Announcements

The Duke International Travel Policy is now available online.

The Travel Policy is in effect as of January 22, 2008.

https://eruditio.aas.duke.edu/international/

News and Events

View the latest International News and Events on the Duke International homepage

Duke International Faculty Database

Explore the range of faculty engagement with world regions and global issues by browsing the Faculty Database System or by searching for particular keywords (major world area, country, research topic, etc).

While the Duke International website strives to provide a comprehensive listing of Duke faculty with international research interests, you may also find additional information by exploring school-specific faculty listings


Publications of Neil McWilliam    :chronological  alphabetical  by type  bibtex listing:

  1. McWilliam, NF, The Aesthetics of Reaction: Tradition, Identity and the Visual Arts in France, c. 1900-1914 (December, 2021), Brepols  [abs]
  2. McWilliam, N, L'Esthétique de la réaction. Tradition, foi, identité et l'art français (1900-1914) (January, 2021), pp. 532 pages, Les Presses du réel, ISBN 978-2-84066-614-1 (translated by Jaouen, F.)  [abs]
  3. McWilliam, N, The Aesthetics of Reaction: Tradition, Faith, Identity and the Visual Arts in France, c. 1900-1914 (2021), pp. 376 pages, Brepols  [abs]
  4. McWilliam, N, Degenerate Art: Impressionism and the Specter of Crisis in French Painting, in A Companion to Impressionism, edited by Dombrowski, A, vol. 24 (2021), pp. 519-532, Wiley  [abs]
  5. McWilliam, N, "Donner forme à une vie: Pierre-Auguste Renoir et la naissance des recherches sur l’impressionnisme", in Face à l'impressionnisme: Réception d’un mouvement, 1910-1950, edited by Faizande de Maupeou, F; Maingon, C (2019), pp. 233-250, Presses universitaires de Rouen et du Havre, ISBN 979-10-240-0965-0  [abs]
  6. McWilliam, N, “Traditional Views: Conservative Ideologies & Landscape Aesthetics in France around 1900”, in Art as Worldmaking Critical Essays on Realism and Naturalism, edited by Hemingway, A; Baker, M (October, 2018), pp. 128-144, Manchester University Press, ISBN 9781526114907  [abs]
  7. McWilliam, N, On Reading Histoire de l’art as an Anglo-Saxon, Histoire de l'art no. 83 (2018)
  8. McWilliam, N, “Roots: Landscapes of Nationalism in the Long Nineteenth Century”, in A Companion to Nineteenth-Century Art, edited by Facos, M (2018), pp. 281-298, Wiley-Blackwell, ISBN 9781118856369  [abs]
  9. McWilliam, N, Towards a New French Renaissance: Memory, Tradition and Cultural Conservatism in France before the First World War, Art History, vol. 40 no. 4 (September, 2017), pp. 724-743, Oxford University Press (OUP) [doi]
  10. Histoires sociales de l'art. Une anthologie critique, edited by McWilliam, NF; Moréteau, C; Lamoureux, J, vol. 1 & 2 (June, 2016), pp. 415 pages, Les Presses du réel, ISBN 978-2840663010
  11. McWilliam, NF, Michel Melot et l’historiographie d’Honoré Daumier, in L’Histoire sociale de l’art, edited by Froissart, R; McWilliam, N; Porterfield, T (2015), Les Presses du reel
  12. McWilliam, NF, ’L’Epoque n’a pas d’âme’: Critiques et chrétiens au Salon pendant la monarchie de Juillet, edited by Méneux, C (October, 2014)
  13. N.F. McWilliam, L’Art social en France de la Révolution à la Grande Guerre. Une Anthologie de textes primaires, edited by Catherine Méneux, Julie Ramos (September, 2014), INHA [4825]
  14. N.F. McWilliam, L’Art social en France de la Révolution à la Grande Guerre, edited by Catherine Méneux, Julie Ramos (2014), Presses universitaires de Rennes
  15. N.F. McWilliam, Le XIXe siècle au prisme des Visual Studies, Revue d’histoire du XIXe siècle no. 49 (2014), pp. 137-173 (discussion with Manuel Charpy, Christian Joschke, Ségolène Le Men & Vanessa Schwartz.)
