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Publications of Mark Antliff    :chronological  alphabetical  combined  bibtex listing:


  1. Antliff, M; Leighten, P. Le cubisme devant ses contemporains – Documents et critiques (1906-1914).  Les presses du réel, 2019. (Forthcoming)  [abs]
  2. Antliff, M. Sculpture Against the State: Anarchism, Vorticism and the Cosmopolitan Avant-Garde. 2014.
  3. Antliff, M; Klein, S. Vorticism: New Perspectives.  Oxford University Press, 2013.
  4. Antliff, M; Greene, V. The Vorticists: Rebel Artists in London and New York, 1914-1918.. 2010.
  5. Mark Antliff and Patricia Leighten. A Cubism Reader: Documents and Criticism 1906-1914, University of Chicago Press. 2008.  [abs]
  6. Antliff, M; Leighten, P. A Cubism Reader: Documents and Criticism 1906-1914.  University of Chicago Press, 2008.  [abs]
  7.  Avant-Garde Fascism: The Mobilization of Myth, Art and Culture in France, 1909-1939, Duke University Press. 2007.
  8. Antliff, M. Avant-Garde Fascism: The Mobilization of Myth, Art and Culture in France, 1909-1939,.  Duke University Press, 2007.
  9. Antliff, M; Leighten, P. Cubism and Culture.  London and New York: Thames and Hudson, 2001. (French Edition, 2002, Cubisme et culture)
  10. Antliff, M. Fascist Visions: Art and Ideology in France and Italy.  edited by Affron, M; Antliff, M Princeton University Press, 1997. (Contributors: Walter Adamson (History, Emory University); Matthew Affron (Art History, University of Virginia); Emily Braun (Art History, Hunter College, City University of New York); Michele Cone (Art History, New School for Social Research); Emilio Gentile (Political Science, Universita di Roma); Nancy Locke (Art History, Wayne State University); Marla Stone (History, Occidental University))
  11. Antliff, M. Inventing Bergson: Cultural Politics and the Parisian Avant-Garde.  Princeton University Press, 1993.

