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Publications of Hans J. Van Miegroet :chronological alphabetical combined listing:
%% Books
@book{fds293785,
Author = {Miegroet, HJV and Marchi, ND},
Title = {Mapping Markets for Paintings in Early Modern Europe
1450-1750},
Year = {2006},
Key = {fds293785}
}
@book{fds293784,
Author = {Miegroet, HJV and Marchi, ND},
Title = {Gerard David},
Publisher = {(English, French, and Dutch editions) Mercator
Publishers},
Year = {1989},
Key = {fds293784}
}
@book{fds293783,
Author = {Miegroet, HJV and Marchi, ND},
Title = {De Invloed van de vroege Nederlandse schilderkunst in de
eerste belft van de 15 de eeuw op Konrad Witz(The Influence
of Early Netherlandish Painting on Konrad
Witz)},
Publisher = {(Academie Royale des Lettres, Sciences et Beaux-Arts de
Belgique / Royal Academy for Letters, Sciences and Fine Arts
of Belgium), IIL, no. 42, Brussels},
Year = {1986},
Key = {fds293783}
}
%% Articles Published
@article{fds351040,
Author = {Van Miegroet and H and Alexander, KP and Leunissen,
F},
Title = {Imperfect Data, Art Markets and Internet
Research},
Journal = {Arts},
Volume = {8},
Number = {3},
Publisher = {MDPI AG},
Year = {2019},
Month = {June},
url = {http://dx.doi.org/10.3390/arts8030076},
Doi = {10.3390/arts8030076},
Key = {fds351040}
}
@article{fds351041,
Author = {Van Miegroet and HJ},
Title = {Creating attributability with the five senses of Jan
Brueghel the younger},
Volume = {271/22},
Pages = {487-499},
Booktitle = {Brill's Studies in Intellectual History},
Year = {2017},
Month = {January},
ISBN = {9789004354104},
url = {http://dx.doi.org/10.1163/9789004354128_037},
Doi = {10.1163/9789004354128_037},
Key = {fds351041}
}
@article{fds351042,
Author = {De Marchi and N and Van Miegroet and HJ and Raiff, ME},
Title = {Dealer-Dealer pricing in the mid seventeenth-century Antwerp
to Paris art trade},
Pages = {113-130},
Booktitle = {Art Markets in Europe, 1400-1800},
Year = {2016},
Month = {December},
ISBN = {9781840146301},
Key = {fds351042}
}
@article{fds317954,
Author = {Van Miegroet and HJ},
Title = {New data visualizations on the Mechelen export industry and
artist migration patterns},
Journal = {De Zeventiende Eeuw. Cultuur in De Nederlanden in
Interdisciplinair Perspectief},
Volume = {31},
Number = {1},
Pages = {179-190},
Publisher = {Uopen Journals},
Year = {2015},
Month = {December},
url = {http://dx.doi.org/10.18352/dze.10127},
Abstract = {This study is based on a new relational database, Mechelen,
a significant, but understudied South Netherlandish art
production complex in the early modern period. Large
aggregates of Mechelen paintings were produced for export
throughout Europe and the Americas between 1540 and 1680.
