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Anne L Schroder, Adjunct Assistant Professor, Art & Art History, and Associate Curator, Nasher Museum of Art

Contact Info:

Office Location:	Nasher Museum of Art
Email Address:
Web Page:	https://fds.duke.edu/db/aas/AAH/faculty/schroder

Specialties:

18th and early 19th Century Art

Research Interests:

Anne Schroder received her B.A. from Smith College and her Ph.D. from the University of North Carolina at Chapel Hill. Her research specialty is eighteenth- and early nineteenth-century French art. She has published on Jean-Honoré Fragonard's later career, gender issues, the print industry, and the debate over theories of copying, originality and artistic property in the early years after the French Revolution.

Keywords:

Europe • France • Art • Art history • Gender • 18th Century • 19th Century

Representative Publications   (More Publications)

1. The Age of Watteau, Chardin, and Fragonard: Masterpieces of French Genre Painting. "Also" Colorful Impressions: The Printmaking Revolution in Eighteenth-Century France, Eighteenth-Century Studies, vol. 37:3 (Spring, 2004), pp. 455-468 (National Gallery of Art (Electronic link through Duke Libraries:http://muse.jhu.edu/journals/eighteenth-century_studies/v037/37.3schroder.html.)
2. Illustrators and Illustrations, in Encyclopedia of the Enlightenment, vol. 2 (2002), pp. 251-257, Oxford and New York, Oxford University Press
3. Reassessing Fragonard's Later Years: the Artist's Nineteenth-Century Biographers, the Rococo and the French Revolution, in Art and Culture in the Eighteenth Century: New Dimensions and Multiple Perspectives, edited by Elise Goodman (2001), pp. 39-58, Newark: University of Delaware Press
4. Sarah R. Cohen, Art, Dance, and the Body in French Culture of the Ancien Regime, in CAA Online Reviews (January-June)
5. Entries on Fragonard, Greuze, Boilly, Robert, Lancret, Boucher, and Oudry, in Masters of the Medium: European Drawings from the Ackland Art Museum, edited by Carolyn Wood and Carol Gillham (2001), Chapel Hill: Ackland Art Museum (Exhibition traveled to Hood Museum, Dartmouth College.)
6. Reversals of Power: Artistic Property, Counterfeiture and the 1793 French Copyright Act, in Visual Resources, vol. XVI (2000), pp. 143-154 (special issue devoted to "Plagiarism" based on 1999 CAA session.)
7. Going Public Against the Academy in 1784: Mme. de Genlis Speaks Out on Gender Bias and Elisabeth Vigee-Lebrun, Eighteenth Century Studies, vol. 32:3 (Spring, 1999), pp. 376-382 (Electronic link through Duke Libraries:http://muse.jhu.edu/journals/eighteenth-century _studies/v032/32.3schroder.html.)
8. Entry on Fragonard for Mastery and Elegance: Seventeenth-and-Eighteenth-Century French Drawings from the Collection of Jeffrey E. Horvitz, edited by Alvin L. Clark, Jr., Margaret Morgan Grasselli, and Jean-Francois Mejanes, exh. cat., Fogg Art Museum (1998), Cambridge, MA: Harvard University Art Museums and Harvard University Press (Exhibition traveled to Paris, Edinburgh, Los Angeles, Chicago, New York.)
9. Genre Prints in Eighteenth-Century France: Production, Market, and Audience, Intimate Encounters: Love and Domesticity in Eighteenth-Century France (1997), pp. 69-86, Hood Museum of Art, Dartmouth College, Princeton: Princeton University Press (Exhibition seen at the Hood Museum, Toledo Art Museum and Houston Museum of Fine Arts..)
10. Fragonard et le dessin francais au XVIII siecle dans les collections du Petit Palais, Master Drawings, vol. 34:4 (Winter, 1996), pp. 430-435