Publications of Mark Antliff
Books
- Antliff, M. Sculptors Against the State: Anarchism and the Anglo-European Avant-Garde. Penn State University Press,
2021.
- Antliff, M; Leighten, P. Le cubisme devant ses contemporains – Documents et critiques (1906-1914). Les presses du réel,
2019. (Forthcoming)
- Antliff, M; Klein, SW. Vorticism New Perspectives. Oxford University Press,
October, 2013: 320 pages.
- Antliff, M; Greene, V. The Vorticists: Rebel Artists in London and New York, 1914-1918.. 2010.
- Mark Antliff and Patricia Leighten. A Cubism Reader: Documents and Criticism 1906-1914, University of Chicago Press. 2008.
- Antliff, M; Leighten, P. A Cubism Reader: Documents and Criticism 1906-1914. University of Chicago Press,
2008.
- Avant-Garde Fascism: The Mobilization of Myth, Art and Culture in France, 1909-1939, Duke University Press. 2007.
- Antliff, M. Avant-Garde Fascism: The Mobilization of Myth, Art and Culture in France, 1909-1939,. Duke University Press,
2007.
- Antliff, M; Leighten, P. Cubisme et culture. Thames and Hudson,
2002. (translated by Diebold, C-M)
- Antliff, M; Leighten, P. Cubism and Culture. London and New York: Thames and Hudson,
2001. (French Edition, 2002, Cubisme et
culture)
- Antliff, M. Fascist Visions: Art and Ideology in France and Italy. edited by Affron, M; Antliff, M Princeton University Press,
1997. (Contributors: Walter Adamson (History, Emory
University); Matthew Affron (Art History,
University of Virginia); Emily Braun (Art
History, Hunter College, City University of
New York); Michele Cone (Art History, New
School for Social Research); Emilio Gentile
(Political Science, Universita di Roma);
Nancy Locke (Art History, Wayne State
University); Marla Stone (History, Occidental
University))
- Antliff, M. Inventing Bergson: Cultural Politics and the Parisian Avant-Garde. Princeton University Press,
1993.
Papers Published
- Antliff, M. "Julia Adeney Thomas and Geoff Eley (eds), Visualizing Fascism: The Twentieth-Century Rise of the Global Right, reviewed by Mark Antliff." Journal of Visual Culture 20:1 (April,
2021): 113-116.
- Antliff, M. "Henri Matisse's Portrait of a Standing Riffian: Islam, Byzantium, and 'Aristocratic Barbarism'." Image, Object, and Text: Canadian Contributions to the Study of Islamic Art and Archaeology (2021).
- Leighten, P; Antliff, M. "“Kandinsky and Radical Ecology: States of Mind, States of Abstraction"." Vasily Kandinsky: Around the Circle. (2021): 29-39.
- Antliff, M. "Pacifism, realism, and pathology: Alex comfort, cecil collins, and neo-romantic art during world war II." Modernism Modernity 27:3 (September,
2020): 519-549.
- Antliff, M; Leighten, P. "Anarchist Modernism after Signac: Fauvism, Futurism, Cubism." Paris 1900 and Post-Impressionism: Signac and the Indépendants (2020).
- Antliff, M. "Egoism, Homosexuality, and Joie de vivre: Jacob Epstein’s Tomb of Oscar Wilde." Anarchism and the Avant-Garde (September,
2019): 37-69.
- Antliff, M. "Contagious Joy: Jacob Epstein, The Tomb of Oscar Wilde, and Action d’art." Anarchism and the Avant-Garde: Radical Arts and Politics in Perspective 4:2 (2019): 195-225.
- Antliff, M. "Into the Vortex: Ezra Pound, Anarchism, and the Ideological Project of Art Criticism." The Companion to Ezra Pound and the Visual Arts (2019): 193-213.
- "Pacifism, Violence and Aesthetics: George Woodcock's Anarchist Sojourn, 1940-1950." Anarchist Studies 23:1 (May,
2015): 15-44.
- Antliff, M. "Bergson, Politics and Religion." Symplokē (2014).
- Antliff, M. "From Class War to Creative Revolution: Bergson’s Communist Legacy in Britain." Annales Bergsoniennes (2014).
