Publications of Guo-Juin Hong    :chronological  alphabetical  by type  bibtex listing:

  1. G. Hong, Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentaries, positions: asia critique, vol. 21 no. 3 (Summer, 2013), pp. 683-701
  2. Hong, GJ, Voices and their discursive Dis/Content in Taiwan documentary, Frontiers of Literary Studies in China, vol. 7 no. 2 (January, 2013), pp. 183-193, ISSN 1673-7318 [doi]  [abs]
  3. Hong, G, Theatrics of Cruising: Bath Houses and Movie Houses in Tsia Ming-Linag’s Films, in Queer Sinophone Cultures, edited by Chiang, H; Heinrich, AL (2013), Routledge
  4. Hong, G, Voice and Its Dis/Content in New Taiwan Documentary, Frontiers of Literary Studies in China (2012)
  5. Hong, G, Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries, Positions: East Asia Cultures Critique (2012)
  6. Hong, G, Theatrics of Cruising: Bathhouses and Movie Houses in Tsai Ming-Liang’s Films, in Sinophone Queer Reader (2012)
  7. Hong, G-J, Taiwan Cinema: A Contested Nation on Screen (March, 2011), Palgrave Macmillan
  8. Hong, GJ, Taiwan cinema: A contested nation on screen, paperback edition with expanded afterword (January, 2011), pp. 1-229, Palgrave Macmillan US, ISBN 9780230111622 [doi]  [abs]
  9. with Hong, G, The Chinese Film Theory (2011), University of Amsterdam Press
  10. Hong, G, Healthy Realism in Taiwan, 1964-1980: Film Styles, Cultural Policies, and Mandarin Cinema, in The Chinese Cinema Book, edited by Lim, SH; Ward, J (2011), British Film Institute
  11. Hong, G, Theatrics of Cruising: Bathhouses and Movie Houses in Tsai Ming-Liang’s Films, in Sinophone Queer Cinema (2011)
  12. Hong, G, Historiography of Absence: Taiwan Cinema before New Cinema 1982, Journal of Chinese Cinemas, vol. 4 no. 1 (2010), pp. 5-14
  13. Hong, G-J, From the Masses to the Masses, Visual Anthropology, vol. 22 no. 1 (2009), pp. 75-76
  14. Hong, G-J, Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries, Positions: East Asia Cultures Critique (2009)
  15. Guo Juin Hong,, Meet Me in Shanghai: Melodrama and the Cinematic Production of Space in 1930s Shanghai Leftist Films, Journal of Chinese Cinemas, vol. 3 no. 3 (2009), pp. 215-230
  16. Hong, G-J, Island of No Return: Cinematic Narration as Retrospection in Wang Tong and New Taiwan Cinema, in Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures, edited by Khoo, O; Metzger, S (2009), pp. 57-72, Intellect, the University of Chicago Press, Chicago
  17. G. Hong, Meet Me in Shanghai: Urban Melodrama as Refugee Cinema in 1930s Shanghai, Journal of Chinese Cinemas (2008)
  18. G. Hong, Framing Time: New Women and the Cinematic Representation of Colonial Modernity in 1930s Shanghai, edited by Tani Barlow, positions: east asia cultures critique, vol. 15 no. 3 (2007), pp. 553-580, Duke University Press, ISSN 1067-9847
  19. Hong, G, Island of No Return: Cinematic Retrospection in Wang’s Taiwan Trilogy, in Techologies of Temporality in Chinese Cinema (2006)
  20. Hong, G, Meet Me in Shanghai: Urban Cinema as Refugee Cinema in 1930s Shanghai, Cinema Journal (2006)
  21. Hong, G, Memorandum on Happiness or the Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentary, Postions: East Asia Cultural Critique (2006)
  22. Hong, G, Framing Time: _New Women_ and the Cinematic Representation of Colonial Modernity in 1930s Shanghai, Positions: East Asia Cultural Critique (2005)
  23. Hong, G, Toying with History: Toys and Film Consumption/Criticism/ History, Chungwai Wenxue (Chung Wai Literary Monthly) (September, 2002), Graduate Institute of Foreign Languages, National Taiwan University, Taipei, Taiwan
  24. Simmons, C, Salt Water (August, 2002), Locus Publishing Company, Taipei, Taiwan (G. Hong, translator.)
  25. Hong, G, Strategies of Defiance: Towards a Thesis on Anti-Realist Documentary, Film Appreciation Journal no. 111 (Spring, 2002), National Film Archive, Taipei, Taiwian