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Publications of Neil McWilliam :chronological alphabetical by type bibtex listing:
- McWilliam, NF, The Aesthetics of Reaction: Tradition, Identity and the Visual Arts in France, c. 1900-1914 (December, 2021), Brepols [abs]
- McWilliam, N, L'Esthétique de la réaction. Tradition, foi, identité et l'art français (1900-1914) (January, 2021), pp. 532 pages, Les Presses du réel, ISBN 978-2-84066-614-1 (translated by Jaouen, F.) [abs]
- McWilliam, N, The Aesthetics of Reaction: Tradition, Faith, Identity and the Visual Arts in France, c. 1900-1914 (2021), pp. 376 pages, Brepols [abs]
- McWilliam, N, Degenerate Art: Impressionism and the Specter of Crisis in French Painting, in A Companion to Impressionism, edited by Dombrowski, A, vol. 24 (2021), pp. 519-532, Wiley [abs]
- McWilliam, N, "Donner forme à une vie: Pierre-Auguste Renoir et la naissance des recherches sur l’impressionnisme", in Face à l'impressionnisme: Réception d’un mouvement, 1910-1950, edited by Faizande de Maupeou, F; Maingon, C (2019), pp. 233-250, Presses universitaires de Rouen et du Havre, ISBN 979-10-240-0965-0 [abs]
- McWilliam, N, “Traditional Views: Conservative Ideologies & Landscape Aesthetics in France around 1900”, in Art as Worldmaking Critical Essays on Realism and Naturalism, edited by Hemingway, A; Baker, M (October, 2018), pp. 128-144, Manchester University Press, ISBN 9781526114907 [abs]
- McWilliam, N, On Reading Histoire de l’art as an Anglo-Saxon, Histoire de l'art no. 83 (2018)
- McWilliam, N, “Roots: Landscapes of Nationalism in the Long Nineteenth Century”, in A Companion to Nineteenth-Century Art, edited by Facos, M (2018), pp. 281-298, Wiley-Blackwell, ISBN 9781118856369 [abs]
- McWilliam, N, Towards a New French Renaissance: Memory, Tradition and Cultural Conservatism in France before the First World War, Art History, vol. 40 no. 4 (September, 2017), pp. 724-743, Oxford University Press (OUP) [doi]
- Histoires sociales de l'art. Une anthologie critique, edited by McWilliam, NF; Moréteau, C; Lamoureux, J, vol. 1 & 2 (June, 2016), pp. 415 pages, Les Presses du réel, ISBN 978-2840663010
- McWilliam, NF, Michel Melot et l’historiographie d’Honoré Daumier, in L’Histoire sociale de l’art, edited by Froissart, R; McWilliam, N; Porterfield, T (2015), Les Presses du reel
- McWilliam, NF, ’L’Epoque n’a pas d’âme’: Critiques et chrétiens au Salon pendant la monarchie de Juillet, edited by Méneux, C (October, 2014)
- N.F. McWilliam, L’Art social en France de la Révolution à la Grande Guerre. Une Anthologie de textes primaires, edited by Catherine Méneux, Julie Ramos (September, 2014), INHA [4825]
- N.F. McWilliam, L’Art social en France de la Révolution à la Grande Guerre, edited by Catherine Méneux, Julie Ramos (2014), Presses universitaires de Rennes
- N.F. McWilliam, Le XIXe siècle au prisme des Visual Studies, Revue d’histoire du XIXe siècle no. 49 (2014), pp. 137-173 (discussion with Manuel Charpy, Christian Joschke, Ségolène Le Men & Vanessa Schwartz.)