This contribution provides a data driven analysis of
first-stop and last-stop artist migration destinations. The
new dalmi database includes a reliable count of the
aggregate of Mechelen artist numbers (N=1473), their active
periods, commercial/dealer networks, migration patterns and
destinations that goes beyond anything before attempted. A
noticeable migration started as early as 1540. Antwerp
emerged as the first stop destination from 1540 to 1700,
followed by final destinations (1) Amsterdam, (2) Delft and
(3) Brussels. In the second half of the sixteenth century,
Mechelen artists began to move to Delft from 1566 until
1613, and to Amsterdam until 1690. Surprisingly, Delft (and
not Haarlem or Frankenthal) was chosen by a significant
number of socalled water painters (19), who, because they
used a water-based medium, could easily be employed in the
tapestry industry.},
Doi = {10.18352/dze.10127},
Key = {fds317954}
}
@article{fds317955,
Author = {VAN MIEGROET, and DE MARCHI},
Title = {Containing Uncertainty: A dealer ring in 1780s Paris
auctions},
Booktitle = {Risk and Uncertainty in the Art World},
Publisher = {Bloomsbury Publishing},
Editor = {dempster},
Year = {2014},
Month = {May},
ISBN = {1472902904},
Abstract = {Yet this growth has posed new forms of uncertainty,
volatility and risk to the art world and its
participants.},
Key = {fds317955}
}
@article{fds317956,
Author = {Van Miegroet and HJ},
Title = {Containing Uncertainty: A dealer ring in 1780s Paris
auctions},
Pages = {125-146},
Booktitle = {Risk and Uncertainty in the Art World},
Publisher = {Bloomsbury Publishing},
Year = {2014},
Month = {April},
ISBN = {1472902920},
Abstract = {Refers to the institutions and groups that most immediately
and directly impact the artist's development, including
art ... Although the macrosystem will define the conditions
for how an art market might evolve, to better understand
risks in the ...},
Key = {fds317956}
}
@article{fds223479,
Author = {H.J. Van Miegroet},
Title = {A dealer ring in 1780s Paris to control sale outcomes,
lessen investor uncertainty and facili¬tate low-risk,
cross-border arbitrage in paintings},
Booktitle = {Risk and Uncertainty in the Art Market},
Publisher = {Bloomsbury Publishing},
Address = {London-New Dehli-New York-Sydney},
Editor = {Anna Dempster},
Year = {2014},
ISBN = {9781472902900},
url = {http://www.bloomsbury.com/us/risk-and-uncertainty-in-the-art-world-9781472902900/},
Abstract = {A historical example provides an important reminder that
many aspects of the art world with which we associate
contemporary practices, including manipulation of markets,
have, in fact, historical precedent.},
Key = {fds223479}
}
@article{fds293781,
Author = {Miegroet, HJV and Marchi, ND},
Title = {Supply-Demand Imbalance in the Antwerp Paintings Market,
1630-1680},
Pages = {37-76},
Booktitle = {Moving Pictures. Intra‐European Trade in Images,
16th‐18th Centuries},
Publisher = {Brepols Publishers},
Address = {Turnhout},
Editor = {Sophie Raux and Neil De Marchi},
Year = {2014},
ISBN = {978-2-503-54808-1},
url = {http://www.brepols.net/pages/ShowProduct.aspx?prod_id=IS-9782503548081-1},
Key = {fds293781}
}
@article{fds293782,
Author = {Miegroet, HJV and Marchi, ND},
Title = {Reducing Risk: a late eighteenth-century dealer pool to
raise prices and facilitate riskless arbitrage},
Year = {2014},
Key = {fds293782}
}
@article{fds293775,
Author = {Miegroet, HJV and Marchi, ND},
Title = {Comment les tableaux des anciens Pays-Bas ont envahi le
