Publications of Margaret R. Greer    :chronological  alphabetical  combined listing:

%% Books   
@book{fds305598,
   Author = {Greer, MR and Rhodes, E},
   Title = {María de Zayas y Sotomayor. Exemplary Tales of Love and
             Tales of Disillusion},
   Publisher = {U. of Chicago Press},
   Year = {2014},
   Month = {February},
   Key = {fds305598}
}

@book{fds288348,
   Author = {Greer, MR and Rhodes, E},
   Title = {Mara de Zayas y Sotomayor. Exemplary Tales of Love and Tales
             of Disillusion},
   Publisher = {U. of Chicago Press},
   Year = {2009},
   Month = {Spring},
   Key = {fds288348}
}

@book{fds309941,
   Author = {Bass, LR and Greer, MR},
   Title = {Approaches to Teaching Early Modern Spanish
             Drama},
   Publisher = {New York: Modern Languages Association},
   Year = {2006},
   Month = {April},
   Key = {fds309941}
}

@book{fds288346,
   Author = {Greer, MR and ed},
   Title = {Basta callar. Pedro Calderon de la Barca},
   Publisher = {Ottawa: Dovehouse Editions},
   Year = {2000},
   Key = {fds288346}
}

@book{fds288347,
   Author = {Greer, MR},
   Title = {Maria de Zayas Tells Baroque Tales of Love and the Cruelty
             of Men},
   Publisher = {University Park, Pa.: Pennsylvania State University
             Press},
   Year = {2000},
   Key = {fds288347}
}


%% Edited Volumes   
@misc{fds309940,
   Author = {Greer, MR and Mignolo, W and Quilligan, M},
   Title = {Rereading the Black Legend: The Discourses of Racism in the
             Renaissance Empires},
   Publisher = {U. of Chicago Press},
   Year = {2007},
   Month = {December},
   Key = {fds309940}
}

@misc{fds16893,
   Author = {John Dagenais and Margaret R. Greer},
   Title = {Decolonizing the Middle Ages},
   Journal = {Journal of Medieval and Early Modern Studies},
   Volume = {30},
   Number = {3},
   Year = {2000},
   Month = {Fall},
   Key = {fds16893}
}


%% Articles Accepted in Collection   
@article{fds211669,
   Author = {M.R. Greer},
   Title = {The Weight of Law in Calderón},
   Journal = {Bulletin of Spanish Studies},
   Volume = {90},
   Pages = {651-678},
   Editor = {Grace Magnier},
   Year = {2013},
   Month = {Spring},
   Key = {fds211669}
}

@article{fds140087,
   Author = {M.R. Greer},
   Title = {Early Modern Spanish Theatrical Transmission, Memory, and a
             Claramonte Play},
   Booktitle = {Festschrift in honor of Robert L. Fiore},
   Publisher = {Juan de la Cuesta},
   Editor = {Malcolm Compitello and Chad Gasta and et al},
   Year = {2008},
   Month = {Winter},
   Key = {fds140087}
}


%% Book Reviews   
@article{fds140088,
   Author = {M.R. Greer},
   Title = {Bruce Burningham. Radical Theatricality: Jongleuresque
             Performance on the Early Spanish Stage},
   Journal = {Renaissance Quarterly},
   Year = {2007},
   Month = {Winter},
   Key = {fds140088}
}

@article{fds16903,
   Title = {Cervantes in Algiers: A Captive’s Tale, by María
             Antonia Garcés, and Passing for Spain: Cervantes and the
             Fictions of Identity, by Barbara Fuchs},
   Journal = {Caliope},
   Year = {2003},
   Key = {fds16903}
}

@article{fds16906,
   Title = {La segunda versión de ‘La vida es sueño’, de
             Calderón. Edición, introducción y notas de Germán
             Vega García-Luengos, Don W. Cruickshank y J. M. Ruano de la
             Haza},
   Journal = {Revista Canadiense de Estudios Hispánicos},
   Volume = {37},
   Number = {2},
   Pages = {380-382},
   Year = {2003},
   Key = {fds16906}
}

@article{fds16904,
   Title = {Il gran Cid dell Spagne. Materiales para el estudio del
             tema del Cid en Italia, by Marco Lombardi and Coral
             García},
   Journal = {Rivista di Letterature Moderne e Comparate},
   Year = {2002},
   Key = {fds16904}
}

