Publications of Guo-Juin Hong    :chronological  combined  bibtex listing:

Books

  1. Hong, G-J, Taiwan Cinema: A Contested Nation on Screen (March, 2011), Palgrave Macmillan
  2. Hong, GJ, Taiwan cinema: A contested nation on screen, paperback edition with expanded afterword (January, 2011), pp. 1-229, Palgrave Macmillan US, ISBN 9780230111622 [doi]  [abs]

Papers Published

  1. G. Hong, Framing Time: New Women and the Cinematic Representation of Colonial Modernity in 1930s Shanghai, edited by Tani Barlow, positions: east asia cultures critique, vol. 15 no. 3 (2007), pp. 553-580, Duke University Press, ISSN 1067-9847
  2. Hong, G, Framing Time: _New Women_ and the Cinematic Representation of Colonial Modernity in 1930s Shanghai, Positions: East Asia Cultural Critique (2005)
  3. Hong, G-J, From the Masses to the Masses, Visual Anthropology, vol. 22 no. 1 (2009), pp. 75-76
  4. Hong, G, Historiography of Absence: Taiwan Cinema before New Cinema 1982, Journal of Chinese Cinemas, vol. 4 no. 1 (2010), pp. 5-14
  5. G. Hong, Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentaries, positions: asia critique, vol. 21 no. 3 (Summer, 2013), pp. 683-701
  6. Hong, G, Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries, Positions: East Asia Cultures Critique (2012)
  7. Hong, G-J, Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries, Positions: East Asia Cultures Critique (2009)
  8. Guo Juin Hong,, Meet Me in Shanghai: Melodrama and the Cinematic Production of Space in 1930s Shanghai Leftist Films, Journal of Chinese Cinemas, vol. 3 no. 3 (2009), pp. 215-230
  9. Hong, G, Meet Me in Shanghai: Urban Cinema as Refugee Cinema in 1930s Shanghai, Cinema Journal (2006)
  10. Hong, G, Memorandum on Happiness or the Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentary, Postions: East Asia Cultural Critique (2006)
  11. Hong, G, Strategies of Defiance: Towards a Thesis on Anti-Realist Documentary, Film Appreciation Journal no. 111 (Spring, 2002), National Film Archive, Taipei, Taiwian
  12. Hong, G, Toying with History: Toys and Film Consumption/Criticism/ History, Chungwai Wenxue (Chung Wai Literary Monthly) (September, 2002), Graduate Institute of Foreign Languages, National Taiwan University, Taipei, Taiwan
  13. Hong, G, Voice and Its Dis/Content in New Taiwan Documentary, Frontiers of Literary Studies in China (2012)
  14. Hong, GJ, Voices and their discursive Dis/Content in Taiwan documentary, Frontiers of Literary Studies in China, vol. 7 no. 2 (January, 2013), pp. 183-193, ISSN 1673-7318 [doi]  [abs]

Papers Accepted

  1. G. Hong, Meet Me in Shanghai: Urban Melodrama as Refugee Cinema in 1930s Shanghai, Journal of Chinese Cinemas (2008)

Edited Volumes

  1. Hong, G, Healthy Realism in Taiwan, 1964-1980: Film Styles, Cultural Policies, and Mandarin Cinema, in The Chinese Cinema Book, edited by Lim, SH; Ward, J (2011), British Film Institute
  2. Hong, G-J, Island of No Return: Cinematic Narration as Retrospection in Wang Tong and New Taiwan Cinema, in Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures, edited by Khoo, O; Metzger, S (2009), pp. 57-72, Intellect, the University of Chicago Press, Chicago
  3. Hong, G, Island of No Return: Cinematic Retrospection in Wang’s Taiwan Trilogy, in Techologies of Temporality in Chinese Cinema (2006)
  4. Hong, G, Theatrics of Cruising: Bath Houses and Movie Houses in Tsia Ming-Linag’s Films, in Queer Sinophone Cultures, edited by Chiang, H; Heinrich, AL (2013), Routledge
  5. Hong, G, Theatrics of Cruising: Bathhouses and Movie Houses in Tsai Ming-Liang’s Films, in Sinophone Queer Reader (2012)
  6. Hong, G, Theatrics of Cruising: Bathhouses and Movie Houses in Tsai Ming-Liang’s Films, in Sinophone Queer Cinema (2011)

Other

  1. Simmons, C, Salt Water (August, 2002), Locus Publishing Company, Taipei, Taiwan (G. Hong, translator.)
  2. with Hong, G, The Chinese Film Theory (2011), University of Amsterdam Press