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Books
- Perkins, KA; Richards, SL; Craft, RA; De Frantz, TF, The Routledge Companion to African American Theatre and Performance
(January, 2018),
pp. 1-426, Routledge, ISBN 9781138726710 [doi] [abs]
- Black Performance Theory, edited by DeFrantz, TF; Gonzalez, A
(April, 2014),
pp. 296 pages, Duke University Press, ISBN 0822377012 [abs]
- DeFrantz, TF, Dancing Revelations: Alvin Ailey's Embodiment of African American Culture
(October, 2011),
pp. 1-320, Oxford University Press, ISBN 9780195301717 [doi] [abs]
- Dancing Many Drums, edited by Defrantz, TF
(April, 2002),
pp. 384 pages, Univ of Wisconsin Press, ISBN 0299173135 [abs]
Essays, Articles, Chapters in Books
- DeFrantz, TF, Black dance and technologies of wellness,
Theatre, Dance and Performance Training, vol. 13 no. 2
(January, 2022),
pp. 212-213 [doi]
- Defrantz, TF, Intermediality and queer African American improvisation: Dianne mcintyre, sounds in motion,
Theatre Research International, vol. 46 no. 2
(July, 2021),
pp. 115-127 [doi] [abs]
- DeFrantz, TF, The race of contemporary ballet: Interpellations of africanist aesthetics,
in The Oxford Handbook of Contemporary Ballet
(January, 2021),
pp. 562-580, ISBN 9780190871499 [doi] [abs]
- DeFrantz, TF, The talking,
Theater, vol. 50 no. 3
(November, 2020),
pp. 63-67 [doi]
- DeFrantz, TF, Soundz at the back of my head,
Theater, vol. 50 no. 3
(November, 2020),
pp. 69-85 [doi]
- Defrantz, TF, Training Beyond: ‘Curating the End of the World’ (Part I and Part II) by New York Live ArtsGoogle Arts & Culture, 2020 1, Organized by Reynaldo Anderson, Tiffany E. Barber and Stacey Robinson with the Black Speculative Arts Movement,
Performance Research, vol. 25 no. 8
(January, 2020),
pp. 176-177 [doi]
- Coleman, G; Defrantz, TF, Reach, Robot: AfroFuturist Technologies,
in We Travel the Space Ways: Black Imagination, Fragments, and Diffractions
(January, 2019),
pp. 53-67, ISBN 9783837646016
- Defrantz, TF, White privilege,
Theater, vol. 48 no. 3
(November, 2018),
pp. 23-37, Duke University Press [doi]
- DeFrantz, TF; Badejo, P, Forewords
(January, 2018),
pp. vii-xii, Springer International Publishing, ISBN 9783319703138 [doi]
- DeFrantz, TF, Them: Recombinant aesthetics of restaging experimental performance,
in The Sentient Archive: Bodies, Performance, and Memory
(January, 2018),
pp. 268-292, ISBN 9780819577740
- DeFrantz, TF, I Am Black: (You have to be willing to not know),
Theater, vol. 47 no. 2
(January, 2017),
pp. 9-21, Duke University Press [doi]
- DeFrantz, TF, Identifying the endgame,
Theater, vol. 47 no. 1
(January, 2017),
pp. 3-15, Duke University Press [doi]
- Defrantz, TF, Bone-breaking, black social dance, and queer corporeal orature,
The Black Scholar, vol. 46 no. 1
(January, 2016),
pp. 66-74, Informa UK Limited [doi]
- DeFrantz, TF; Willis, TA, Introduction: Black moves: New research in black dance studies,
The Black Scholar, vol. 46 no. 1
(January, 2016),
pp. 1-3, Informa UK Limited [doi]
- DeFrantz, T, Hip Hop in Hollywood: Encounter, Community, Resistance,
in The Oxford Handbook of Dance and the Popular Screen, edited by Borelli, MB
(July, 2014),
pp. 476 pages, Oxford University Press, ISBN 0199897824
- DeFrantz, T, Hip Hop Habitus v.2.0,
in Black Performance Theory: An Anthology of Critical Readings, edited by DeFrantz, TF; Gonzalez, A
(April, 2014),
pp. 223-242, Duke University Press, ISBN 0822377012 [abs]
- DeFrantz, T, Unchecked Popularity: Neoliberal Circulations of Black Social Dance,
in Neoliberalism and Global Theatres: Performance Permutations, edited by Nielson, L; Ybarra, P
(August, 2012),
pp. 128-140, Palgrave Macmillan, ISBN 9781137035530
- DeFrantz, T, Unchecked Popularity: Neoliberal Circulations of Black Social Dance,
in Neoliberalism and Global Theatres, edited by Nielsen, LD; Ybarra, P
(July, 2012),
pp. 328 pages, Palgrave Macmillan, ISBN 1137035536 [abs]
- DeFrantz, T, Theorizing Connectivity: African American Women in Concert Dance,
Journal of Pan African Studies, vol. 4 no. 6
(September, 2011),
pp. 56-74 [htm] [abs]