@article{fds16905,
   Title = {Pilgrimage to Patronage. Lope de Vega and the Court of
             Philip III, 1598-1621, by Elizabeth Wright},
   Journal = {Bulletin of Hispanic Studies (Liverpool).},
   Year = {2002},
   Key = {fds16905}
}

@article{fds16907,
   Title = {El rey don Pedro en Madrid y el infanzón de Illescas.
             Attributed to Lope de Vega. Critical Edition of the Text of
             the Primary Tradition, Carol Bingham Kirby,
             ed.},
   Journal = {Bulletin of the Comediantes},
   Volume = {53},
   Number = {2},
   Pages = {335-337},
   Year = {2001},
   Key = {fds16907}
}


%% Articles in a Journal   
@article{fds328642,
   Author = {Greer, MR},
   Title = {"Move over" Shakespeare: Lope's place in the European
             theater of his time},
   Journal = {Anuario Lope de Vega},
   Volume = {23},
   Pages = {318-346},
   Publisher = {Universitat Autonoma de Barcelona},
   Year = {2017},
   Month = {January},
   url = {http://dx.doi.org/10.5565/rev/anuariolopedevega.196},
   Abstract = {This essay examines several factors that have stood in the
             way of an appropriate appreciation of the contributions of
             the theater of Lope de Vega and the Spanish comedia to early
             modern literature, factors that include political rivalries,
             oppositional national self-definitions, and religious
             differen-ces. Reference is made to an assortment of works of
             Lope, Shakespeare, Ben Jonson and Webster.},
   Doi = {10.5565/rev/anuariolopedevega.196},
   Key = {fds328642}
}

@article{fds328643,
   Author = {Greer, MR},
   Title = {Secrets and mysteries in the tragic shift in el caballero de
             Olmedo},
   Journal = {Memoria y Civilizacion},
   Volume = {19},
   Pages = {147-164},
   Publisher = {Universidad de Navarra},
   Year = {2016},
   Month = {January},
   url = {http://dx.doi.org/10.15581/001.19.147-164},
   Abstract = {The fascination aroused by El caballero de Olmedo is due in
             part to the power of attraction of the secrets it contains.
             Some of them are easy to penetrate, others difficult,
             particularly for a modern public less aware of the «public
             secrets» (Taussig) of seventeenth century culture. Is the
             distance that separates Olmedo and Medina only a physical
             distance don Alonso has to traverse, or does it imply
             socio-cultural and political distance, ethnoreligious
             difference, questions of wealth, class and political weight?
             Yet more intriguing are the supernatural mysteries that
             besiege Alonso. The structure of the drama is another
             mystery. In the middle of this «comi-tragedia» (Ruano),
             there is a political interlude (Fothergill-Payne) in which
             the king discusses habits for Calatrava and Alcántara,
             giving Alonso a habit, and of the attire Jews and Moors
             should wear to distinguish them from old Christians. Is this
             a way of evoking a «public secret» that traps those not
             aware of it? These are the questions I consider in this
             article.},
   Doi = {10.15581/001.19.147-164},
   Key = {fds328643}
}

@article{fds328644,
   Author = {Greer, MR},
   Title = {CALDERON IN HIS LABORATORY: THE EVIDENCE OF SHORT CUT
             DISCUSSION AND DELIVERY},
   Journal = {ANUARIO CALDERONIANO},
   Number = {8},
   Pages = {153-+},
   Year = {2015},
   Key = {fds328644}
}

@article{fds288340,
   Author = {Greer, MR},
   Title = {Victor Dixon, En busca del Fénix. Quince estudios sobre
             Lope de Vega y su teatro., TC/12 / Iberoamericana /
             Vervuert. Madrid / Frankfurt am Main, 2013.},
   Journal = {Anuario Lope de Vega},
   Volume = {forthcoming},
   Year = {2014},
   Key = {fds288340}
}

@article{fds288341,
   Author = {Greer, MR},
   Title = {Lope de Vega, Comedias, Parte XI, Coords. Laura Fernández
             and Gonzalo Pontón, 2 vols. Madrid, Gredos,
             2012.},
   Journal = {Calíope},
   Year = {2014},
   Key = {fds288341}
}

