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Publications of Frederick C Moten     :chronological  by type  bibtex listing:

  1. F.C. Moten. "Black Op." PMLA 123.5 (October, 2008): 1743-47.
  2. F.C. Moten. "The Case of Blackness." Criticism 50.2 (Spring, 2008): 177-218.
  3. F.C. Moten. "Taste Dissonance Flavor Escape." Women and Performance: A Journal of Feminist Theory  17.2 (July, 2007): 217-46.
  4. "Democracy." Keywords for American Cultural Studies. Ed. Bruce Burgett & Glenn Hendler. New York University Press, 2007. 76-79.
  5. "The New International of Rhythmic Feelings." Aural Cultures Ed. Sylvia Mieszkowski, Joy Smith, and Marjike de Valck. Rodopi, (2007)
  6. "Gestural Critique of Judgment." The Power and Politics of the Aesthetic in American Culture. Ed. Ulla Haselstein and Klaus Benesch. Publications of the Bacarian American Academy, 2007.
  7. "Uplift and Criminality." Next to the Color Line: Gender, Sexuality and W. E. B. Du Bois. Ed. Alys Eve Weinbaum and Susan Gillman. University of Minnestoa Press, 2007.
  8. F.C. Moten. "The Salve Trade." Hambone 18 (Fall, 2006).
  9. F.C. Moten. "Offtime + Qualify." Callaloo 27.4 (Fall, 2004): 969-70.
  10. F.C. Moten. "Knowledge of Freedom." CR: The New Centennial Review 4.2 (Fall, 2004): 269-310.
  11. with Stefano Harney. "The University and the Undercommons: Seven Theses." Social Text 79 (Spring, 2004): 101-115.
  12. with S. Harney. "The University and the Undercommons: Seven Theses." Social Text  79 (Spring, 2004): 101-15.
  13. F.C. Moten. "The Phonographic Mise-en-Scéne ." Cambridge Opera Journal 16.3 (2004): 269-81.
  14. F.C. Moten. "Curtis Mayfield." Shuffleboil 3 (Winter, 2003): 40-41.
  15. F.C. Moten. "Not in Between: Lyric Painting, Visual History and the Postcolonial Future." The Drama Review 47.1 (Spring, 2003): 127-48.
  16. F.C. Moten. "Magic of Objects." Callaloo 26.1 (Spring, 2003): 109-111.
  17. F.C. Moten. In the Break: The Aesthetics of the Black Radical Tradition. University of Minnestoa Press, 2003.
  18. F.C. Moten. "The New International of Decent Feelings." Social Text 72 (Fall, 2002): 189-99.
  19. F.C. Moten. "Ensamble and Impovisation." Hambone 16 (Fall, 2002): 194-215.
  20. F.C. Moten. "Piet Mondrian." The Poetry Project Newsletter 189 (April, 2002): 4-5.
  21. with Brent Edwards, Stefano Harney, Randy Martin, Timothy Mitchell, and Ella Shohat. 911-A Public Emergency?. Social Text 72 (2002).
  22. F.C. Moten. "Gary Fisher," "Graphaphone Remember" & "Robert Farris Thompson." The World 58 (2002): 36-43.
  23. "Black Mo'nin' in the Sound of the Photograph." Loss Ed. David Kazanjian and David Eng. University of California Press, (2002): 59-76.
  24. with B Jenkins. "Return of the Oppressed." Our Monica, Ourselves,. Ed. Lauren Berlant and Lisa Duggan. New York University Press, 2001. 137-55.
  25. "Voices/Forces: Migration, Surplus and the Balck Avant-garde." Writing Aloud: The Sonics of Language. Ed. Brandon LaBelle and Christof Migone. Errant Bodies Press, 2001. 47-59.
  26. "Interpolation and Interpellation." Experimental Sound and Radio. Ed. Allen Weiss. The MIT Press, 2001. 116-24.
  27. with Stefano Harney. "The Academic Speed-up." Workplace: the Journal for Academic Labor 2.2 (November, 1999) [com]
  28. with Stefano Harney. "Doing Academic Work." Chalk Lines: The Politics of Work in the Managed University. Ed. Randy Martin. Duke University Press, 1999. 154-80.
  29. "A(bridge(d: Acting Out with the Cecial Taylor Unit." Acting Out in Groups. Ed. Lawrence Rickels. University of Minnestoa Press, 1999. 69-108.
  30. "Bridge and One." Performing Hybridity. Ed. May Joseph and Jennifer Fink. University of Minnestoa Press, 1999. 229-46.
  31. with Jennifer Fink and June Reich. Staging Sound: Feminism, Re/Production and Performance. Women and Performance 18 (1998).
  32. "Sound in Florescence." Sound States: Innovative Poetics and Acoustical Techonologies. Ed. Adalaide Morris. University of North Carolina Press, 1997. 213-34.
  33. F.C. Moten. "Introduction and The Dark lady and the Sexual Cut." Women and Performance 9.2.18 (1997): 9-10, 143-161.
  34. F.C. Moten. "Tragedy, Elegy, Improvisation: Voices of Baraka II." Semiotics 94 Proceedings of the Semiotic Society of America Nineteenth Annual Meeting Peter Lang, (1995): 431-49.
  35. F.C. Moten. "Stanza, Record, Frame: Temporality, Techinics and Artifact in Baraka, Eisenstein, and Shakespeare." Semiotics 93 Proceedings of the Semiotic Society of America Eighteenth Annual Meeting Peter Lang, (1995): 268-78.
  36. F.C. Moten. "Nathaniel Mackey Overheard." Proliferations 2  (November, 1994): 23-27.
  37. F.C. Moten. "Music Against the Law of Reading." The Journal of Midwest Modern Language Association 27.1 (Spring, 1994): 51-64.

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