Publications of Shai Ginsburg    :chronological  alphabetical  combined listing:

%% Books   
@book{fds339982,
   Author = {Ginsburg, S and Land, M and Boyarin, J},
   Title = {Jews and the ends of theory},
   Pages = {1-336},
   Year = {2018},
   Month = {December},
   ISBN = {9780823282005},
   Abstract = {Theory, as it's happened across the humanities, has often
             been coded as "Jewish." This collection of essays seeks to
             move past explanations for this understanding that rely on
             the self-evident (the historical centrality of Jews to the
             rise of Critical Theory with the Frankfurt School) or
             stereotypical (psychoanalysis as the "Jewish Science") in
             order to show how certain problematics of modern Jewishness
             enrich theory. In the range of violence and agency that
             attend the appellation "Jew," depending on how, where, and
             by whom it's uttered, we can see that Jewishness is a
             rhetorical as much as a sociological fact, and that its
             rhetorical and sociological aspects, while linked, are not
             identical. Attention to this disjuncture helps to elucidate
             the questions of power, subjectivity, identity, figuration,
             language, and relation that modern theory has grappled with.
             These questions in turn implicate geopolitical issues such
             as the relation of a people to a state and the violence done
             in the name of simplistic identitarian ideologies.
             Clarifying a situation where "the Jew" is not readily or
             unproblematically legible, the editors propose what they
             call "spectral reading," a way to understand Jewishness as a
             fluid and rhetorical presence. While not divorced from
             sociological facts, this spectral reading works in concert
             with contemporary theory to mediate pessimistic and utopian
             impulses, experiences, and realities.},
   Key = {fds339982}
}

@book{fds356395,
   Author = {Ginsburg, S and Land, M and Boyarin, J},
   Title = {Introduction: Jews, theory, and ends},
   Pages = {1-25},
   Year = {2018},
   Month = {December},
   ISBN = {9780823282005},
   Key = {fds356395}
}

@book{fds227545,
   Author = {Ginsburg, SP},
   Title = {Rhetoric and nation: The formation of Hebrew national
             culture, 1880–1990},
   Pages = {1-476},
   Year = {2014},
   Month = {January},
   ISBN = {9780815633334},
   Abstract = {Recent and commonly accepted criticism holds that written
             and spoken Hebrew reveals a shared logic, a collective
             rhetoric that is identifiable and can be traced as an
             evolving phenomenon throughout the centuries. In Rhetoric
             and Nation, Ginsburg charts the emergence and formation of
             the Hebrew discourse of the nation from the late nineteenth
             century through the late twentieth century. In doing so, he
             challenges these notions of a common rhetoric by considering
             three areas of writing: literature, literary and cultural
             criticism, and ideological and political writings. Ginsburg
             argues that each text presents its own singular logic. Some
             writing is determined by social and historical context.
             Other writings are determined by the biographies of their
             authors, still others by genre. Through close readings of
             key canonical texts, Rhetoric and Nation demonstrates that
             the Hebrew discourse of the nation should not be conceived
             as coherent and cohesive but, rather, as an assemblage of
             singular, disparate moments.},
   Key = {fds227545}
}

@book{fds227551,
   Author = {S. Ginsburg and Ginsburg, S and Horowitz, B},
   Title = {Bounded Mind and Soul: Russia and Israel,
             1880–2010},
   Publisher = {Slavica Publishers},
   Address = {Bloomington, IN},
   Year = {2013},
   Key = {fds227551}
}

@book{fds227569,
   Author = {Man, PD},
   Title = {The Resistance to Theory},
   Publisher = {Resling},
   Year = {2010},
   Key = {fds227569}
}


%% Papers Published   
@article{fds375351,
   Author = {Ginsburg, S},
   Title = {IMAGE, WORD, LAND},
   Journal = {Hebrew Studies},
   Volume = {64},
   Pages = {255-268},
   Year = {2023},
   Month = {January},
   url = {http://dx.doi.org/10.1353/hbr.2023.a912661},
   Doi = {10.1353/hbr.2023.a912661},
   Key = {fds375351}
}