Papers Published

  1. "Pacifism, Violence and Aesthetics: George Woodcock's Anarchist Sojourn, 1940-1950." Anarchist Studies 23:1 (May, 2015): 15-44.
  2. Antliff, M. "From Class War to Creative Revolution: Bergson, Communitas and the European Left." Annales Bergsoniennes VII (Winter, 2014): 235-58.
  3. Levebre, A; White, M; Antliff, M. "Bergson, Politics and Religion." Symplokē  (2014).
  4. Antliff, M. "From Class War to Creative Revolution: Bergson’s Communist Legacy in Britain." Annales Bergsoniennes  (2014).
  5. Antliff, M. "Contagious Joy: Jacob Epstein, The Tomb of Oscar Wilde, and Action d’art." Journal of Modern Periodical Studies 4:2 (October, 2013): 195-225. [doi]  [abs]
  6. Antliff, M. "Contagious joy: Anarchism, censorship and the reception of Jacob Epstein's Tomb of Oscar Wilde, c. 1913." The Journal of Modern Periodical Studies 4:2 (January, 2013): 195-225. [doi]  [abs]
  7. Antliff, M. "Introduction: Vorticisms." Vorticism: New Perspectives  (2013): 1-11.
  8. Antliff, M. "Politicizing the New Sculpture." Vorticism: New Perspectives  (2013): 102-118.
  9. Antliff, M. "Revolutionary Immanence: Bergson among the Anarchists." Bergson and the Art of Immanence  (2013): 94-111.
  10. Antliff, M. "La sculpture contre l’État. Gaudier Brzeska, Dora Marsden, Ezra Pound." Artistes et partis – Esthétique et politique (1900-1945)  (2012).
  11. Antliff, M. "Nasjonens kroppslighet: kubisme og keltisk nasjonalisme." Paginert Utgave I Teori & Praksis 1 (2012): 1-19.
  12. Antliff, M. "Bad Anarchism; Aestheticized Mythmaking and the Legacy of Georges Sorel among the European Left." Anarchist Developments in Cultural Studies :2 (2012): 155-187.
  13. Antliff, M. "Shaping duration: Bergson and modern sculpture." The European Legacy 16:7 (December, 2011): 899-918. [Gateway.cgi], [doi]  [abs]
  14. Antliff, M. "Drawing the Vortex." Tate, Etc.  (June, 2011): 36-41.
  15. Antliff, M. "Mitos de revolución: fascismo de vanguardia en Francia." Afinidades. Revista De Literatura Y Pensamiento  (May, 2011): 23-35.
  16. Antliff, M. "Labor, Leisure, and Dissident Socialism: Robert L. Herbert’s Social History of Art." Histoire sociale de l’art: une anthologie critique  (2011).
  17. Antliff, M. "Organicism among the Cubists: The Case of Raymond Duchamp-Villon." Biocentrism and Modernism  (2011): 161-181.
  18. Antliff, M. "Labor, Leisure, and Dissident Socialism: Robert L. Herbert’s Social History of Art."   (2011).
  19. Antliff, M. "Henri Gaudier-Brzeska's guerre sociale: Art, Anarchism and Anti-Militarism in Paris and London, 1910-1915." Modernism Modernity 17:1 (January, 2010): 135-169. [Gateway.cgi]
  20. Antliff, M. "The Jew As Anti-Artist: Georges Sorel, Antisemitism, and the Aesthetics of Class-Consciousness." Jewish Dimensions in Modern Visual Culture: Antisemitism, Assimilation, Affirmation  (2010): 19-50.
  21. Antliff, M. "Classicism Neither Right nor Left: the Combat Group and the Cultural Politics of French Fascism during the 1930’s." Academics, Pompiers, Official Artists and the Arrière-garde: Defining Tradition in France, 1900-1960  (2010): 169-189.
  22. Antliff, M. "Sculptural Nominalism/Anarchist Vortex: Henri Gaudier-Brzeska, Dora Marsden, Ezra Pound." The Vorticists: Rebel Artists in London and New York, 1914-1918  (2010): 47-57.
  23. Mark Antliff,. "Alvin Langdon Coburn Among the Vorticists: Studio Photographs and Lost Works by Jacob Epstein, Wyndham Lewis and Edward Wadsworth." Burlington Magazine CLII:1290 (2010): 580-589.
  24. Antliff, M. "Sculpture against the State." Memoria E Ricerca 33 (2010): 49-62.
  25. Antliff, M. "Classical violence: Thierry Maulnier, French Fascist Aesthetics and the 1937 Paris World's Fair." Modernism Modernity 15:1 (January, 2008): 45-62. [Gateway.cgi], [doi]
  26. Antliff, M. "’Their Country’: Henri Gaudier, Anarchism, and Anti-Militarism, 1910-1914." ‘We the Moderns’: Gaudier Brzeska and his European Contemporaries  (2007): 75-87.