- Thompson, WF; Antliff, M. "Bridging two worlds that care about art: psychological and historical approaches to art appreciation.." Behavioral and Brain Sciences 36:2 (April,
2013): 159-160.
- Antliff, M. "Contagious joy: Anarchism, censorship and the reception of Jacob Epstein's Tomb of Oscar Wilde, c. 1913." The Journal of Modern Periodical Studies 4:2 (January,
2013): 195-225.
- Antliff, M. "Introduction: Vorticisms." Vorticism: New Perspectives (2013): 1-11.
- Antliff, M. "Politicizing the New Sculpture." Vorticism: New Perspectives (2013): 102-118.
- Antliff, M. "Revolutionary Immanence: Bergson among the Anarchists." Bergson and the Art of Immanence (2013): 94-111.
- Antliff, M. "Fascism and Art History: A Paradigm Shift." Fascism 1:1 (January,
2012): 53-54.
- Antliff, M. "La sculpture contre l’État. Gaudier Brzeska, Dora Marsden, Ezra Pound." Artistes et partis – Esthétique et politique (1900-1945) (2012).
- Antliff, M. "Nasjonens kroppslighet: kubisme og keltisk nasjonalisme." Paginert utgave I Teori & Praksis 1 (2012): 1-19.
- Antliff, M. "Bad Anarchism; Aestheticized Mythmaking and the Legacy of Georges Sorel among the European Left." Anarchist Developments in Cultural Studies :2 (2012): 155-187.
- Antliff, M. "Shaping duration: Bergson and modern sculpture." The European Legacy 16:7 (December,
2011): 899-918.
- Antliff, M. "Drawing the Vortex." Tate, etc. (June,
2011): 36-41.
- Antliff, M. "Mitos de revolución: fascismo de vanguardia en Francia." Afinidades. Revista de Literatura y Pensamiento (May,
2011): 23-35.
- Antliff, M. "Labor, Leisure, and Dissident Socialism: Robert L. Herbert’s Social History of Art." Histoire sociale de l’art: une anthologie critique (2011).
- Antliff, M. "Organicism among the Cubists: The Case of Raymond Duchamp-Villon." Biocentrism and Modernism (2011): 161-181.
- Antliff, M. "Henri Gaudier-Brzeska's guerre sociale: Art, Anarchism and Anti-Militarism in Paris and London, 1910-1915." Modernism Modernity 17:1 (January,
2010): 135-169.
- Antliff, M. "The Jew As Anti-Artist: Georges Sorel, Antisemitism, and the Aesthetics of Class-Consciousness." Jewish Dimensions in Modern Visual Culture: Antisemitism, Assimilation, Affirmation (2010): 19-50.
- Antliff, M. "Classicism Neither Right nor Left: the Combat Group and the Cultural Politics of French Fascism during the 1930’s." Academics, Pompiers, Official Artists and the Arrière-garde: Defining Tradition in France, 1900-1960 (2010): 169-189.
- Antliff, M. "Sculptural Nominalism/Anarchist Vortex: Henri Gaudier-Brzeska, Dora Marsden, Ezra Pound." The Vorticists: Rebel Artists in London and New York, 1914-1918 (2010): 47-57.
- Mark Antliff,. "Alvin Langdon Coburn Among the Vorticists: Studio Photographs and Lost Works by Jacob Epstein, Wyndham Lewis and Edward Wadsworth." Burlington Magazine CLII:1290 (2010): 580-589.
- Antliff, M. "Sculpture against the State." Memoria e ricerca 33 (2010): 49-62.
- Antliff, M. "Classical violence: Thierry Maulnier, French fascist aesthetics and the 1937 Paris world's fair." Modernism Modernity 15:1 (2008): 45-62.
- Antliff, M. "’Their Country’: Henri Gaudier, Anarchism, and Anti-Militarism, 1910-1914." ‘We the Moderns’: Gaudier Brzeska and his European Contemporaries (2007): 75-87.
- Antliff, M; Antliff, A. "Correspondence: Kenneth Roxroth to Hebert Read and George Woodcock." Chicago Review: Special Issue on Kenneth Rexroth (Fall,
2006).