marché Parisien - How Netherlandish Paintings came to
Paris},
Pages = {28-47},
Booktitle = {Exhibition Catalogue},
Publisher = {Musée Marmottan, Paris},
Year = {2012},
Key = {fds293775}
}
@article{fds293776,
Author = {Miegroet, HJV and Marchi, ND},
Title = {Uncertainty, Family Ties and Derivative Painting in
Seventeenth-Century Antwerp},
Pages = {55-76},
Booktitle = {Family Ties. On Art Production, Kinship Patterns and
Connections 1600-1800},
Publisher = {Brepols Publishers, Turnhout},
Editor = {Stighelen, KVD and Kelchtermans, L},
Year = {2012},
ISBN = {978-2-503-54227-0},
url = {http://www.amazon.com/Family-Ties-Production-Connections-Crossroads/dp/2503542271},
Key = {fds293776}
}
@article{fds293774,
Author = {Miegroet, HJV and Marchi, ND},
Title = {Flemish Textile Trade and New Imagery in Colonial Mexico
(1524-1646)},
Pages = {878-923},
Booktitle = {Painting for the Kingdoms},
Publisher = {Fomento Cultural BanaMex, Mexico City},
Editor = {Brown, J},
Year = {2010},
Key = {fds293774}
}
@article{fds293773,
Author = {Miegroet, HJV and Marchi, ND},
Title = {Antwerp Dealers’ Invasions of the Lille Market (17th
Century)},
Pages = {43-58},
Booktitle = {Art Auctions and Dealers. The Dissemination of Netherlandish
Paintings during the Ancien Régime},
Publisher = {Brepols Publishers, Turnhout},
Editor = {Lyna, D and Vermeylen, F and Vlieghe, H},
Year = {2009},
Key = {fds293773}
}
@article{fds293771,
Author = {Miegroet, HJV and Marchi, ND},
Title = {The Rise of Dealer-Auctioneers. Information and Transparency
in Markets for Netherlandish Paintings},
Pages = {149-174},
Booktitle = {Art Market and connoisseurship in the Dutch Golden
Age},
Publisher = {Amsterdam University Press},
Editor = {Jonckheere, IK and Tummers, A},
Year = {2008},
Key = {fds293771}
}
@article{fds293772,
Author = {Miegroet, HJV},
Title = {Copies fantômes la culture imitative au début de
l’époque moderne en Europe},
Pages = {47-64},
Booktitle = {L’estampe, un art multiple à la portée de
tous},
Publisher = {Presse Universitaire Lille},
Editor = {Raux, S},
Year = {2008},
Key = {fds293772}
}
@article{fds293769,
Author = {Miegroet, HJV},
Title = {Dealing Netherlandish Painting in an Expanding Paris Art
Market (1750-1815)},
Pages = {41-51},
Booktitle = {Auctions, Agents, and Dealers: the Mechanisms of the
European Art Market ca. 1660-1860},
Publisher = {OXFORD},
Editor = {Warren, J and Turpin, A},
Year = {2007},
Key = {fds293769}
}
@article{fds293770,
Author = {Miegroet, HJV and Marchi, ND},
Title = {The Antwerp-Mechelen Production and Export
Complex},
Pages = {133-147},
Booktitle = {Album Amicorum J. Michael Montias},
Publisher = {University of Amsterdam Press, Amsterdam},
Editor = {Misozuki, M},
Year = {2007},
Key = {fds293770}
}
@article{fds351043,
Author = {De Marchi and N and Van Miegroet and HJ},
Title = {Chapter 3 The History of Art Markets},
Journal = {Handbook of the Economics of Art and Culture},
Volume = {1},
Pages = {69-122},
Year = {2006},
Month = {December},
url = {http://dx.doi.org/10.1016/S1574-0676(06)01003-9},
Abstract = {Treating markets as arenas where relative advantage is
contested, this entry explores the emergence and evolution
of Western markets for paintings, 1450-1750, in terms of the
players, their creative moves to secure gain, and the rules
they devised to maintain order. Primary markets for
paintings arose as a derivative of the commission market for
one-off, mainly religious paintings in places such as
Florence and Bruges, in the second half of the 15th century.