  16. David d’Angers et la socialisation de l’exemplarité, in L’Art social en France de la Révolution à la Grande Guerre, edited by Cathérine Meneux, Neil McWilliam, Julie Ramos (2014)
  17. McWilliam, NF, La Bataille romantique 1900-1950, in L’Histoire de l’art en France 1890-1950: Acteurs, Institutions, Enjeux, edited by Passini, M; McWilliam, N (2014), Les Presses du reel
  18. McWilliam, NF, L’Histoire de l’art en France 1890-1950: Acteurs, institutions, enjeux, edited by M Passini (2014), Les Presses du réel/ Institut national d’histoire de l’art (co-edited with Michela Passini (CNRS).)  [abs]
  19. McWilliam, NF, Le Romantisme comme enjeu, in L’Histoire de l’art en France 1890-1950: Acteurs, Institutions, Enjeux, edited by NeilMcWilliam, ; Passini, M (2013), Les Presses du réel/ Institut national d’histoire de l’art, Paris and Dijon  [author's comments]
  20. McWilliam, NF, ’L’Epoque n’a pas d’âme’. Critiques et chrétiens au Salon pendant la monarchie de juillet, in La Critique d’art de la Révolution à la monarchie de Juillet: enjeux et pratiques, edited by Lachenal, L; Méneux, C (2013)
  21. McWilliam, NF, A Sense of Place. Representing the Region in Nineteenth-Century France, in Impressionist France. Le Gray to Monet, edited by Kelly, S (2013), pp. 53-65, Saint Louis Art Museum, 1 Fine Arts drive, Forest Park, St Louis MO 63110, ISBN 978-0-300-19695-5 (Catalog essay for an exhibition curated at SLAM by Simon Kelly.)
  22. McWilliam, NF, Patrie et pédagogie: l’art national selon Léon Rosenthal, in Léon Rosenthal (1870-1932), militant, critique et historien de l’art (2013), pp. 209-222, Editions Hermann, 6 rue Labrouste, 75015 Paris, ISBN 978-2-7056-8793-9 (Volume edited by Bertrand Tiller.)  [author's comments]
  23. McWilliam, NF, Au-delà de la ’République des arts’: les artistes, l’état et le marché au 19e siècle, in Faire art comme on fait société. Les Nouveaux commanditaires, edited by Joschke, C (2013), pp. 515-32, Les Presses du réel, ISBN 978-2-84066-623-3
  24. McWilliam, NF; Jungerman, N, Entretien avec Neil McWilliam, Florilettres no. 136 (Summer, 2012), pp. 2-17, Fondation de la Poste  [abs]
  25. McWilliam, NF; Bertrand-Dorléac, L; Michaud, E; Michaud, Y; Orwicz, M, Art, état et idéologies au XIXe et XXe siècles, Perspective no. 1 (June, 2012), pp. 41-55, Institut national d'histoire de l'art/ Armand Colin, 2 rue Vivienne, 75002 Paris, ISSN 1777-7852 [doi]  [author's comments]
  26. McWilliam, NF, How to change the world: Claude-Henri de Rouvroy, comte de Saint-Simon, in Utopian Moments: Reading Utopian Texts, edited by Davis, JC; Avilés, MAR (May, 2012), pp. 106-112, Bloomsbury Academic, London, 50 Bedford Square, London WC1B 3DP, ISBN 978 1849666848
  27. McWilliam, NF, Emile Bernard: Les Lettres d’un artiste (1884-1941) (May, 2012), pp. 981 pages, Les Presses du réel, 35 rue Colson, Dijon, France, ISBN 978-2-84066-498-7  [abs]
  28. McWilliam, NF, ’Ténébreux compagnons de toute solitude’: Emile Bernard et la littérature, in Emile Bernard: Au-delà de Pont-Aven, edited by McWilliam, N (January, 2012), pp. 27-53, Institut national d’histoire de l’art, 2 rue Vivienne, 75002 Paris, ISBN 978-2-917902-12-7 (Exhibition catalogue essay.)
