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Publications of Guo-Juin Hong     :chronological  combined listing:

%% Papers Published   
@article{fds138899,
   Author = {G. Hong},
   Title = {Framing Time: New Women and the Cinematic Representation of
             Colonial Modernity in 1930s Shanghai},
   Journal = {positions: east asia cultures critique},
   Volume = {15},
   Number = {3},
   Pages = {553-580},
   Publisher = {Duke University Press},
   Editor = {Tani Barlow},
   Year = {2007},
   ISSN = {1067-9847},
   Key = {fds138899}
}

@article{fds28432,
   Author = {G. Hong},
   Title = {Toying with History: Toys and Film Consumption/Criticism/
             History},
   Journal = {Chungwai Wenxue (Chung Wai Literary Monthly)},
   Publisher = {Graduate Institute of Foreign Languages, National Taiwan
             University, Taipei, Taiwan},
   Year = {2002},
   Month = {September},
   Key = {fds28432}
}

@article{fds28433,
   Author = {G. Hong},
   Title = {Strategies of Defiance: Towards a Thesis on Anti-Realist
             Documentary},
   Journal = {Film Appreciation Journal},
   Number = {111},
   Publisher = {National Film Archive, Taipei, Taiwian},
   Year = {2002},
   Month = {Spring},
   Key = {fds28433}
}


%% Papers Accepted   
@article{fds154453,
   Author = {G. Hong},
   Title = {Meet Me in Shanghai: Urban Melodrama as Refugee Cinema in
             1930s Shanghai},
   Journal = {Journal of Chinese Cinemas},
   Year = {2008},
   Key = {fds154453}
}

@article{fds138900,
   Author = {G. Hong},
   Title = {Limites of Visibility: Taiwan’s Tongzhi Movement in Mickey
             Chen’s Documentaries},
   Journal = {positions: east asia cultures critique},
   Year = {2007},
   ISSN = {1067-9847},
   Key = {fds138900}
}

@article{fds53301,
   Author = {G. Hong},
   Title = {Island of No Return: Cinematic Retrospection in Wang's
             Taiwan Trilogy},
   Booktitle = {Techologies of Temporality in Chinese Cinema},
   Year = {2006},
   Key = {fds53301}
}

@article{fds44055,
   Author = {G. Hong},
   Title = {Framing Time: _New Women_ and the Cinematic Representation
             of Colonial Modernity in 1930s Shanghai},
   Journal = {positions: east asia cultural critique},
   Year = {2005},
   Key = {fds44055}
}


%% Papers Submitted   
@article{fds53300,
   Author = {G. Hong},
   Title = {Memorandum on Happiness or the Limits of Visibility:
             Taiwan's Tongzhi Movement in Mickey Chen's
             Documentary},
   Journal = {postions: east asia cultural critique},
   Year = {2006},
   Key = {fds53300}
}

@article{fds53302,
   Author = {G. Hong},
   Title = {Meet Me in Shanghai: Urban Cinema as Refugee Cinema in 1930s
             Shanghai},
   Journal = {Cinema Journal},
   Year = {2006},
   Key = {fds53302}
}


%% Other   
@article{fds28434,
   Author = {Charles Simmons},
   Title = {Salt Water},
   Publisher = {Locus Publishing Company, Taipei, Taiwan},
   Year = {2002},
   Month = {August},
   Key = {fds28434}
}