- David d’Angers et la socialisation de l’exemplarité, in L’Art social en France de la Révolution à la Grande Guerre, edited by Cathérine Meneux, Neil McWilliam, Julie Ramos (2014)
- McWilliam, NF, La Bataille romantique 1900-1950, in L’Histoire de l’art en France 1890-1950: Acteurs, Institutions, Enjeux, edited by Passini, M; McWilliam, N (2014), Les Presses du reel
- McWilliam, NF, L’Histoire de l’art en France 1890-1950: Acteurs, institutions, enjeux, edited by M Passini (2014), Les Presses du réel/ Institut national d’histoire de l’art (co-edited with Michela Passini (CNRS).) [abs]
- McWilliam, NF, Le Romantisme comme enjeu, in L’Histoire de l’art en France 1890-1950: Acteurs, Institutions, Enjeux, edited by NeilMcWilliam, ; Passini, M (2013), Les Presses du réel/ Institut national d’histoire de l’art, Paris and Dijon [author's comments]
- McWilliam, NF, ’L’Epoque n’a pas d’âme’. Critiques et chrétiens au Salon pendant la monarchie de juillet, in La Critique d’art de la Révolution à la monarchie de Juillet: enjeux et pratiques, edited by Lachenal, L; Méneux, C (2013)
- McWilliam, NF, A Sense of Place. Representing the Region in Nineteenth-Century France, in Impressionist France. Le Gray to Monet, edited by Kelly, S (2013), pp. 53-65, Saint Louis Art Museum, 1 Fine Arts drive, Forest Park, St Louis MO 63110, ISBN 978-0-300-19695-5 (Catalog essay for an exhibition curated at SLAM by Simon Kelly.)
- McWilliam, NF, Patrie et pédagogie: l’art national selon Léon Rosenthal, in Léon Rosenthal (1870-1932), militant, critique et historien de l’art (2013), pp. 209-222, Editions Hermann, 6 rue Labrouste, 75015 Paris, ISBN 978-2-7056-8793-9 (Volume edited by Bertrand Tiller.) [author's comments]
- McWilliam, NF, Au-delà de la ’République des arts’: les artistes, l’état et le marché au 19e siècle, in Faire art comme on fait société. Les Nouveaux commanditaires, edited by Joschke, C (2013), pp. 515-32, Les Presses du réel, ISBN 978-2-84066-623-3
- McWilliam, NF; Jungerman, N, Entretien avec Neil McWilliam, Florilettres no. 136 (Summer, 2012), pp. 2-17, Fondation de la Poste [abs]
- McWilliam, NF; Bertrand-Dorléac, L; Michaud, E; Michaud, Y; Orwicz, M, Art, état et idéologies au XIXe et XXe siècles, Perspective no. 1 (June, 2012), pp. 41-55, Institut national d'histoire de l'art/ Armand Colin, 2 rue Vivienne, 75002 Paris, ISSN 1777-7852 [doi] [author's comments]
- McWilliam, NF, How to change the world: Claude-Henri de Rouvroy, comte de Saint-Simon, in Utopian Moments: Reading Utopian Texts, edited by Davis, JC; Avilés, MAR (May, 2012), pp. 106-112, Bloomsbury Academic, London, 50 Bedford Square, London WC1B 3DP, ISBN 978 1849666848
- McWilliam, NF, Emile Bernard: Les Lettres d’un artiste (1884-1941) (May, 2012), pp. 981 pages, Les Presses du réel, 35 rue Colson, Dijon, France, ISBN 978-2-84066-498-7 [abs]
- McWilliam, NF, ’Ténébreux compagnons de toute solitude’: Emile Bernard et la littérature, in Emile Bernard: Au-delà de Pont-Aven, edited by McWilliam, N (January, 2012), pp. 27-53, Institut national d’histoire de l’art, 2 rue Vivienne, 75002 Paris, ISBN 978-2-917902-12-7 (Exhibition catalogue essay.)