  29. McWilliam, NF, Au-delà de Pont-Aven: A la poursuite d’Emile Bernard, in Emile Bernard: Au-delà de Pont-Aven, edited by McWilliam, N (January, 2012), pp. 5-23, Institut national d’histoire de l’art, 2 rue Vivienne, 75002 Paris, ISBN 978-2-917902-12-7 (Exhibition catalogue.)  [author's comments]
  30. McWilliam, NF, Emile Bernard: Au-delà de Pont-Aven, edited by McWilliam, N (January, 2012), pp. 118-118, Institut national d’histoire de l’art (Exhibition catalogue.)  [abs]
  31. McWilliam, NF, David d’Angers et la socialisation de l’exemplarité, in L’Art social en France de la Révolution à la Grande Guerre, edited by McWilliam, N; Meneux, C; Ramos, J (2012)  [author's comments]
  32. McWilliam, NF, A la recherche de l'Amérique profonde: l'art patriotique contemporain et l'idée de communauté nationale, Histoire de l'art no. 70 (2012), pp. 95-107, Institut national d'histoire de l'art  [author's comments]
  33. Bernard, E; McWilliam, N, Émile Bernard, au-delà de Pont-Aven (2012), pp. 118 pages, ISBN 9782917902127
  34. McWilliam, NF; Meneux, C; Ramos, J, L’art social en France de la Révolution à la Grande Guerre (2012) (Edited volume based upon conference organized at the INHA, Paris, in June 2011.)  [author's comments]
  35. McWilliam, NF, Avant-garde Anti-Modernism: Caricature and Cabaret Culture in Fin-de-siècle Montmartre, in L’art de la caricature, Les arts en correspondance, edited by Men, SL (November, 2011), pp. 275-295, Presses universitaires de Paris Ouest, Université de Paris Ouest Nanterre, 200 avenue de la République, 92001 Nanterre, France, ISBN 978-2-84016-072-4  [author's comments]
  36. McWilliam, NF, Sanat/Utopya. Mutluluk Hayalleri: Sosyal Sanat ve Fransiz solu (1830-1850) (November, 2011), pp. 570 pp.-570 pp., Iletisim Yayinlari, Iletisim Han no. 7, Cagaloglu 34 122 Istanbul, Turkey, ISBN 978-975-05-0964-3  [author's comments]
  37. McWilliam, NF, Emile Bernard, Vincent van Gogh et Octave Mirbeau: Critique de la critique, Cahiers Octave Mirbeau no. 18 (Spring, 2011), pp. 169-177  [author's comments]
  38. McWilliam, NF, Comment peindre un tableau fouriériste, in Charles Fourier – l’écart absolu (April, 2010), pp. 50-65, Musée des beaux-arts, Besançon, France
  39. N.F. McWilliam (ed.), Lines of Attack: Conflicts in Caricature (2010), Nasher Museum of Art (Duke University Press), Durham, NC
  40. McWilliam, NF, ’Michel Melot et l’historiographie de Daumier’, in L’Histoire sociale de l’art, edited by Bordes, P (2010), Les Presses du réel, Dijon
  41. McWilliam, NF, Qui a peur de George Sand? Antiromantisme et antiféminisme chez les maurrassiens, in L’Action française et la culture, edited by McWilliam, NF; Leymairie, M; Dard, O (2010), pp. 173-84, Presses universitaires du Septentrion, Lilles, France
  42. Lines of Attack, edited by McWilliam, N (2010), pp. 86 pages, Duke University Press, ISBN 9780938989325  [abs]
  43. McWilliam, NF; Leymarie, M; Dard, O, L’Action française et la culture (2010), Presses universitaires du Septentrion, Université de Lille
  44. McWilliam, NF, Emile Bernard’s Reactionary Idealism, in Academics, Pompiers, Official Artists and the Arrière-garde: Defining Modern & Traditional in France 1900-1960, edited by Adamson, N; Norris, T (2009), pp. 25-49, Cambridge Scholars Press
  45. McWilliam, NF, ’Au-delà de la "République des arts": les artistes, l’étate et le marché au XIXe siècle’, in Faire Art comme on fait société. Les Nouveaux Commanditaires, edited by Joschke, C (2009), pp. 515-532, Les Presses du réel, Paris and Dijon, ISBN 978-2-84066-623-3  [author's comments]
