author = {Beckwith, S and Aers, D},
Title = {Reform and Cultural Revolution},
Journal = {JMEMS},
Editor = {S. Beckwith and David Aers},
Year = {2005},
Abstract = {A special issue on James Simpson's new Oxford History.
Commissioned essays by David Wallace, Derek Pearsall, Tom
Bettridge, Rick Emmerson and Bruce Holsinger. David and I
wrote a 12 page introduction for it.},
Key = {fds306002}
}
@article{fds239482,
Author = {Beckwith, S},
Title = {Stephen Greenblatt's Hamlet and the forms of
oblivion},
Journal = {Journal of Medieval and Early Modern Studies},
Volume = {33},
Number = {2},
Pages = {261-280},
Publisher = {Duke University Press},
Year = {2003},
Month = {January},
ISSN = {1082-9636},
url = {http://dx.doi.org/10.1215/10829636-33-2-261},
Abstract = {(Exploring the hermeneutics of the new historicism in early
modern English literature)},
Doi = {10.1215/10829636-33-2-261},
Key = {fds239482}
}
@article{fds239464,
Author = {Beckwith, S},
Title = {Skepticism and the Tasks of Theater: Stanley Cavell and the
Commitments of Speech},
Journal = {SAQ},
Year = {2003},
Month = {January},
Key = {fds239464}
}
@article{fds239486,
Author = {Aers, D and Beckwith, S},
Title = {Introduction},
Journal = {Journal of Medieval and Early Modern Studies},
Volume = {31},
Number = {3},
Pages = {443-444},
Publisher = {Duke University Press},
Year = {2001},
Month = {September},
ISSN = {1082-9636},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000171532200001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Doi = {10.1215/10829636-31-3-443},
Key = {fds239486}
}
@article{fds303050,
Author = {Beckwith, S},
Title = {Sacrifice: Medieval and Early Modern},
Journal = {JMEMS},
Volume = {31},
Number = {3},
Editor = {Aers, D and Beckwith, S},
Year = {2001},
Month = {Fall},
Key = {fds303050}
}
@article{fds239491,
Author = {Beckwith, S},
Title = {The Body Broken: The Calvinist Doctrine of the Eucharist and
the Symbolization of Power in Sixteenth-Century France. By
Christopher Elwood. New York: Oxford University Press, 1999.
xii + 251 pp. $49.95 cloth.},
Journal = {Church History},
Volume = {69},
Number = {1},
Pages = {183-185},
Publisher = {Cambridge University Press (CUP)},
Year = {2000},
Month = {March},
ISSN = {0009-6407},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000085783300031&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Doi = {10.2307/3170607},
Key = {fds239491}
}
@article{fds306006,
Author = {Beckwith, S},
Title = {Catholicism and Catholicity: Eucharistic Communities in
Historical and Contemporary Perspectives},
Journal = {Directions in Modern Theology},
Volume = {15},
Series = {Directions in Modern Theology, edited by Gregory Jones and
James Buckley},
Number = {2},
Publisher = {Blackwell},
Editor = {Jones, G and Buckley, J},
Year = {1999},
Month = {March},
Abstract = {Based on conference being held at Duke, April 17-19, under
auspices of the Homeland Foundation},
Key = {fds306006}
}
@article{fds332157,
Author = {Beckwith, S},
Title = {Introduction},
Journal = {Modern Theology},
Volume = {15},
Number = {2},
Pages = {113-114},
Publisher = {WILEY},
Year = {1999},
Month = {January},
url = {http://dx.doi.org/10.1111/1468-0025.00088},
Doi = {10.1111/1468-0025.00088},
Key = {fds332157}
}
@article{fds239488,
Author = {Beckwith, S},
Title = {Introduction - The cultural work of medieval theater: Ritual
practice in England, 1350-1600},
Journal = {JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES},
Volume = {29},
Number = {1},
Pages = {1-5},
Year = {1999},
ISSN = {1082-9636},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000077650700001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds239488}
}
@article{fds303049,
Author = {Beckwith, S},
Title = {The Cultural Work of Medieval Theatre: Ritual Practice in
England 1350-1600},
Journal = {JMEMS},
Volume = {29},
Number = {1},
Editor = {Beckwith, S},
Year = {1999},
Month = {Winter},
Key = {fds303049}
}
@article{fds239478,
Author = {Beckwith, S and Wharton AJ},
Title = {Body, Matter, Spirit},