@article{fds328645,
   Author = {Greer, MR},
   Title = {Reflections of power: Eco y Narciso by Calderón meets Las
             meninas by Velazquez},
   Journal = {Anuario Calderoniano},
   Volume = {1},
   Pages = {191-211},
   Year = {2013},
   Month = {November},
   Abstract = {Calderón's court spectacle play Eco y Narciso was first
             performed in 1661 to celebrate the tenth birthday of the
             princess Margarita, the infanta in the center of
             Velázquez's painting Las meninas ( 1656). Calderón opens
             the drama with a celebration of the birthday of the
             shepherdess Echo, thus suggesting an analogy between the
             mythical nymph and the princess. This analogy, together with
             the reflections between the characters within the drama,
             invites us to see in this courtly play, as in Velázquez's
             famous painting, a reflection on the nature of subjectivity,
             desire and monarchical power.},
   Key = {fds328645}
}

@article{fds288350,
   Author = {Greer, MR},
   Title = {The weight of law in Calderón},
   Journal = {Bulletin of Spanish Studies},
   Volume = {90},
   Number = {4-5},
   Pages = {651-678},
   Publisher = {Informa UK Limited},
   Year = {2013},
   Month = {June},
   ISSN = {1475-3820},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000322306900013&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Abstract = {From La vida es sueño to El postrer duelo de España and El
             pintor de su deshonra, Calderón repeatedly explores the
             weight of law on the individual, dramatizing the conflict
             between desire and law on both sides of the sexual divide.
             Law, invoked in its multiple variants - divine, natural and
             human - collides with the honour code, love, loyalty to
             friends, to family and to the king and institutions of the
             state and of power frequently abuse concepts of justice. The
             fact that Calderón never wrote the promised second part of
             his only two dramas with eponymous titles, Judas Macabeo and
             Luis Pérez el gallego, suggests that the dramatist never
             found a satisfactory resolution to the fundamental human
             dilemma therein, that of finding a perfect individual
             balance between desire and the many faces of law. © 2013
             Copyright Bulletin of Spanish Studies.},
   Doi = {10.1080/14753820.2013.802571},
   Key = {fds288350}
}

@article{fds328646,
   Author = {Greer, MR},
   Title = {Spain, Europe and the wider world, 1500–1800},
   Journal = {Journal of Spanish Cultural Studies},
   Volume = {14},
   Number = {1},
   Pages = {86-88},
   Publisher = {Informa UK Limited},
   Year = {2013},
   Month = {March},
   url = {http://dx.doi.org/10.1080/14636204.2013.834736},
   Doi = {10.1080/14636204.2013.834736},
   Key = {fds328646}
}

@article{fds305599,
   Author = {Greer, MR},
   Title = {Authority and Theatrical Community: Early Modern Spanish
             Theater Manuscripts},
   Journal = {Renaissance Drama},
   Volume = {41},
   Year = {2013},
   Month = {Winter},
   Key = {fds305599}
}

@article{fds305600,
   Author = {Greer, MR},
   Title = {Class and the Dirty Work of War in Calderón},
   Journal = {Anuario Calderoniano},
   Volume = {2},
   Year = {2013},
   Month = {Winter},
   Key = {fds305600}
}

@article{fds288338,
   Author = {Greer, MR},
   Title = {J. H. Elliott, Spain, Europe and the Wider World, 1500-1800,
             New Haven: Yale University Press, 2009},
   Journal = {Journal of Spanish Cultural Studies},
   Volume = {14},
   Year = {2013},
   Key = {fds288338}
}

@article{fds288343,
   Author = {Greer, MR and García-Reidy, A},
   Title = {Manos Teatrales: Cyber-Paleography and Early Modern Spanish
             Theater},
   Journal = {Journal of Early Modern Cultural Studies},
   Volume = {13},
   Number = {4},
   Pages = {133-136},
   Year = {2013},
   Key = {fds288343}
}

@article{fds288344,
   Author = {Greer, MR},
   Title = {Manos Teatrales: la historia contada por los
             manuscritos,”},
   Journal = {TeaPal},
   Volume = {7},
   Pages = {516-531},
   Year = {2013},
   Key = {fds288344}
}

@article{fds288345,
   Author = {Greer, MR},
   Title = {Los reflejos del poder: Eco y Narciso de Calderón frente a
             Las Meninas de Velázquez},
   Journal = {Anuario calderoniano},
   Volume = {6},
   Pages = {191-211},
   Year = {2013},
   Key = {fds288345}
}