  46. McWilliam, NF, ’L’energie de la race’: La Provence dans la critique d’art de Joachim Gasquet, in Visages de la Provence, edited by Minogue, V; Pollard, P (2009), pp. 165-77, Emile Zola Society, London
  47. McWilliam, N, The Culture of Nationalism, in Nations and Nationalism in Global Perspective: An Encyclopedia of Origins, Developments and Contemporary Transitions, edited by Herb, G (2008)
  48. McWilliam, NF, ‘Erudition et engagement politique: la double vie de Louis Dimier’, in L’Histoire de l’histoire de l’art en France au XIXe siècle, edited by Recht, R; Sénéchal, P; Barbillon, C; Martin, F-R (2008), pp. 403-417, La Documentation française, 29-31 Quai Voltaire, Paris 75007, france, ISBN 978-2-11-006539-1
  49. McWilliam, N, Rêves de bonheur. L’Art social et la gauche française (1830-1850) (2007), pp. 494 pages, Les Presses du réel, ISBN 978-2-84066-164-1  [author's comments]
  50. with Nationalism and French Visual Culture, 1870-1914, Studies in the History of Art, edited by June Hargrove & Neil McWilliam (May, 2005), National Gallery of Art, Washington & Yale University Press
  51. McWilliam, NF, Lieux de mémoire, sites de contestation. Le Monument public comme enjeu politique, 1880-1914, in La Statuaire publique au XIXe siècle, edited by Men, SL (January, 2005), pp. 104-115, Monum. Editions du Patrimoine
  52. McWilliam, N, Action francaise, classicism, and the dilemmas of traditionalism in France, 1900-1914, STUDIES IN THE HISTORY OF ART, vol. 68 (2005), pp. 269-+, ISSN 0091-7338 [Gateway.cgi]
  53. Nationalism and French Visual Culture, 1870-1914, edited by McWilliam, N; Hargrove, J (2005), pp. 336 pages, National Gallery of Art (Center for Advanced Study in the Visual Arts), ISBN 9780300107555  [abs]
  54. McWilliam, NF, Une Esthétique révolutionnaire? La Politique de l’Art social. Aux alentours de 1820-1850’, Arts et sociétés (December, 2004), Centre d’histoire de Sciences Po [html]
  55. McWilliam, N, Conflicting Manifestations: Parisian Commemoration of Joan of Arc and Etienne Dolet in the Early Third Republic, in French Historical Studies, French Historical Studies, vol. 27 no. 2 (Spring, 2004), pp. 381-418, Duke University Press, ISSN 0016-1071 [Gateway.cgi], [doi]  [abs]
  56. McWilliam, NF, Action française, Classicism, and the Dilemmas of Traditionalism in France 1900-1914, in Nationalism and French Visual Culture, 1870-1914, edited by Hargrove, J; McWilliam, N (2004), Studies in the History of Art, National Gallery of Art, Washington D.C., Center for Advanced Study in the Visual Arts
  57. McWilliam, N, Conflicting Manifestations: Parisian Commemoration of Joan of Arc and Etienne Dolet in the Early Third Republic, vol. 27 (2004), pp. 381-418 [40324393], [doi]  [abs]
  58. McWilliam, NF, Entries on Jean Baffier, Hugues Lapaire, Maxime Réal del Sarte, and Félix Vallotton, in Dictionnaire biographique et géographique de l’Affaire Dreyfus, Editions Champion, edited by Oriol, P (2003)
  59. McWilliam, NF, Ordering the Past. Nineteenth-Century French History Painting in Retrospect, in History Painting in Nineteenth-Century France, edited by Cook, P; Ledbury, M (2003), Manchester University Press
  60. McWilliam, NF, Exercises de style. La Critique devant les Envois de Rome 1800-1873, D’Ingres à Degas. Rome et les artistes français 1803-1873 (2003), pp. 139-149, Académie de France, Rome (article commissioned for exhibition catalogue.)
