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Publications of Guo-Juin Hong     :chronological  by type  bibtex listing:

1. G. Hong, Meet Me in Shanghai: Urban Melodrama as Refugee Cinema in 1930s Shanghai, Journal of Chinese Cinemas (2008)
2. G. Hong, Framing Time: New Women and the Cinematic Representation of Colonial Modernity in 1930s Shanghai, edited by Tani Barlow, positions: east asia cultures critique, vol. 15 no. 3 (2007), pp. 553-580, Duke University Press, ISSN 1067-9847
3. G. Hong, Limites of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries, positions: east asia cultures critique (2007), ISSN 1067-9847
4. G. Hong, Memorandum on Happiness or the Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentary, postions: east asia cultural critique (2006, under review)
5. G. Hong, Island of No Return: Cinematic Retrospection in Wang's Taiwan Trilogy, in Techologies of Temporality in Chinese Cinema (2006, book volume under review)
6. G. Hong, Meet Me in Shanghai: Urban Cinema as Refugee Cinema in 1930s Shanghai, Cinema Journal (2006, under review)
7. G. Hong, Framing Time: _New Women_ and the Cinematic Representation of Colonial Modernity in 1930s Shanghai, positions: east asia cultural critique (forthcoming, Nov. 2007)
8. G. Hong, Toying with History: Toys and Film Consumption/Criticism/ History, Chungwai Wenxue (Chung Wai Literary Monthly) (September 2002), Graduate Institute of Foreign Languages, National Taiwan University, Taipei, Taiwan
9. Charles Simmons, Salt Water (August 2002), Locus Publishing Company, Taipei, Taiwan (G. Hong, translator.)
10. G. Hong, Strategies of Defiance: Towards a Thesis on Anti-Realist Documentary, Film Appreciation Journal no. 111 (April - June 2002), National Film Archive, Taipei, Taiwian