@article{fds288353,
   Author = {Greer, MR},
   Title = {Thine and Mine: The Spanish Golden Age and Early Modern
             Studies},
   Journal = {PMLA, Theories & Methodologies section},
   Volume = {126},
   Number = {1},
   Pages = {217-224},
   Publisher = {Modern Language Association (MLA)},
   Year = {2012},
   Month = {January},
   url = {http://dx.doi.org/10.1632/pmla.2011.126.1.217},
   Doi = {10.1632/pmla.2011.126.1.217},
   Key = {fds288353}
}

@article{fds288339,
   Author = {Greer, MR},
   Title = {Don W. Cruickshank, Don Pedro Calderón. (Cambridge:
             Cambridge University Press, 2009)},
   Journal = {Modern Philology},
   Year = {2012},
   Month = {Spring},
   Key = {fds288339}
}

@article{fds288351,
   Author = {Greer, MR},
   Title = {MIRROR NEURONS, THEATRICAL MIRRORS AND THE HONOR
             CODE},
   Journal = {ANUARIO CALDERONIANO},
   Series = {special edition on "The Virtual Worlds of
             Calderón"},
   Number = {5},
   Pages = {85-+},
   Editor = {Juan Luis Suarez},
   Year = {2012},
   ISSN = {1888-8046},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000319022700005&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Key = {fds288351}
}

@article{fds288334,
   Author = {Greer, MR},
   Title = {William Egginton, The Theater of Truth: The Ideology of
             (Neo)Baroque Aesthetics. (Stanford: Stanford University
             Press, 2010).},
   Journal = {Revista Hispánica Moderna},
   Year = {2011},
   Key = {fds288334}
}

@article{fds288335,
   Author = {Greer, MR},
   Title = {Teresa Ferrer Vals, dir., Diccionario biográfico de actores
             del teatro clásico español},
   Journal = {Bulletin of the Comediantes},
   Year = {2011},
   Key = {fds288335}
}

@article{fds288336,
   Author = {Greer, MR},
   Title = {Alban Forcione, "Majesty and Humanity: Kings and Their
             Doubles in the Political Drama of the Spanish Golden Age,"
             New Haven: Yale UP, 2009},
   Journal = {Calíope},
   Volume = {17},
   Number = {1},
   Pages = {219-224},
   Year = {2011},
   Key = {fds288336}
}

@article{fds288337,
   Author = {Greer, MR},
   Title = {Maria M. Calderón, "Subject Stages: Marriage, Theatre, and
             the Law in Early Modern Spain", U. of Toronto Press,
             2010},
   Journal = {Hispanic Review},
   Year = {2011},
   Key = {fds288337}
}

@article{fds288342,
   Author = {Greer, MR},
   Title = {The Weight of Law in Calderón},
   Journal = {Bulletin of Spanish Studies},
   Series = {Grace Magnier},
   Year = {2011},
   Key = {fds288342}
}

@article{fds288333,
   Author = {Greer, MR},
   Title = {Robert Bayliss, The Discourse of Courtly Love in
             Seventeenth-Century Spanish Theater (Lewisburg: Bucknell
             University Press, 2008)},
   Journal = {Colorado Review of Hispanic Studies},
   Year = {2010},
   Key = {fds288333}
}

@article{fds288354,
   Author = {Greer, MR},
   Title = {La mano del copista: Diego Martínez de Mora interpreta a
             Calderón},
   Journal = {Anuario Calderoniano},
   Volume = {1},
   Pages = {201-221},
   Year = {2008},
   Key = {fds288354}
}

@article{fds288355,
   Author = {Greer, MR and Lorenzo, AU},
   Title = {El proyecto ’Manos teatrales’},
   Journal = {Anuario Calderoniano},
   Volume = {I},
   Pages = {407-411},
   Year = {2008},
   Key = {fds288355}
}

@article{fds288356,
   Author = {Greer, MR},
   Title = {An (In)convenient Marriage? Justice and Power in ’La vida
             es sueño,’ comedia and auto sacramental},
   Journal = {Bulletin of Spanish Studies},
   Volume = {85},
   Number = {6},
   Pages = {55-68},
   Year = {2008},
   Month = {Fall},
   Key = {fds288356}
}