  61. McWilliam, NF, Von "Marat" bis "Thermidor": Die Interpretation der Revolution in der Dritten Republik in Frankreich, in Revolution, Republik und Reaction: Der Umgang mit dem Erbe der Französischen Revolution 1871-1914, edited by Gersmann, G; Kohle, H (2002), pp. 99-118, Franz Steiner, Stuttgart
  62. McWilliam, NF, ’Contre-révolution, contre-romantisme . . .’. Esthétique et politique dans l’Action fran¢aise, in L’Invention du XIXe siècle. 2. Le XIXe siècle au miroir du XXe’, edited by al, ACE (2002), pp. 109-122, Klinckseick, Paris
  63. McWilliam, NF, Champagne Socialism: Luxury in Fourier's Utopia, Modern and Contemporary France, vol. 9 no. 2 (May, 2001), pp. 149-160
  64. McWilliam, N, Gustave Courbet et la Franche-Comté. Besançon, The Burlington Magazine, vol. 143 no. 1175 (2001), pp. 116-117, ISSN 0007-6287 [889192], [doi]
  65. McWilliam, NF, Peripheral Visions: Class, Cultural Aspiration and the Artisan Community in Mid-Nineteenth-Century France, in Politics and Aesthetics in the Arts, edited by Gaskell, I; Kemal, S (2000), pp. 140-73, Cambridge Studies in Philosophy and the Arts, Cambridge University Press
  66. McWilliam, NF, Monumental Intolerance. Jean Baffier, A Nationalist Sculptor in fin-de-siècle France (2000), Penn State University Press
  67. McWilliam, NF, Commemoration and the Politics of Iconoclasm: The Battle over "les Statues dreyfusardes", 1908-1910, in Memory and Oblivion, edited by Reinink, AW; Stumpel, J (January, 1999), pp. 1114 pages, Kluwer Academic Pub  [abs]
  68. McWilliam, NF, Mythologising Millet, in Barbizon. Malerei der Natur - Natur der Malerei, edited by Burmester, A; Heilmann, C; Zimmermann, MF (1999), Klinkhardt & Biermann
  69. McWilliam, NF, Craft, Commerce and the Contradictions of Anti-Capitalism: Reproducing the Applied Art of Jean Baffier, in Sculpture and Its Reproductions, edited by Hughes, A; Ranfft, E (1997), pp. 209 pages, Reaktion Books, ISBN 9781861890023  [abs]
  70. McWilliam, NF, Race, Remembrance and 'Revanche': Commemorating the Franco-Prussian War in the Third Republic, Art History: journal of the Association of Art Historians, vol. 19 no. 4 (1996), pp. 473-498, ISSN 1467-8365
  71. McWilliam, N, Monuments, Martyrdom, and the Politics of Religion in the French Third Republic, The Art Bulletin, vol. 77 no. 2 (1995), pp. 186-206, JSTOR, ISSN 0004-3079 [Gateway.cgi], [doi]  [abs]
  72. McWilliam, NF, Les David du XIXe siècle, in Art Criticism and Its Institutions in Nineteenth-century France, edited by Orwicz, MR (January, 1994), pp. 200 pages, Manchester University Press, ISBN 9780719038600  [abs]
  73. McWilliam, NF, Presse, journalistes et critique d'art à Paris de 1849 à 1860, Quarante-huit/Quatorze, Annual publication of the Musée d'Orsay, vol. 5 (1993)
  74. McWilliam, N, Baroque in Croatia. Zagreb, Museum of Arts and Crafts, The Burlington Magazine, vol. 135 no. 1087 (1993), pp. 712-713, ISSN 0007-6287 [885765], [doi]
  75. N. McWilliam, Hogarth (1993), Studio Editions, London
  76. McWilliam, NF, Dreams of Happiness. Social Art and the French Left 1830-1850 (1993), Princeton University Press
  77. McWilliam, NF, Why were there no Great Saint-Simonian Artists?, in L'art et les révolutions: L'Art et les transformations sociales révolutionnaires, edited by Vaughan, W (1992), pp. 69-79, CIHA
  78. McWilliam, NF, Opinions professionnelles: critique d'art et économie de la culture sous la Monarchie de juillet, Romantisme, vol. 71 (1991), pp. 19-30
