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Publications of Hans J. Van Miegroet    :chronological  alphabetical  combined listing:

%% Books   
@book{fds293785,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {Mapping Markets for Paintings in Early Modern Europe
             1450-1750},
   Year = {2006},
   Key = {fds293785}
}

@book{fds293784,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {Gerard David},
   Publisher = {(English, French, and Dutch editions) Mercator
             Publishers},
   Year = {1989},
   Key = {fds293784}
}

@book{fds293783,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {De Invloed van de vroege Nederlandse schilderkunst in de
             eerste belft van de 15 de eeuw op Konrad Witz(The Influence
             of Early Netherlandish Painting on Konrad
             Witz)},
   Publisher = {(Academie Royale des Lettres, Sciences et Beaux-Arts de
             Belgique / Royal Academy for Letters, Sciences and Fine Arts
             of Belgium), IIL, no. 42, Brussels},
   Year = {1986},
   Key = {fds293783}
}


%% Articles Published   
@article{fds317954,
   Author = {Van Miegroet and HJ},
   Title = {New data visualizations on the Mechelen export industry and
             artist migration patterns},
   Journal = {De Zeventiende Eeuw. Cultuur in De Nederlanden in
             Interdisciplinair Perspectief},
   Volume = {31},
   Number = {1},
   Pages = {179-190},
   Publisher = {Uopen Journals},
   Year = {2015},
   Month = {December},
   url = {http://dx.doi.org/10.18352/dze.10127},
   Abstract = {This study is based on a new relational database, Mechelen,
             a significant, but understudied South Netherlandish art
             production complex in the early modern period. Large
             aggregates of Mechelen paintings were produced for export
             throughout Europe and the Americas between 1540 and 1680.
             This contribution provides a data driven analysis of
             first-stop and last-stop artist migration destinations. The
             new dalmi database includes a reliable count of the
             aggregate of Mechelen artist numbers (N=1473), their active
             periods, commercial/dealer networks, migration patterns and
             destinations that goes beyond anything before attempted. A
             noticeable migration started as early as 1540. Antwerp
             emerged as the first stop destination from 1540 to 1700,
             followed by final destinations (1) Amsterdam, (2) Delft and
             (3) Brussels. In the second half of the sixteenth century,
             Mechelen artists began to move to Delft from 1566 until
             1613, and to Amsterdam until 1690. Surprisingly, Delft (and
             not Haarlem or Frankenthal) was chosen by a significant
             number of socalled water painters (19), who, because they
             used a water-based medium, could easily be employed in the
             tapestry industry.},
   Doi = {10.18352/dze.10127},
   Key = {fds317954}
}

@article{fds317955,
   Author = {VAN MIEGROET, and DE MARCHI},
   Title = {Containing Uncertainty: A dealer ring in 1780s Paris
             auctions},
   Booktitle = {Risk and Uncertainty in the Art World},
   Publisher = {Bloomsbury Publishing},
   Editor = {dempster},
   Year = {2014},
   Month = {May},
   ISBN = {1472902904},
   Abstract = {Yet this growth has posed new forms of uncertainty,
             volatility and risk to the art world and its
             participants.},
   Key = {fds317955}
}

@article{fds317956,
   Author = {Van Miegroet and HJ},
   Title = {Containing Uncertainty: A dealer ring in 1780s Paris
             auctions},
   Pages = {125-146},
   Booktitle = {Risk and Uncertainty in the Art World},
   Publisher = {Bloomsbury Publishing},
   Year = {2014},
   Month = {April},
   ISBN = {1472902920},
   Abstract = {Refers to the institutions and groups that most immediately
             and directly impact the artist's development, including
             art ... Although the macrosystem will define the conditions
             for how an art market might evolve, to better understand
             risks in the ...},
   Key = {fds317956}
}

@article{fds223479,
   Author = {H.J. Van Miegroet},
   Title = {A dealer ring in 1780s Paris to control sale outcomes,
             lessen investor uncertainty and facili¬tate low-risk,
             cross-border arbitrage in paintings},
   Booktitle = {Risk and Uncertainty in the Art Market},
   Publisher = {Bloomsbury Publishing},
   Address = {London-New Dehli-New York-Sydney},
   Editor = {Anna Dempster},
   Year = {2014},
   ISBN = {9781472902900},
   url = {http://www.bloomsbury.com/us/risk-and-uncertainty-in-the-art-world-9781472902900/},
   Abstract = {A historical example provides an important reminder that
             many aspects of the art world with which we associate
             contemporary practices, including manipulation of markets,
             have, in fact, historical precedent.},
   Key = {fds223479}
}