@article{fds288349,
   Author = {Greer, MR},
   Title = {Spanish Golden Age Tragedy: From Cervantes to
             Calderón},
   Journal = {A Companion to Tragedy},
   Pages = {351-370},
   Publisher = {BLACKWELL PUBLISHING LTD},
   Year = {2007},
   url = {http://dx.doi.org/10.1002/9780470996393.ch21},
   Doi = {10.1002/9780470996393.ch21},
   Key = {fds288349}
}

@article{fds288357,
   Author = {Greer, MR},
   Title = {Hispanism and its ’disciplina’},
   Journal = {Hispanic Issues on-line},
   Volume = {1},
   Number = {1},
   Year = {2006},
   Key = {fds288357}
}

@article{fds288332,
   Author = {Greer, MR},
   Title = {Bruce Burningham. Radical Theatricality: Jongleuresque
             Performance on the Early Spanish Stage},
   Journal = {Renaissance Quarterly},
   Year = {2005},
   Key = {fds288332}
}

@article{fds288359,
   Author = {Greer, MR and Sieber, H},
   Title = {Bruce W. Wardropper, 1919-2004},
   Journal = {Bulletin of Spanish Studies},
   Volume = {83},
   Number = {2},
   Pages = {249-52},
   Year = {2005},
   Key = {fds288359}
}

@article{fds288331,
   Author = {Greer, MR},
   Title = {I fantasmi di Cervantes" by Mariarossa Scaramuzza
             Vidoni},
   Journal = {Cervantes},
   Volume = {24},
   Pages = {259-261},
   Year = {2004},
   Key = {fds288331}
}

@article{fds288358,
   Author = {Greer, MR and Junguito, A},
   Title = {Economies of the Early Modern Spanish Stage},
   Journal = {Revista Canadiense de Estudios Hispánicos},
   Volume = {29},
   Pages = {31-46},
   Year = {2004},
   Key = {fds288358}
}

@article{fds288329,
   Author = {Greer, MR},
   Title = {La segunda versión de ‘La vida es sueño’, de
             Calderón. Edición, introducción y notas de Germán Vega
             García-Luengos, Don W. Cruickshank y J. M. Ruano de la
             Haza},
   Journal = {Revista Canadiense de Estudios Hispánicos},
   Volume = {37},
   Pages = {380-382},
   Year = {2003},
   Key = {fds288329}
}

@article{fds288330,
   Author = {Greer, MR},
   Title = {Cervantes in Algiers: A Captive’s Tale, by María Antonia
             Garcés, and Passing for Spain: Cervantes and the Fictions
             of Identity, by Barbara Fuchs},
   Journal = {Caliope},
   Year = {2003},
   Key = {fds288330}
}

@article{fds288327,
   Author = {Greer, MR},
   Title = {Pilgrimage to Patronage. Lope de Vega and the Court of
             Philip III, 1598-1621, by Elizabeth Wright},
   Journal = {Bulletin of Hispanic Studies (Liverpool).},
   Year = {2002},
   Key = {fds288327}
}

@article{fds288328,
   Author = {Greer, MR},
   Title = {Il gran Cid dell Spagne. Materiales para el estudio del tema
             del Cid en Italia, by Marco Lombardi and Coral
             García},
   Journal = {Rivista di Letterature Moderne e Comparate},
   Year = {2002},
   Key = {fds288328}
}

@article{fds288360,
   Author = {Greer, MR},
   Title = {In Memoriam: Anthony Higgins, 1964-2001},
   Journal = {Calíope},
   Volume = {8},
   Number = {2},
   Pages = {95-97},
   Year = {2002},
   Key = {fds288360}
}

@article{fds288352,
   Author = {Greer, MR},
   Title = {El 'Rey Don Pedro en Madrid and El Infanzon de Illescas'.
             Attributed to Lope de Vega. Critical edition of the text of
             the primary tradition},
   Journal = {BULLETIN OF THE COMEDIANTES},
   Volume = {53},
   Number = {2},
   Pages = {335-337},
   Year = {2001},
   ISSN = {0007-5108},
   url = {http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=000176238700005&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=47d3190e77e5a3a53558812f597b0b92},
   Key = {fds288352}
}

@article{fds288363,
   Author = {Greer, MR},
   Title = {Maria de Zayas and the Female Eunuch},
   Journal = {Journal of Spanish Cultural Studies},
   Volume = {2},
   Number = {1},
   Pages = {41-53},
   Year = {2001},
   Key = {fds288363}
}