- Antliff, M. "Cubism." Encyclopedia of Europe, 1789-1914 (2006).
- Antliff, M. "Bergson." Encyclopedia of Europe, 1789-1914 (2006).
- Antliff, M. "Modernism." Historical Encyclopedia of World Fascism, edited by Cyprian Blamires (2006).
- Antliff, M. "Giorgio Morandi: The art of silence." Journal of Modern Italian Studies 11:1 (2006): 97-99.
- Antliff, M. "Georges Sorel and the Anti-Enlightenment: Art, Politics, Ideology." Studies in the History of Art, National
Gallery of Art, Washington
Nationalism and French Visual Culture, 1870-1914: A Symposium (2005): 307-332.
- Antliff, M; Leighten, P. "Primitive." Critical Terms for Art History (2003).
- Roberts, DD; De Grand, A; Antliff, M; Linehan, T. "Comments on Roger Griffin, the primacy of culture: The current growth (or manufacture) of consensus within fascist studies." Journal of Contemporary History 37:2 (January,
2002): 259-274.
- Antliff, M. "Fascism, modernism, and modernity." reprinted in Critical Concepts in
Political Science: Fascism, eds. Matthew
Feldman and Roger Griffin, Routledge
(2003)
Art Bulletin 84:1 (2002): 148-169.
- Antliff, M. "Emily Braun, Mario Sironi and Italian Modernism: Art and Politics under Facism (2000)." in the on-line journal CAA: REVIEWS
(November,
2001).
- Antliff, M. "Machine Primitives: Philippe Lamour, Germaine Krull, and the Fascist Cult of Youth." Qui Parle (2001): 57-102.
- Antliff, M. "The Fourth Dimension and Futurism: A Politicized Space." Art Bulletin 82:4 (December,
2000): 720-720.
- Antliff, M. "Creative Time: Bergson and European Modernism." Tempus Fugit (2000): 35-65.
- Antliff, M. "Modernism and Facism: French Fascist Aesthetics Between the Wars." Re-thinking Images Between the Wars: New Perspectives in Art History (2000): 13-45.
- Antliff, M. "The Rhythms of Duration: Bergson and the Art of Matisse." The New Bergson (1999): 184-208.
- Antliff, M. "Cubism, futurism, anarchism: The 'aestheticism' of the action d'art group, 1906-1920." Oxford Art Journal 21:2 (January,
1998): 99-120.
- Antliff, M. ""Bergson," and "Politics and Aesthetics: Aestheticized Politics"." Vol. 1, pgs. 266-268, Vol. IV, pgs. 26-29
The Encyclopedia of Aesthetics Vols. 1-4 (1998).
- Antliff, M. "The Jew as anti-artist: Georges Sorel, anti-semitism, and the aesthetics of class consciousness." Oxford Art Journal 20:1 (January,
1997): 50-67.
- Antliff, M; Affron, M. "Art and Fascist Ideology in France and Italy: An Introduction." Fascist Visions: Art and Ideology in France and Italy (1997).
- Antliff, M. "La Cite francaise: George Valois, Le Corbusier, and Fascist Theories of Urbanism." Fascist Visions: Art and Ideology in France and Italy (1997).
- Antliff, M. "Modernity and nostalgia: Art and politics between the wars - Golan,R." Art History 20:3 (1997): 505-507.
- Mark Antliff,. "Organicism Against Itself: Cubism, Duchamp-Villon and the Contradictions of Modernism." Word & Image 12:4 (1996): 366-388.
- Antliff, M. "Cubism, Celtism, and the Body Politic." Art Bulletin 74:4 (December,
1992): 655-668.
- Antlfif, M. "Bergson and Cubism: A reassessment." translated into Japanese in Gendai shiso: revue de la Pensee d'aujourd 'hui, Tokyo, vol. 23, 1995
Art Journal (Winter,
1988): 341-349.
Papers Accepted
- "Labor, Leisure, and Dissident Socialism: Robert L. Herbert’s Social History of Art." Histoire sociale de l’art: une anthologie critique (2015).
Books in Progress
Exhibition Catalogs