@article{fds293781,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {Supply-Demand Imbalance in the Antwerp Paintings Market,
             1630-1680},
   Pages = {37-76},
   Booktitle = {Moving Pictures. Intra‐European Trade in Images,
             16th‐18th Centuries},
   Publisher = {Brepols Publishers},
   Address = {Turnhout},
   Editor = {Sophie Raux and Neil De Marchi},
   Year = {2014},
   ISBN = {978-2-503-54808-1},
   url = {http://www.brepols.net/pages/ShowProduct.aspx?prod_id=IS-9782503548081-1},
   Key = {fds293781}
}

@article{fds293782,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {Reducing Risk: a late eighteenth-century dealer pool to
             raise prices and facilitate riskless arbitrage},
   Year = {2014},
   Key = {fds293782}
}

@article{fds293775,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {Comment les tableaux des anciens Pays-Bas ont envahi le
             marché Parisien - How Netherlandish Paintings came to
             Paris},
   Pages = {28-47},
   Booktitle = {Exhibition Catalogue},
   Publisher = {Musée Marmottan, Paris},
   Year = {2012},
   Key = {fds293775}
}

@article{fds293776,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {Uncertainty, Family Ties and Derivative Painting in
             Seventeenth-Century Antwerp},
   Pages = {55-76},
   Booktitle = {Family Ties. On Art Production, Kinship Patterns and
             Connections 1600-1800},
   Publisher = {Brepols Publishers, Turnhout},
   Editor = {Stighelen, KVD and Kelchtermans, L},
   Year = {2012},
   ISBN = {978-2-503-54227-0},
   url = {http://www.amazon.com/Family-Ties-Production-Connections-Crossroads/dp/2503542271},
   Key = {fds293776}
}

@article{fds293774,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {Flemish Textile Trade and New Imagery in Colonial Mexico
             (1524-1646)},
   Pages = {878-923},
   Booktitle = {Painting for the Kingdoms},
   Publisher = {Fomento Cultural BanaMex, Mexico City},
   Editor = {Brown, J},
   Year = {2010},
   Key = {fds293774}
}

@article{fds293773,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {Antwerp Dealers’ Invasions of the Lille Market (17th
             Century)},
   Pages = {43-58},
   Booktitle = {Art Auctions and Dealers. The Dissemination of Netherlandish
             Paintings during the Ancien Régime},
   Publisher = {Brepols Publishers, Turnhout},
   Editor = {Lyna, D and Vermeylen, F and Vlieghe, H},
   Year = {2009},
   Key = {fds293773}
}

@article{fds293771,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {The Rise of Dealer-Auctioneers. Information and Transparency
             in Markets for Netherlandish Paintings},
   Pages = {149-174},
   Booktitle = {Art Market and connoisseurship in the Dutch Golden
             Age},
   Publisher = {Amsterdam University Press},
   Editor = {Jonckheere, IK and Tummers, A},
   Year = {2008},
   Key = {fds293771}
}

@article{fds293772,
   Author = {Miegroet, HJV},
   Title = {Copies fantômes la culture imitative au début de
             l’époque moderne en Europe},
   Pages = {47-64},
   Booktitle = {L’estampe, un art multiple à la portée de
             tous},
   Publisher = {Presse Universitaire Lille},
   Editor = {Raux, S},
   Year = {2008},
   Key = {fds293772}
}

@article{fds293769,
   Author = {Miegroet, HJV},
   Title = {Dealing Netherlandish Painting in an Expanding Paris Art
             Market (1750-1815)},
   Pages = {41-51},
   Booktitle = {Auctions, Agents, and Dealers: the Mechanisms of the
             European Art Market ca. 1660-1860},
   Publisher = {OXFORD},
   Editor = {Warren, J and Turpin, A},
   Year = {2007},
   Key = {fds293769}
}

@article{fds293770,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {The Antwerp-Mechelen Production and Export
             Complex},
   Pages = {133-147},
   Booktitle = {Album Amicorum J. Michael Montias},
   Publisher = {University of Amsterdam Press, Amsterdam},
   Editor = {Misozuki, M},
   Year = {2007},
   Key = {fds293770}
}

