Books

1. Hong, G-J, Taiwan Cinema: A Contested Nation on Screen (March, 2011), Palgrave Macmillan .
2. Hong, GJ, Taiwan cinema: A contested nation on screen, paperback edition with expanded afterword (January, 2011), pp. 1-229, Palgrave Macmillan US [doi]  [abs].

Papers Published

1. G. Hong, Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentaries, positions: asia critique, vol. 21 no. 3 (Summer, 2013), pp. 683-701 .
2. Hong, GJ, Voices and their discursive Dis/Content in Taiwan documentary, Frontiers of Literary Studies in China, vol. 7 no. 2 (January, 2013), pp. 183-193 [doi]  [abs].
3. Hong, G, Voice and Its Dis/Content in New Taiwan Documentary, Frontiers of Literary Studies in China (2012) .
4. Hong, G, Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries, Positions: East Asia Cultures Critique (2012) .
5. Hong, G, Historiography of Absence: Taiwan Cinema before New Cinema 1982, Journal of Chinese Cinemas, vol. 4 no. 1 (2010), pp. 5-14 .
6. Hong, G-J, From the Masses to the Masses, Visual Anthropology, vol. 22 no. 1 (2009), pp. 75-76 .
7. Hong, G-J, Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries, Positions: East Asia Cultures Critique (2009) .
8. Guo Juin Hong,, Meet Me in Shanghai: Melodrama and the Cinematic Production of Space in 1930s Shanghai Leftist Films, Journal of Chinese Cinemas, vol. 3 no. 3 (2009), pp. 215-230 .
9. G. Hong, Framing Time: New Women and the Cinematic Representation of Colonial Modernity in 1930s Shanghai, edited by Tani Barlow, positions: east asia cultures critique, vol. 15 no. 3 (2007), pp. 553-580, Duke University Press .
10. Hong, G, Meet Me in Shanghai: Urban Cinema as Refugee Cinema in 1930s Shanghai, Cinema Journal (2006) .
11. Hong, G, Memorandum on Happiness or the Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentary, Postions: East Asia Cultural Critique (2006) .
12. Hong, G, Framing Time: _New Women_ and the Cinematic Representation of Colonial Modernity in 1930s Shanghai, Positions: East Asia Cultural Critique (2005) .
13. Hong, G, Toying with History: Toys and Film Consumption/Criticism/ History, Chungwai Wenxue (Chung Wai Literary Monthly) (September, 2002), Graduate Institute of Foreign Languages, National Taiwan University, Taipei, Taiwan .
14. Hong, G, Strategies of Defiance: Towards a Thesis on Anti-Realist Documentary, Film Appreciation Journal no. 111 (Spring, 2002), National Film Archive, Taipei, Taiwian .

Papers Accepted

1. G. Hong, Meet Me in Shanghai: Urban Melodrama as Refugee Cinema in 1930s Shanghai, Journal of Chinese Cinemas (2008) .

Edited Volumes

1. Hong, G, Theatrics of Cruising: Bath Houses and Movie Houses in Tsia Ming-Linag’s Films, in Queer Sinophone Cultures, edited by Chiang, H; Heinrich, AL (2013), Routledge .
2. Hong, G, Theatrics of Cruising: Bathhouses and Movie Houses in Tsai Ming-Liang’s Films, in Sinophone Queer Reader (2012) .
3. Hong, G, Healthy Realism in Taiwan, 1964-1980: Film Styles, Cultural Policies, and Mandarin Cinema, in The Chinese Cinema Book, edited by Lim, SH; Ward, J (2011), British Film Institute .
4. Hong, G, Theatrics of Cruising: Bathhouses and Movie Houses in Tsai Ming-Liang’s Films, in Sinophone Queer Cinema (2011) .
5. Hong, G-J, Island of No Return: Cinematic Narration as Retrospection in Wang Tong and New Taiwan Cinema, in Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures, edited by Khoo, O; Metzger, S (2009), pp. 57-72, Intellect, the University of Chicago Press .
6. Hong, G, Island of No Return: Cinematic Retrospection in Wang’s Taiwan Trilogy, in Techologies of Temporality in Chinese Cinema (2006) .

Other

1. Hong, G, The Chinese Film Theory (2011), University of Amsterdam Press .
2. Simmons, C, Salt Water (August, 2002), Locus Publishing Company, Taipei, Taiwan (G. Hong, translator.) .