Demand from foreign merchants eager to obtain works in the
new medium, oil, gave Bruges an edge. So did a demand for
easel paintings on thin linen, and even in oil on panel, as
cheap substitutes for tapestries. Variety and cost also
played a role. Emulation among differently-trained artists
generated novel products plus extraordinary cost reductions,
and painters discovered a latent demand among the less
wealthy. Some novel products were exported, as were new
techniques. The retail market in Florence was limited in
size and largely confined to serving a need for cheaper
versions of unique, public commissions. A mass demand for
paintings across the social spectrum occurred principally in
Northern cities: e.g., Antwerp, and later Amsterdam, though
also in Spain. Resale markets followed retail with a lag,
recycled paintings being handled by second-hand clothes
dealers. This sequence - commission nexus, cost-reduction
and novel sorts of paintings, mass retail, then resale
markets - occurred in cities across Europe. As mass markets
emerged, so too did specialist dealers. A large part of the
entry is devoted to detailing their creative marketing
moves. There were tensions as to whether only artists might
sell, but demand mostly overrode guild reluctance to
relinquish control of distribution. Widespread distribution
came to require efficient sales mechanisms, hence public
sales and auctions. The entry explores auction rules and
techniques within the broader sequence identified above. ©
2006 Elsevier B.V. All rights reserved.},
Doi = {10.1016/S1574-0676(06)01003-9},
Key = {fds351043}
}
@article{fds293767,
Author = {Miegroet, HJV and Marchi, ND},
Title = {Transforming the Paris Art Market, 1718-1750},
Pages = {391-410},
Booktitle = {Mapping Markets for Paintings in Early Modern Europe
1450-1750},
Publisher = {Brepols Publishers, Turnhout},
Year = {2006},
Key = {fds293767}
}
@article{fds293768,
Author = {Miegroet, HJV and Marchi, ND},
Title = {History of Art Markets},
Series = {Elsevier Science, Amsterdam-London-Tokyo},
Pages = {69-122},
Booktitle = {Handbook on the Economics of Art and Culture},
Editor = {Ginsburgh, V and Throsby, D},
Year = {2006},
Key = {fds293768}
}
@article{fds293766,
Author = {Miegroet, HJV},
Title = {Recycling Netherlandish Paintings in Eighteenth-century
France},
Pages = {251-288},
Booktitle = {Collectioner dans les Flandres et la France du Nord au VIIIe
siècle},
Publisher = {Recherches de Travail des Sciences Historiques, Université
Charles de Gaule, Lille-3},
Editor = {Raux, S},
Year = {2005},
Month = {March},
Abstract = {Pilot study of the market share of Netherlandish imagery on
the Paris art market in the early eighteenth century. This
study shows that Netherlandish imagery comprised more than
50% of the works offered for sale. Theses paintings were
neither smaller, nor cheaper than Italian paintings. This
challenges long held beliefs about the predominance of
Italian art, and the corresponding marginality of
Netherlandish art in early modern France.},
Key = {fds293766}
}
@article{fds293765,
Author = {Miegroet, HJV and Marchi, ND},
Title = {Connaisseurs-Marchands and the Paris Art Market in the first
half of the Eighteenth Century},
Booktitle = {Mapping Markets in Early Modern Europe 1450-1750},
Editor = {Miegroet, HJV and Marchi, ND},
Year = {2003},
Key = {fds293765}
}
@article{fds293797,
Author = {Miegroet, HJV and Marchi, ND},
Title = {Brueghel in Paris},
Journal = {Bulletin Koninklijke Musea voor Schone Kunsten van
Belgie},
Year = {2003},
Key = {fds293797}
}
@article{fds293798,
Author = {Miegroet, HJV and Marchi, ND},
