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 Recent Faculty Publications

Books

  1. McWilliam, N. L'Esthétique de la réaction. Tradition, foi, identité et l'art français (1900-1914). Les presses du réel, (January, 2021): 532 pages. (translated by Jaouen, F)  [abs]
  2.  Histoires sociales de l'art. Une anthologie critique.  edited by McWilliam, NF; Moréteau, C; Lamoureux, JLes presses du réel, (June, 2016): 415 pages.
  3. McWilliam, NF. The Aesthetics of Reaction: Tradition, Identity and the Visual Arts in France, c. 1900-1914. (October, 2014).  [abs]
  4. McWilliam, NF. L’Histoire de l’art en France 1890-1950: Acteurs, institutions, enjeux.  edited by M PassiniLes Presses du réel/ Institut national d’histoire de l’art, (2014). (co-edited with Michela Passini (CNRS))  [abs]
  5. McWilliam, NF. Emile Bernard: Les Lettres d’un artiste (1884-1941). Les presses du réel, (May, 2012): 981 pages.  [abs]
  6. Bernard, E; McWilliam, N. Émile Bernard, au-delà de Pont-Aven. (2012): 118 pages.
  7. McWilliam, NF; Meneux, C; Ramos, J. L’art social en France de la Révolution à la Grande Guerre. (2012). (Edited volume based upon conference organized at the INHA, Paris, in June 2011)
  8.  Lines of Attack.  edited by McWilliam, NDuke University Press, (2010): 86 pages.  [abs]
  9. McWilliam, NF; Leymarie, M; Dard, O. L’Action française et la culture. Presses universitaires du Septentrion, (2010).
  10. McWilliam, N. Rêves de bonheur. L’Art social et la gauche française (1830-1850). Les presses du réel, (2007): 494 pages.
  11.  Nationalism and French Visual Culture, 1870-1914.  edited by McWilliam, N; Hargrove, JNational Gallery of Art (Center for Advanced Study in the Visual Arts), (2005): 336 pages.  [abs]
  12. McWilliam, NF. Monumental Intolerance. Jean Baffier, A Nationalist Sculptor in fin-de-siècle France. Penn State University Press, (2000).
  13.  Hogarth. Studio Editions, London, (1993).
  14. McWilliam, NF. Dreams of Happiness. Social Art and the French Left 1830-1850. Princeton University Press, (1993).
  15. McWilliam, NF; Schuster, V; Wrigley, R; Méker, P. A Bibliography of Salon Criticism in Paris from the Ancien Régime to the Restoration 1699-1827. Cambridge University Press, (1991).
  16. McWilliam, NF. A Bibliography of Salon Criticism in Paris from the July Monarchy to the Second Republic 1831-1851. Cambridge University Press, (1991).
  17.  Life and Landscape: The Photographs of P.H. Emerson.  edited by McWilliam, NF; Sekules, VSainsbury Center of Visual Arts, (1986).

Articles Published

  1. McWilliam, N. ""Donner forme à une vie: Pierre-Auguste Renoir et la naissance des recherches sur l’impressionnisme"." Face à l'impressionnisme: Réception d’un mouvement, 1910-1950. Edited by Faizande de Maupeou, F; Maingon, C.  (2019): 233-250.  [abs]
  2. McWilliam, N. "“Traditional Views: Conservative Ideologies & Landscape Aesthetics in France around 1900”." Art as Worldmaking Critical Essays on Realism and Naturalism. Edited by Hemingway, A; Baker, M.  (October, 2018): 128-144.  [abs]
  3. McWilliam, N. "On Reading Histoire de l’art as an Anglo-Saxon." Histoire De L'Art  no. 83 (2018).
  4. McWilliam, N. "“Roots: Landscapes of Nationalism in the Long Nineteenth Century”." A Companion to Nineteenth-Century Art. Edited by Facos, M.  (2018): 281-298.  [abs]
  5. McWilliam, N. "Towards a New French Renaissance: Memory, Tradition and Cultural Conservatism in France before the First World War." Art History  vol. 40 no. 4 (September, 2017): 724-743. [doi]
  6. McWilliam, NF. "Michel Melot et l’historiographie d’Honoré Daumier." L’Histoire sociale de l’art. Edited by Froissart, R; McWilliam, N; Porterfield, T.  (2015).
