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Publications of Neil McWilliam    :chronological  alphabetical  combined listing:

%% Books   
@book{fds305261,
   Author = {McWilliam, NF},
   Title = {The Aesthetics of Reaction: Tradition, Identity and the
             Visual Arts in France, c. 1900-1914},
   Publisher = {Brepols},
   Year = {2021},
   Month = {December},
   Abstract = {A study of cultural conservatism and the radical right in
             pre-war France.},
   Key = {fds305261}
}

@book{fds355276,
   Author = {McWilliam, N},
   Title = {L'Esthétique de la réaction. Tradition, foi, identité et
             l'art français (1900-1914)},
   Pages = {532 pages},
   Publisher = {Les Presses du réel},
   Year = {2021},
   Month = {January},
   ISBN = {978-2-84066-614-1},
   Abstract = {A study that explores the complex relationship between
             nationalism, traditionalism and the critique of modern
             culture in France in the decades preceding the First World
             War.},
   Key = {fds355276}
}

@book{fds360096,
   Author = {McWilliam, N},
   Title = {The Aesthetics of Reaction: Tradition, Faith, Identity and
             the Visual Arts in France, c. 1900-1914},
   Pages = {376 pages},
   Publisher = {Brepols},
   Year = {2021},
   Abstract = {This study focuses on anti-modernist artists, critics and
             political theorists in Belle Époque France hostile to
             secular democracy and its allegedly decadent culture of
             individualism. It examines their reassertion of social and
             artistic values which, they claimed, had been distorted and
             repressed by the 1789 revolution. Exploring the cultural
             implications of the Catholic revival, the impact of the
             royalist movement Action française and nationalist calls
             for a 'Renaissance française', it challenges previous
             assessments of nationalists' artistic agenda and recasts
             ways of thinking about classicism and the notion of a
             'return to order' in pre- and post-war French cultural
             discourse. The book offers the first comprehensive overview
             of nationalism's impact on pre-war French art, which it
             complements with synthetic studies of three figures affected
             by these political and artistic debates: the painters
             Maurice Denis (Catholic revival) and Emile Bernard
             ('Renaissance francaise), as well as the critic Joachim
             Gasquet (Action française). In such a way, the book goes
             beyond previous accounts to highlight contradictions and
             complexities in pre-war artistic discourse that enrich our
             understanding of the ideological stakes involved in clashes
             over modernity, tradition and identity in pre-war
             France.},
   Key = {fds360096}
}

@book{fds317944,
   Title = {Histoires sociales de l'art. Une anthologie
             critique},
   Volume = {1 & 2},
   Pages = {415 pages},
   Publisher = {Les Presses du réel},
   Editor = {McWilliam, NF and Moréteau, C and Lamoureux, J},
   Year = {2016},
   Month = {June},
   ISBN = {978-2840663010},
   Key = {fds317944}
}

@book{fds293544,
   Author = {McWilliam, NF},
   Title = {L’Histoire de l’art en France 1890-1950: Acteurs,
             institutions, enjeux},
   Publisher = {Les Presses du réel/ Institut national d’histoire de
             l’art},
   Editor = {M Passini},
   Year = {2014},
   Abstract = {Volume of essays covering aspects of the historiography of
             art history in France from the 1890s to the 4th Republic.
             Based upon a series of colloquia organized for the Institut
             national d’histoire de l’art.},
   Key = {fds293544}
}

@book{fds305885,
   Author = {McWilliam, NF},
   Title = {Emile Bernard: Les Lettres d’un artiste
             (1884-1941)},
   Pages = {981 pages},
   Publisher = {Les Presses du réel},
   Address = {35 rue Colson, Dijon, France},
   Year = {2012},
   Month = {May},
   ISBN = {978-2-84066-498-7},
   Abstract = {Comprising some 430 letters, this selection of
             correspondence by the French painter Emile Bernard (1868-
             1941) highlights one of the most complex and little known
             artists of the modern period. As a young member of the
             Parisian avant-garde during the 1880s, Bernard frequented
             Gauguin, Van Gogh, Anquetin and Redon before abandoning
             France for the Middle East in 1893. While there, he rejected
             modern art and became an outspoken champion of traditional
             values, for which he continued to fight after returning to
             Europe in 1904. Lively and intelligent, Bernard’s letters
             are rich in observations on his own art and the ideas that
             inspired it, as well as in critical assessments of his
             contemporaries. Bernard’s correspondence offers remarkable
             insights into the artist’s life and into the period during
             which he worked. It is destined to become an essential
             source for understanding modernist and anti-modernist
             currents during a period crucial to the history of French
             art.},
   Key = {fds305885}
}

@book{fds305886,
   Author = {Bernard, E and McWilliam, N},
   Title = {Émile Bernard, au-delà de Pont-Aven},
   Pages = {118 pages},
   Year = {2012},
   ISBN = {9782917902127},
   Key = {fds305886}
}

@book{fds305887,
   Author = {McWilliam, NF and Meneux, C and Ramos, J},
   Title = {L’art social en France de la Révolution à la Grande
             Guerre},
   Year = {2012},
   Key = {fds305887}
}

@book{fds305888,
   Title = {Lines of Attack},
   Pages = {86 pages},
   Publisher = {Duke University Press},
   Editor = {McWilliam, N},
   Year = {2010},
   ISBN = {9780938989325},
   Abstract = {Catalog for a Nasher museum exhibition on caricature and
             political cartoons, juxtaposing images that lampooned George
             W. Bush with cartoons that critiqued the 19th century French
             aristocracy.},
   Key = {fds305888}
}

@book{fds305889,
   Author = {McWilliam, NF and Leymarie, M and Dard, O},
   Title = {L’Action française et la culture},
   Publisher = {Presses universitaires du Septentrion},
   Address = {Université de Lille},
   Year = {2010},
   Key = {fds305889}
}

@book{fds293552,
   Author = {McWilliam, N},
   Title = {Rêves de bonheur. L’Art social et la gauche française
             (1830-1850)},
   Pages = {494 pages},
   Publisher = {Les Presses du réel},
   Year = {2007},
   ISBN = {978-2-84066-164-1},
   Key = {fds293552}
}