- McWilliam, NF, Au-delà de Pont-Aven: A la poursuite d’Emile Bernard, in Emile Bernard: Au-delà de Pont-Aven, edited by McWilliam, N (January, 2012), pp. 5-23, Institut national d’histoire de l’art, 2 rue Vivienne, 75002 Paris, ISBN 978-2-917902-12-7 (Exhibition catalogue.) [author's comments]
- McWilliam, NF, Emile Bernard: Au-delà de Pont-Aven, edited by McWilliam, N (January, 2012), pp. 118-118, Institut national d’histoire de l’art (Exhibition catalogue.) [abs]
- McWilliam, NF, David d’Angers et la socialisation de l’exemplarité, in L’Art social en France de la Révolution à la Grande Guerre, edited by McWilliam, N; Meneux, C; Ramos, J (2012) [author's comments]
- McWilliam, NF, A la recherche de l'Amérique profonde: l'art patriotique contemporain et l'idée de communauté nationale, Histoire de l'art no. 70 (2012), pp. 95-107, Institut national d'histoire de l'art [author's comments]
- Bernard, E; McWilliam, N, Émile Bernard, au-delà de Pont-Aven (2012), pp. 118 pages, ISBN 9782917902127
- McWilliam, NF; Meneux, C; Ramos, J, L’art social en France de la Révolution à la Grande Guerre (2012) (Edited volume based upon conference organized at the INHA, Paris, in June 2011.) [author's comments]
- McWilliam, NF, Avant-garde Anti-Modernism: Caricature and Cabaret Culture in Fin-de-siècle Montmartre, in L’art de la caricature, Les arts en correspondance, edited by Men, SL (November, 2011), pp. 275-295, Presses universitaires de Paris Ouest, Université de Paris Ouest Nanterre, 200 avenue de la République, 92001 Nanterre, France, ISBN 978-2-84016-072-4 [author's comments]
- McWilliam, NF, Sanat/Utopya. Mutluluk Hayalleri: Sosyal Sanat ve Fransiz solu (1830-1850) (November, 2011), pp. 570 pp.-570 pp., Iletisim Yayinlari, Iletisim Han no. 7, Cagaloglu 34 122 Istanbul, Turkey, ISBN 978-975-05-0964-3 [author's comments]
- McWilliam, NF, Emile Bernard, Vincent van Gogh et Octave Mirbeau: Critique de la critique, Cahiers Octave Mirbeau no. 18 (Spring, 2011), pp. 169-177 [author's comments]
- McWilliam, NF, Comment peindre un tableau fouriériste, in Charles Fourier – l’écart absolu (April, 2010), pp. 50-65, Musée des beaux-arts, Besançon, France
- N.F. McWilliam (ed.), Lines of Attack: Conflicts in Caricature (2010), Nasher Museum of Art (Duke University Press), Durham, NC
- McWilliam, NF, ’Michel Melot et l’historiographie de Daumier’, in L’Histoire sociale de l’art, edited by Bordes, P (2010), Les Presses du réel, Dijon
- McWilliam, NF, Qui a peur de George Sand? Antiromantisme et antiféminisme chez les maurrassiens, in L’Action française et la culture, edited by McWilliam, NF; Leymairie, M; Dard, O (2010), pp. 173-84, Presses universitaires du Septentrion, Lilles, France
- Lines of Attack, edited by McWilliam, N (2010), pp. 86 pages, Duke University Press, ISBN 9780938989325 [abs]
- McWilliam, NF; Leymarie, M; Dard, O, L’Action française et la culture (2010), Presses universitaires du Septentrion, Université de Lille
- McWilliam, NF, Emile Bernard’s Reactionary Idealism, in Academics, Pompiers, Official Artists and the Arrière-garde: Defining Modern & Traditional in France 1900-1960, edited by Adamson, N; Norris, T (2009), pp. 25-49, Cambridge Scholars Press
- McWilliam, NF, ’Au-delà de la "République des arts": les artistes, l’étate et le marché au XIXe siècle’, in Faire Art comme on fait société. Les Nouveaux Commanditaires, edited by Joschke, C (2009), pp. 515-532, Les Presses du réel, Paris and Dijon, ISBN 978-2-84066-623-3 [author's comments]