  7. N.F. McWilliam. "Le XIXe siècle au prisme des Visual Studies." Revue d’histoire du XIXe siècle  no. 49 (2014): 137-173. (discussion with Manuel Charpy, Christian Joschke, Ségolène Le Men & Vanessa Schwartz)
  8. "David d’Angers et la socialisation de l’exemplarité." L’Art social en France de la Révolution à la Grande Guerre. Edited by Cathérine Meneux, Neil McWilliam, Julie Ramos.  (2014).
  9. McWilliam, NF. "La Bataille romantique 1900-1950." L’Histoire de l’art en France 1890-1950: Acteurs, Institutions, Enjeux. Edited by Passini, M; McWilliam, N.  (2014).
  10. McWilliam, NF. "Le Romantisme comme enjeu." L’Histoire de l’art en France 1890-1950: Acteurs, Institutions, Enjeux. Edited by NeilMcWilliam, ; Passini, M.  (2013).
  11. McWilliam, NF. "’L’Epoque n’a pas d’âme’. Critiques et chrétiens au Salon pendant la monarchie de juillet." La Critique d’art de la Révolution à la monarchie de Juillet: enjeux et pratiques. Edited by Lachenal, L; Méneux, C.  (2013).
  12. McWilliam, NF. "A Sense of Place. Representing the Region in Nineteenth-Century France." Impressionist France. Le Gray to Monet. Edited by Kelly, S.  (2013): 53-65. (Catalog essay for an exhibition curated at SLAM by Simon Kelly)
  13. McWilliam, NF. "Patrie et pédagogie: l’art national selon Léon Rosenthal." Léon Rosenthal (1870-1932), militant, critique et historien de l’art  (2013): 209-222. (Volume edited by Bertrand Tiller)
  14. McWilliam, NF. "Au-delà de la ’République des arts’: les artistes, l’état et le marché au 19e siècle." Faire art comme on fait société. Les Nouveaux commanditaires. Edited by Joschke, C.  (2013): 515-32.
  15. Michaud, É; Michaud, Y; Orwicz, MR; McWilliam, N; Bertrand Dorléac, L. "Art, État et idéologies aux xixe et xxe siècles." Perspective  no. 1 (June, 2012): 41-55. [doi]
  16. McWilliam, NF. "How to change the world: Claude-Henri de Rouvroy, comte de Saint-Simon." Utopian Moments: Reading Utopian Texts. Edited by Davis, JC; Avilés, MAR.  (May, 2012): 106-112.
  17. McWilliam, NF. "’Ténébreux compagnons de toute solitude’: Emile Bernard et la littérature." Emile Bernard: Au-delà de Pont-Aven. Edited by McWilliam, N.  (January, 2012): 27-53. (Exhibition catalogue essay)
  18. McWilliam, NF. "Au-delà de Pont-Aven: A la poursuite d’Emile Bernard." Emile Bernard: Au-delà de Pont-Aven. Edited by McWilliam, N.  (January, 2012): 5-23. (Exhibition catalogue)
  19. McWilliam, NF. "David d’Angers et la socialisation de l’exemplarité." L’Art social en France de la Révolution à la Grande Guerre. Edited by McWilliam, N; Meneux, C; Ramos, J.  (2012).
  20. McWilliam, NF. "A la recherche de l'Amérique profonde: l'art patriotique contemporain et l'idée de communauté nationale." Histoire De L'Art  no. 70 (2012): 95-107.
  21. McWilliam, NF. "Avant-garde Anti-Modernism: Caricature and Cabaret Culture in Fin-de-siècle Montmartre." L’art de la caricature. Edited by Men, SL. Les arts en correspondance (November, 2011): 275-295.