@book{fds310216,
   Title = {Nationalism and French Visual Culture, 1870-1914},
   Pages = {336 pages},
   Publisher = {National Gallery of Art (Center for Advanced Study in the
             Visual Arts)},
   Editor = {McWilliam, N and Hargrove, J},
   Year = {2005},
   ISBN = {9780300107555},
   Abstract = {Collectively, the essays represent a new approach in
             treating nationalism as a common thread among political and
             philosophical movements generally seen in terms of their
             ideological differences.},
   Key = {fds310216}
}

@book{fds293551,
   Author = {McWilliam, NF},
   Title = {Monumental Intolerance. Jean Baffier, A Nationalist Sculptor
             in fin-de-siècle France},
   Publisher = {Penn State University Press},
   Year = {2000},
   Key = {fds293551}
}

@book{fds293549,
   Title = {Hogarth},
   Publisher = {Studio Editions, London},
   Year = {1993},
   Key = {fds293549}
}

@book{fds293550,
   Author = {McWilliam, NF},
   Title = {Dreams of Happiness. Social Art and the French Left
             1830-1850},
   Publisher = {Princeton University Press},
   Year = {1993},
   Key = {fds293550}
}

@book{fds293547,
   Author = {N. McWilliam and McWilliam, NF and Schuster, V and Wrigley, R and Méker,
             P},
   Title = {A Bibliography of Salon Criticism in Paris from the Ancien
             Régime to the Restoration 1699-1827},
   Publisher = {Cambridge University Press},
   Year = {1991},
   Key = {fds293547}
}

@book{fds293548,
   Author = {McWilliam, NF},
   Title = {A Bibliography of Salon Criticism in Paris from the July
             Monarchy to the Second Republic 1831-1851},
   Publisher = {Cambridge University Press},
   Year = {1991},
   Key = {fds293548}
}

@book{fds305891,
   Title = {Life and Landscape: The Photographs of P.H.
             Emerson},
   Publisher = {Sainsbury Center of Visual Arts},
   Editor = {McWilliam, NF and Sekules, V},
   Year = {1986},
   Key = {fds305891}
}


%% Articles Published   
@article{fds360097,
   Author = {McWilliam, N},
   Title = {Degenerate Art: Impressionism and the Specter of Crisis in
             French Painting},
   Volume = {24},
   Pages = {519-532},
   Booktitle = {A Companion to Impressionism},
   Publisher = {Wiley},
   Editor = {Dombrowski, A},
   Year = {2021},
   Abstract = {Study of critical assessment of Impressionism in early
             20th-century France as evidence of cultural
             decline.},
   Key = {fds360097}
}

@article{fds355280,
   Author = {McWilliam, N},
   Title = {"Donner forme à une vie: Pierre-Auguste Renoir et la
             naissance des recherches sur l’impressionnisme"},
   Pages = {233-250},
   Booktitle = {Face à l'impressionnisme: Réception d’un mouvement,
             1910-1950},
   Publisher = {Presses universitaires de Rouen et du Havre},
   Editor = {Faizande de Maupeou and F and Maingon, C},
   Year = {2019},
   ISBN = {979-10-240-0965-0},
   Abstract = {Historiography of posthumous study of Renoir in
             France},
   Key = {fds355280}
}

@article{fds355281,
   Author = {McWilliam, N},
   Title = {“Traditional Views: Conservative Ideologies & Landscape
             Aesthetics in France around 1900”},
   Pages = {128-144},
   Booktitle = {Art as Worldmaking Critical Essays on Realism and
             Naturalism},
   Publisher = {Manchester University Press},
   Editor = {Hemingway, A and Baker, M},
   Year = {2018},
   Month = {October},
   ISBN = {9781526114907},
   Abstract = {Analysis of political ideologies surrounding the revival of
             classical notions of the 'jardin à la française' in
             France, and the relationship between landscape revivalism
             and conservative philosophies of nature.},
   Key = {fds355281}
}

@article{fds346947,
   Author = {McWilliam, N},
   Title = {On Reading Histoire de l’art as an Anglo-Saxon},
   Journal = {Histoire de l'art},
   Number = {83},
   Year = {2018},
   Key = {fds346947}
}

@article{fds355282,
   Author = {McWilliam, N},
   Title = {“Roots: Landscapes of Nationalism in the Long Nineteenth
             Century”},
   Pages = {281-298},
   Booktitle = {A Companion to Nineteenth-Century Art},
   Publisher = {Wiley-Blackwell},
   Editor = {Facos, M},
   Year = {2018},
   ISBN = {9781118856369},
   Abstract = {An examination of the relationship between the portrayal of
             landscape in painting and graphic illustration and its
             imputed relationship to a growing sense of national identity
             and national awareness},
   Key = {fds355282}
}

@article{fds346948,
   Author = {McWilliam, N},
   Title = {Towards a New French Renaissance: Memory, Tradition and
             Cultural Conservatism in France before the First World
             War},
   Journal = {Art History},
   Volume = {40},
   Number = {4},
   Pages = {724-743},
   Publisher = {Oxford University Press (OUP)},
   Year = {2017},
   Month = {September},
   url = {http://dx.doi.org/10.1111/1467-8365.12339},
   Doi = {10.1111/1467-8365.12339},
   Key = {fds346948}
}

@article{fds293487,
   Author = {McWilliam, NF},
   Title = {Michel Melot et l’historiographie d’Honoré
             Daumier},
   Booktitle = {L’Histoire sociale de l’art},
   Publisher = {Les Presses du reel},
   Editor = {Froissart, R and McWilliam, N and Porterfield,
             T},
   Year = {2015},
   Key = {fds293487}
}

@article{fds226463,
   Author = {N.F. McWilliam},
   Title = {Le XIXe siècle au prisme des Visual Studies},
   Journal = {Revue d’histoire du XIXe siècle},
   Number = {49},
   Pages = {137-173},
   Year = {2014},
   Key = {fds226463}
}