@article{fds355286,
   Author = {Ginsburg, S},
   Title = {Tangled Roots: The Emergence of Israeli Culture},
   Year = {2020},
   Month = {December},
   Key = {fds355286}
}

@article{fds355287,
   Author = {Ginsburg, S},
   Title = {From Here to Elsewhere and Back in Israeli-Hebrew
             Children’s Literature},
   Booktitle = {Since 1948 Israeli Literature in the Making},
   Publisher = {SUNY Press},
   Year = {2020},
   Month = {October},
   ISBN = {9781438480503},
   Abstract = {As fresh creative voices and multiple languages vied for
             recognition, diversity replaced consensus. Genres once
             accorded lower status—such as the graphic novel and
             science fiction—gained readership and positive critical
             notice.},
   Key = {fds355287}
}

@article{fds355289,
   Author = {Ginsburg, S and Banbaji, A},
   Title = {Introduction},
   Journal = {Mikan},
   Number = {20},
   Pages = {5-25},
   Year = {2020},
   Month = {April},
   Key = {fds355289}
}

@article{fds355290,
   Author = {Ginsburg, S and Barzilai, M},
   Title = {Rereading Hebrew Speech},
   Journal = {Mikan},
   Number = {20},
   Pages = {198-227},
   Year = {2020},
   Month = {April},
   Key = {fds355290}
}

@article{fds350274,
   Author = {Ginsburg, S},
   Title = {Mothers, Fathers, and the Hebrew Literary
             Canon},
   Journal = {Novel},
   Volume = {52},
   Number = {2},
   Pages = {318-322},
   Publisher = {Duke University Press},
   Year = {2019},
   Month = {August},
   url = {http://dx.doi.org/10.1215/00295132-7547020},
   Doi = {10.1215/00295132-7547020},
   Key = {fds350274}
}

@article{fds350275,
   Author = {Ginsburg, S},
   Title = {Belonging in Israel/Palestine: Theory and
             Literature},
   Journal = {Novel},
   Volume = {52},
   Number = {1},
   Pages = {156-160},
   Publisher = {Duke University Press},
   Year = {2019},
   Month = {May},
   url = {http://dx.doi.org/10.1215/00295132-7330326},
   Doi = {10.1215/00295132-7330326},
   Key = {fds350275}
}

@article{fds339983,
   Author = {Ginsburg, S and Land, M and Boyarin, J},
   Title = {Jews, Theory, and Ends},
   Volume = {Jews and the Ends of Theory},
   Pages = {1-26},
   Booktitle = {Jews and the Ends of Theory},
   Publisher = {Fordham University Press},
   Editor = {Ginsburg, S and Land, M and Boyarin, J},
   Year = {2018},
   Key = {fds339983}
}

@article{fds339984,
   Author = {Ginsburg, S},
   Title = {Pessah Ginsburg: Two Letters (Christiania 1917; London
             1918)},
   Journal = {Jerusalem Studies in Hebrew Literature},
   Volume = {29},
   Pages = {307-321},
   Year = {2017},
   Key = {fds339984}
}

@article{fds355291,
   Author = {Ginsburg, S},
   Title = {Literature, Colonialism, and Empire. Rev. of To Inherit the
             Land, to Conquer the Space: The Beginning of Hebrew Poetry
             in Eretz-Israel by Hannan Hever},
   Journal = {Jerusalem Studies in Hebrew Literature},
   Number = {29},
   Pages = {325-333},
   Year = {2017},
   Key = {fds355291}
}

@article{fds318000,
   Author = {Paul de Man},
   Title = {Autobiography as De-Facement},
   Journal = {Miakn},
   Number = {16},
   Pages = {244-255},
   Year = {2016},
   Key = {fds318000}
}