@article{fds5992,
   Author = {Margaret R. Greer and John Dagenais},
   Title = {Introduction to Decolonizing the Middle
             Ages},
   Journal = {Journal of Medieval and Early Modern Studies},
   Volume = {30},
   Series = {Special Topics issue},
   Number = {3},
   Year = {2000},
   Month = {Fall},
   Key = {fds5992}
}

@article{fds288362,
   Author = {Greer, MR},
   Title = {A Tale of Three Cities: The Place of the Theatre in Early
             Modern Madrid, London and Paris},
   Journal = {Bulletin of Hispanic Studies (Liverpool)},
   Volume = {77},
   Pages = {391-419},
   Year = {2000},
   Key = {fds288362}
}

@article{fds288326,
   Author = {Greer, MR},
   Title = {A Star-Crossed Golden Age. Myth and the Spanish Comedia,
             Frederick A. De Armas, ed},
   Journal = {Revista de Estudios Hispánicos},
   Volume = {33},
   Pages = {587-588},
   Year = {1999},
   Key = {fds288326}
}

@article{fds288361,
   Author = {Greer, MR},
   Title = {Woman and the Tragic Family of Man in Los siete infantes de
             Lara of Juan de la Cueva.},
   Journal = {Hispania},
   Volume = {82},
   Pages = {472-480},
   Year = {1999},
   Key = {fds288361}
}


%% Articles in a Collection   
@article{fds288324,
   Author = {Greer, MR},
   Title = {Mapa de amanuenses teatrales del siglo XVII},
   Booktitle = {La comedia española en sus manuscritos},
   Editor = {al, FPE},
   Year = {2014},
   Key = {fds288324}
}

@article{fds288325,
   Author = {Greer, MR},
   Title = {Francisco de Avellaneda, autor del entremés El infierno de
             Juan Rana},
   Volume = {forthcoming},
   Booktitle = {Homenaje a Luis Iglesias Feijóo},
   Year = {2014},
   Key = {fds288325}
}

@article{fds288323,
   Author = {Greer, MR},
   Title = {Place, Space and Public Formation in the Drama of the
             Spanish Empire},
   Pages = {76-97},
   Booktitle = {Making Space Public in Early Modern Europe: Performance,
             Geography, Privacy},
   Editor = {Vanhaelen, A and Ward, J},
   Year = {2013},
   Month = {Winter},
   ISBN = {9780415661096},
   url = {http://dx.doi.org/10.4324/9780203073681-12},
   Abstract = {An attractive story-if perhaps not quite true-is that drama
             was reborn in Spain in the annus mirabilis of 1492, when the
             last Muslim kingdom in Iberia surrendered to Ferdinand and
             Isabella, ending its long “reconquest,” when Columbus
             “discovered” a New World and when Juan del Encina
             supposedly performed his Primera Égloga in the palace of
             the Duke of Alba. Encina’s performance probably took place
             three years later,1 and was not such a uniquely
             transformative event.2 The story does have a deeper truth,
             however, in the synergy between the development of the
             Spanish empire and that of the vibrantly popular drama of
             Spain’s “golden age.” Italy was, of course, the
             wellspring of the spread of Renaissance culture across
             Europe, stimulating the renewal of theater with translations
             and commentaries on Aristotle’s Poetics, the example of
             Roman comedy,3 development of staging techniques in court
             theater and the model for professionalization of theater in
             the travelling commedia dell’arte troops. The transit of
             those cultural stimuli was facilitated in the case of Spain
             by the inclusion of Sicily, Sardinia and Naples in the Crown
             of Aragón, Spanish control of the Duchy of Milan after 1540
             and more general involvement throughout Italy in defense of
             its Mediterranean interests and of the “Spanish Road” to
             the Netherlands and Vienna.4.},
   Doi = {10.4324/9780203073681-12},
   Key = {fds288323}
}

@article{fds288322,
   Author = {Greer, MR},
   Title = {Pedro Calderón de la Barca, dramaturgo cortesano},
   Series = {in an 8-vol series, "La monarquía de Felipe V", dir. José
             Martínez Millán},
   Booktitle = {La literatura en la época de Felipe IV},
   Editor = {Valls, MTF},
   Year = {2013},
   Key = {fds288322}
}

@article{fds288316,
   Author = {Greer, MR},
   Title = {Playing the Palace: Space, Place and Performance in the
             Golden Age},
   Pages = {79-102},
   Booktitle = {Cambridge History of the Theatre in Spain},
   Publisher = {Cambridge University Press},
   Editor = {Delgado, M and Gies, D},
   Year = {2012},
   Key = {fds288316}
}