@article{fds226464,
   Title = {David d’Angers et la socialisation de l’exemplarité},
   Booktitle = {L’Art social en France de la Révolution à la Grande
             Guerre},
   Editor = {Cathérine Meneux and Neil McWilliam and Julie
             Ramos},
   Year = {2014},
   Key = {fds226464}
}

@article{fds293488,
   Author = {McWilliam, NF},
   Title = {La Bataille romantique 1900-1950},
   Booktitle = {L’Histoire de l’art en France 1890-1950: Acteurs,
             Institutions, Enjeux},
   Publisher = {Les Presses du reel},
   Editor = {Passini, M and McWilliam, N},
   Year = {2014},
   Key = {fds293488}
}

@article{fds293517,
   Author = {McWilliam, NF},
   Title = {Le Romantisme comme enjeu},
   Booktitle = {L’Histoire de l’art en France 1890-1950: Acteurs,
             Institutions, Enjeux},
   Publisher = {Les Presses du réel/ Institut national d’histoire de
             l’art},
   Address = {Paris and Dijon},
   Editor = {NeilMcWilliam, and Passini, M},
   Year = {2013},
   Key = {fds293517}
}

@article{fds293518,
   Author = {McWilliam, NF},
   Title = {’L’Epoque n’a pas d’âme’. Critiques et chrétiens
             au Salon pendant la monarchie de juillet},
   Booktitle = {La Critique d’art de la Révolution à la monarchie de
             Juillet: enjeux et pratiques},
   Editor = {Lachenal, L and Méneux, C},
   Year = {2013},
   Key = {fds293518}
}

@article{fds293538,
   Author = {McWilliam, NF},
   Title = {A Sense of Place. Representing the Region in
             Nineteenth-Century France},
   Pages = {53-65},
   Booktitle = {Impressionist France. Le Gray to Monet},
   Publisher = {Saint Louis Art Museum},
   Address = {1 Fine Arts drive, Forest Park, St Louis MO
             63110},
   Editor = {Kelly, S},
   Year = {2013},
   ISBN = {978-0-300-19695-5},
   Key = {fds293538}
}

@article{fds293539,
   Author = {McWilliam, NF},
   Title = {Patrie et pédagogie: l’art national selon Léon
             Rosenthal},
   Pages = {209-222},
   Booktitle = {Léon Rosenthal (1870-1932), militant, critique et historien
             de l’art},
   Publisher = {Editions Hermann},
   Address = {6 rue Labrouste, 75015 Paris},
   Year = {2013},
   ISBN = {978-2-7056-8793-9},
   Key = {fds293539}
}

@article{fds293540,
   Author = {McWilliam, NF},
   Title = {Au-delà de la ’République des arts’: les artistes,
             l’état et le marché au 19e siècle},
   Pages = {515-32},
   Booktitle = {Faire art comme on fait société. Les Nouveaux
             commanditaires},
   Publisher = {Les Presses du réel},
   Editor = {Joschke, C},
   Year = {2013},
   ISBN = {978-2-84066-623-3},
   Key = {fds293540}
}

@article{fds293556,
   Author = {McWilliam, NF and Bertrand-Dorléac, L and Michaud, E and Michaud, Y and Orwicz, M},
   Title = {Art, état et idéologies au XIXe et XXe
             siècles},
   Journal = {Perspective},
   Number = {1},
   Pages = {41-55},
   Publisher = {Institut national d'histoire de l'art/ Armand
             Colin},
   Address = {2 rue Vivienne, 75002 Paris},
   Year = {2012},
   Month = {June},
   ISSN = {1777-7852},
   url = {http://dx.doi.org/10.4000/perspective.484},
   Doi = {10.4000/perspective.484},
   Key = {fds293556}
}

@article{fds293537,
   Author = {McWilliam, NF},
   Title = {How to change the world: Claude-Henri de Rouvroy, comte de
             Saint-Simon},
   Pages = {106-112},
   Booktitle = {Utopian Moments: Reading Utopian Texts},
   Publisher = {Bloomsbury Academic, London},
   Address = {50 Bedford Square, London WC1B 3DP},
   Editor = {Davis, JC and Avilés, MAR},
   Year = {2012},
   Month = {May},
   ISBN = {978 1849666848},
   Key = {fds293537}
}

@article{fds293535,
   Author = {McWilliam, NF},
   Title = {’Ténébreux compagnons de toute solitude’: Emile
             Bernard et la littérature},
   Pages = {27-53},
   Booktitle = {Emile Bernard: Au-delà de Pont-Aven},
   Publisher = {Institut national d’histoire de l’art},
   Address = {2 rue Vivienne, 75002 Paris},
   Editor = {McWilliam, N},
   Year = {2012},
   Month = {January},
   ISBN = {978-2-917902-12-7},
   Key = {fds293535}
}

@article{fds293536,
   Author = {McWilliam, NF},
   Title = {Au-delà de Pont-Aven: A la poursuite d’Emile
             Bernard},
   Pages = {5-23},
   Booktitle = {Emile Bernard: Au-delà de Pont-Aven},
   Publisher = {Institut national d’histoire de l’art},
   Address = {2 rue Vivienne, 75002 Paris},
   Editor = {McWilliam, N},
   Year = {2012},
   Month = {January},
   ISBN = {978-2-917902-12-7},
   Key = {fds293536}
}

@article{fds293516,
   Author = {McWilliam, NF},
   Title = {David d’Angers et la socialisation de l’exemplarité},
   Booktitle = {L’Art social en France de la Révolution à la Grande
             Guerre},
   Editor = {McWilliam, N and Meneux, C and Ramos, J},
   Year = {2012},
   Key = {fds293516}
}

@article{fds293557,
   Author = {McWilliam, NF},
   Title = {A la recherche de l'Amérique profonde: l'art patriotique
             contemporain et l'idée de communauté nationale},
   Journal = {Histoire de l'art},
   Number = {70},
   Pages = {95-107},
   Publisher = {Institut national d'histoire de l'art},
   Year = {2012},
   Key = {fds293557}
}