- DeFrantz, TF, Movement in the age of globalization: A Panel,
Theater, vol. 40 no. 1
(April, 2010),
pp. 39-45, Duke University Press, ISSN 0161-0775 [doi]
- DeFrantz, T, 'Popular Dances of the 1920s and early 30s: From Animal Dance Crazes to the Lindy Hop' and 'Popular African American Dance of the 1950s and 60s.',
in Ain't Nothing LIke the Real Thing, edited by Carlin, R; Conwill, K
(April, 2010),
pp. 66-70, Smithsonian Inst Press (Natl Museum of African American History and Culture), ISBN 1588342697 [abs]
- DeFrantz, T, Performing The Breaks: African American Aesthetic Structures,
Theatre Journal, vol. 40 no. 1
(January, 2010),
pp. 31-37, Duke University Press, ISSN 0192-2882 [doi]
- DeFrantz, T, Donald Byrd: Re/Making 'Beauty',
in Dance discourses, edited by Franco, S; France, CNDLD
(December, 2007),
pp. 221-235, Routledge, ISBN 0415423082 [doi] [abs]
- DeFrantz, T, Hip Hop Sexualities,
in Handbook of the New Sexuality Studies, edited by Seidman, S; Fischer, N; Meeks, C
(March, 2007),
pp. 512 pages, Routledge, ISBN 113416923X
- DeFrantz, TE, Composite Bodies of dance: The repertory of the Alvin Ailey American dance theater,
Theatre Journal, vol. 57 no. 4
(December, 2005),
pp. 659-678, Johns Hopkins University Press, ISSN 0192-2882 [doi]
- DeFrantz, T, On the Presence of the Body: Essays on Dance and Performance Theory, edited by Lepecki, A
(2004),
pp. 64-81, Wesleyan University Press
- DeFrantz, T, Believe the Hype! Hype Williams and Afro-Futurist Filmmaking,
Refractory: a Journal of Entertainment Media, vol. 4
(2003), ISSN 1447-4905 [available here]
- DeFrantz, T, African American Dance: A Complex History,
in Dancing Many Drums, edited by Defrantz, TF
(April, 2002),
pp. 384 pages, Univ of Wisconsin Press, ISBN 0299173135 [abs]
- Defrantz, TF, IV. Blacking Queer Dance,
Dance Research Journal, vol. 34 no. 2
(January, 2002),
pp. 102-105 [doi]
- DeFrantz, T, Being Savion Glover: Translocation, Black Masculinity, and Hip Hop Tap Dance, edited by Burt, R; Foster, SL,
Discourses in Dance
(2002),
pp. 102-105, ISSN 1474-533X
- DeFrantz, T, Blacking Queer Dance,
Dance Research Journal, vol. 34 no. 2
(2002),
pp. 102-105, JSTOR [doi]
- DeFrantz, T, Black Bodies Dancing Black Culture: Black Atlantic Transformations,
Embodying Liberation: the Black Body in American Dance, vol. 4
(2001),
pp. 11-16
- DeFrantz, T, Demons of Disorder: Early Blackface Minstrels and Their World. By Dale Cockrell. New York: Cambridge University Press, 1997; 256 pp.; $59.95 cloth, $19.95 paper. Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy. Edited by Annemarie Bean, James V. Hatch, and Brooks McNamara. Hanover, NH: Wesleyan University Press, UPNE, 1996; 310 pp.; 25 illustrations, $22.95 paper. Resistance, Parody, and Double Consciousness in African American Theatre, 1895–1910. By David Krasner. New York: St. Martin's Press, 1997; 252 pp.; $55.00 cloth, $16.95 paper.,
Tdr/The Drama Review, vol. 44 no. 3
(September, 2000),
pp. 183-188, MIT Press - Journals, ISSN 1054-2043 [Gateway.cgi], [doi]
- DeFrantz, T, Ballet In Black: Louis Johnson and Vernacular Humor,
in Dancing Bodies, Living Histories, edited by Doolittle, L; Flynn, A
(2000),
pp. 178-195, Banff Centre Press, ISBN 0920159699
- DeFrantz, T, To Make Black Bodies Strange: Social Protest in Concert Dance of the Black Arts Movement,
in African American Performance: A Sourcebook, edited by Bean, A
(1999),
pp. 83-93, Routledge
- DeFrantz, T, Stoned Soul Picnic: Alvin Ailey and the Struggle to Define Official Black Culture,
in Soul: Black Power, Politics, and Pleasure, edited by Guillory, M; Green, R
(1998),
pp. 216-227, NYU Press
- DeFrantz, T, Black dance confab focuses on education + Dallas-Black-Dance-Theatre hosts the 10th annual conference of the International-Association-of-Blacks-in-Dance,
Dance Magazine, vol. 71 no. 5
(1997),
pp. 20-&, ISSN 0011-6009 [Gateway.cgi]
- DeFrantz, T, Simmering Passivity: The Black Male Body in Concert Dance,
in Moving Words: New Directions in Dance Criticism, edited by Morris, G
(1996),
pp. 216-227, Routledge
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