  22. McWilliam, NF. "Emile Bernard, Vincent van Gogh et Octave Mirbeau: Critique de la critique." Cahiers Octave Mirbeau  no. 18 (Spring, 2011): 169-177.
  23. McWilliam, NF. "Comment peindre un tableau fouriériste." Charles Fourier – l’écart absolu  (April, 2010): 50-65.
  24. McWilliam, NF. "’Michel Melot et l’historiographie de Daumier’." L’Histoire sociale de l’art. Edited by Bordes, P.  (2010).
  25. McWilliam, NF. "Qui a peur de George Sand? Antiromantisme et antiféminisme chez les maurrassiens." L’Action française et la culture. Edited by McWilliam, NF; Leymairie, M; Dard, O.  (2010): 173-84.
  26. McWilliam, NF. "Emile Bernard’s Reactionary Idealism." Academics, Pompiers, Official Artists and the Arrière-garde: Defining Modern & Traditional in France 1900-1960. Edited by Adamson, N; Norris, T.  (2009): 25-49.
  27. McWilliam, NF. "’Au-delà de la "République des arts": les artistes, l’étate et le marché au XIXe siècle’." Faire Art comme on fait société. Les Nouveaux Commanditaires. Edited by Joschke, C.  (2009): 515-532.
  28. McWilliam, NF. "’L’energie de la race’: La Provence dans la critique d’art de Joachim Gasquet." Visages de la Provence. Edited by Minogue, V; Pollard, P.  (2009): 165-77.
  29. McWilliam, N. "The Culture of Nationalism." Nations and Nationalism in Global Perspective: An Encyclopedia of Origins, Developments and Contemporary Transitions. Edited by Herb, G.  (2008).
  30. McWilliam, NF. "‘Erudition et engagement politique: la double vie de Louis Dimier’." L’Histoire de l’histoire de l’art en France au XIXe siècle. Edited by Recht, R; Sénéchal, P; Barbillon, C; Martin, F-R.  (2008): 403-417.
  31. McWilliam, NF. "Lieux de mémoire, sites de contestation. Le Monument public comme enjeu politique, 1880-1914." La Statuaire publique au XIXe siècle. Edited by Men, SL.  (January, 2005): 104-115.
  32. McWilliam, N. "Action francaise, classicism, and the dilemmas of traditionalism in France, 1900-1914." Studies in the History of Art  vol. 68 (2005): 269-+. [Gateway.cgi]
  33. McWilliam, NF. "Une Esthétique révolutionnaire? La Politique de l’Art social. Aux alentours de 1820-1850’." Arts Et Sociétés  (December, 2004). [html]
  34. McWilliam, N. "Conflicting Manifestations: Parisian Commemoration of Joan of Arc and Etienne Dolet in the Early Third Republic." French Historical StudiesFrench Historical Studies  vol. 27 no. 2 (Spring, 2004): 381-418. [Gateway.cgi], [doi]  [abs]
  35. McWilliam, NF. "Action française, Classicism, and the Dilemmas of Traditionalism in France 1900-1914." Nationalism and French Visual Culture, 1870-1914. Edited by Hargrove, J; McWilliam, N.  (2004).
  36. McWilliam, N. "Conflicting Manifestations: Parisian Commemoration of Joan of Arc and Etienne Dolet in the Early Third Republic."   vol. 27 (2004): 381-418. [40324393], [doi]  [abs]
  37. McWilliam, NF. "Entries on Jean Baffier, Hugues Lapaire, Maxime Réal del Sarte, and Félix Vallotton." Dictionnaire biographique et géographique de l’Affaire Dreyfus. Edited by Oriol, P. Editions Champion (2003).
  38. McWilliam, NF. "Ordering the Past. Nineteenth-Century French History Painting in Retrospect." History Painting in Nineteenth-Century France. Edited by Cook, P; Ledbury, M.  (2003).