@article{fds293534,
   Author = {McWilliam, NF},
   Title = {Avant-garde Anti-Modernism: Caricature and Cabaret Culture
             in Fin-de-siècle Montmartre},
   Series = {Les arts en correspondance},
   Pages = {275-295},
   Booktitle = {L’art de la caricature},
   Publisher = {Presses universitaires de Paris Ouest},
   Address = {Université de Paris Ouest Nanterre, 200 avenue de la
             République, 92001 Nanterre, France},
   Editor = {Men, SL},
   Year = {2011},
   Month = {November},
   ISBN = {978-2-84016-072-4},
   Key = {fds293534}
}

@article{fds293559,
   Author = {McWilliam, NF},
   Title = {Emile Bernard, Vincent van Gogh et Octave Mirbeau: Critique
             de la critique},
   Journal = {Cahiers Octave Mirbeau},
   Number = {18},
   Pages = {169-177},
   Year = {2011},
   Month = {Spring},
   Key = {fds293559}
}

@article{fds293533,
   Author = {McWilliam, NF},
   Title = {Comment peindre un tableau fouriériste},
   Pages = {50-65},
   Booktitle = {Charles Fourier – l’écart absolu},
   Publisher = {Musée des beaux-arts},
   Address = {Besançon, France},
   Year = {2010},
   Month = {April},
   Key = {fds293533}
}

@article{fds293515,
   Author = {McWilliam, NF},
   Title = {’Michel Melot et l’historiographie de
             Daumier’},
   Booktitle = {L’Histoire sociale de l’art},
   Publisher = {Les Presses du réel},
   Address = {Dijon},
   Editor = {Bordes, P},
   Year = {2010},
   Key = {fds293515}
}

@article{fds293532,
   Author = {McWilliam, NF},
   Title = {Qui a peur de George Sand? Antiromantisme et antiféminisme
             chez les maurrassiens},
   Pages = {173-84},
   Booktitle = {L’Action française et la culture},
   Publisher = {Presses universitaires du Septentrion},
   Address = {Lilles, France},
   Editor = {McWilliam, NF and Leymairie, M and Dard, O},
   Year = {2010},
   Key = {fds293532}
}

@article{fds293529,
   Author = {McWilliam, NF},
   Title = {Emile Bernard’s Reactionary Idealism},
   Pages = {25-49},
   Booktitle = {Academics, Pompiers, Official Artists and the
             Arrière-garde: Defining Modern & Traditional in France
             1900-1960},
   Publisher = {Cambridge Scholars Press},
   Editor = {Adamson, N and Norris, T},
   Year = {2009},
   Key = {fds293529}
}

@article{fds293530,
   Author = {McWilliam, NF},
   Title = {’Au-delà de la "République des arts": les artistes,
             l’étate et le marché au XIXe siècle’},
   Pages = {515-532},
   Booktitle = {Faire Art comme on fait société. Les Nouveaux
             Commanditaires},
   Publisher = {Les Presses du réel},
   Address = {Paris and Dijon},
   Editor = {Joschke, C},
   Year = {2009},
   ISBN = {978-2-84066-623-3},
   Key = {fds293530}
}

@article{fds293531,
   Author = {McWilliam, NF},
   Title = {’L’energie de la race’: La Provence dans la critique
             d’art de Joachim Gasquet},
   Pages = {165-77},
   Booktitle = {Visages de la Provence},
   Publisher = {Emile Zola Society},
   Address = {London},
   Editor = {Minogue, V and Pollard, P},
   Year = {2009},
   Key = {fds293531}
}

@article{fds293527,
   Author = {McWilliam, N},
   Title = {The Culture of Nationalism},
   Booktitle = {Nations and Nationalism in Global Perspective: An
             Encyclopedia of Origins, Developments and Contemporary
             Transitions},
   Editor = {Herb, G},
   Year = {2008},
   Key = {fds293527}
}

@article{fds293528,
   Author = {McWilliam, NF},
   Title = {‘Erudition et engagement politique: la double vie de Louis
             Dimier’},
   Pages = {403-417},
   Booktitle = {L’Histoire de l’histoire de l’art en France au XIXe
             siècle},
   Publisher = {La Documentation française},
   Address = {29-31 Quai Voltaire, Paris 75007, france},
   Editor = {Recht, R and Sénéchal, P and Barbillon, C and Martin,
             F-R},
   Year = {2008},
   ISBN = {978-2-11-006539-1},
   Key = {fds293528}
}

@article{fds293526,
   Author = {McWilliam, NF},
   Title = {Lieux de mémoire, sites de contestation. Le Monument public
             comme enjeu politique, 1880-1914},
   Pages = {104-115},
   Booktitle = {La Statuaire publique au XIXe siècle},
   Publisher = {Monum. Editions du Patrimoine},
   Editor = {Men, SL},
   Year = {2005},
   Month = {January},
   Key = {fds293526}
}

@article{fds293553,
   Author = {McWilliam, N},
   Title = {Action francaise, classicism, and the dilemmas of
             traditionalism in France, 1900-1914},
   Journal = {STUDIES IN THE HISTORY OF ART},
   Volume = {68},
   Pages = {269-+},
   Year = {2005},
   ISSN = {0091-7338},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000247789700015&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Key = {fds293553}
}

@article{fds293496,
   Author = {McWilliam, NF},
   Title = {Une Esthétique révolutionnaire? La Politique de l’Art
             social. Aux alentours de 1820-1850’},
   Journal = {Arts et sociétés},
   Publisher = {Centre d’histoire de Sciences Po},
   Year = {2004},
   Month = {December},
   url = {http://chevs.sciencespo.fr/centre/groupes/arts_et_societe_page_electronique/f/f-index.html},
   Key = {fds293496}
}

