%% Books
@book{fds293924,
Author = {Hong, GJ},
Title = {Taiwan cinema: A contested nation on screen},
Series = {paperback edition with expanded afterword},
Pages = {1-229},
Publisher = {Palgrave Macmillan US},
Year = {2011},
Month = {January},
ISBN = {9780230111622},
url = {http://dx.doi.org/10.1057/9780230118324},
Abstract = {A groundbreaking study of Taiwan cinema, Hong provides
helpful insight into how it is taught and studied by taking
into account not only the auteurs of New Taiwan Cinema, but
also the history of popular genre films before the 1980s.
The book is essential for students and scholars of Taiwan,
film and visual studies, and East Asian cultural
history.},
Doi = {10.1057/9780230118324},
Key = {fds293924}
}
@book{fds293923,
Author = {Hong, G-J},
Title = {Taiwan Cinema: A Contested Nation on Screen},
Publisher = {Palgrave Macmillan},
Year = {2011},
Month = {March},
Key = {fds293923}
}
%% Papers Published
@article{fds293929,
Author = {Hong, G},
Title = {Strategies of Defiance: Towards a Thesis on Anti-Realist
Documentary},
Journal = {Film Appreciation Journal},
Number = {111},
Publisher = {National Film Archive, Taipei, Taiwian},
Year = {2002},
Month = {Spring},
Key = {fds293929}
}
@article{fds293930,
Author = {Hong, G},
Title = {Toying with History: Toys and Film Consumption/Criticism/
History},
Journal = {Chungwai Wenxue (Chung Wai Literary Monthly)},
Publisher = {Graduate Institute of Foreign Languages, National Taiwan
University, Taipei, Taiwan},
Year = {2002},
Month = {September},
Key = {fds293930}
}
@article{fds293918,
Author = {Hong, G},
Title = {Framing Time: _New Women_ and the Cinematic Representation
of Colonial Modernity in 1930s Shanghai},
Journal = {positions: east asia cultural critique},
Year = {2005},
Key = {fds293918}
}
@article{fds293927,
Author = {Hong, G},
Title = {Meet Me in Shanghai: Urban Cinema as Refugee Cinema in 1930s
Shanghai},
Journal = {Cinema Journal},
Year = {2006},
Key = {fds293927}
}
@article{fds293928,
Author = {Hong, G},
Title = {Memorandum on Happiness or the Limits of Visibility:
Taiwan's Tongzhi Movement in Mickey Chen's
Documentary},
Journal = {postions: east asia cultural critique},
Year = {2006},
Key = {fds293928}
}
@article{fds138899,
Author = {G. Hong},
Title = {Framing Time: New Women and the Cinematic Representation of
Colonial Modernity in 1930s Shanghai},
Journal = {positions: east asia cultures critique},
Volume = {15},
Number = {3},
Pages = {553-580},
Publisher = {Duke University Press},
Editor = {Tani Barlow},
Year = {2007},
ISSN = {1067-9847},
Key = {fds138899}
}
@article{fds293917,
Author = {Hong, G-J},
Title = {From the Masses to the Masses},
Journal = {VIsual Anthropology},
Volume = {22},
Number = {1},
Pages = {75-76},
Year = {2009},
Key = {fds293917}
}
@article{fds293919,
Author = {Hong, G-J},
Title = {Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey
Chen’s Documentaries},
Journal = {positions: east asia cultures critique},
Year = {2009},
Key = {fds293919}
}
@article{fds293926,
Author = {Guo Juin Hong},
Title = {Meet Me in Shanghai: Melodrama and the Cinematic Production
of Space in 1930s Shanghai Leftist Films},
Journal = {Journal of Chinese Cinemas},
Volume = {3},
Number = {3},
Pages = {215-230},
Year = {2009},
Key = {fds293926}
}
@article{fds293925,
Author = {Hong, G},
Title = {Historiography of Absence: Taiwan Cinema before New Cinema
1982},
Journal = {Journal of Chinese Cinemas},
Volume = {4},
Number = {1},
Pages = {5-14},
Year = {2010},
Key = {fds293925}
}
@article{fds293920,
Author = {Hong, G},
Title = {Voice and Its Dis/Content in New Taiwan Documentary},
Journal = {Frontiers of Literary Studies in China},
Year = {2012},
Key = {fds293920}
}
@article{fds293921,
Author = {Hong, G},
Title = {Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey
Chen’s Documentaries},
Journal = {positions: east asia cultures critique},
Year = {2012},
Key = {fds293921}
}
@article{fds293922,
Author = {Hong, GJ},
Title = {Voices and their discursive Dis/Content in Taiwan
documentary},
Journal = {Frontiers of Literary Studies in China},
Volume = {7},
Number = {2},
Pages = {183-193},
Year = {2013},
Month = {January},
ISSN = {1673-7318},
url = {http://dx.doi.org/10.3868/s010-002-013-0010-8},
Abstract = {Instead of attempting to provide a survey of Taiwan
documentary, this article focuses on a few critical moments
in its long and uneven history and proposes a potentially
productive site for understanding its formal manifestations
of representational politics. By honing in on the uses of
sounds and words, I show that the principle of a unitary
voice-voice understood both as the utterances of sound and
the politico-cultural meaning of such utterances-organizes
the earlier periods of the colonial and authoritarian rules
and shapes later iterations of and formal reactions to them.