@article{fds317999,
   Author = {Ginsburg, S},
   Title = {Paul de Man’s Death Mask},
   Journal = {Mikan},
   Number = {16},
   Pages = {256-264},
   Year = {2016},
   Abstract = {This essay presents a close reading of Paul de Man’s
             seminal essay, Autobiography as Defacement. It seeks to
             uncover the unsettling effect de Man finds in autobiography
             by paying close attention to the images of the suffering
             human body and its death, which are central to his essay.
             The current article contends that for de Man, the
             autobiography manifests the human condition, which he sees
             as a radical dualism of mind and body. Indeed, the human
             condition is characterized by the inability of the mind to
             account for the suffering of the body, and beyond that, by
             an inability to articulate that suffering in
             language.},
   Key = {fds317999}
}

@article{fds227544,
   Author = {Ginsburg, SP},
   Title = {Alon Hilu and the Hebrew historical novel},
   Journal = {Shofar},
   Volume = {33},
   Number = {4},
   Pages = {134-157},
   Publisher = {Johns Hopkins University Press},
   Year = {2015},
   Month = {June},
   url = {http://dx.doi.org/10.1353/sho.2015.0029},
   Abstract = {In this paper, I discuss Alon Hilu’s two historical
             novels, Death of a Monk (2004) and The Dejani Estate (2008),
             as symptomatic of Israeli culture of the twenty-first
             century. I argue that the question of genre-historical
             fiction-is as central to the construction of the novels as
             it is to their reception. As the latter evinces, historical
             fiction is perceived as blurring the proper boundaries
             between the "objective" and the imaginary and thus feeds
             anxieties about the relationship of Jews to history,
             anxieties that have been haunting Zionist discourses from
             their inception. Hilu’s novels trace these anxieties to
             concerns about sexuality and desire and employ them to
             explore the relationship between two central foci of the
             Hebrew historical novel, namely, historical agency and
             historical writing. The novels construct numerous "scenes of
             writing," in which writing seeks to retrieve historical
             agency, embodied in the two novels by desire and sexual
             potency. Simultaneously, writing is revealed as a mere
             substitute for desire and sex. Both novels consequently
             suggest that writing attests to the failure to produce
             historical agency.},
   Doi = {10.1353/sho.2015.0029},
   Key = {fds227544}
}

@article{fds318001,
   Author = {Ginsburg, S},
   Title = {Poetry and Conflict: on Civility, Citizenship and
             Criticism},
   Pages = {152-174},
   Booktitle = {Toward a Critical Rhetoric on the Israel-Palestine
             Conflict},
   Publisher = {Parlor Press},
   Editor = {Matthew Abraham},
   Year = {2015},
   ISBN = {978-1602356931},
   Key = {fds318001}
}

@article{fds318002,
   Author = {Ginsburg, S},
   Title = {Rev. of Israeli Cinema: Identities in Motion, edited by Miri
             Talmon and Yaron Peleg},
   Journal = {IMAGES: A Journal of Jewish Art and Visual
             Culture},
   Number = {8},
   Pages = {129-132},
   Year = {2015},
   Key = {fds318002}
}

@article{fds227546,
   Author = {Ginsburg, S},
   Title = {The City and the Body: Jerusalem in Uri Tsvi Greenberg’s
             Vision of One of the Legions},
   Booktitle = {Jerusalem Across the Disciplines},
   Editor = {Elman, M and Adelman, M},
   Year = {2014},
   Month = {April},
   Key = {fds227546}
}

@article{fds318003,
   Author = {Ginsburg, S},
   Title = {S. Yizhar’s Khirbet Khizeh and the rhetoric of
             conflict},
   Pages = {165-179},
   Booktitle = {Jewish Rhetorics: History, Theory, Practice},
   Year = {2014},
   Month = {January},
   ISBN = {9781611686395},
   Key = {fds318003}
}

