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Publications of Guo-Juin Hong     :recent first  combined  bibtex listing:

Papers Published

1. G. Hong, Strategies of Defiance: Towards a Thesis on Anti-Realist Documentary, Film Appreciation Journal no. 111 (April - June 2002), National Film Archive, Taipei, Taiwian
2. G. Hong, Toying with History: Toys and Film Consumption/Criticism/ History, Chungwai Wenxue (Chung Wai Literary Monthly) (September 2002), Graduate Institute of Foreign Languages, National Taiwan University, Taipei, Taiwan
3. G. Hong, Framing Time: New Women and the Cinematic Representation of Colonial Modernity in 1930s Shanghai, edited by Tani Barlow, positions: east asia cultures critique, vol. 15 no. 3 (2007), pp. 553-580, Duke University Press, ISSN 1067-9847

Papers Accepted

1. G. Hong, Framing Time: _New Women_ and the Cinematic Representation of Colonial Modernity in 1930s Shanghai, positions: east asia cultural critique (forthcoming, Nov. 2007)
2. G. Hong, Island of No Return: Cinematic Retrospection in Wang's Taiwan Trilogy, in Techologies of Temporality in Chinese Cinema (2006, book volume under review)
3. G. Hong, Limites of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries, positions: east asia cultures critique (2007), ISSN 1067-9847
4. G. Hong, Meet Me in Shanghai: Urban Melodrama as Refugee Cinema in 1930s Shanghai, Journal of Chinese Cinemas (2008)

Papers Submitted

1. G. Hong, Memorandum on Happiness or the Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentary, postions: east asia cultural critique (2006, under review)
2. G. Hong, Meet Me in Shanghai: Urban Cinema as Refugee Cinema in 1930s Shanghai, Cinema Journal (2006, under review)

Other

1. Charles Simmons, Salt Water (August 2002), Locus Publishing Company, Taipei, Taiwan (G. Hong, translator.)