Journal = {JMEMS, special issue},
Volume = {28},
Number = {3},
Editor = {Wharton, A},
Year = {1998},
Month = {Fall},
Key = {fds239478}
}
@article{fds239490,
Author = {Beckwith, S},
Title = {English communities in transition, 1350-1600 -
Introduction},
Journal = {JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES},
Volume = {28},
Number = {2},
Pages = {257-262},
Year = {1998},
ISSN = {1082-9636},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000074029300001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds239490}
}
@article{fds239447,
Author = {Beckwith, S},
Title = {The Present of Past Things: The York Corpus Christi Theatre
as a Contemporary Theater of Memory},
Journal = {Journal of Medieval and Early Modern Studies},
Year = {1996},
Month = {Summer},
Key = {fds239447}
}
@article{fds239476,
Author = {Beckwith, S},
Title = {Passionate Regulation: Enclosure, Ascesis and the Feminist
Imaginary},
Journal = {SAQ},
Volume = {93},
Number = {4},
Pages = {803-824},
Year = {1994},
Month = {Fall},
Key = {fds239476}
}
@article{fds239475,
Author = {Beckwith, S},
Title = {Problems of authority in late medieval english mysticism:
Language, agency, and authority in the book of margery
kempe},
Journal = {Exemplaria},
Volume = {4},
Number = {1},
Pages = {171-199},
Publisher = {Informa UK Limited},
Year = {1992},
Month = {January},
ISSN = {1041-2573},
url = {http://dx.doi.org/10.1179/exm.1992.4.1.171},
Abstract = {Language acquires life and historically evolves precisely
here, in concrete verbal communication, and not in the
abstract linguistic system of language forms, nor in the
individual psyche of speakers. © 1992 Maney
Publishing.},
Doi = {10.1179/exm.1992.4.1.171},
Key = {fds239475}
}
@article{fds239470,
Author = {Beckwith, S},
Title = {Kingsley and the Women},
Journal = {Review of Kingsley Amis’s ’The Old Devils,’ New
Socialist},
Number = {45},
Year = {1987},
Month = {January},
Key = {fds239470}
}
@article{fds239471,
Author = {Beckwith, S},
Title = {Women sing the Blues},
Journal = {Review of Wilfrid Mellers’ Angels of the Night, Women’s
Review},
Number = {14/15},
Year = {1987},
Month = {January},
Key = {fds239471}
}
@article{fds239469,
Author = {Beckwith, S},
Title = {Steven Berkoff’s Theatre of the Grotesque},
Journal = {Review of Sink the Belgrano, New Socialist},
Number = {42},
Year = {1986},
Month = {October},
Key = {fds239469}
}
@article{fds239468,
Author = {Beckwith, S},
Title = {Schlock up your Daughters},
Journal = {Review of recent ’exploitation’ cinema, New
Socialist},
Number = {40},
Year = {1986},
Month = {July},
Key = {fds239468}
}
@article{fds239467,
Author = {Beckwith, S},
Title = {Women beware Barker},
Journal = {Review of Howard Barker’s Women Beware Women, New
Socialist},
Number = {39},
Year = {1986},
Month = {June},
Key = {fds239467}
}
@article{fds239466,
Author = {Beckwith, S},
Title = {Review of Geoff Dyer’s Ways of Telling: The Works of John
Berger},
Journal = {City Limits},
Number = {276},
Year = {1986},
Month = {January},
Key = {fds239466}
}
%% Other
@misc{fds239463,
Author = {Beckwith, S},
Title = {The Mind’s Retreat From the Face},
Year = {2003},
Month = {January},
Key = {fds239463}
}
@misc{fds239465,
Author = {Beckwith, S},
Title = {Program notes for Adrian Noble’s Royal Shakespeare Company
production of Macbeth for Barbican, Stratford, US
tour.},
Year = {2003},
Month = {January},
Key = {fds239465}
}
@misc{fds239473,
Author = {Beckwith, S},
Title = {Review of Michal Kobialka’s This is My Body:
Representational Practices in the Early Middle
Ages},
Journal = {Theatre Journal},
Year = {2003},
Month = {January},
Key = {fds239473}
}
@misc{fds239472,
Author = {Beckwith, S},
Title = {Review of Love and Marriage in the Middle Ages by George
Duby; Consent and Coercion to Sex and Marriage in Ancient
and Medieval Societies, edited by Angeliki E. Laiou; Wife
and Widow in Medieval England, edited by Sue Sheridan
Walker},
Journal = {Medievalia et Humanistica},
Year = {1996},
Key = {fds239472}
}
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