@article{fds227547,
   Author = {Ginsburg, S},
   Title = {Class and Historical Anxiety: The Rhetoric of Class in David
             Ben-Gurion’s and Meir Ya’ari’s Thought (in
             Hebrew)},
   Booktitle = {Literature and Inequality},
   Publisher = {The Van Leer Institute},
   Editor = {Banbaji, A and Hever, H},
   Year = {2014},
   Key = {fds227547}
}

@article{fds227555,
   Author = {Ginsburg, S},
   Title = {The Bookcase and the Language of Grace},
   Journal = {Mikan},
   Volume = {14},
   Pages = {239-263},
   Year = {2014},
   Key = {fds227555}
}

@article{fds227556,
   Author = {Ginsburg, S},
   Title = {War and Peace in Israel: Hebrew Literature and Russian
             Literature in Hebrew, 1942–60},
   Pages = {131-150},
   Booktitle = {Bounded Mind and Soul: Russia and Israel,
             1880–2010},
   Publisher = {Slavica Publishers},
   Address = {Bloomington, IN},
   Editor = {Horowitz, B and Ginsburg, S},
   Year = {2013},
   Key = {fds227556}
}

@article{fds227560,
   Author = {Ginsburg, S},
   Title = {From Ziklag One Cannot See Khirbet Khizeh},
   Pages = {23-31},
   Booktitle = {The Palestinian Nakba in Cinema and Literature},
   Year = {2012},
   url = {http://zochrot.org/content/%D7%94%D7%A0%D7%9B%D7%91%D7%94-%D7%94%D7%A4%D7%9C%D7%A1%D7%98%D7%99%D7%A0%D7%99%D7%AA-%D7%91%D7%A7%D7%95%D7%9C%D7%A0%D7%95%D7%A2-%D7%95%D7%91%D7%A1%D7%A4%D7%A8%D7%95%D7%AA-%D7%91%D7%99%D7%A9%D7%A8%D7%90%D7%9C},
   Key = {fds227560}
}

@article{fds227564,
   Author = {Ginsburg, S},
   Title = {The Physics of Being Jewish, or On Cats and
             Jews},
   Journal = {AJS Review},
   Volume = {35},
   Number = {2},
   Pages = {357-364},
   Publisher = {Project MUSE},
   Year = {2011},
   Month = {November},
   ISSN = {0364-0094},
   url = {http://dx.doi.org/10.1017/s0364009411000444},
   Abstract = {<jats:p>The opening scene of Joel and Ethan Coen's
             <jats:italic>A Serious Man</jats:italic> has baffled many.
             What does an unsettling tale of an encounter with what may
             or may not be a dybbuk, set in the mid-nineteenth century in
             a Polish shtetl, and played out entirely in Yiddish, have to
             do with the story of a Jewish professor of physics and his
             family in suburban Minnesota in the summer of 1967, related
             in English? Is the scene to be viewed as a warm-up of sorts
             before the main attraction, akin, if you will, to the
             short-subject films—newsreels, animated cartoons, and
             live-action comedies and documentaries—that movie houses
             of old used to play before the main feature? If so, what is
             the significance of presenting an odd Yiddish scene to an
             American audience notorious for turning a cold shoulder to
             non-English-speaking cinema? Or is the scene to be viewed as
             a prologue to the movie? If so, in what sense could it be
             said to impart to the audience either the “state of
             suspense of the plot produced by the previous history” or,
             alternatively, the argument of the drama?</jats:p>},
   Doi = {10.1017/s0364009411000444},
   Key = {fds227564}
}

@article{fds227561,
   Author = {Ginsburg, S},
   Title = {An American Reflection: Steven Spielberg, the Jewish
             Holocaust and the Israeli Palestinian Conflict},
   Journal = {American Studies},
   Volume = {34},
   Number = {1},
   Pages = {45-76},
   Year = {2011},
   Key = {fds227561}
}