@article{fds293554,
   Author = {McWilliam, N},
   Title = {Conflicting Manifestations: Parisian Commemoration of Joan
             of Arc and Etienne Dolet in the Early Third
             Republic},
   Journal = {French Historical Studies},
   Volume = {27},
   Number = {2},
   Pages = {381-418},
   Booktitle = {French Historical Studies},
   Publisher = {Duke University Press},
   Year = {2004},
   Month = {Spring},
   ISSN = {0016-1071},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000220242300007&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Abstract = {Historians tend to see the proliferation of monuments to
             exemplary individuals that characterizes the years
             1880–1914 as symbolizing the triumph of a liberal humanist
             ideology at the heart of democratic republicanism. Yet the
             conflicts generated around certain statues necessitate a
             more dynamic reading of this phenomenon, which mobilized
             strong political and confessional dissent. The examples of
             demonstrations mounted by Catholics and royalists around
             statues to Joan of Arc, and by socialists and freethinkers
             around the monument to Etienne Dolet, who had been burned at
             the stake in 1546, highlight the ways in which opponents of
             the regime could use the past, and its symbolic presence on
             the city street, to assert their factional interests. These
             episodes also underline the extent to which public
             monuments' meanings could change under the pressure of
             unfolding political events. /// Les historiens ont tendance
             à voir dans la prolifération de monuments aux "grands
             hommes" qui a marqué les années entre 1880 et 1914 le
             symbole du triomphe d'une idéologic d'humanisme libéral au
             cœur de la démocratic républicaine. Cependant, les
             conflits générés autour de certaines statues imposent une
             lecture plus dynamique de ce phénomène, capable de
             mobiliser de vives oppositions politiques et
             confessionnelles. Les exemples des manifestations montées
             par les catholiques et les royalistes autour des statues de
             Jeanne d'Arc, et des socialistes et des libres penseurs
             autour du monument à l'humaniste Etienne Dolet, mort sur le
             bûcher en 1546, démontrent comment les opposants au
             régime pouvaient se servir du passé et de sa présence
             symbolique sur la voie publique pour promouvoir leurs
             propres intérêts. Ces épisodes soulignent aussi à quel
             point la signification du monument public pouvait être
             transformée sous la pression des événements politiques de
             l'époque.},
   Doi = {10.1215/00161071-27-2-381},
   Key = {fds293554}
}

@article{fds293524,
   Author = {McWilliam, NF},
   Title = {Action française, Classicism, and the Dilemmas of
             Traditionalism in France 1900-1914},
   Booktitle = {Nationalism and French Visual Culture, 1870-1914},
   Publisher = {Studies in the History of Art, National Gallery of Art,
             Washington D.C., Center for Advanced Study in the Visual
             Arts},
   Editor = {Hargrove, J and McWilliam, N},
   Year = {2004},
   Key = {fds293524}
}

@article{fds305262,
   Author = {McWilliam, N},
   Title = {Conflicting Manifestations: Parisian Commemoration of Joan
             of Arc and Etienne Dolet in the Early Third
             Republic},
   Volume = {27},
   Pages = {381-418},
   Year = {2004},
   url = {http://www.jstor.org/stable/40324393},
   Abstract = {Historians tend to see the proliferation of monuments to
             exemplary individuals that characterizes the years
             1880–1914 as symbolizing the triumph of a liberal humanist
             ideology at the heart of democratic republicanism. Yet the
             conflicts generated around certain statues necessitate a
             more dynamic reading of this phenomenon, which mobilized
             strong political and confessional dissent. The examples of
             demonstrations mounted by Catholics and royalists around
             statues to Joan of Arc, and by socialists and freethinkers
             around the monument to Etienne Dolet, who had been burned at
             the stake in 1546, highlight the ways in which opponents of
             the regime could use the past, and its symbolic presence on
             the city street, to assert their factional interests. These
             episodes also underline the extent to which public
             monuments' meanings could change under the pressure of
             unfolding political events. /// Les historiens ont tendance
             à voir dans la prolifération de monuments aux "grands
             hommes" qui a marqué les années entre 1880 et 1914 le
             symbole du triomphe d'une idéologic d'humanisme libéral au
             cœur de la démocratic républicaine. Cependant, les
             conflits générés autour de certaines statues imposent une
             lecture plus dynamique de ce phénomène, capable de
             mobiliser de vives oppositions politiques et
             confessionnelles. Les exemples des manifestations montées
             par les catholiques et les royalistes autour des statues de
             Jeanne d'Arc, et des socialistes et des libres penseurs
             autour du monument à l'humaniste Etienne Dolet, mort sur le
             bûcher en 1546, démontrent comment les opposants au
             régime pouvaient se servir du passé et de sa présence
             symbolique sur la voie publique pour promouvoir leurs
             propres intérêts. Ces épisodes soulignent aussi à quel
             point la signification du monument public pouvait être
             transformée sous la pression des événements politiques de
             l'époque.},
   Doi = {10.2307/40324393},
   Key = {fds305262}
}

@article{fds293522,
   Author = {McWilliam, NF},
   Title = {Entries on Jean Baffier, Hugues Lapaire, Maxime Réal del
             Sarte, and Félix Vallotton},
   Series = {Editions Champion},
   Booktitle = {Dictionnaire biographique et géographique de l’Affaire
             Dreyfus},
   Editor = {Oriol, P},
   Year = {2003},
   Key = {fds293522}
}

@article{fds293523,
   Author = {McWilliam, NF},
   Title = {Ordering the Past. Nineteenth-Century French History
             Painting in Retrospect},
   Booktitle = {History Painting in Nineteenth-Century France},
   Publisher = {Manchester University Press},
   Editor = {Cook, P and Ledbury, M},
   Year = {2003},
   Key = {fds293523}
}

@article{fds293546,
   Author = {McWilliam, NF},
   Title = {Exercises de style. La Critique devant les Envois de Rome
             1800-1873},
   Journal = {D’Ingres à Degas. Rome et les artistes français
             1803-1873},
   Pages = {139-149},
   Publisher = {Académie de France, Rome},
   Year = {2003},
   Key = {fds293546}
}

@article{fds293520,
   Author = {McWilliam, NF},
   Title = {Von "Marat" bis "Thermidor": Die Interpretation der
             Revolution in der Dritten Republik in Frankreich},
   Pages = {99-118},
   Booktitle = {Revolution, Republik und Reaction: Der Umgang mit dem Erbe
             der Französischen Revolution 1871-1914},
   Publisher = {Franz Steiner, Stuttgart},
   Editor = {Gersmann, G and Kohle, H},
   Year = {2002},
   Key = {fds293520}
}