  27. Antliff, M; Antliff, A. "Correspondence: Kenneth Roxroth to Hebert Read and George Woodcock." Chicago Review: Special Issue on Kenneth Rexroth  (Fall, 2006).
  28. Antliff, M. "Cubism." Encyclopedia of Europe, 1789-1914  (2006).
  29. Antliff, M. "Bergson." Encyclopedia of Europe, 1789-1914  (2006).
  30. Antliff, M. "Modernism." Historical Encyclopedia of World Fascism, edited by Cyprian Blamires  (2006).
  31. Antliff, M. "Georges Sorel and the Anti-Enlightenment: Art, Politics, Ideology."  Studies in the History of Art, National Gallery of Art, Washington Nationalism and French Visual Culture, 1870-1914: A Symposium  (2005): 307-332.
  32. Antliff, M; Leighten, P. "Primitive." Critical Terms for Art History  (2003).
  33. Antliff, M. "Response to Roger Griffin's: The Primacy of Culture: The Current Growth (or Manufacture) of Consensus in Fascist Studies." Journal of Modern History  (April, 2002): 267-272.
  34. Antliff, M. "Fascism, modernism, and modernity."  reprinted in Critical Concepts in Political Science: Fascism, eds. Matthew Feldman and Roger Griffin, Routledge (2003) Art Bulletin 84:1 (January, 2002): 148-169. [Gateway.cgi], [doi]
  35. Antliff, M. "Emily Braun, Mario Sironi and Italian Modernism: Art and Politics under Facism (2000)."  in the on-line journal CAA: REVIEWS   (November, 2001).
  36. Antliff, M. "Machine Primitives: Philippe Lamour, Germaine Krull, and the Fascist Cult of Youth." Qui Parle  (2001): 57-102.
  37. Antliff, M. "The Fourth Dimension and Futurism: A Politicized Space." Art Bulletin 82:4 (December, 2000): 720-720. [Gateway.cgi], [doi]
  38. Antliff, M. "Creative Time: Bergson and European Modernism." Tempus Fugit  (2000): 35-65.
  39. Antliff, M. "Modernism and Facism: French Fascist Aesthetics Between the Wars." Re-thinking Images Between the Wars: New Perspectives in Art History  (2000): 13-45.
  40. Antliff, M. "Cubism in the Shadow of Marx: David Cottington, Cubism in the Shadow of War: The Avant-Garde and Politics in Paris, 1905-1914, Yale University Press, 1998." Art History  (September, 1999): 444-50.
  41. Antliff, M. "David Weir, Anarchy and Culture: The Aesthetic Politics of Modernism, University of Massachusetts Press, 1997." Modernism/Modernity  (January, 1999): 167-69.
  42. Antliff, M. "The Rhythms of Duration: Bergson and the Art of Matisse." The New Bergson  (1999): 184-208.
  43. Antliff, M. "Cubism, futurism, anarchism: The 'aestheticism' of the action d'art group, 1906-1920." Oxford Art Journal 21:2 (December, 1998): 99-120. [Gateway.cgi], [doi]  [abs]
  44. Antliff, M. "Bergson and Poltics and Aesthetics: Aestheticized Politics."  Vol. 1, pgs. 266-268, Vol. IV, pgs. 26-29 The Encyclopedia of Aesthetics Vols. 1-4 (1998).
  45. Antliff, M. "Romy Golan, Modernity & Nostalgia: Art and Politics between the Wars, 1995."  Art History, 505-507   (September, 1997).
  46. Antliff, M. "The Jew as anti-artist: Georges Sorel, anti-semitism, and the aesthetics of class consciousness." Oxford Art Journal 20:1 (January, 1997): 50-67. [Gateway.cgi], [doi]
  47. Antliff, M; Affron, M. "Art and Fascist Ideology in France and Italy: An Introduction." Fascist Visions: Art and Ideology in France and Italy  (1997).
  48. Antliff, M. "La Cite francaise: George Valois, Le Corbusier, and Fascist Theories of Urbanism." Fascist Visions: Art and Ideology in France and Italy  (1997).
  49. Pratt, S. "Organicism against itself: Cubism, duchamp-villon and the contradictions of modernism." Word & Image 12:4 (January, 1996): 366-388. [Gateway.cgi], [doi]  [abs]
  50. Antliff, M. "Cubism, Celtism, and the Body Politic." Art Bulletin 74:4 (December, 1992): 655-655. [Gateway.cgi], [doi]
  51. Antlfif, M. "Bergson and Cubism: A reassessment."  translated into Japanese in Gendai shiso: revue de la Pensee d'aujourd 'hui, Tokyo, vol. 23, 1995 Art Journal  (Winter, 1988): 341-349.

Papers Accepted

  1. "Labor, Leisure, and Dissident Socialism: Robert L. Herbert’s Social History of Art." Histoire sociale de l’art: une anthologie critique  (2015).

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