@article{fds288317,
   Author = {Greer, MR},
   Title = {Los estudios calderonianos: los retos para dentro y para
             fuera},
   Booktitle = {Calderón: del manuscrito a la escena},
   Editor = {Armas, FAD and Lorenzo, LG},
   Year = {2012},
   Key = {fds288317}
}

@article{fds288314,
   Author = {Greer, MR},
   Title = {The Baroque and the Undead: Carnal Knowledge in the Novellas
             of María de Zayas y Sotomayor},
   Pages = {143-156},
   Booktitle = {A Companion to Spanish Women’s Studies},
   Publisher = {Boydell and Brewer},
   Editor = {Coates, G},
   Year = {2011},
   Key = {fds288314}
}

@article{fds288315,
   Author = {Greer, MR},
   Title = {Espacios teatrales: su significación dramática y
             social},
   Pages = {297-320},
   Booktitle = {Monstruos de apariencias lleno’s: Espacio de
             representación y espacios representados en el teatro áureo
             español},
   Publisher = {Gráficas Celler},
   Address = {Barcelona},
   Editor = {Raposo, FS},
   Year = {2011},
   Key = {fds288315}
}

@article{fds288313,
   Author = {Greer, MR},
   Title = {La clase social y el trabajo sucio de la guerra en los
             tablados madrileños},
   Pages = {25-42},
   Booktitle = {Opinión pública y espacio urbano en la Edad
             Moderna},
   Publisher = {Gijón},
   Address = {Editorial Trea},
   Editor = {Gómez, AC and Amelang, JS and Sánchez, CS},
   Year = {2010},
   Key = {fds288313}
}

@article{fds288321,
   Author = {Greer, MR},
   Title = {¿Por qué conmueven las cuestiones de la honra? Lope y la
             neurofisiología},
   Pages = {593-598},
   Booktitle = {Cuatrocientos años del ’Arte nuevo’ de Lope de Vega:
             Actas selectas del XVI Congreso de la Asociación
             Internacional Español y Novohispano de los Siglos de Oro
             (Olmedo, 2009)},
   Publisher = {U. of Valladolid},
   Address = {Valladolid},
   Editor = {Luengos, GVG and Tortajada, HU},
   Year = {2010},
   Key = {fds288321}
}

@article{fds288320,
   Author = {Greer, MR},
   Title = {Calderón and the Bible},
   Booktitle = {Encyclopedia of the Bible and Its Reception},
   Publisher = {Verlag Walter de Gruyter},
   Year = {2009},
   Key = {fds288320}
}

@article{fds288319,
   Author = {Greer, MR},
   Title = {Autos sacramentales},
   Booktitle = {Encyclopedia of the Bible and its Reception},
   Publisher = {Verlag Walter de Gruyter},
   Year = {2008},
   Month = {Winter},
   Key = {fds288319}
}

@article{fds288312,
   Author = {Greer, MR},
   Title = {“La caza sacro-política: de El divino bosque de González
             de Eslava a Calderón,”},
   Booktitle = {Teatro Colonial Hispanoamericano},
   Publisher = {PUCP and U. de Navarra},
   Editor = {Garrido, JAR and Arellano, I},
   Year = {2007},
   Key = {fds288312}
}

@article{fds288309,
   Author = {Greer, MR},
   Title = {“Los dos cuerpos del rey en Calderón: El nuevo palacio
             del Retiro y El mayor encanto amor”},
   Booktitle = {El teatro clásico español a través de sus
             monarcas},
   Publisher = {Editorial Fundamentos},
   Editor = {Lorenzo, LG},
   Year = {2006},
   Key = {fds288309}
}

@article{fds288310,
   Author = {Bass, LR and Greer, MR},
   Title = {Preface", "Part One: Materials", and "Introduction" to Part
             Two, Approaches},
   Booktitle = {Approaches to Teaching Early Modern Spanish
             Drama},
   Editor = {Bass, LR and Greer, MR},
   Year = {2006},
   Key = {fds288310}
}