- McWilliam, NF, ’L’energie de la race’: La Provence dans la critique d’art de Joachim Gasquet, in Visages de la Provence, edited by Minogue, V; Pollard, P (2009), pp. 165-77, Emile Zola Society, London
- McWilliam, N, The Culture of Nationalism, in Nations and Nationalism in Global Perspective: An Encyclopedia of Origins, Developments and Contemporary Transitions, edited by Herb, G (2008)
- McWilliam, NF, ‘Erudition et engagement politique: la double vie de Louis Dimier’, in L’Histoire de l’histoire de l’art en France au XIXe siècle, edited by Recht, R; Sénéchal, P; Barbillon, C; Martin, F-R (2008), pp. 403-417, La Documentation française, 29-31 Quai Voltaire, Paris 75007, france, ISBN 978-2-11-006539-1
- McWilliam, N, Rêves de bonheur. L’Art social et la gauche française (1830-1850) (2007), pp. 494 pages, Les Presses du réel, ISBN 978-2-84066-164-1 [author's comments]
- with Nationalism and French Visual Culture, 1870-1914, Studies in the History of Art, edited by June Hargrove & Neil McWilliam (May, 2005), National Gallery of Art, Washington & Yale University Press
- McWilliam, NF, Lieux de mémoire, sites de contestation. Le Monument public comme enjeu politique, 1880-1914, in La Statuaire publique au XIXe siècle, edited by Men, SL (January, 2005), pp. 104-115, Monum. Editions du Patrimoine
- McWilliam, N, Action francaise, classicism, and the dilemmas of traditionalism in France, 1900-1914, STUDIES IN THE HISTORY OF ART, vol. 68 (2005), pp. 269-+, ISSN 0091-7338 [Gateway.cgi]
- Nationalism and French Visual Culture, 1870-1914, edited by McWilliam, N; Hargrove, J (2005), pp. 336 pages, National Gallery of Art (Center for Advanced Study in the Visual Arts), ISBN 9780300107555 [abs]
- McWilliam, NF, Une Esthétique révolutionnaire? La Politique de l’Art social. Aux alentours de 1820-1850’, Arts et sociétés (December, 2004), Centre d’histoire de Sciences Po [html]
- McWilliam, N, Conflicting Manifestations: Parisian Commemoration of Joan of Arc and Etienne Dolet in the Early Third Republic, in French Historical Studies, French Historical Studies, vol. 27 no. 2 (Spring, 2004), pp. 381-418, Duke University Press, ISSN 0016-1071 [Gateway.cgi], [doi] [abs]
- McWilliam, NF, Action française, Classicism, and the Dilemmas of Traditionalism in France 1900-1914, in Nationalism and French Visual Culture, 1870-1914, edited by Hargrove, J; McWilliam, N (2004), Studies in the History of Art, National Gallery of Art, Washington D.C., Center for Advanced Study in the Visual Arts
- McWilliam, N, Conflicting Manifestations: Parisian Commemoration of Joan of Arc and Etienne Dolet in the Early Third Republic, vol. 27 (2004), pp. 381-418 [40324393], [doi] [abs]
- McWilliam, NF, Entries on Jean Baffier, Hugues Lapaire, Maxime Réal del Sarte, and Félix Vallotton, in Dictionnaire biographique et géographique de l’Affaire Dreyfus, Editions Champion, edited by Oriol, P (2003)
- McWilliam, NF, Ordering the Past. Nineteenth-Century French History Painting in Retrospect, in History Painting in Nineteenth-Century France, edited by Cook, P; Ledbury, M (2003), Manchester University Press
- McWilliam, NF, Exercises de style. La Critique devant les Envois de Rome 1800-1873, D’Ingres à Degas. Rome et les artistes français 1803-1873 (2003), pp. 139-149, Académie de France, Rome (article commissioned for exhibition catalogue.)