Be it voice-over narration or captions and inter-titles,
this article provides a historiographical lens through which
the politics of representation in Taiwan documentary may be
rethought. Furthermore, this article takes documentary not
merely as a genre of non-fiction filmmaking. Rather, it
insists on documentary as a mode, and indeed modes, of
representation that do not belong exclusively to the
non-fiction. Notions of "documentability" are considered
together with the corollary tendency to "fictionalize" in
cinema, fiction and non-fiction. Taiwan, with its complex
histories in general and the specific context within which
the polyglossiac practices of New Taiwan Documentary have
blossomed in recent decades in particular, is a productive
site to investigate the questions of "sound" in cinematic
form and "voice" in representational politics. © 2013 by
Koninklijke Brill NV, Leiden.},
Doi = {10.3868/s010-002-013-0010-8},
Key = {fds293922}
}
@article{fds222425,
Author = {G. Hong},
Title = {Limits of Visibility: Taiwan's Tongzhi Movement in Mickey
Chen's Documentaries},
Journal = {positions: asia critique},
Volume = {21},
Number = {3},
Pages = {683-701},
Year = {2013},
Month = {Summer},
Key = {fds222425}
}
%% Papers Accepted
@article{fds154453,
Author = {G. Hong},
Title = {Meet Me in Shanghai: Urban Melodrama as Refugee Cinema in
1930s Shanghai},
Journal = {Journal of Chinese Cinemas},
Year = {2008},
Key = {fds154453}
}
%% Edited Volumes
@misc{fds293914,
Author = {Hong, G},
Title = {Island of No Return: Cinematic Retrospection in Wang’s
Taiwan Trilogy},
Booktitle = {Techologies of Temporality in Chinese Cinema},
Year = {2006},
Key = {fds293914}
}
@misc{fds305921,
Author = {Hong, G-J},
Title = {Island of No Return: Cinematic Narration as Retrospection in
Wang Tong and New Taiwan Cinema},
Pages = {57-72},
Booktitle = {Futures of Chinese Cinema: Technologies and Temporalities in
Chinese Screen Cultures},
Publisher = {Intellect, the University of Chicago Press},
Address = {Chicago},
Editor = {Khoo, O and Metzger, S},
Year = {2009},
Key = {fds305921}
}
@misc{fds305919,
Author = {Hong, G},
Title = {Healthy Realism in Taiwan, 1964-1980: Film Styles, Cultural
Policies, and Mandarin Cinema},
Booktitle = {The Chinese Cinema Book},
Publisher = {British Film Institute},
Editor = {Lim, SH and Ward, J},
Year = {2011},
Key = {fds305919}
}
@misc{fds305920,
Author = {Hong, G},
Title = {Theatrics of Cruising: Bathhouses and Movie Houses in Tsai
Ming-Liang’s Films},
Booktitle = {Sinophone Queer Cinema},
Year = {2011},
Key = {fds305920}
}
@misc{fds305917,
Author = {Hong, G},
Title = {Theatrics of Cruising: Bathhouses and Movie Houses in Tsai
Ming-Liang’s Films},
Booktitle = {Sinophone Queer Reader},
Year = {2012},
Key = {fds305917}
}
@misc{fds305916,
Author = {Hong, G},
Title = {Theatrics of Cruising: Bath Houses and Movie Houses in Tsia
Ming-Linag’s Films},
Booktitle = {Queer Sinophone Cultures},
Publisher = {Routledge},
Editor = {Chiang, H and Heinrich, AL},
Year = {2013},
Key = {fds305916}
}
@misc{fds371564,
Author = {Hong, GJ},
Title = {Our neighbors (1963): Historiography of home and emerging
realism in post-1949 Taiwan},
Pages = {22-35},
Booktitle = {Thirty-two New Takes on Taiwan Cinema},
Year = {2022},
Month = {December},
ISBN = {9780472075461},
Key = {fds371564}
}
%% Other
@misc{fds293916,
Author = {Simmons, C},
Title = {Salt Water},
Publisher = {Locus Publishing Company, Taipei, Taiwan},
Year = {2002},
Month = {August},
Key = {fds293916}
}
@misc{fds305918,
Author = {G. Hong and Hong, G},
Title = {The Chinese Film Theory},
Publisher = {University of Amsterdam Press},
Year = {2011},
Key = {fds305918}
}