@article{fds293521,
   Author = {McWilliam, NF},
   Title = {’Contre-révolution, contre-romantisme . . .’.
             Esthétique et politique dans l’Action
             fran¢aise},
   Pages = {109-122},
   Booktitle = {L’Invention du XIXe siècle. 2. Le XIXe siècle au miroir
             du XXe’},
   Publisher = {Klinckseick, Paris},
   Editor = {al, ACE},
   Year = {2002},
   Key = {fds293521}
}

@article{fds293560,
   Author = {McWilliam, NF},
   Title = {Champagne Socialism: Luxury in Fourier's
             Utopia},
   Journal = {Modern and Contemporary France},
   Volume = {9},
   Number = {2},
   Pages = {149-160},
   Year = {2001},
   Month = {May},
   Key = {fds293560}
}

@article{fds293505,
   Author = {McWilliam, N},
   Title = {Gustave Courbet et la Franche-Comté. Besançon},
   Journal = {The Burlington Magazine},
   Volume = {143},
   Number = {1175},
   Pages = {116-117},
   Year = {2001},
   ISSN = {0007-6287},
   url = {http://www.jstor.org/stable/889192},
   Doi = {10.2307/889192},
   Key = {fds293505}
}

@article{fds293519,
   Author = {McWilliam, NF},
   Title = {Peripheral Visions: Class, Cultural Aspiration and the
             Artisan Community in Mid-Nineteenth-Century
             France},
   Pages = {140-73},
   Booktitle = {Politics and Aesthetics in the Arts},
   Publisher = {Cambridge Studies in Philosophy and the Arts, Cambridge
             University Press},
   Editor = {Gaskell, I and Kemal, S},
   Year = {2000},
   Key = {fds293519}
}

@article{fds293491,
   Author = {McWilliam, NF},
   Title = {Commemoration and the Politics of Iconoclasm: The Battle
             over "les Statues dreyfusardes", 1908-1910},
   Pages = {1114 pages},
   Booktitle = {Memory and Oblivion},
   Publisher = {Kluwer Academic Pub},
   Editor = {Reinink, AW and Stumpel, J},
   Year = {1999},
   Month = {January},
   Abstract = {More than 130 papers given at the XXIXth International
             Congress of the History of Art (Amsterdam) 1996 have been
             compiled},
   Key = {fds293491}
}

@article{fds293490,
   Author = {McWilliam, NF},
   Title = {Mythologising Millet},
   Booktitle = {Barbizon. Malerei der Natur - Natur der Malerei},
   Publisher = {Klinkhardt & Biermann},
   Editor = {Burmester, A and Heilmann, C and Zimmermann, MF},
   Year = {1999},
   Key = {fds293490}
}

@article{fds293489,
   Author = {McWilliam, NF},
   Title = {Craft, Commerce and the Contradictions of Anti-Capitalism:
             Reproducing the Applied Art of Jean Baffier},
   Pages = {209 pages},
   Booktitle = {Sculpture and Its Reproductions},
   Publisher = {Reaktion Books},
   Editor = {Hughes, A and Ranfft, E},
   Year = {1997},
   ISBN = {9781861890023},
   Abstract = {Elizabeth A. Kaye specializes in communications as part of
             her coaching and consulting practice. She has edited
             Requirements for Certification since the 2000-01
             edition.},
   Key = {fds293489}
}

@article{fds293501,
   Author = {McWilliam, NF},
   Title = {Race, Remembrance and 'Revanche': Commemorating the
             Franco-Prussian War in the Third Republic},
   Journal = {Art History: journal of the Association of Art
             Historians},
   Volume = {19},
   Number = {4},
   Pages = {473-498},
   Year = {1996},
   ISSN = {1467-8365},
   Key = {fds293501}
}

@article{fds293555,
   Author = {McWilliam, N},
   Title = {Monuments, Martyrdom, and the Politics of Religion in the
             French Third Republic},
   Journal = {The Art Bulletin},
   Volume = {77},
   Number = {2},
   Pages = {186-206},
   Publisher = {JSTOR},
   Year = {1995},
   ISSN = {0004-3079},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:A1995RB35400005&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Abstract = {The years around 1900 witnessed violent religious
             controversy in France, aggravated by political upheavals
             such as the Dreyfus Affair. This climate fostered a series
             of public monuments to historical figures identified as
             victims of confessional conflict in the past. Centering on
             three monuments to the sixteenth-century Spanish doctor and
             theologian Michael Servetus, by Jean Baffier, Joseph
             Bernard, and Clotilde Roch, this study examines the complex
             appropriation of former victims of religious intolerance by
             contending factions in the ideological battlefield of the
             Belle Epoque, and explores the broader connotations of the
             commemorative process during the Third Republic.},
   Doi = {10.2307/3046097},
   Key = {fds293555}
}

@article{fds293495,
   Author = {McWilliam, NF},
   Title = {Les David du XIXe siècle},
   Pages = {200 pages},
   Booktitle = {Art Criticism and Its Institutions in Nineteenth-century
             France},
   Publisher = {Manchester University Press},
   Editor = {Orwicz, MR},
   Year = {1994},
   Month = {January},
   ISBN = {9780719038600},
   Abstract = {This book explores a range of social, institutional and
             discursive conditions in and through which criticism emerged
             and functioned in 19th-century France, and goes on to
             develop broader theoretical questions drawn from historical
             case ...},
   Key = {fds293495}
}

@article{fds293500,
   Author = {McWilliam, NF},
   Title = {Presse, journalistes et critique d'art à Paris de 1849 à
             1860},
   Journal = {Quarante-huit/Quatorze, Annual publication of the Musée
             d'Orsay},
   Volume = {5},
   Year = {1993},
   Key = {fds293500}
}