@article{fds227562,
   Author = {Ginsburg, S},
   Title = {Love in Search of Belief, Belief in Search of
             Love},
   Pages = {371-376},
   Booktitle = {The Modern Jewish Experience in World Cinema},
   Year = {2011},
   ISBN = {9781611682083},
   Key = {fds227562}
}

@article{fds227563,
   Author = {Ginsburg, S},
   Title = {Studying Violence: The Films of Avi Mograbi},
   Journal = {Takriv},
   Number = {2},
   Year = {2011},
   url = {http://www.takriv.net/index.php?option=com_content&view=article&id=35:2011-08-02-16-02-41&catid=10:2011-08-14-09-14-03&Itemid=15},
   Key = {fds227563}
}

@article{fds227568,
   Author = {Ginsburg, S},
   Title = {Rhetoric and Criticism: The Work and Life of Paul de
             Man},
   Booktitle = {The Resistance to Theory, by Paul de Man (Hebrew
             Translation)},
   Year = {2010},
   Key = {fds227568}
}

@article{fds227582,
   Author = {Ginsburg, S},
   Title = {Signs and wonders: Fetishism and hybridity in Homi Bhabha's
             the location of culture},
   Journal = {New Centennial Review},
   Volume = {9},
   Number = {3},
   Pages = {229-250},
   Publisher = {Johns Hopkins University Press},
   Year = {2009},
   Month = {December},
   ISSN = {1532-687X},
   url = {http://dx.doi.org/10.1353/ncr.0.0082},
   Doi = {10.1353/ncr.0.0082},
   Key = {fds227582}
}

@article{fds227581,
   Author = {Ginsburg},
   Title = {Politics and Letters: On the Rhetoric of the Nation in
             Pinsker and Ahad Ha-Am},
   Journal = {Prooftexts},
   Volume = {29},
   Number = {2},
   Pages = {173-173},
   Publisher = {Indiana University Press},
   Year = {2009},
   ISSN = {0272-9601},
   url = {http://dx.doi.org/10.2979/pft.2009.29.2.173},
   Abstract = {This essay seeks to amend a peculiar shortcoming in the
             current scholarship on Ahad Ha-Am: whereas his style and
             rhetoric are commonly celebrated, they are seldom examined
             or analyzed in any detail. Scholarship tends to conflate his
             literary with his political endeavors and to trace his
             political impact to his preeminence as an essayist and
             editor; yet this approach fails to account for his political
             ineffectuality even at the height of his literary success.
             This essay suggests, on the contrary, that his essays
             manifest a struggle to reconcile the demands of politics
             with those of rhetoric, that is, to reconcile the dialectic
             form of his argument, the vehicle of his political argument,
             with the figurative form his rhetoric aspires to achieve. In
             a reading of three of Ahad Ha-Am's major essays, "Emet
             me'erets yisra'el" (1891), "Te'udat Ha-Shilo'ah{dot below}"
             (1896), and "Mosheh" (1904), the essay probes how this
             struggle shapes his political vision, his literary vision,
             and his perception of the role of the historical leader
             (and, ostensibly, his own) in forming a national community.
             The essay traces Ahad Ha-Am's difficulties in reconciling
             rhetoric and politics to his tussle with the bequest of
             Hibbat Zion literature. Whereas Ahad Ha-Am's reliance on
             traditional Jewish genres, on the one hand, and on English
             and German philosophical literature, on the other hand, has
             been readily noted, his indebtedness, to the writings of
             Hovevei Zion in general, and to that of Leo Pinsker in
             particular, is yet to be recognized. It is in Pinsker, I
             shall contend, that one finds one of the most important
             precursors to Ahad Ha-Am, not only in politics, but in
             rhetoric as well. Last, this essay probes the prevalent
             (Marxist) model of reading the political character of Hebrew
             literature. Such a model fails to give account for the
             tension that structures the Ahad Ha-Am essay. Whereas this
             model presupposes that literary rhetoric can take part in
             the symbolic struggles that make up the political realm, the
             reading of the Ahad Ha-Am essay put forward in this essay
             questions the nature of the exchange between rhetoric and
             politics. It thus suggests that a different model of reading
             of rhetoric and politics is in need, a model that would
             account for the failure to reconcile the two. © 2009 by
             Prooftexts Ltd.},
   Doi = {10.2979/pft.2009.29.2.173},
   Key = {fds227581}
}