Title = {"Recycling Nethlandish Paintings in Eighteenth-century
Paris"},
Journal = {Recherches de Travail des Sciences Historiques},
Publisher = {Universite Charles de Gaulle, Lille-3},
Year = {2003},
Key = {fds293798}
}
@article{fds293796,
Author = {Miegroet, HJV and Marchi, ND},
Title = {Modern, Antique or Novelty Antique in 1517},
Journal = {Miscellanea Neerlandica, XXIV-XXVII},
Pages = {153-172},
Publisher = {Leuven-Paris},
Year = {2001},
Key = {fds293796}
}
@article{fds317957,
Author = {van Miegroet, HJ and Wilson, JC and Jacobs, LF and Honig,
E},
Title = {Painting in Bruges at the Close of the Middle Ages: Studies
in Society and Visual Culture},
Journal = {Art Bulletin},
Volume = {82},
Number = {3},
Pages = {582-582},
Publisher = {JSTOR},
Year = {2000},
Month = {September},
url = {http://dx.doi.org/10.2307/3051404},
Doi = {10.2307/3051404},
Key = {fds317957}
}
@article{fds293778,
Author = {Wilson, J},
Title = {Painting in Bruges at the Close of the Middle
Ages},
Journal = {Studies of Iconology},
Year = {2000},
Key = {fds293778}
}
@article{fds293779,
Author = {Van Miegroet and HJ},
Title = {Review of Art Markets in Europe},
Journal = {The Sixteenth Century Journal},
Volume = {XXXI},
Number = {2},
Pages = {477-78},
Year = {2000},
Key = {fds293779}
}
@article{fds293780,
Author = {Van Miegroet and HJ},
Title = {Recent Publications on Painting and the Market},
Journal = {Art Bulletin},
Volume = {LXXXII},
Number = {3},
Pages = {582-85},
Year = {2000},
Key = {fds293780}
}
@article{fds293794,
Author = {Miegroet, HJV and Marchi, ND},
Title = {Exploring Markets for Netherlandish Paintings in Sprain and
Nueva Espana},
Journal = {Nederlands Kunsthistorisch Jaarboek},
Volume = {50},
Pages = {81-111},
Year = {2000},
Key = {fds293794}
}
@article{fds293795,
Author = {Miegroet, HJV and Marchi, ND},
Title = {Rules versus Play in Early Modern Art Markets},
Journal = {Recherches Economiques de Louvain/Louvain Economic
Reviewe},
Volume = {66},
Number = {1},
Pages = {145-165},
Year = {2000},
Key = {fds293795}
}
@article{fds317958,
Author = {Van Miegroet and HJ},
Title = {Art markets in Europe 1400-1800},
Journal = {The Sixteenth Century Journal},
Volume = {31},
Number = {3},
Pages = {803-805},
Year = {2000},
Key = {fds317958}
}
@article{fds317959,
Author = {Van Miegroet and HJ},
Title = {Art markets in Europe, 1400-1800},
Journal = {The Sixteenth Century Journal},
Volume = {31},
Number = {2},
Pages = {477-478},
Year = {2000},
Key = {fds317959}
}
@article{fds293789,
Author = {De Marchi and N and Van Miegroet and HJ},
Title = {Ingenuity, preference, and the pricing of pictures: The
Smith-Reynolds connection},
Journal = {History of Political Economy},
Volume = {31},
Number = {SUPPL. 1},
Pages = {379-412},
Publisher = {Duke University Press},
Year = {1999},
ISSN = {0018-2702},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000087868100015&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Doi = {10.1215/00182702-31-Supplement-379},
Key = {fds293789}
}
@article{fds293793,
Author = {Miegroet, HJV and Marchi, ND},
Title = {Ingenuity, Preferences, and the Pricing of Pictures: The
Smith-Reynolds Connection},
Journal = {Journal of Political Economy},
Volume = {XXXI},
Pages = {397-412},
Year = {1999},
Key = {fds293793}
}
@article{fds293786,
Author = {Van Miegroet and HJ},
Title = {Daniel Specklin of Strassburg (1536-1589): Builder of
fortifications, engineer, and cartographer.},
Journal = {The Sixteenth Century Journal},
Volume = {29},
Number = {1},
Pages = {282-285},
Year = {1998},
ISSN = {0361-0160},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000073062100124&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds293786}