@article{fds293504,
   Author = {McWilliam, N},
   Title = {Baroque in Croatia. Zagreb, Museum of Arts and
             Crafts},
   Journal = {The Burlington Magazine},
   Volume = {135},
   Number = {1087},
   Pages = {712-713},
   Year = {1993},
   ISSN = {0007-6287},
   url = {http://www.jstor.org/stable/885765},
   Doi = {10.2307/885765},
   Key = {fds293504}
}

@article{fds293494,
   Author = {McWilliam, NF},
   Title = {Why were there no Great Saint-Simonian Artists?},
   Pages = {69-79},
   Booktitle = {L'art et les révolutions: L'Art et les transformations
             sociales révolutionnaires},
   Publisher = {CIHA},
   Editor = {Vaughan, W},
   Year = {1992},
   Key = {fds293494}
}

@article{fds293499,
   Author = {McWilliam, NF},
   Title = {Opinions professionnelles: critique d'art et économie de la
             culture sous la Monarchie de juillet},
   Journal = {Romantisme},
   Volume = {71},
   Pages = {19-30},
   Year = {1991},
   Key = {fds293499}
}

@article{fds293493,
   Author = {McWilliam, NF},
   Title = {Le Paysan au Salon},
   Pages = {81-94},
   Booktitle = {La Critique d'art en France, 1850-1900},
   Publisher = {Université de Saint-Etienne},
   Editor = {Bouillon, JP},
   Year = {1989},
   ISBN = {9782901559306},
   Key = {fds293493}
}

@article{fds293513,
   Author = {McWilliam, N},
   Title = {Limited Revisions: Academic Art History Confronts Academic
             Art},
   Journal = {Oxford Art Journal},
   Volume = {12},
   Number = {2},
   Pages = {71-86},
   Publisher = {Oxford University Press (OUP)},
   Year = {1989},
   ISSN = {0142-6540},
   url = {http://dx.doi.org/10.2307/1360357},
   Doi = {10.2307/1360357},
   Key = {fds293513}
}

@article{fds293498,
   Author = {McWilliam, NF},
   Title = {Art, Labour, and Mass Democracy: Debates on the Status of
             the Artist in France around 1848},
   Journal = {Art History: journal of the Association of Art
             Historians},
   Volume = {11},
   Number = {1},
   Pages = {64-87},
   Year = {1988},
   Month = {March},
   ISSN = {1467-8365},
   Key = {fds293498}
}

@article{fds293509,
   Author = {Melot, M and McWilliam, N},
   Title = {Daumier and Art History: Aesthetic Judgement/Political
             Judgement},
   Journal = {Oxford Art Journal},
   Volume = {11},
   Number = {1},
   Pages = {3-24},
   Publisher = {Oxford University Press (OUP)},
   Year = {1988},
   ISSN = {0142-6540},
   url = {http://dx.doi.org/10.2307/1360319},
   Doi = {10.2307/1360319},
   Key = {fds293509}
}

@article{fds293486,
   Author = {McWilliam, NF},
   Title = {Objets retrouvés},
   Journal = {Art History: journal of the Association of Art
             Historians},
   Volume = {10},
   Number = {1},
   Publisher = {Wiley},
   Year = {1987},
   Month = {March},
   ISSN = {1467-8365},
   Key = {fds293486}
}

@article{fds293503,
   Author = {McWilliam, N},
   Title = {The Sculptor of Modern Life},
   Journal = {Oxford Art Journal},
   Volume = {10},
   Number = {1},
   Pages = {102-105},
   Publisher = {Oxford University Press (OUP)},
   Year = {1987},
   ISSN = {0142-6540},
   url = {http://dx.doi.org/10.2307/1360311},
   Doi = {10.2307/1360311},
   Key = {fds293503}
}

@article{fds293508,
   Author = {Chaudonneret, M and McWilliam, N},
   Title = {1848: 'La République des Arts'},
   Journal = {Oxford Art Journal},
   Volume = {10},
   Number = {1},
   Pages = {59-70},
   Publisher = {Oxford University Press (OUP)},
   Year = {1987},
   ISSN = {0142-6540},
   url = {http://dx.doi.org/10.2307/1360304},
   Doi = {10.2307/1360304},
   Key = {fds293508}
}

@article{fds293502,
   Author = {McWilliam, N},
   Title = {Country Life},
   Journal = {Oxford Art Journal},
   Volume = {9},
   Number = {1},
   Pages = {76-81},
   Publisher = {Oxford University Press (OUP)},
   Year = {1986},
   ISSN = {0142-6540},
   url = {http://dx.doi.org/10.2307/1360377},
   Doi = {10.2307/1360377},
   Key = {fds293502}
}

@article{fds293492,
   Author = {McWilliam, NF and Potts, A},
   Title = {Richard Wilson: Landscapes of Reaction},
   Journal = {History Workshop Journal},
   Year = {1985},
   Key = {fds293492}
}

@article{fds293485,
   Author = {McWilliam, NF},
   Title = {Making Faces},
   Journal = {Art History: journal of the Association of Art
             Historians},
   Volume = {7},
   Number = {1},
   Pages = {115-119},
   Publisher = {Wiley},
   Year = {1984},
   Month = {March},
   ISSN = {1467-8365},
   Key = {fds293485}
}

@article{fds293507,
   Author = {McWilliam, N and Potts, A},
   Title = {The Landscape of Reaction: Richard Wilson (1713?-1782) and
             His Critics},
   Journal = {History Workshop},
   Number = {16},
   Pages = {171-175},
   Year = {1983},
   ISSN = {0309-2984},
   url = {http://www.jstor.org/stable/4288529},
   Doi = {10.2307/4288529},
   Key = {fds293507}
}

@article{fds293510,
   Author = {Parsons, C and McWilliam, N},
   Title = {'Le Paysan de Paris': Alfred Sensier and the Myth of Rural
             France},
   Journal = {Oxford Art Journal},
   Volume = {6},
   Number = {2},
   Pages = {38-58},
   Publisher = {Oxford University Press (OUP)},
   Year = {1983},
   ISSN = {0142-6540},
   url = {http://dx.doi.org/10.2307/1360203},
   Doi = {10.2307/1360203},
   Key = {fds293510}
}