@article{fds227616,
   Author = {Ginsburg, S},
   Title = {The Social Function of Israeli Cinema},
   Journal = {Zeek},
   Pages = {73-79},
   Year = {2009},
   Month = {Fall},
   Key = {fds227616}
}

@article{fds227589,
   Author = {Ginsburg, S},
   Title = {Literature, Territory, Criticism: Brenner and the
             "Erets-Israeli" Genre},
   Journal = {Theory and Criticism},
   Number = {30},
   Pages = {39-62},
   Year = {2007},
   Key = {fds227589}
}

@article{fds227592,
   Author = {Ginsburg, S},
   Title = {Truth in the Land of Israel: On the Notion of Truth in the
             Work of Ahad Ha-‘Am},
   Pages = {260-275},
   Booktitle = {A Moment of Birth: Studies in Hebrew and Yiddish Literatures
             in Honor of Dan Miron},
   Publisher = {Jerusalem: Mosad Bialik},
   Editor = {Hever, H},
   Year = {2007},
   Key = {fds227592}
}

@article{fds303151,
   Author = {Ginsburg, S},
   Title = {Truth in the Land of Israel: On the Notion of Truth in the
             Work of Ahad Ha-‘Am},
   Pages = {260-275},
   Publisher = {Jerusalem: Mosad Bialik},
   Editor = {Hever, H},
   Year = {2007},
   Key = {fds303151}
}

@article{fds227594,
   Author = {Ginsburg, S},
   Title = {"The rock of our very existence": Anton Shammas's Arabesques
             and the rhetoric of Hebrew literature},
   Journal = {Comparative Literature},
   Volume = {58},
   Number = {3},
   Pages = {187-204},
   Publisher = {Duke University Press},
   Year = {2006},
   Month = {January},
   ISSN = {0010-4124},
   url = {http://dx.doi.org/10.1215/-58-3-187},
   Doi = {10.1215/-58-3-187},
   Key = {fds227594}
}

@article{fds227596,
   Author = {Ginsburg, S},
   Title = {Between Language and Land: Moshe Smilansky’s ‘Hawaja
             Nazar’},
   Journal = {Jerusalem Studies in Hebrew Literature},
   Volume = {20},
   Pages = {221-235},
   Year = {2006},
   Key = {fds227596}
}

@article{fds227597,
   Author = {Ginsburg, S},
   Title = {Between Myth and History: Moshe Shamir’s He Walked in the
             Fields},
   Pages = {110-127},
   Booktitle = {Literature and Nation in the Middle East},
   Publisher = {Edinburgh University Press},
   Editor = {Suleiman, Y and Muhawi, I},
   Year = {2006},
   Key = {fds227597}
}

@article{fds227613,
   Author = {Ginsburg, S},
   Title = {Between Memory and History: Saul Friedlander as an
             Autobiographical Writer and as a Historian},
   Journal = {Theory and Criticism},
   Volume = {17},
   Pages = {217-222},
   Year = {2000},
   Key = {fds227613}
}

@article{fds227614,
   Author = {Ginsburg, S},
   Title = {Hamlet—In search of Language},
   Journal = {Efes Shtayim},
   Number = {3},
   Pages = {153-157},
   Year = {1995},
   Key = {fds227614}
}


%% Film Reviews   
@article{fds184656,
   Title = {Studying Violence: The Films of Avi Mograbi},
   Journal = {Zeek},
   Pages = {67-72},
   Year = {2010},
   Month = {Summer},
   Key = {fds184656}
}