- McWilliam, NF, Von "Marat" bis "Thermidor": Die Interpretation der Revolution in der Dritten Republik in Frankreich, in Revolution, Republik und Reaction: Der Umgang mit dem Erbe der Französischen Revolution 1871-1914, edited by Gersmann, G; Kohle, H (2002), pp. 99-118, Franz Steiner, Stuttgart
- McWilliam, NF, ’Contre-révolution, contre-romantisme . . .’. Esthétique et politique dans l’Action fran¢aise, in L’Invention du XIXe siècle. 2. Le XIXe siècle au miroir du XXe’, edited by al, ACE (2002), pp. 109-122, Klinckseick, Paris
- McWilliam, NF, Champagne Socialism: Luxury in Fourier's Utopia, Modern and Contemporary France, vol. 9 no. 2 (May, 2001), pp. 149-160
- McWilliam, N, Gustave Courbet et la Franche-Comté. Besançon, The Burlington Magazine, vol. 143 no. 1175 (2001), pp. 116-117, ISSN 0007-6287 [889192], [doi]
- McWilliam, NF, Peripheral Visions: Class, Cultural Aspiration and the Artisan Community in Mid-Nineteenth-Century France, in Politics and Aesthetics in the Arts, edited by Gaskell, I; Kemal, S (2000), pp. 140-73, Cambridge Studies in Philosophy and the Arts, Cambridge University Press
- McWilliam, NF, Monumental Intolerance. Jean Baffier, A Nationalist Sculptor in fin-de-siècle France (2000), Penn State University Press
- McWilliam, NF, Commemoration and the Politics of Iconoclasm: The Battle over "les Statues dreyfusardes", 1908-1910, in Memory and Oblivion, edited by Reinink, AW; Stumpel, J (January, 1999), pp. 1114 pages, Kluwer Academic Pub [abs]
- McWilliam, NF, Mythologising Millet, in Barbizon. Malerei der Natur - Natur der Malerei, edited by Burmester, A; Heilmann, C; Zimmermann, MF (1999), Klinkhardt & Biermann
- McWilliam, NF, Craft, Commerce and the Contradictions of Anti-Capitalism: Reproducing the Applied Art of Jean Baffier, in Sculpture and Its Reproductions, edited by Hughes, A; Ranfft, E (1997), pp. 209 pages, Reaktion Books, ISBN 9781861890023 [abs]
- McWilliam, NF, Race, Remembrance and 'Revanche': Commemorating the Franco-Prussian War in the Third Republic, Art History: journal of the Association of Art Historians, vol. 19 no. 4 (1996), pp. 473-498, ISSN 1467-8365
- McWilliam, N, Monuments, Martyrdom, and the Politics of Religion in the French Third Republic, The Art Bulletin, vol. 77 no. 2 (1995), pp. 186-206, JSTOR, ISSN 0004-3079 [Gateway.cgi], [doi] [abs]
- McWilliam, NF, Les David du XIXe siècle, in Art Criticism and Its Institutions in Nineteenth-century France, edited by Orwicz, MR (January, 1994), pp. 200 pages, Manchester University Press, ISBN 9780719038600 [abs]
- McWilliam, NF, Presse, journalistes et critique d'art à Paris de 1849 à 1860, Quarante-huit/Quatorze, Annual publication of the Musée d'Orsay, vol. 5 (1993)
- McWilliam, N, Baroque in Croatia. Zagreb, Museum of Arts and Crafts, The Burlington Magazine, vol. 135 no. 1087 (1993), pp. 712-713, ISSN 0007-6287 [885765], [doi]
- N. McWilliam, Hogarth (1993), Studio Editions, London
- McWilliam, NF, Dreams of Happiness. Social Art and the French Left 1830-1850 (1993), Princeton University Press
- McWilliam, NF, Why were there no Great Saint-Simonian Artists?, in L'art et les révolutions: L'Art et les transformations sociales révolutionnaires, edited by Vaughan, W (1992), pp. 69-79, CIHA
- McWilliam, NF, Opinions professionnelles: critique d'art et économie de la culture sous la Monarchie de juillet, Romantisme, vol. 71 (1991), pp. 19-30