@article{fds293497,
   Author = {McWilliam, NF},
   Title = {David d'Angers and the Panthéon Commission: Politics and
             Public Works under the July Monarchy'},
   Journal = {Art History: journal of the Association of Art
             Historians},
   Volume = {5},
   Number = {4},
   Pages = {6-446},
   Publisher = {Wiley},
   Year = {1982},
   Month = {December},
   ISSN = {1467-8365},
   Key = {fds293497}
}

@article{fds293484,
   Author = {McWilliam, NF},
   Title = {Look At Life},
   Journal = {Art History: journal of the Association of Art
             Historians},
   Volume = {4},
   Number = {4},
   Pages = {466-470},
   Publisher = {Wiley},
   Year = {1981},
   Month = {December},
   ISSN = {1467-8365},
   Key = {fds293484}
}

@article{fds293511,
   Author = {McWilliam, N},
   Title = {Paris. David d'Angers, Maître d'Hébert},
   Journal = {The Burlington Magazine},
   Volume = {122},
   Number = {933},
   Pages = {860-863},
   Year = {1980},
   ISSN = {0007-6287},
   url = {http://www.jstor.org/stable/880184},
   Doi = {10.2307/880184},
   Key = {fds293511}
}

@article{fds293514,
   Author = {McWilliam, N},
   Title = {A Microcosm of the Universe: The Building of the University
             Museum},
   Journal = {Oxford Art Journal},
   Volume = {1},
   Number = {ArticleType: research-article / Issue Ti},
   Pages = {23-27},
   Publisher = {Oxford University Press (OUP)},
   Year = {1978},
   ISSN = {0142-6540},
   url = {http://dx.doi.org/10.2307/1360082},
   Doi = {10.2307/1360082},
   Key = {fds293514}
}


%% Edited Volumes   
@misc{fds305689,
   Author = {McWilliam, NF},
   Title = {’L’Epoque n’a pas d’âme’: Critiques et chrétiens
             au Salon pendant la monarchie de Juillet},
   Editor = {Méneux, C},
   Year = {2014},
   Month = {October},
   Key = {fds305689}
}

@misc{fds226462,
   Author = {N.F. McWilliam},
   Title = {L’Art social en France de la Révolution à la Grande
             Guerre. Une Anthologie de textes primaires},
   Publisher = {INHA},
   Editor = {Catherine Méneux and Julie Ramos},
   Year = {2014},
   Month = {September},
   url = {http://inha.revues.org/4825},
   Key = {fds226462}
}

@misc{fds226461,
   Author = {N.F. McWilliam},
   Title = {L’Art social en France de la Révolution à la Grande
             Guerre},
   Publisher = {Presses universitaires de Rennes},
   Editor = {Catherine Méneux and Julie Ramos},
   Year = {2014},
   Key = {fds226461}
}

@misc{fds293558,
   Author = {McWilliam, NF and Jungerman, N},
   Title = {Entretien avec Neil McWilliam},
   Journal = {Florilettres},
   Number = {136},
   Pages = {2-17},
   Publisher = {Fondation de la Poste},
   Year = {2012},
   Month = {Summer},
   Abstract = {Interview with Nathalie Jungermann on the correspondence of
             Emile Bernard.},
   Key = {fds293558}
}

@misc{fds293545,
   Author = {McWilliam, NF},
   Title = {Emile Bernard: Au-delà de Pont-Aven},
   Pages = {118-118},
   Publisher = {Institut national d’histoire de l’art},
   Editor = {McWilliam, N},
   Year = {2012},
   Month = {January},
   Abstract = {Catalog of an exhibition curated by N. McWilliam in the
             Salle Roberto Longhi, Galerie Colbert, Institut national
             d’histoire de l’art, Paris. Comprises two articles by N.
             McWilliam, and contributions by Bogomila Welsh-Ovcharov,
             Laura Karp-Lugo, and Dominique Morelon.},
   Key = {fds293545}
}

@misc{fds293541,
   Author = {McWilliam, NF},
   Title = {Sanat/Utopya. Mutluluk Hayalleri: Sosyal Sanat ve Fransiz
             solu (1830-1850)},
   Pages = {570 pp.-570 pp.},
   Publisher = {Iletisim Yayinlari},
   Address = {Iletisim Han no. 7, Cagaloglu 34 122 Istanbul,
             Turkey},
   Year = {2011},
   Month = {November},
   ISBN = {978-975-05-0964-3},
   Key = {fds293541}
}

@misc{fds182686,
   Author = {N.F. McWilliam (ed.)},
   Title = {Lines of Attack: Conflicts in Caricature},
   Publisher = {Nasher Museum of Art (Duke University Press)},
   Address = {Durham, NC},
   Year = {2010},
   Key = {fds182686}
}

@misc{fds44966,
   Author = {and N. McWilliam},
   Title = {Nationalism and French Visual Culture, 1870-1914},
   Series = {Studies in the History of Art},
   Publisher = {National Gallery of Art, Washington & Yale University
             Press},
   Editor = {June Hargrove and Neil McWilliam},
   Year = {2005},
   Month = {May},
   Key = {fds44966}
}

@misc{fds293512,
   Author = {McWilliam, N},
   Title = {'Un enterrement à Paris': Courbet's Political Contacts in
             1845},
   Journal = {The Burlington Magazine},
   Volume = {125},
   Number = {960},
   Pages = {155-157},
   Year = {1983},
   ISSN = {0007-6287},
   url = {http://www.jstor.org/stable/881205},
   Doi = {10.2307/881205},
   Key = {fds293512}
}

@misc{fds293506,
   Author = {Schuster, V and Alston, D and McWilliam, N},
   Title = {Preface},
   Journal = {Oxford Art Journal},
   Volume = {1},
   Number = {ArticleType: misc / Issue Title: Art in},
   Pages = {XI+XII+XIII+},
   Year = {1978},
   ISSN = {0098-9258},
   url = {http://dx.doi.org/10.2307/1360077},
   Doi = {10.2307/1360077},
   Key = {fds293506}
}