}
@article{fds293792,
Author = {De Marchi and N and Van Miegrot and HJ},
Title = {Novelty and fashion circuits in the mid-seventeenth-century
Antwerp-Paris art trade},
Journal = {Journal of Medieval and Early Modern Studies},
Volume = {28},
Number = {1},
Pages = {201-246},
Year = {1998},
ISSN = {1082-9636},
url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000072832600011&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
Key = {fds293792}
}
@article{fds317960,
Author = {De Marchi and N and Van Miegroet and HJ},
Title = {Introductory note - Markets and novelty (Novelty as a theme
in visual culture, literature, economics and theological
argument)},
Journal = {Journal of Medieval and Early Modern Studies},
Volume = {28},
Number = {1},
Pages = {1-2},
Year = {1998},
Key = {fds317960}
}
@article{fds351044,
Author = {De Marchi and N and Van Miegroet and HJ},
Title = {Art, Value, and Market Practices in the Netherlands in the
Seventeenth Century},
Journal = {Art Bulletin},
Volume = {76},
Number = {3},
Pages = {451-464},
Year = {1994},
Month = {September},
url = {http://dx.doi.org/10.1080/00043079.1994.10786597},
Doi = {10.1080/00043079.1994.10786597},
Key = {fds351044}
}
@article{fds351045,
Author = {Marchi, ND and Miegroet, HJV},
Title = {Art, Value, and Market Practices in the Netherlands in the
Seventeenth Century},
Journal = {Art Bulletin},
Volume = {76},
Number = {3},
Pages = {451-451},
Publisher = {JSTOR},
Year = {1994},
Month = {September},
url = {http://dx.doi.org/10.2307/3046038},
Doi = {10.2307/3046038},
Key = {fds351045}
}
@article{fds293790,
Author = {Miegroet, HJV and Marchi, ND},
Title = {Art, Value, and Market Practices in the Seventeenth-Century
Netherlands},
Journal = {The Art Bulletin},
Volume = {LXXV},
Pages = {451-464},
Year = {1994},
Key = {fds293790}
}
@article{fds293791,
Author = {Miegroet, HJV and Marchi, ND},
Title = {Framing Archaism or Who framed the Elant-van Mausyenbroeck
Epitaph by Jan van Ravesteyn},
Journal = {Jaarboek van bet Koninklijk Museum voor Schone Kunsten
Antwerpen},
Pages = {65-74},
Year = {1994},
Key = {fds293791}
}
@article{fds351046,
Author = {Van Miegroet and HJ},
Title = {Correction},
Journal = {Art Bulletin},
Volume = {70},
Number = {1},
Pages = {143},
Year = {1988},
Month = {March},
url = {http://dx.doi.org/10.1080/00043079.1988.10788552},
Doi = {10.1080/00043079.1988.10788552},
Key = {fds351046}
}
@article{fds351047,
Author = {van Miegroet, HJ},
Title = {New Documents Concerning Gerard David},
Journal = {Art Bulletin},
Volume = {69},
Number = {1},
Pages = {33-44},
Year = {1987},
Month = {March},
url = {http://dx.doi.org/10.1080/00043079.1987.10788400},
Abstract = {Twenty-four records of payments to Gerard David recently
discovered in the archives of the hospital Onze-Lieoe-Vrouw
ter Potterie at Bruges now make up more than one-third of
all known documents on the painter’s life. This study
focuses on the significance of these payments for an
understanding of David’s finances, workshop, and possible
travel to Italy. © 1987, College Art Association of
America, Inc. All rights reserved.},
Doi = {10.1080/00043079.1987.10788400},
Key = {fds351047}
}
%% Book Reviews
@article{fds11039,
Author = {Lynn Jacobs},
Title = {Early Netherlands Carved Altarpieces, Medieval Taste and
Mass Marketing},
Journal = {Studies of Iconology},
Year = {2000},
Key = {fds11039}
}
%% Other
@misc{fds293777,
Author = {Miegroet, HJV and Marchi, ND},
Title = {Consumption of Art and Dealer Initiative in early modern
France},
Year = {2004},
Month = {February},
Key = {fds293777}
}