  79. with McWilliam, NF; Schuster, V; Wrigley, R; Méker, P, A Bibliography of Salon Criticism in Paris from the Ancien Régime to the Restoration 1699-1827 (1991), Cambridge University Press
  80. McWilliam, NF, A Bibliography of Salon Criticism in Paris from the July Monarchy to the Second Republic 1831-1851 (1991), Cambridge University Press
  81. McWilliam, NF, Le Paysan au Salon, in La Critique d'art en France, 1850-1900, edited by Bouillon, JP (1989), pp. 81-94, Université de Saint-Etienne, ISBN 9782901559306
  82. McWilliam, N, Limited Revisions: Academic Art History Confronts Academic Art, Oxford Art Journal, vol. 12 no. 2 (1989), pp. 71-86, Oxford University Press (OUP), ISSN 0142-6540 [doi]
  83. McWilliam, NF, Art, Labour, and Mass Democracy: Debates on the Status of the Artist in France around 1848, Art History: journal of the Association of Art Historians, vol. 11 no. 1 (March, 1988), pp. 64-87, ISSN 1467-8365
  84. Melot, M; McWilliam, N, Daumier and Art History: Aesthetic Judgement/Political Judgement, Oxford Art Journal, vol. 11 no. 1 (1988), pp. 3-24, Oxford University Press (OUP), ISSN 0142-6540 [doi]
  85. McWilliam, NF, Objets retrouvés, Art History: journal of the Association of Art Historians, vol. 10 no. 1 (March, 1987), Wiley, ISSN 1467-8365
  86. McWilliam, N, The Sculptor of Modern Life, Oxford Art Journal, vol. 10 no. 1 (1987), pp. 102-105, Oxford University Press (OUP), ISSN 0142-6540 [doi]
  87. Chaudonneret, M; McWilliam, N, 1848: 'La République des Arts', Oxford Art Journal, vol. 10 no. 1 (1987), pp. 59-70, Oxford University Press (OUP), ISSN 0142-6540 [doi]
  88. McWilliam, N, Country Life, Oxford Art Journal, vol. 9 no. 1 (1986), pp. 76-81, Oxford University Press (OUP), ISSN 0142-6540 [doi]
  89. Life and Landscape: The Photographs of P.H. Emerson, edited by McWilliam, NF; Sekules, V (1986), Sainsbury Center of Visual Arts
  90. McWilliam, NF; Potts, A, Richard Wilson: Landscapes of Reaction, History Workshop Journal (1985)
  91. McWilliam, NF, Making Faces, Art History: journal of the Association of Art Historians, vol. 7 no. 1 (March, 1984), pp. 115-119, Wiley, ISSN 1467-8365
  92. McWilliam, N; Potts, A, The Landscape of Reaction: Richard Wilson (1713?-1782) and His Critics, History Workshop no. 16 (1983), pp. 171-175, ISSN 0309-2984 [4288529], [doi]
  93. Parsons, C; McWilliam, N, 'Le Paysan de Paris': Alfred Sensier and the Myth of Rural France, Oxford Art Journal, vol. 6 no. 2 (1983), pp. 38-58, Oxford University Press (OUP), ISSN 0142-6540 [doi]
  94. McWilliam, N, 'Un enterrement à Paris': Courbet's Political Contacts in 1845, The Burlington Magazine, vol. 125 no. 960 (1983), pp. 155-157, ISSN 0007-6287 [881205], [doi]
  95. McWilliam, NF, David d'Angers and the Panthéon Commission: Politics and Public Works under the July Monarchy', Art History: journal of the Association of Art Historians, vol. 5 no. 4 (December, 1982), pp. 6-446, Wiley, ISSN 1467-8365
  96. McWilliam, NF, Look At Life, Art History: journal of the Association of Art Historians, vol. 4 no. 4 (December, 1981), pp. 466-470, Wiley, ISSN 1467-8365
  97. McWilliam, N, Paris. David d'Angers, Maître d'Hébert, The Burlington Magazine, vol. 122 no. 933 (1980), pp. 860-863, ISSN 0007-6287 [880184], [doi]
  98. Schuster, V; Alston, D; McWilliam, N, Preface, Oxford Art Journal, vol. 1 no. ArticleType: misc / Issue Title: Art in (1978), pp. XI+XII+XIII+, ISSN 0098-9258 [doi]
  99. McWilliam, N, A Microcosm of the Universe: The Building of the University Museum, Oxford Art Journal, vol. 1 no. ArticleType: research-article / Issue Ti (1978), pp. 23-27, Oxford University Press (OUP), ISSN 0142-6540 [doi]