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Research Interests for Mark Antliff

Research Interests: 19th & 20th Century, Europe, Gender, and Theory

Mark Antliff received his Ph.D. from Yale University and is author of Inventing Bergson: Cultural Politics and the Parisian Avant-Garde as well as co-author of Fascist Visions: Art and Ideology in France and Italy, and, with Patricia Leighten, Cubism and Culture. His research and teaching interests focus on art in Europe before 1945, with special attention to cultural politics in all its permutations, as well as the interrelation of art and philosophy.

Keywords:
Anarchism, Art and philosophy, Art and society, Cubism--Influence, Fascism and culture, Futurism (Art)
Representative Publications
  1. Antliff, M; Klein, S, Vorticism: New Perspectives (2013), Oxford University Press
  2. Antliff, M; Greene, V, The Vorticists: Rebel Artists in London and New York, 1914-1918. (2010)
  3. Mark Antliff and Patricia Leighten, A Cubism Reader: Documents and Criticism 1906-1914, University of Chicago Press (2008) [abs]
  4. Avant-Garde Fascism: The Mobilization of Myth, Art and Culture in France, 1909-1939, Duke University Press (2007)
  5. Antliff, M; Leighten, P, Cubism and Culture (2001), London and New York: Thames and Hudson (French Edition, 2002, Cubisme et culture.)
  6. Antliff, M, Inventing Bergson: Cultural Politics and the Parisian Avant-Garde (1993), Princeton University Press
  7. Antliff, M, From Class War to Creative Revolution: Bergson, Communitas and the European Left, Annales Bergsoniennes, vol. VII (Winter, 2014), pp. 235-58
  8. Antliff, M, Contagious Joy: Jacob Epstein, The Tomb of Oscar Wilde, and Action d’art, Journal of Modern Periodical Studies, vol. 4 no. 2 (October, 2013), pp. 195-225, ISSN 1947-6574 [doi[abs]
  9. Antliff, M, Revolutionary Immanence: Bergson among the Anarchists, in Bergson and the Art of Immanence, edited by Mullarkey, J; Mille, CD (2013), pp. 94-111, Edinburgh University Press
  10. Antliff, M, Shaping duration: Bergson and modern sculpture, The European Legacy, vol. 16 no. 7 (December, 2011), pp. 899-918, Informa UK Limited, ISSN 1084-8770 [Gateway.cgi], [doi[abs]
  11. Antliff, M, Henri Gaudier-Brzeska's guerre sociale: Art, Anarchism and Anti-Militarism in Paris and London, 1910-1915, Modernism Modernity, vol. 17 no. 1 (January, 2010), pp. 135-169, ISSN 1071-6068 [Gateway.cgi]
  12. Mark Antliff, , Alvin Langdon Coburn Among the Vorticists: Studio Photographs and Lost Works by Jacob Epstein, Wyndham Lewis and Edward Wadsworth, Burlington Magazine, vol. CLII no. 1290 (2010), pp. 580-589
  13. Antliff, M, The Jew As Anti-Artist: Georges Sorel, Antisemitism, and the Aesthetics of Class-Consciousness, in Jewish Dimensions in Modern Visual Culture: Antisemitism, Assimilation, Affirmation, edited by Baigel, M; Heyd, M; Washton-Long, RC (2010), pp. 19-50, Brandeis University Press
  14. Antliff, M, Classical violence: Thierry Maulnier, French Fascist Aesthetics and the 1937 Paris World's Fair, Modernism Modernity, vol. 15 no. 1 (January, 2008), pp. 45-62, Johns Hopkins University Press, ISSN 1071-6068 [Gateway.cgi], [doi]
  15. Antliff, M, Georges Sorel and the Anti-Enlightenment: Art, Politics, Ideology, in Nationalism and French Visual Culture, 1870-1914: A Symposium, edited by Hargrove, J; McWilliam, N (2005), pp. 307-332, Yale University Press (Studies in the History of Art, National Gallery of Art, Washington.)
  16. Antliff, M; Leighten, P, Primitive, in Critical Terms for Art History, edited by Nelson, RS; Shiff, R (2003), University of Chicago Press
  17. Antliff, M, Fascism, modernism, and modernity, Art Bulletin, vol. 84 no. 1 (January, 2002), pp. 148-169, JSTOR, ISSN 0004-3079 (reprinted in Critical Concepts in Political Science: Fascism, eds. Matthew Feldman and Roger Griffin, Routledge (2003).) [Gateway.cgi], [doi]
  18. Antliff, M, The Rhythms of Duration: Bergson and the Art of Matisse, in The New Bergson, edited by Mullarkey, J (1999), pp. 184-208, Manchester: Manchester University Press

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