@article{fds293767,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {Transforming the Paris Art Market, 1718-1750},
   Pages = {391-410},
   Booktitle = {Mapping Markets for Paintings in Early Modern Europe
             1450-1750},
   Publisher = {Brepols Publishers, Turnhout},
   Year = {2006},
   Key = {fds293767}
}

@article{fds293768,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {History of Art Markets},
   Series = {Elsevier Science, Amsterdam-London-Tokyo},
   Pages = {69-122},
   Booktitle = {Handbook on the Economics of Art and Culture},
   Editor = {Ginsburgh, V and Throsby, D},
   Year = {2006},
   Key = {fds293768}
}

@article{fds293766,
   Author = {Miegroet, HJV},
   Title = {Recycling Netherlandish Paintings in Eighteenth-century
             France},
   Pages = {251-288},
   Booktitle = {Collectioner dans les Flandres et la France du Nord au VIIIe
             siècle},
   Publisher = {Recherches de Travail des Sciences Historiques, Université
             Charles de Gaule, Lille-3},
   Editor = {Raux, S},
   Year = {2005},
   Month = {March},
   Abstract = {Pilot study of the market share of Netherlandish imagery on
             the Paris art market in the early eighteenth century. This
             study shows that Netherlandish imagery comprised more than
             50% of the works offered for sale. Theses paintings were
             neither smaller, nor cheaper than Italian paintings. This
             challenges long held beliefs about the predominance of
             Italian art, and the corresponding marginality of
             Netherlandish art in early modern France.},
   Key = {fds293766}
}

@article{fds293765,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {Connaisseurs-Marchands and the Paris Art Market in the first
             half of the Eighteenth Century},
   Booktitle = {Mapping Markets in Early Modern Europe 1450-1750},
   Editor = {Miegroet, HJV and Marchi, ND},
   Year = {2003},
   Key = {fds293765}
}

@article{fds293797,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {Brueghel in Paris},
   Journal = {Bulletin Koninklijke Musea Voor Schone Kunsten Van
             Belgie},
   Year = {2003},
   Key = {fds293797}
}

@article{fds293798,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {"Recycling Nethlandish Paintings in Eighteenth-century
             Paris"},
   Journal = {Recherches De Travail Des Sciences Historiques},
   Publisher = {Universite Charles de Gaulle, Lille-3},
   Year = {2003},
   Key = {fds293798}
}

@article{fds293796,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {Modern, Antique or Novelty Antique in 1517},
   Journal = {Miscellanea Neerlandica, Xxiv Xxvii},
   Pages = {153-172},
   Publisher = {Leuven-Paris},
   Year = {2001},
   Key = {fds293796}
}

@article{fds317957,
   Author = {van Miegroet, HJ and Wilson, JC and Jacobs, LF and Honig,
             E},
   Title = {Painting in Bruges at the Close of the Middle Ages: Studies
             in Society and Visual Culture},
   Journal = {Art Bulletin},
   Volume = {82},
   Number = {3},
   Pages = {582-582},
   Publisher = {JSTOR},
   Year = {2000},
   Month = {September},
   url = {http://dx.doi.org/10.2307/3051404},
   Doi = {10.2307/3051404},
   Key = {fds317957}
}

@article{fds293778,
   Author = {Wilson, J},
   Title = {Painting in Bruges at the Close of the Middle
             Ages},
   Journal = {Studies of Iconology},
   Year = {2000},
   Key = {fds293778}
}

@article{fds293779,
   Author = {Van Miegroet and HJ},
   Title = {Review of Art Markets in Europe},
   Journal = {The Sixteenth Century Journal},
   Volume = {XXXI},
   Number = {2},
   Pages = {477-78},
   Year = {2000},
   Key = {fds293779}
}

@article{fds293780,
   Author = {Van Miegroet and HJ},
   Title = {Recent Publications on Painting and the Market},
   Journal = {Art Bulletin},
   Volume = {LXXXII},
   Number = {3},
   Pages = {582-85},
   Year = {2000},
   Key = {fds293780}
}