- with McWilliam, NF; Schuster, V; Wrigley, R; Méker, P, A Bibliography of Salon Criticism in Paris from the Ancien Régime to the Restoration 1699-1827 (1991), Cambridge University Press
- McWilliam, NF, A Bibliography of Salon Criticism in Paris from the July Monarchy to the Second Republic 1831-1851 (1991), Cambridge University Press
- McWilliam, NF, Le Paysan au Salon, in La Critique d'art en France, 1850-1900, edited by Bouillon, JP (1989), pp. 81-94, Université de Saint-Etienne, ISBN 9782901559306
- McWilliam, N, Limited Revisions: Academic Art History Confronts Academic Art, Oxford Art Journal, vol. 12 no. 2 (1989), pp. 71-86, Oxford University Press (OUP), ISSN 0142-6540 [doi]
- McWilliam, NF, Art, Labour, and Mass Democracy: Debates on the Status of the Artist in France around 1848, Art History: journal of the Association of Art Historians, vol. 11 no. 1 (March, 1988), pp. 64-87, ISSN 1467-8365
- Melot, M; McWilliam, N, Daumier and Art History: Aesthetic Judgement/Political Judgement, Oxford Art Journal, vol. 11 no. 1 (1988), pp. 3-24, Oxford University Press (OUP), ISSN 0142-6540 [doi]
- McWilliam, NF, Objets retrouvés, Art History: journal of the Association of Art Historians, vol. 10 no. 1 (March, 1987), Wiley, ISSN 1467-8365
- McWilliam, N, The Sculptor of Modern Life, Oxford Art Journal, vol. 10 no. 1 (1987), pp. 102-105, Oxford University Press (OUP), ISSN 0142-6540 [doi]
- Chaudonneret, M; McWilliam, N, 1848: 'La République des Arts', Oxford Art Journal, vol. 10 no. 1 (1987), pp. 59-70, Oxford University Press (OUP), ISSN 0142-6540 [doi]
- McWilliam, N, Country Life, Oxford Art Journal, vol. 9 no. 1 (1986), pp. 76-81, Oxford University Press (OUP), ISSN 0142-6540 [doi]
- Life and Landscape: The Photographs of P.H. Emerson, edited by McWilliam, NF; Sekules, V (1986), Sainsbury Center of Visual Arts
- McWilliam, NF; Potts, A, Richard Wilson: Landscapes of Reaction, History Workshop Journal (1985)
- McWilliam, NF, Making Faces, Art History: journal of the Association of Art Historians, vol. 7 no. 1 (March, 1984), pp. 115-119, Wiley, ISSN 1467-8365
- McWilliam, N; Potts, A, The Landscape of Reaction: Richard Wilson (1713?-1782) and His Critics, History Workshop no. 16 (1983), pp. 171-175, ISSN 0309-2984 [4288529], [doi]
- Parsons, C; McWilliam, N, 'Le Paysan de Paris': Alfred Sensier and the Myth of Rural France, Oxford Art Journal, vol. 6 no. 2 (1983), pp. 38-58, Oxford University Press (OUP), ISSN 0142-6540 [doi]
- McWilliam, N, 'Un enterrement à Paris': Courbet's Political Contacts in 1845, The Burlington Magazine, vol. 125 no. 960 (1983), pp. 155-157, ISSN 0007-6287 [881205], [doi]
- McWilliam, NF, David d'Angers and the Panthéon Commission: Politics and Public Works under the July Monarchy', Art History: journal of the Association of Art Historians, vol. 5 no. 4 (December, 1982), pp. 6-446, Wiley, ISSN 1467-8365
- McWilliam, NF, Look At Life, Art History: journal of the Association of Art Historians, vol. 4 no. 4 (December, 1981), pp. 466-470, Wiley, ISSN 1467-8365
- McWilliam, N, Paris. David d'Angers, Maître d'Hébert, The Burlington Magazine, vol. 122 no. 933 (1980), pp. 860-863, ISSN 0007-6287 [880184], [doi]
- Schuster, V; Alston, D; McWilliam, N, Preface, Oxford Art Journal, vol. 1 no. ArticleType: misc / Issue Title: Art in (1978), pp. XI+XII+XIII+, ISSN 0098-9258 [doi]
- McWilliam, N, A Microcosm of the Universe: The Building of the University Museum, Oxford Art Journal, vol. 1 no. ArticleType: research-article / Issue Ti (1978), pp. 23-27, Oxford University Press (OUP), ISSN 0142-6540 [doi]