  39. McWilliam, NF. "Exercises de style. La Critique devant les Envois de Rome 1800-1873." D’Ingres À Degas. Rome Et Les Artistes Français 1803 1873  (2003): 139-149. (article commissioned for exhibition catalogue)
  40. McWilliam, NF. "Von "Marat" bis "Thermidor": Die Interpretation der Revolution in der Dritten Republik in Frankreich." Revolution, Republik und Reaction: Der Umgang mit dem Erbe der Französischen Revolution 1871-1914. Edited by Gersmann, G; Kohle, H.  (2002): 99-118.
  41. McWilliam, NF. "’Contre-révolution, contre-romantisme . . .’. Esthétique et politique dans l’Action fran¢aise." L’Invention du XIXe siècle. 2. Le XIXe siècle au miroir du XXe’. Edited by al, ACE.  (2002): 109-122.
  42. McWilliam, NF. "Champagne Socialism: Luxury in Fourier's Utopia." Modern and Contemporary France  vol. 9 no. 2 (May, 2001): 149-160.
  43. McWilliam, N. "Gustave Courbet et la Franche-Comté. Besançon." The Burlington Magazine  vol. 143 no. 1175 (2001): 116-117. [889192], [doi]
  44. McWilliam, NF. "Peripheral Visions: Class, Cultural Aspiration and the Artisan Community in Mid-Nineteenth-Century France." Politics and Aesthetics in the Arts. Edited by Gaskell, I; Kemal, S.  (2000): 140-73.
  45. McWilliam, NF. "Commemoration and the Politics of Iconoclasm: The Battle over "les Statues dreyfusardes", 1908-1910." Memory and Oblivion. Edited by Reinink, AW; Stumpel, J.  (January, 1999): 1114 pages.  [abs]
  46. McWilliam, NF. "Mythologising Millet." Barbizon. Malerei der Natur - Natur der Malerei. Edited by Burmester, A; Heilmann, C; Zimmermann, MF.  (1999).
  47. McWilliam, NF. "Craft, Commerce and the Contradictions of Anti-Capitalism: Reproducing the Applied Art of Jean Baffier." Sculpture and Its Reproductions. Edited by Hughes, A; Ranfft, E.  (1997): 209 pages.  [abs]
  48. McWilliam, NF. "Race, Remembrance and 'Revanche': Commemorating the Franco-Prussian War in the Third Republic." Art History: Journal of the Association of Art Historians  vol. 19 no. 4 (1996): 473-498.
  49. McWilliam, N. "Monuments, Martyrdom, and the Politics of Religion in the French Third Republic." Art Bulletin  vol. 77 no. 2 (June, 1995): 186-186. [Gateway.cgi], [doi]
  50. McWilliam, NF. "Les David du XIXe siècle." Art Criticism and Its Institutions in Nineteenth-century France. Edited by Orwicz, MR.  (January, 1994): 200 pages.  [abs]
  51. McWilliam, NF. "Presse, journalistes et critique d'art à Paris de 1849 à 1860." Quarante Huit/Quatorze, Annual Publication of the Musée D'Orsay  vol. 5 (1993).
  52. McWilliam, N. "Baroque in Croatia. Zagreb, Museum of Arts and Crafts." The Burlington Magazine  vol. 135 no. 1087 (1993): 712-713. [885765], [doi]
  53. McWilliam, NF. "Why were there no Great Saint-Simonian Artists?." L'art et les révolutions: L'Art et les transformations sociales révolutionnaires. Edited by Vaughan, W.  (1992): 69-79.
  54. McWilliam, NF. "Opinions professionnelles: critique d'art et économie de la culture sous la Monarchie de juillet." Romantisme  vol. 71 (1991): 19-30.
  55. MCWILLIAM, N. "Limited Revisions: Academic Art History Confronts Academic Art." Oxford Art Journal  vol. 12 no. 2 (January, 1989): 71-86. [doi]
  56. McWilliam, NF. "Le Paysan au Salon." La Critique d'art en France, 1850-1900. Edited by Bouillon, JP.  (1989): 81-94.
  57. McWilliam, NF. "Art, Labour, and Mass Democracy: Debates on the Status of the Artist in France around 1848." Art History: Journal of the Association of Art Historians  vol. 11 no. 1 (March, 1988): 64-87.