@article{fds293794,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {Exploring Markets for Netherlandish Paintings in Sprain and
             Nueva Espana},
   Journal = {Nederlands Kunsthistorisch Jaarboek},
   Volume = {50},
   Pages = {81-111},
   Year = {2000},
   Key = {fds293794}
}

@article{fds293795,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {Rules versus Play in Early Modern Art Markets},
   Journal = {Recherches Economiques De Louvain/Louvain Economic
             Reviewe},
   Volume = {66},
   Number = {1},
   Pages = {145-165},
   Year = {2000},
   Key = {fds293795}
}

@article{fds317958,
   Author = {Van Miegroet and HJ},
   Title = {Art markets in Europe 1400-1800},
   Journal = {The Sixteenth Century Journal},
   Volume = {31},
   Number = {3},
   Pages = {803-805},
   Year = {2000},
   Key = {fds317958}
}

@article{fds317959,
   Author = {Van Miegroet and HJ},
   Title = {Art markets in Europe, 1400-1800},
   Journal = {The Sixteenth Century Journal},
   Volume = {31},
   Number = {2},
   Pages = {477-478},
   Year = {2000},
   Key = {fds317959}
}

@article{fds293789,
   Author = {De Marchi and N and Van Miegroet and HJ},
   Title = {Ingenuity, Preference, and the Pricing of Pictures: The
             Smith-Reynolds Connection},
   Journal = {History of Political Economy},
   Volume = {31},
   Number = {Supplement},
   Pages = {379-412},
   Publisher = {Duke University Press},
   Year = {1999},
   Month = {January},
   ISSN = {0018-2702},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000087868100015&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Doi = {10.1215/00182702-31-supplement-379},
   Key = {fds293789}
}

@article{fds293793,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {Ingenuity, Preferences, and the Pricing of Pictures: The
             Smith-Reynolds Connection},
   Journal = {Journal of Political Economy},
   Volume = {XXXI},
   Pages = {397-412},
   Year = {1999},
   Key = {fds293793}
}

@article{fds293786,
   Author = {Van Miegroet and HJ},
   Title = {Daniel Specklin of Strassburg (1536-1589): Builder of
             fortifications, engineer, and cartographer.},
   Journal = {The Sixteenth Century Journal},
   Volume = {29},
   Number = {1},
   Pages = {282-285},
   Year = {1998},
   ISSN = {0361-0160},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000073062100124&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Key = {fds293786}
}

@article{fds293792,
   Author = {De Marchi and N and Van Miegrot and HJ},
   Title = {Novelty and fashion circuits in the mid-seventeenth-century
             Antwerp-Paris art trade},
   Journal = {Journal of Medieval and Early Modern Studies},
   Volume = {28},
   Number = {1},
   Pages = {201-246},
   Year = {1998},
   ISSN = {1082-9636},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000072832600011&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Key = {fds293792}
}

@article{fds317960,
   Author = {De Marchi and N and Van Miegroet and HJ},
   Title = {Introductory note - Markets and novelty (Novelty as a theme
             in visual culture, literature, economics and theological
             argument)},
   Journal = {Journal of Medieval and Early Modern Studies},
   Volume = {28},
   Number = {1},
   Pages = {1-2},
   Year = {1998},
   Key = {fds317960}
}

@article{fds293790,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {Art, Value, and Market Practices in the Seventeenth-Century
             Netherlands},
   Journal = {The Art Bulletin},
   Volume = {LXXV},
   Pages = {451-464},
   Year = {1994},
   Key = {fds293790}
}

@article{fds293791,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {Framing Archaism or Who framed the Elant-van Mausyenbroeck
             Epitaph by Jan van Ravesteyn},
   Journal = {Jaarboek Van Bet Koninklijk Museum Voor Schone Kunsten
             Antwerpen},
   Pages = {65-74},
   Year = {1994},
   Key = {fds293791}
}


%% Book Reviews   
@article{fds11039,
   Author = {Lynn Jacobs},
   Title = {Early Netherlands Carved Altarpieces, Medieval Taste and
             Mass Marketing},
   Journal = {Studies of Iconology},
   Year = {2000},
   Key = {fds11039}
}


%% Other   
@misc{fds293777,
   Author = {Miegroet, HJV and Marchi, ND},
   Title = {Consumption of Art and Dealer Initiative in early modern
             France},
   Year = {2004},
   Month = {February},
   Key = {fds293777}
}