@article{fds288311,
   Author = {Greer, MR},
   Title = {The Politics of memory in Calderón’s "El Tuzaní de la
             Alpujarra"},
   Pages = {113-130},
   Booktitle = {Rhetoric and Reality in Early Modern Spain},
   Publisher = {London: Tamesis},
   Editor = {Pym, R},
   Year = {2006},
   Key = {fds288311}
}

@article{fds288318,
   Author = {Greer, MR},
   Title = {Early Modern Spanish Theatrical Transmission, Memory, and a
             Claramonte Play},
   Booktitle = {Festschrift in honor of Robert L. Fiore},
   Publisher = {Juan de la Cuesta},
   Editor = {Compitello, M and Gasta, C and al, E},
   Year = {2006},
   Key = {fds288318}
}

@article{fds32223,
   Author = {M.R. Greer},
   Title = {Spanish Golden Age Tragedy: From Cervantes to
             Calderón},
   Pages = {351-369},
   Booktitle = {A Blackwell Companion to Tragedy},
   Publisher = {London: Blackwell},
   Editor = {Rebecca Bushnell},
   Year = {2005},
   Key = {fds32223}
}

@article{fds288307,
   Author = {Greer, MR},
   Title = {Diana, Cupid and Barrowed Dogs: On Hunting in ’Don
             Quixote’},
   Volume = {3},
   Series = {Estudios de Literatura 92},
   Pages = {201-222},
   Booktitle = {Cervantes y su mundo},
   Publisher = {Kassel: Edition Reichenberger},
   Editor = {Lauer, AR and Reichenberger, K},
   Year = {2005},
   Key = {fds288307}
}

@article{fds288308,
   Author = {Greer, MR},
   Title = {Imperialism and Anthropophagy in Early Modern Spanish
             Tragedy},
   Series = {Hispanic Issues},
   Booktitle = {Reason and Its Others in Early Modern Spain and
             Italy},
   Publisher = {Minneapolis: U. of Minnesota Press},
   Editor = {Castillo, D},
   Year = {2005},
   Key = {fds288308}
}

@article{fds288305,
   Author = {Greer, MR},
   Title = {Imperialismo y antropofagia en la tragedia del Siglo de
             Oro},
   Pages = {161-175},
   Booktitle = {Temas del Barroco hispánico},
   Publisher = {Iberoamericana},
   Editor = {Arellano, I and Godoy, E},
   Year = {2004},
   Key = {fds288305}
}

@article{fds288306,
   Author = {Greer, MR},
   Title = {The Creation of National Theater},
   Pages = {238-250},
   Booktitle = {Cambridge History of Spanish Literature},
   Publisher = {Cambridge UP},
   Editor = {Gies, D},
   Year = {2004},
   Key = {fds288306}
}

@article{fds288304,
   Author = {Greer, MR},
   Title = {A la caza del sujeto noble en el teatro de los Siglos de
             Oro},
   Series = {Cultura Universitaria/Serie Ensayo 75},
   Pages = {75-86},
   Booktitle = {Estudios del teatro áureo. Texto, espacio y
             representación},
   Publisher = {México: Universidad Autónoma Metropolitana – El Colegio
             de México},
   Editor = {al, AGE},
   Year = {2003},
   Key = {fds288304}
}

@article{fds288303,
   Author = {Greer, MR},
   Title = {Calderon de la Barca, Playwright at Court},
   Pages = {149-169},
   Booktitle = {Cambridge Companion to Valezquez},
   Publisher = {Cambridge: Cambridge University Press},
   Editor = {Stratton-Pruitt, S},
   Year = {2002},
   Key = {fds288303}
}

@article{fds288302,
   Author = {Greer, MR},
   Title = {El poder del deseo y el deseo del poder},
   Series = {Archivum Calderonianum 9},
   Pages = {61-71},
   Booktitle = {Deseo, sexualidad y afectos en la obra de Calderón.
             Duodécimo Coloquio Anglogermano sobre Calderón. Leipzig,
             14-18 de julio de 1999},
   Publisher = {Stuttgart: Franz Steiner Verlag},
   Editor = {Tietz, M},
   Year = {2001},
   Key = {fds288302}
}


%% Articles Online   
@article{fds16897,
   Title = {María de Zayas: The Said and the Unsaid.},
   Journal = {Laberinto},
   Volume = {3},
   Editor = {Barbara Simerka and Christopher B. Weimer},
   Year = {2001},
   url = {http://www.gc.maricopa.edu/laberinto/2002/welcome.htm},
   Key = {fds16897}
}