  58. MELOT, M. "Daumier and Art History: Aesthetic Judgement/Political Judgement." Oxford Art Journal  vol. 11 no. 1 (January, 1988): 3-24. [doi]
  59. McWilliam, NF. "Objets retrouvés." Art History: Journal of the Association of Art Historians  vol. 10 no. 1 (March, 1987).
  60. McWILLIAM, N. "The Sculptor of Modern Life." Oxford Art Journal  vol. 10 no. 1 (January, 1987): 102-105. [doi]
  61. CHAUDONNERET, M-C. "1848: 'La Republique des Arts'." Oxford Art Journal  vol. 10 no. 1 (January, 1987): 59-70. [doi]
  62. McWILLIAM, N. "Country Life." Oxford Art Journal  vol. 9 no. 1 (January, 1986): 76-81. [doi]
  63. McWilliam, NF; Potts, A. "Richard Wilson: Landscapes of Reaction." History Workshop Journal  (1985).
  64. McWilliam, NF. "Making Faces." Art History: Journal of the Association of Art Historians  vol. 7 no. 1 (March, 1984): 115-119.
  65. PARSONS, C; MCWILLIAM, N. ""Le Paysan de Paris": Alfred Sensier and the Myth of Rural France." Oxford Art Journal  vol. 6 no. 2 (January, 1983): 38-58. [doi]
  66. McWilliam, N; Potts, A. "The Landscape of Reaction: Richard Wilson (1713?-1782) and His Critics." History Workshop Journal  no. 16 (1983): 171-175. [4288529], [doi]
  67. McWilliam, NF. "David d'Angers and the Panthéon Commission: Politics and Public Works under the July Monarchy'." Art History: Journal of the Association of Art Historians  vol. 5 no. 4 (December, 1982): 6-446.
  68. McWilliam, NF. "Look At Life." Art History: Journal of the Association of Art Historians  vol. 4 no. 4 (December, 1981): 466-470.
  69. McWilliam, N. "Paris. David d'Angers, Maître d'Hébert." The Burlington Magazine  vol. 122 no. 933 (1980): 860-863. [880184], [doi]
  70. McWILLIAM, N. "A Microcosm of the Universe: The Building of the University Museum." Oxford Art Journal  vol. 1 no. 1 (January, 1978): 23-27. [doi]

Edited Volumes

  1. McWilliam, NF. ’L’Epoque n’a pas d’âme’: Critiques et chrétiens au Salon pendant la monarchie de Juillet.   (October, 2014).
  2. N.F. McWilliam. L’Art social en France de la Révolution à la Grande Guerre. Une Anthologie de textes primaires.   (September, 2014). [4825]
  3. N.F. McWilliam. L’Art social en France de la Révolution à la Grande Guerre.   (2014).
  4. McWilliam, NF; Jungerman, N. Entretien avec Neil McWilliam. Florilettres  no. 136 (Summer, 2012): 2-17.  [abs]
  5. McWilliam, NF. Emile Bernard: Au-delà de Pont-Aven.   (January, 2012): 118-118. (Exhibition catalogue)  [abs]
  6. McWilliam, NF. Sanat/Utopya. Mutluluk Hayalleri: Sosyal Sanat ve Fransiz solu (1830-1850).   (November, 2011): 570 pp.-570 pp..
  7. N.F. McWilliam (ed.). Lines of Attack: Conflicts in Caricature.   (2010).
  8.  Nationalism and French Visual Culture, 1870-1914.  Studies in the History of Art (May, 2005).
  9. McWilliam, N. 'Un enterrement à Paris': Courbet's Political Contacts in 1845. The Burlington Magazine  vol. 125 no. 960 (1983): 155-157. [881205], [doi]
  10. Schuster, V; Alston, D; McWilliam, N. Preface. Oxford Art Journal  vol. 1 no. ArticleType: misc / Issue Title: Art in (1978): XI+XII+XIII+. [doi]
 

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